This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ink sketch of two magpiesSigned lower left "Neville M. Bunning"art, artwork, neville bunning, unframed, magpie

"Eynesbury, Eynesbury Road was one of four properties into which Simon Staughton’s Exford station, established in 1841, was subdivided for his sons after his death in 1863. The Eynesbury station of approximately 20,000 acres was inherited by his second son, Samuel Thomas Staughton. Eynesbury remained unsubdivided until redevelopment for residential purposes commenced in the early 2000s, at which time it was the largest pastoral property within 300 kilometres of Melbourne". Detailed sketch of the Eynesbury propertylocal architecture, local identities

Sketch. By R. Clark 19813 cox's gardens, williamstown, house

Small photograph of an illustration showing Ned Kelly in the Guard's van enroute to BeechworthNed Kelly and Sergeant Steele in the van. From the Sketcher (in ink on rear)police murders, kelly gang, ned kelly, edward kelly, bushrangers, sergeant steele

This letter, from John Worrall, Producer of University of the Air, thanks Robin Boyd for agreeing to stick with the original plan for the series and provides dates for the eight programs - from 4 November through to 12 December 1964. Australian design and not expanding it to world architecture. The letter also sets out what Robin needs to prepare in the preliminary stages.Two pages.Robin Boyd's handwriting and plan sketch in pencil on the reverse of second page.

Round rubber mould containing an oval design depicting a monkey with long tail. Inscribed on reverse 'Animal' along with two sketches; a decorative design and oval.matcham skipper, mould, rubber, animal

Drawing - titled - "Carlton - Proposed new control room and remodelling of existing control room", coloured with a water colour brush, showing the proposed extensions to the Carlton control room, drawing Number S842, dated 9-5-1961. Shows the ground and first floors, mess room, offices, stairs and control room layout. Has the external elevations and sections.Has some pencil notations front and back re lights and sketch.trams, tramways, carlton, control centre, power supply, electrical engineering, electrical switching

"Dennys, Lascelles Limited Annual", third issue, August 1927. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics. On the front cover is a fine printed reproduction of a 1927 sketch by the artist Victor Cobb depicting the Dennys Lascelles wool store (cnr Moorabool and Brougham Sts; now housing the National Wool Museum).Three copies of the report. Front cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927. The sketch is the Dennys, Lascelles wool stores (now NWM) and is by Victor Cobb. Detail from the back cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927.wool brokering, wool growing, agriculture, dennys, lascelles limited

This is a booklet of 16 pages with a cream-coloured cover with blue printing and images of the Australian States' Coat of Arms and a Royal Coach. The page contain sketches in colour and black and white of costumes, regalia, furniture and other items used in the coronation of King George VI. The pages are tied together with a yellow ribbon. The front cover and the first page have some silverfish damagenon-fictionSouvenir Booklet of Exhibition of Coronation Robes in Australia 1938king george vi coronation, english coronation booklet

Photographic copy of sketch: Fire at the Victoria Sugar Co. Australian Sketcher 12 July 1875 (digital image on database)'B2' and '13' on backfire and fire services, built environment - industrial, victoria sugar co

This is the art work of Hans-Wolder von Gruenewaldt and relates to his time when incarcerated as a Refugee in Camp 13 Murchison during World War 2. His personal story covering the years 1939 to 1947, was written by the author in March 1961 and translated into English by his son Axel von Gruenewaldt. His artwork, images and supporting material, was compiled and formatted by Kay Ball, President, Murchison and District Historical Society IncOblong book. Colourfui sketch of Hans-Wolter von Gruenewaldt on cover as he sketches scenes from Camp 13.Hans- Wolter von Gruenewaldt .Prisoner of War Camp 13 Murchison: his story and his art.hans-wolder von gruenewaldt

Reference book. Fawn card cover Sketches of various scenes in brown. the title also in brown. Sketches by John Glover (Local Artist).R A Blachfordstawell

Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil)

A yellow gloss cardboard cover with black information on the front. Middle of the top there is a sketch of a soldier and in the middle there is also a sketch of a rifle. small arms, austomatic rifle 7.62mm l2a1, parts identification list

BHS CollectionPhotocopy of sketch book belonging to George Harris. There are 15 photocopies, mostly depicting landscapes sketches, Only one is dated 1872.drawing, pencil, george harris sketches

A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay

Print of ink sketch on (Christmas) cardThree holes at top marginart, artists, bill caldwell, montsalvat, the grand hall montsalvat

Thelma Morton studied at the Ballarat Technical Art School.Pen sketch of a girl wearing a shawl.alumni, portrait, dorothy woolcock, ballarat technical art school

Sketch of pier and Pacific Hotel at lorne

Postcard reproductions of two ink sketchesarden, c.j. dennis, toolangi

Sketch of Butchers Shop in Patrick Streetbutchers, cooper bros