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Federation University Art CollectionPainting, 'Apple' by Maryanne Coutts, 2003, 2008
Maryanne COUTTS (1960- ) Born Melbourne, Victoria Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and was awarded a PhD (Painting) from Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including the United Kingdom, Spain and Thailand. She has worked as a Sessional Lecturer at the Arts Academy, University of Ballarat (1999 - 2003), and is currently Head of Drawing at the National Art School, Sydney. In 2007 Maryanne Coutts won the Portia Geach Memorial Award and was the joint winner of the Blake Price in 1982. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An apple depicted in oil by Maryanne Coutts. This work was created specifically for the 'Imaging the Apple' Touring Exhibition curated by John R. Neeson. It was also exhibited in 'Telling Tales: Maryanne Coutts' at the Ballarat Fine Arts Gallery in 2008. Donated by the Australian Cultural Gifts Program, 2008art, artwork, maryanne coutts, coutts, apple, alumni -
Mission to Seafarers VictoriaPlaque - Memorial Plaque, Catherine Florence Aviss, 1919
Links to another image in the collection previously unidentified now known as at 2018 to be the children of a seafaring family of Captain and Mrs Aviss. In 1918 the family was re-united with Mrs Aviss' parents after a dangerous journey by sea the first time that the children met their grandparents, Captain and Mrs Frampton also seafarers . Mrs Aviss gave birth to her third child in August 1918 on board the ship. She contracted the "Spanish flu" probably in St John, New Brunswick and died, at the age of 28, on the 3 November 1918 after a week in hospital, leaving her husband with two toddlers and a 3 month old baby. The story demonstrates the respect and support of the Mission for two remarkable families of seafarers and the dangers of the influenza epidemic post WW1.An example of lives and tribulations of a seafarer family who survived the Great War but who also had to deal with the Spanish flu pandemic of 1918-1919.Large engraved brass plaque mounted onto brick wall commemorating wife of sea captain. To the Glory of God / and in memory of Catherine Florence/ the beloved wife of Captain Herbert Aviss/ (Barque Inverneill) who died at St John. N.B./ Nov 3rd 1918.brass, plaque, great war, memorial, commemorate, catherine florence aviss, florence catherine nee frampton, wwi, first world war, barque, inverneill, herbert aviss, st peter the mariner chapel, mission to seafarers, flinders street, 1919, st john, new brunswick, influenza, spanish flu, pandemic, 1918 -
Ballarat Tramway MuseumMagazine, Association of Railway Enthusiasts (ARE), "Australian Railway Enthusiast - Vol 19, No. 3, September 1981", Sept. 1981
Copy of the Australian Railway Enthusiast - Vol 19, No. 3, September 1981 contains 6 photos under the titled "Ballarat - 10 years since closure". Also contains articles on Spain, the steam shunter at Junee known as Fanny, railways at Orange and Railways in the Blood by C. Henshaw. Photos by John Phillips, unless noted otherwise or Carolyn Dean or Mike Venn. 1 - No. 31, Victoria St bridge - see Reg item 405 or 2106 2 - No. 37 leaving Bridge St, entering Sturt St, front on shot 3 - No. 31, 12/9/1962 at Sturt and Lydiard St, photo by Mike Venn 4 - No. 14 and another single trucker in City Loop, see Reg Item 2016. 5 - Nos. 27 and 38 crossing at Wendouree Parade, May 1981 - see Reg Item 2787. 6 - No. 14, being driven by Tom Evans, opening the depot extensions, 19/9/1981 - Photo by Carolyn Deantrams, tramways, ballarat, closure, lydiard st, sturt st, victoria st, wendouree parade, btps, city loop, opening, bridge st -
Bendigo Historical Society Inc.Programme - BENDIGO OPERATIC SOCIET ''THE GONDOLIERS''
Bendigo Operatic Society ''The Gondoliers'' At the Capital Theatre, View Street Bendigo. For a Five Night Season Commencing June 19th, 1970. Producer: Len Hall - Assistant producer, Ballet and Wardrobe Mistress: Madge Welch - Society pianist: Ruth Gorman - Musical Director: Gwen Grose. Cast in Order of Appearance: Fred Trewarne as The duke Of Plaza-Toro (A Grandee of Spain) - Neil Roxburgh as Luiz (His Attendant) - Ray Edenbone as Don Alhambra Del Bolero (The Grand Inquisitor) - John Boquest as Marco Palmieri - Brian Thomas as Guiseppi Palmieri - Douglas Sayle as Antonio (A Gondolier) - Fred Veitch as Francesco (A Gondolier) - Henry Johnson as Giorgio (A Gondolier) - Michael Filippini as Annabale (A Gondolier) - Patricia Lyon as Duchess Of Plaza-Toro - Kathie Veitch as Casilda (Her Daughter) - Patricia McCracken as Gianetta (Contadine) - Ruth Iredale as Tessa (Contadine) - Aileen Ewart as Fiametta (Contadine) - Willi Carney as Vittoria (Contadine) - Bartina Daws as Guila (Contadine) - Ann Ball as Inez (Nurse).program, theatre, bendigo operatic society -
Bendigo Historical Society Inc.Programme - THEATRES COLLECTION: PLAZA THEATRE PROGRAMMES
Thirteen programmes for the Plaza theatre. 1) ''Accent on Youth'' with Sylvia Sidney and Herbert Marshall. 2) ''Transatlantic Merry-go-Round'' with Nancy Carroll and Gene Raymond. 3) ''We Live Again'' with Anna Sten and Fredric March. 4) ''Lilies of the Field'' with Winifred Shotter and Anthony Bushell. 5) ''Carnival in Spain'' with Marlene Dietrich, Lionel Atwill, Cesar Romero. 6) '' Kid Millions'' with Eddie Cantor and Ann Sothern. 7) ''The Mighty Barnum'' with Wallace Beery. 8) ''All the King's Horses'' with Mary Ellis and Carl Brisson. 9) ''Behold my Wife'' with Sylvia Sidney and Gene Raymond. 10) '' Without Regret'' with Elissa Landi, Paul Cavanagh, Kent Taylor and Frances Drake. 11) '' Clive of India'' with Ronald Colman and Loretta Young. 12) ''Texas Trail'' with William Boyd, Russell Hayden, Judith Allen, George Hayes. 13) ''Danny Boy'' with Ronnie Hepworth, Frank Forbes-Robertson, Dorothy Dickson, Cyril Ritchard.entertainment, theatre, plaza -
Melbourne Tram MuseumNewspaper, The Age, "Trackless and with rubber wheels, it may be our next generation trams", 2/05/2021 12:00:00 AM
Newspaper clipping titled: “Trackless and with rubber wheels, it may be our next generation trams” by Timna Jacks Newspaper clipping from the Age 02/05/2021 Rubber wheels, electric batteries and no overhead wires could be the future for Melbourne’s trams. By 2025, 100 new trams will be designed and built due to a $1.5 billion government injection to fund 100 ‘‘next-generation trams’’, replacing A and Z-Class trams. Two manufacturers have been shortlisted to design and build the trams: French rail manufacturer Alstom and a joint venture comprising Spanish rail maker CAF and UGL. At 25 metres long – about eight metres shorter than the newest E-Class trams – the trams will carry 150 passengers, fewer than the E-Class, which carry 210 people. Despite the smaller size, seating will remain proportionally comparable with the E-Class, with 48 people or a third of passengers getting a seat on the new fleet. The new fleet will be the first in Melbourne to be partly powered by on-board batteries.trams, tramways, yarra trams, keolis downer, caf, rolling stock, e class, z class, a class, ugl, tramcar acquisition, tramcar design, tramcar manufacture -
Melbourne Tram MuseumPhotograph - Black and White photograph, Jan. 1937
Black and white photograph of a lightly loaded cable car set, trailer 415, eastbound in Bourke St, nearing Russell St. Set has destination of Nicholson St. The Conductor and Gripman are both on the grip car - "gossiping". In the background are signs for Sharpe's store, Parers Hotel, Lewis's and Normans. On the underside of the photograph written in black ink "Cable Tram in Bourke St Jan 1937" Noelle Jones - 24/5/2021 It is no later than 1946, as Maples purchased the Love & Lewis business (194-6 Bourke St) in that year (the business was being sold by the executors of the owner). Note also that Parer's (not Parkers) Hotel, at 200 Bourke Street, was established in the 1880s by the Parer Brothers, originally from Spain. The most famous member of the family was Damien Parer, the WWII photographer. The building was demolished in 1960, and is the site of the Midcity Arcade. Sharpes bought the property on the left (202-4 Bourke St) in 1954, after being tenants for 20 years. Normans Corner Stores opened in 1932.trams, tramways, bourke st, nicholson st, cable trams, crews, tram 415 -
Eltham District Historical Society IncDocument - Property Binder, Eltham Town Square, Commercial Place, Eltham
1. Dreams to be reality, The Valley Voice, 15 August 1979, p2 - announcement of proposed town square of 1800 square metres of shop area and open courtyard to be sited in the carpark between Arthur Street and Pryor street. The plans also included tree-lined walkways from both Arthur Street and a pededstrian footbridge across Main Road leading to aregular open-air market and tavern. Shop owners facing Main Road were to be encouraged to turn their businesses towards the square. On reverse side - 'General' Marshall and his troops; Valley votes in five new faces, The Valley Voice, 15 August 1979, p1 - picture showing newly elected Cr Robert Marshall 2. Square plan on display, Diamond Valley News, Tuesday, June 23, 1981, p1 - Council's prefered proposal on display to the public. On same page a story about the son of Cr Bob Manuell being attacked on the train from the city. On reverse side - Helping people - here and abroad by Marguerite Marshall, Diamond Valley News, Tuesday, June 23, 1981, p2 - about Keith Ryall of Zig Zag Road, the Apex international councillor for Australia 3. Plan: Eltham Town Centre property Acquisition, Shire of Eltham March 1994businesses, arthur street, bible street, commercial place, dudley street, eltham, franklins supermarket, luck street, main road, map, mcewans, pryor street, safeway supermarket, apex club, bronwyn ryall, keith ryall, zig zag road, cr bob manuell, cr robert allen, det sgt noel murphy, eltham chamber of commerce, eltham police, eltham shire council, eltham town square, lorraine manuell, pauline toner mp, robert manuell, rodney roscholler, shire planner, vicrail, elections, h&j white general store, hurstbridge, leslie bowker, main street, mrs marshall, pam lawson, robert marshall, rosemary tovey, central park, comfort station, eltham little theatre, montmorency, public toilets, rotex cinema, were street -
Eltham District Historical Society IncPhotograph, Gordon Ford House (1948-1970)
Image 5B Gordon Ford House - commenced 1948 Several extensions were added up to 1970 Designed and built by Gordon Ford Extensions by Graham Rose Original Gordon Ford courtyard and single storey building The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcgordon craig ford, gordon ford house, graham rose, houses, mud brick construction, alistair knox collection -
Eltham District Historical Society IncPhotograph, Gordon Ford House (1948-1970)
Image 5A Gordon Ford House - commenced 1948 Several extensions were added up to 1970 Designed and built by Gordon Ford Extensions by Graham Rose Original Gordon Ford courtyard and single storey building The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcgordon craig ford, gordon ford house, graham rose, houses, mud brick construction, alistair knox collection -
Glenelg Shire Council Cultural CollectionPainting, a) Johnston & Co. Hamilton b) Johnstone O'Shannessy, Melbourne, Burswood, late 1800s
From Victorian Heritage: The single storey mansion house with enclosed glass verandah, Burswood was built in 1853 on a site overlooking the Portland Bay for English born pioneer colonist Edward Henty. John Barrow of Adelaide was the architect for this exceptional Australian regency style residence which he designed as a central block of fine axed basalt ashlar and slate roof (now replaced) with flanking brick wings forming an enclosed rear courtyard. Burswood is the most important early mansion house in western Victoria, being an exceptional Australian regency design by distinguished colonial architect James Barrow. Edward Henty, a member of one of Australia's most remarkable colonial families and the founder of Portland, established the first permanent settlement in Victoria on 19th November 1834, and Burswood is testimony to his success as an early colonist. Henty lived in his mansion for 17 years in a semi-regal state. Burswood has been little altered since completion in 1853. A glasshouse conservatory to the side of the present enclosed verandah was demolished prior to 1895 and the slate roof replaced with iron. Johnstone, O’Shannessy & Co was a leading photographic studio located in Melbourne, Victoria, Australia. It was active from 1865 to 1905. Henry James Johnstone was also an artist and studied at Louis Buvelot's school and with Thomas Clark.Painting of a sandstone coloured building. A grand house with a driveway and well-kept gardens to the front. There is a horse and cart with a man standing to the side of it. There is a female figure exiting the building and another female and a man further along the driveway with a dog. The building has a glass conservatory attached to the side. The sky is blue with several fluffy clouds.Bottom right: Johnstone O'Shannessy & Co Melbourne (in white paint)homestead, henty, historic buildings, colonial, burswood house -
Surrey Hills Historical Society Collection
Photograph, Parer family portrait
Members of the Parer family began arriving in Australia from 1852. By the 1890s several had settled in Surrey Hills and Box Hill. Identification is as follows: Back L to R: Phillip ( ), Stephen, Joseph, Francis. Front L to R: John, Tici, Eulalia, Tia. Phillip lived at 'Monserrat' in Mont Albert Road (land later subdivided so that house was renumbered as a Weybridge Street address. Stephen was was the youngest child of Antonio and Josefa Parer. He left for Australia when he was 17 years old and landed in Melbourne in 1888 and went straight to work at Parers’ Crystal Palace for his brother Francis. Stephen preferred the outdoors and went to work on the family market garden in Box Hill. Joseph was the first Parer to arrive in Australia, in 1855. He and his brother Francis created the Parer dynasty in Australia, bringing all the family members from Spain and offering them work in their hotels. Francis Parer was born in Alella in 1836 and left for Australia when he was 17. In partnership, he commenced a business of general produce dealers in Little Bourke Street. He later entered the hospitality business buying in partnership the ‘Spanish Restaurant’ on Elisabeth Street and later, the Victoria Restaurant on Bourke Street with his brothers. In 1870 he purchased 40 acres of land at Box Hill at £15 per acre. The property became a famous market garden where he grew all kinds of vegetables and orchards. It is believed the first tomatoes in Australia were grown there. Juan or John lived in 'Gerona' in Weybridge Street. Eulalia Parer married Marcus Clota at Alella on 9 September 1867 and came to Australia in 1876. They lived in Guildford and Union Roads. Tia Marieta married and lived in Guildford Road. There are many members of the family buried in Box Hill Cemetery. Black and white formal studio portrait of 8 members of the Parer family mounted on brown board. There are 4 men standing and one man and 3 women seated.White paper label stuck to rear: "THE ORIGINAL PARER FAMILY WHO SETTLED IN AUSTRALIA - 1852. / Photograph with compliments of SANS family."phillip parer, stephen parer, box hill cemetery, joseph parer, francis parer, john parer, tici parer, eulalia parer, tia parer, "monserrat" -
Waverley RSL Sub BranchPlaque Royal Marine Commando Gibraltar, Royal Marine Commando Gibraltar
The word Gibraltar refers to the Great Siege of Gibraltar by French and Spanish forces, from 1779 to 1783, in support of the American Revolution. It was awarded in 1827 by George IV as a special distinction for the services of four of the old Army Marine regiments (Queen's Own Marines, 1st Marines, 2nd Marines, 3rd Marines) in holding that fortress against determined assaults, despite extreme privation. There are no other battle honours displayed on the colours of the four battalion-sized units of the current Corps. The Latin motto "Per Mare Per Terram" translates into English as "By Sea By Land" describing how the Royal Marines both attack and defend. The fouled anchor, incorporated into the emblem in 1747, is the badge of the Lord High Admiral and shows that the Corps is part of the Naval Service. Per Mare Per Terram ("By Sea By Land"), the motto of the Marines, is believed to have been used for the first time in 1775.Wooden Plaque Royal Marine Commando Gibraltar Royal Marine Commando Gibraltar -
Ballarat Heritage ServicesPainting - Artwork - Painting, [Unknown] by Arthur Lindsay, c1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsays of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage ServicesPainting - Artwork - Painting, Capriccio #11 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage ServicesPainting - Artwork - Painting, Capriccio #29 by Arthur Lindsay, 1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
![Painting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948](/media/collectors/57a00a4fd0cdd1210422a51e/items/5f549f48d2212501f0e3480e/item-media/5f54a5dad2212501f0e358c8/item-fit-380x285.jpg)
Ballarat Heritage ServicesPainting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape -
Ballarat Heritage ServicesPainting - Artwork - Painting, Arthur Lindsay, SchG 20 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.abstractUnframed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage ServicesPainting - Artwork - Painting, [Balancing Rocks] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed lansdcape by Arthur Boydarthur lindsay, painting, rocks, landscape -
Ballarat Heritage ServicesPainting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed landscape by Arthur Boydarthur lindsay, painting, landscape -
![Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dfe2521ea6712f82ed3c6/item-media/5d7dfe7f21ea6712f82f5636/item-fit-380x285.jpg)
Ballarat Heritage ServicesPainting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape, artist -
![Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dff9521ea6712f830d8aa/item-media/5d7dffad21ea6712f8310586/item-fit-380x285.jpg)
Ballarat Heritage ServicesArtwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
![Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dffef21ea6712f8317a81/item-media/5d7dfffc21ea6712f8319834/item-fit-380x285.jpg)
Ballarat Heritage ServicesArtwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
![[Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7e003a21ea6712f832027f/item-media/5d7e005621ea6712f8323020/item-fit-380x285.jpg)
Ballarat Heritage ServicesWork on paper - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Pencil landscapearthur lindsay, landscape, drawing -
Ballarat Heritage ServicesPainting - Artwork - Painting, Hong Kong Faimhouse by Arthur Lindsay, c1950
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a number of builidings, and a person in the foreground.arthur lindsay, watercolour, painting, townscape -
Federation University Art CollectionPainting - Artwork - Painting, 'Portrait of Vice - Chancellor Professor Kerry O. Cox' by Peter Churcher, 2006
Peter CHURCHER (28 February 1964- ) Born Brisbane, Australia 2006 moved to Barcelona, Spain After studying Music at Trinity College, London Peter Churcher completed a Bachelor of Fine Arts (Painting) at Victoria College (know Deakin University) in 1991. He is now considered one of Australia's leading figurative painters. Peter Churcher's work was represented in the prestigious Archibald Prize on nine occasions. In 2002 Peter Churcher was commissioned as an Australian War Artist documenting the Royal Australian Navy and the Royal Australian Air Force enduring the Australian involvement in the coalition war against terrorism. His works are held in many Australian collections. Professor Kerry O. Cox was Vice Chancellor at the University of Ballarat from 2001 - 2005. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed academic portrait of Vice Chancellor Professor Kerry Cox art, artwork, portrait, academic portrait, peter churcher, kerry cox, vice chancellor, academic regalia -
Glenelg Shire Council Cultural CollectionBook, Henry Smith William, LLD, Historians History of the World. Vol I-XXV, 1908
Leather bound black spine and cover corners with green cloth-covered board covers. Gold lettering and gold graphics on spine. Set contains volumes I-XXV, catalogued as 438.1 - 438.25. Vol I: Egypt & Mesopotamia (438.1); Vol II: Israel-Persia India-Pheonicia Asia-Minor (438.2); Vol III: Greece to the Peloponnesian War (438.3); Vol IV: Greece to the Roman Conquest (438.4); Vol V: The Roman Republic (438.5); Vol VI: Early Roman Empire (438.6); Vol VII: The Later Roman (438.7); Vol VIII: Arabs Crusades Papacy (438.8); Vol IX: Italy (438.9); Vol XI: France 843-1715 (438.11); Vol XII: France 1715-1815 (438.12); Vol XIII: France since 1815. Netherlands (438.13); Vol XIV: Netherlands. Germany (438.14); Vol XV: Germany (continued) (438.15); Vol. XXIII. The United States. Spanish America (438.23); Vol. XXIV. Turkey. Minor Eastern States. China. Japan (438.24).history, world history -
Eltham District Historical Society IncPhotograph, Staff Photo, Community Services Department, Shire of Eltham, July, 1987 (with names), 1987
Top Row, from left - Jude Kenny, Millie Travers, Steve McMillan, Mandy Press, Peter Butler, Trish Warwick, Ruth Barr, Thelma Barkway, Chris Cesari, Jan Chapman. Middle Row, from left - Craig Drowley, Marguerite Jones-Roberts, Pam Wortley, Helen Devlin, Gillian Barclay, Marion Francis, Pat Grundy, Bron Blake, Sam Sciacca, Glynn Davies. Bottom Row, from left - Katherine Kingsbury, Pauline Wilson, Lyn Boase, Susan Forbes, Carolyn Peterson, Marg Cant, Carmel Byrne, Lyn Mock, Keith McGinn. {Staff not present - Tracey Naughton, Mary Robertson, Georgina Riccardo, Sue Tucker, Marg Johnson, Ann Handley, Lorna Smith, Pat Anderson, Jan Chapman, Karen Johnstone, Mavis Spain, Sue Dearsley, Anthony McKenzie, David Jordan, Lloyd Hammond, Ken Wilson, Ian Patching, Nerida Kirov). Two colour photographs, laminated, with typed list of names 2 copies different sizes 22.5 x 27 cm laminated (12.5 x 20 cm photo) and 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff -
Surrey Hills Historical Society CollectionBook, The secret love letters: a family history, 2014
The author delves into the history of her Spanish ancestors, the San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance. Dolores San Miguel is also the author of The Ballroom: The Melbourne Punk and Post-punk Scene. Her family history is placed in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.278p; Fay Johnston told her daughter (Dolores San Miguel) of a collection of letters she had kept hidden away for over sixty years, promising to show her but it was only after she died that the letters were found along with postcards, and doctors' notes. They revealed the story of her parents romance, kept secret for over two decades.(ms) dolores san miguel, (ms) fay johnston, courtship, families, immigrants, social life and customs, (mr) antonio san miguel -
Surrey Hills Historical Society CollectionPhotograph - Digital photograph, George L Coop, 688 Whitehorse Road, Mont Albert 1958, 1958
The donor George Lister Coop was about 21 years of age when he took this photo in 1958 of his family home. His parents were George Burton Coop (b c1906 Williamstown; died aged 54 years at Mont Albert) and Winsome Alice (MS: Trewartha) who married in 1936. They are first listed at this address in the electoral roll in 1937. They had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 and Alison - born c1945. However the donor informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. Alison being younger did not go to Chatham Primary. A digital copy of a colour photo showing detail of the front veranda of 688 Whitehorse Road. The house is white weatherboard in a modified Californian bungalow style with a tiled roof and the carport built within the roofline. The balustrades and finials of the veranda are simple with occasional feature planks with a tulip detail. A bird cage hangs from the veranda. The veranda is supported by rough-cast sturdy pillars.george l coop, whitehorse road, mont albert, uniting church, californian bungalow
