The former tramway/railway level crossing at this station was removed during 2023 by lowering the railway line in a trench. The roadway opened on 15 July 2023 (Press Release from the State Government - see media file), and https://tdu.to/m/288561/re-glen-huntly?insearch=1 for a report and photo by Brian Weedon of the new tram stop. The new station opened on 31/7/2023.Yields information about the new Glen Huntly station and the level crossing removal.A5 full colour pamphlet titled "Sey hello to your nrew Glen Huntly Station"railways, tramways, glen huntly road, level crossing

Digitised video (2.75GB). Duration: 66 minutes. Recorded April, 2025 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this timely 2-part presentation just prior to ANZAC Day, Geoff Arnott, Croydon Historical Society President, gives a talk on those who served in WW1 and came from the Maroondah area, and Robyn Slater summarises her book on Wonga Park Diggers in World War 1 from Orchards to Trenches.

Photograph Augustus Elliott Pegler. He had 4 years pre WW1 service in local unit Mildura. Enlisted No 967 in C Coy 38th BN on 29.1.1916 age 20 years 7 months. Embark for England 20.6.1916, embark for France 22.11.1916, appointed L/Cpl 3.3.1917, WIA 1st occasion 8.6.1917 GSW to Cheek, rejoin unit 5.8.1917, WIA 2nd occasion 17.10.1917 GSW to Abdomen severe, rejoin unit 28.3.1918, the Award of Mention in Despatches in December 1917, awarded The Military Medal 31.8.1918 during the attack on Inferno Trench leading his Lewis Gun Team, appointed Sgt 3.9.1918, embark for Australia 12.6.1919, discharged from the AIF 27.7.1919. (For reference - 38th Battalion in dog trench near Guillemont Farm during attack on Hindenburg Line, near Bony, Ref - Vol IV - CEW Bean - The AIF in France 1917 (Ref) Page 605 (58). Refer also Cat No 7502 Photograph - black and white portrait photograph of soldier in uniform, on paper. Mount - dark green cardboard. Frame - timber, mid brown stain colour, with glass front and cardboard backing.photograph, portrait, ww1, framed accessories

Soft cover book. Cover - cardboard. White and blue colour print on front, spine and back. Illustration - front cover -, black and white photograph of a soldier in uniform superimposed over background blue and white photograph of a trench scene. Back cover - blue and black photograph of Gallipoli - sea, beach and hills. 358 pages - cut, plain, white paper. Illustrated black and white photographs and maps. publications, book, gallipoli, battles and evacuation

Leslie Thomas Palmby enlisted on 9.7.15 in the 7th reinforcements 24th Batt AIF. Embarked for Eygpt 26.11.15. Transferred to the 8th Batt 24.2.16. Embark for France 26.3.16, WIA 27.4.17 GSW to face, promoted L/Cpl 20.9.17, hospital 28.10.17 with Trench feet, promoted Cpl 27.8.18, promoted T/Sgt 23.9.18, promoted Sgt 31.10.18, hospital 18.3.19 with Scabies and Carbuncle. Discharged from the AIF on 4.8.19.Medal set, court mounted, set of (2) re. L.T Palmby 1 War Medal 1914-1918 2 Victory Medal 1914 - 19. (replica, not engraved)1. "3228 Sgt LT Palmby 24 Bn AIF"medals, military, history

Twice rejected in Melbourne for active service, Rudduck booked a passage to London and joined the King's Own Royal Lancaster Regiment, gaining his commission shortly thereafter. Lieutenant Rudduck lost his left arm in action in France, but following repeated requests was susequently permitted to return to the trenches, where he later died from further wounds on 5th June 1918. Ruddock's brother, Ernest, served with 57th Battalion in France.Four letters sent from Europe by Rudduck - while on active service - during April and May 1918 to his family in Dromana (Vic).joseph john rudduck, ernest rudduck, ww1, western front

Holmes Family WW1 memorabilia. 06 Apr 1916 - The Battle of St Eloi Craters, Canadian Expeditionary Forces Major Operation. “… the British had been patiently tunnelling since August (1915) at nearby St Eloi, about three miles south of Ypres, and adjacent to the Canadian trenches. Throughout the winter, the tunnelling crept ever closer to a dominant German-held feature dubbed “The Mound.” When the tunnels were completed in early March, tons of explosives were emplaced in six locations and on March 27, 1916, at 4:14 a.m. the charges were set off. Two German companies were wiped out and large sections of the German trenches were destroyed, but the British 9th Brigade’s attack faltered and became a bloody close-quarters slugging match, with the last bomb crater captured only on April 3.” (Zuehlke, Mark. Daniel, C. Stuart. The Canadian Military Atlas. The Nation’s Battlefields from the French and Indian Wars to Kosovo. Stoddart Publishing Co. Limited. Toronto. 2001 p. 125)A number of World War One soldiers, members of the Northumberland Fusiliers celebrate after the battle of St Eloi. Some or wear tin helmuts.The "Fighting Fifth" (Northumberland Fusiliers) after the battle of St Eloi"chatham-holmes family collection, fighting fifth, northumberland fusiliers, tunneling, explosion, crater, world war one, postcard

Copy photograph of a small photograph contained within item Reg. No. 587. Photograph shows the relaying of tram tracks at the lower end of Sturt St., on south side, also has a trench on the north side of the tram tracks. Caption for 587 is "Lower Sturt St. - S. side", also on right hand side of photo within 587 is "Note tra..." covered over by another small photo. 1937 photograph.trams, tramways, ballarat, rehabilitation, sturt st.

Items souveniered or collected by James Worland Mills No 3441 59th Batt AIF. Refer 169P. Metal souvenirs from France and Letter opener. .1) Silver shield with cross, wheat, on either side, crown on top. Town coat-of arms for Ypres, with clasp. .2) Tarnished metal, lion on shield, crown on top,3 leaf clover on either side, town coat-of-arms for Arras, with clasp. .3) Letter opener. Trench art - metal rifle cartridge with pressed brass handle and knife/blade. .1) "YPRES" coat of arms. .2) "ARRAS" coat of arms. .3) "SOUVENIR OF FRANCE" (under helmet)souvenirs, coats of arms, letter openers, trench art

The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat No 4136P for his service details, award and death. Part of the collection of William (Bill) Thomason, refer Cat No 4213P for more items.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons

This letter has been written from France in 1917 by Private Edwin Johnson Carter to his friend Mrs Maggie Craig. It gives details of events in his life at the time – in the trenches in World War One. Private Edwin Johnson was a farmer from Nullawarre who enlisted in 1916 and served in France. He was drowned when the mail boat R.M.S. Leinster was torpedoed by a German submarine in the Irish Sea in October 1918. Private Johnson was returning from a visit to Ireland while on leave. This is an original letter from World War One It was written by a soldier from Nullawarre and has a particular poignancy as he writes: “My work brings me in contact with all that hurts in war. I am somewhat calm to it now but if I am spared to return I fear it shall be my nightmare.” He did not return but we have this letter to remind us of the horrors men such as Private Carter endured. This is an envelope containing a letter of two pages sent by a soldier on active service in France in World War One. Both the envelope and the letter are buff-coloured. The envelope has an image of an Australian Military Forces Y.M.C.A. logo, a Post Office stamp and a Censor stamp. The address is handwritten in pencil. The letter has an image of a Y.M.C.A. logo in red and black and the handwritten material is in pencil. Envelope: ‘On Active Service’ ‘Mrs Craig, Craiglea Trafalgar Victoria Australia’ Letter: ‘In the Field, France Dec 27 1917’world war one, private edwin carter, warrnambool history

Published in Hurstbridge but claims to have a wide circulation around the area, including Eltham and Greensborough. It contains numerous advertisements by businesses in the district. This edition records the death of Victor Barnes (uncle of the donor) from the after-effects of service in the trenches in France during WW1. Digital copy accessible via Trove (1927, April 22). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 1 (AFTERNOON). Retrieved July 26, 2024, from http://nla.gov.au/nla.news-page5870397the advertiser, advertisements, victor barnes, david smyth collection

David William Hart No 3529 enlisted on 20.7.15 in 8th reinforcements 21st Batt AIF age 24 years 1 month. Embarked for Eygpt 29.12.15, transfered to 57th Batt 15.3.16, hospital 30.3.16 with sore feet, embarked for France 17.6.16, hospital 29.11.16 with Trench feet, hospital 1.4.17 with Mumps, hospital 1.1.18 with Chilled feet, WIA 25.4.18 GSW left forearm, embarked for Australia 13.4.19, hospital aboard ship 15.4.19 with Contusions, discharged from the AIF on 27.8.19.Medals, court mounted, set of (2) re D.W Hart. 1. War Medal 1914-18 2. Victory Medal 1914 - 1919"3529 D. W Hart 21 BN A.I.F"medalss, military, history

John Moore-Robinson No 3253 enlisted in the 8th reinforcements 38th Batt AIF on 12.10.1916 age 42 years 11 months. Attends Bombing and Trench Mortar schools, promoted A/Sgt, embarks for England 22.12.1917, embarks for France 3.6.1918, taken on strength of 38th Batt 13.6.1918 and reverts to ranks, transfers to 40th Batt 24.6.1918 allotted No 3253A, returns to England 20.9.1918 classed unfit, returns to Australia 8.11.1918 classed age/Senility, and Rheumatism, discharged from the AIF 11.2.1919.Medals, court mounted, set of 2, re J MOORE - ROBINSON 1. War Medal 1914-18 2. Victory Medal 19141 - 1919”3253 A SGT J MOORE - ROBINSON 38 BN AIF”medals, military, history, passchendaele barracks trust

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a cluster of houses in the top right corner. It is believed that this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular photograph printed on matte photographic paper.Obverse: A.3.FE.2.291 / 62D O.20bd.P.25O.C / 16.7.18 / 12 / F 8 1/4 / Reverse: 6532military album, military, army, war, wwi, world war i, france, trenches

No-one at currently at Red Cliffs Military Museum knows Mrs Mihan. but are trying to rectify this.A brass cast Australian Soldier in jungle equipment with Owen Gun, slouch hat, dog tags, basic 37 patern webbing, short and boots.No makers markaustralian, ww11, brass, figure, jungle, owen, gun, fighter, trench, art

A relaxed group of soldiers at Lone Pine, Gallipoli Peninsula in August 1915. Lone Pine, so named after a single Turkish pine on the battlefield was part of a diversionary attack to draw Turkish troops away from the main assaults elsewhere. The four day long battle, was ultimately won by the Australians but at a fearful cost that saw seven Australians awarded the Victoria Cross, the highest award for bravery. lone pine, gallipoli, 1915, soldiers, trench, australia, a.i.f, war, ww1, world war 1

Four photos on a page from an albumww1, a.i.f, world war 1, gaba tepe, kabatepe, 8th battalion, 1915, trench, anzac cove, gallipoli

Soft cover book. Cover, cardboard, white and black print on dark red colour background, front and back. Illustrated - black and white photograph of three soldiers seated in a trench. Back cover - silhouette photograph of troops moving across a hill. 32 pages, cut, plain, white glossy paper. Illustrated in black and white, sepia and colour portraits, battle scenes, cemeteries, cap badges and artwork. End papers included in book. Biographies of poets. books, ww1, biographies, poets

Items form part of the collection of "William Anthony THEODORE DSM". Refer catalogue No. 7926P for service details.Gold metal frame with hard cardboard inserts with hanging hooks attached. Folds over with two photos inside in each half. Both with glass protection. Both photos taken inside of a Church of two windows with lead light image. First - picture of two sailors looking up at a cross in the sky from deck of a ship and some writing at bottom. Second - Picture of Christ giving a sermon to some soldiers hiding in a trench with some writing below.Sticker on back identifying Bill Theodore, a resident of Victoria Heights Residential Care.tobruk, church, william anthony theodore dsm

2246 Pte, Clive Terril Rowe Born Melbourne. Enlisted 17th March 1916 in Sale Victoria, aged 18 years 5 months Pte. Rowe went from the 19th Depot Battalion to the 46th Battalion AIF. Departed Australia 16th August 1916 and returned to Australia 8th April 1919. He was discharged 15th June 1919. While overseas Pte. Rowe suffered trench feet, was wounded (shellshock) and chronic eczema. Pte. Rowe was awarded the British War Medal and the Victory Medal.British War Medal 1914-1920 Instituted by King George V in 1919 to mark the end of WW1 and record the service given.The circular medal is made of cupro nickel with the effigy of George V on the obverse. Around this are the words GEORGIVS V BRITT. OMN:REX ET IND:IMP: The reverse image has St. George on horseback trampling underfoot the eagle shield of the Central Powers and a skull and crossbones, the emblem of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge of the medal. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes which are in turn flanked by two black pinstripes, flanked by two outer stripes of blue. The colours have no particular significance. Along the rim of the medal is stamped 2245 PTE.C.T. ROWE. 46-BN. A.I.F.

Carl Ernest Moller No 1242 enlisted in D Coy 37th Batt AIF on 15.2.16 age 41 years 9 months. Embarked for overseas 3.6.16. In a short time he transferred beginning on 15.9.16 through the 5th, 6th Batt's and finally 59th Batt on 8.10.16. Hospital 20.11.16 with Influenza & Diarrhoea. Hospital 14.12.16 with Trench feet. WIA 26.9.17 GSW to left Thigh & right ear. WIA 29.9.18 2nd occasion. DOW's 30.9.18. All medals were forwarded in small boxes as per .2).1) Medal set, court mounted, set of (2) re C.E Moller 1. War medal 1914-18. 2. Victory Medal 1914 - 19 .2) Cardboard lid from medal box. .3) Envelope. .4) Envelope..1) "1242 Pte C.E Moller 59 Bn AIF" medals, military, containers

Painting depicts a significant action carried out by the 2/6th Battalion, an anticedent unit of 5/6 RVRLarge framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet.A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephoneww2, 5/6rvr, 2/6th australian infantry battalion, bardia, ivor hele

Ivor Hele was the Australian official war artist of World War II. This painting depicts the members of 17 platoon 2nd/6th Battalions in their first action of the war. their mission was to "attack and capture Post 11" in order to provide a faint or diversionary attack for the brigades main penetration. The attack was pressed home with the characteristic vigour of Australian soldiers Prior to the attack the commanding officer demanded that " No matter what happens to us, when we go forward we shall give the enemy such a thrashing that they will never willingly stand up to an assault by Australian Infantry again." The Battalion succeeded in its mission and went on to play a vital role in many of the most arduous battles of the war. This painting depicts the actions of one of the predecessor units to 5/6 RVR. Large framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet. A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephone bardia, 2/6th australian infantry battalion, ww2, ivor hele, wark vc club

Possibly made by the donor.This object is an example of trench art. .1 The lamp base consists of a chrome plated deactivated mortar bomb attached to a turned brown wooden base. A globe and switch socket are attached to the tip of the bomb. An electrical cord with power plug is threaded through the base of the bomb. .2 The lampshade is made of stiffened brown paper laced to a wire frame with dark brown cord. Handpainted coloured flowers decorate the outer surface of the shade. The shade is attached to the globe via a wire clamp.On the base of the mortar bomb: ' ?LB, IM, MF, 1940'ornaments, lighting - electrical, trench art, souvenir

When war broke out in 1899, and early target for the Boers was the diamond-mining centre of Kimberley. This was located near the point where the Transvaal, Orange Free State and Cape Colony met. General Sir Redvers Buller detached the 1st Division under Lieutenant General Lord Methuen to relieve the Siege of Kimberley. This decision was made partly for reasons of prestige. To capture Kimberley (which contained the famous imperialist and former Prime Minister of Cape Colony, Cecil Rhodes) would be a major propaganda victory for the British. Methuen's force advanced north and won two engagements against the Boers of the Orange Free State. Reinforcements from Transvaal under General Koos de la Rey arrived and he convinced the Boers to follow his plans for attacking the British. Instead of relying on the hills for protection and missing their targets, de la Rey proposed they make use of the flat veld and introduced them to the Mauser rifle with its flat trajectory. Trenches were built in the banks of the Modder River from which they could sweep the veld for a great distance. The trenches were built on the south side of the river and on the smaller Riet River where they meet at Modder River Station. Methuen's force began advancing towards the Modder planning to cross the river. The Boers opened fire and the British troops were unable to find cover on the veld. They had to lay flat so as not to be seen or hit. The British guns pounded the buildings near Modder River Station and the north bank of the river, missing the trenches on the south bank. The battle became a stalemate. The British found an opening on the Boer's right flank at Rosmead ford downstream and drove the Boers out of Rosmead. De la Rey drove them back into a small insecure bridgehead. The Boers feared they were vulnerable and withdrew during the night. Methuen reported that the battle had been "one of the hardest and most trying fights in the annals of the British army". Individual image from photographed poster of tobacco and cigarette cards.boers, diamind-mining, kimberley, transvaal, orange free state, cape colony, sir rdvers buller, lieutenant general lord methuen, siege of kimberley, cecil rhodes, general koos dde la rey, mauser rifle, veld, modder river, modder river station, trenches, riet river, rosmead