The pioneer farmers and market gardeners in Moorabbin Shire had to be self sufficient and made their own tools and clothing and grew their own food. Some had been farmers in England and brought with them tools that would help them establish homes in the new countryAn example of the typical tools used by pioneers in Moorabbin Shire as they built homes and established farms. c1880 This spokeshave, is a wooden hand - plane that has a very short flat metal sole, used for smoothing curved surfaces.moorabbin, brighton, cheltenham, market gardeners, pioneers, farmers, tools, planes wood

Victour Flyer ( Easter Day Tour to Bendigo) Itinerary and booking details. History (short) and descriptions of Bendigo on back page.place, bendigo, easter

The Parliament House Melbourne. A short history and description. Prepared at the request of The Royal Commission on the Parliament Buildings by Geo. H. JenkinsGeo. H. Jenkinsvictoria, history, parliament house

Sepia portrait of male, dressed in suit. Bearded with short hair. Photography by Bent @ Batchelders Centre of Pall Mall Sandhurst.photo, individual, male portrait

Pot may have been made for J & S Maw (1828-1841-50 at 12 Aldersgate Street, London or one of their subsequent incarnations i.e. S Maw, Son & Sons at the same address. Ref mark on base MAW over D2 (?).Short cylindrical off-white glazed ceramic pot, lid missing, with ridge at base of pot, and text impressed into base.Impressed in the base 'MAW' over 'D2'.

This is the 'old' style of Gelhorn pessary, which is similar in appearance to the Matthews-Duncan disc and stem and the Simpson's shelf gutta-percha. "This type of pessary was used in cases of complete procidenture... thus preventing dragging on the posterior wall of the bladder and the associated incontinence of which most patients complained. When wearing a large pessary with a small pessary, the uterus often came down beside the pessary." (Dr. A.J.Helm-Montigue, Down Bros Ltd. Surgical Instruments and Appliances, p. 1038.Black vulcanite pessary . Consists of a rigid short think stem with bulb at the distal end, and a solid flange at the proximal end.intrauterine device, pessary

Short Street, Bendigo in 1960s. Back of Sacred Heart Cathedral, north of YWCA building, where carpets are now sold.bendigo, streetscape, general street views

A brass, pear shaped container with handle on three short clawed feet. The lid has a Delft blue porcelain knob.

Progressive Phonic Primer for teaching purposes - to assist young pupils in acquiring power of the written word in as short a time as possible.progressive phonic, reader

In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Home of Crawley Cooper, 6 Short Rd, Lincoln, Massachusetts, USA. (Architect: Crawley Cooper.)Inscribed Made in Australia / 16 / AUG 71M1slide, robin boyd

Wedding Dress worn by Liz Forster for her marriage to ? Humphries on 13 January 1965 at St Oswalds Anglican Church conducted by her father the Rev. Joseph Forster.1965 White Guipure lace full length short sleeve wedding dress, piped at waist with full satin lining.costume, female ceremonial

A short version of the life of Barbara Rogalski commencing in 1939 until the year 1997. 4 page newsletter, August, 1997.rogalski, barbara;, nunawading and district historical society

Bridesmaid Dress worn by Joyce Suto (nee Baker) ( a member of the Society) as a bridesmaid at the wedding of her schoolfriend Derri Thomas to Derek Whitfield at Tidenham, Glous, U.K., in April, 1947. Bridesmaid dresses were made of an early kind of nylon with 'cap sleeves' and the material was bought with meagre supply of clothing coupons during postwar clothes rationing. Bridesmaids carried daffodils, irises and pussy-willow. 'Cap sleeves' chosen by the bride were a comparatively new fashion feature and not popular with the bridesmaid. So they all bought enough material for regular sleeves to be added later. The dresses were afterwards worn to dances.Long frock with short (cap) sleeves and a green sash. Frock is made of an early nylon and has a green sash to be worn with itcostume, female ceremonial

Two copies. This is NOT a black and white photo of August Schwerkolt but an actor who was in a short film made about Schwerkolt and the cottage.schwerkolt, johann august

Long cream satin Nightdress with ties at waist. Cream lace at V neckline and edge of short sleeves and hem of gowncostume, female nightwear

WW1 HistoryA Shorter History of the Australian Fighting Services in the First World War. Canberra Australian War Memorial 1952. (Third Edition).

Khaki Army style short sleeve shirt. Holes on shoulder boards where badges have been removed from.

00049.1 Short sleeved jacket - no rank. 00049.2 White trousers. 00049.3 Long sleeve jacket with white Bow TieShoulderinsignia AUSTRALIA. 00049.3 showing Gunlayer rank with double knot.

WW2 short gaiters. Canvas with leather strapping and brass buckles.Mixed match pair with one gaiter having leather straps.G..27 L B 42

Midwifery Training Book: "A Short Practice of Midwifery for Nurses" by Henry Jellet. Published in 1926. Used by Elizabeth McRae Romseyhospital, midwifery, book, nursing, education, training

Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of House on corner of Mc Kenzie and Short Street Bendigo showing lace ironwork on the balustrade.Photo A Doneyiron lace work, a doney, historical home bendigo

A beaded purse, with short chain and silver clasp featuring tennis racquets. Materials: Silver/Metal, Glass, Tafetta/Silktennis

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith

Portrait of two gentlemen in suites seated in Cane Chairs. Jim Greenwood right (Engine Driver at 3 Jacks Mine) and his friend.A Sepia Photograph of two (2) seated males in cane chairs by a table, both dressed in suits, both with short haircuts.Herbert's Studio St (the rest is missing) in gold print on rear, in hand written script: Uncle Jim Greenwood right and his friend Engine drive at 3 Jack's Mine Stawellstawell, greenwood

The article this photo appeared in noted that Norma Bull had recently (1940) been sketching at the home of John Masefield, Poet Laureate, in Oxford having painted him when he visited Melbourne. Norma Catherine was one of two children of Dr Richard Joseph Bull and his wife Catherine Grace (nee Perrier); she was born in 1906 and died in 1980. She was cremated at Springvale.A black and white photograph of a woman with short dark hair, wearing earrings. Her hands are clasped near her chin. norma bull (miss), norma catherine bull (miss), john masefield (mr), artist