St Katherine's Church St Helena dates from 1858. The Church was built by Major Anthony Beale in memory of his wife Katherine Rose Beale. This photograph shows a plaque that commemorates the death of three grandsons of Anthony Beale who were killed in World War I: Robert Beale, Harold Wilcox and Robert James, and his great grandson Robert Brown.Digital copy of colour photographst katherines church st helena, anthony beale, beale family

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

Weaving sample folder: "RANGE 2 WOOLLEN UPHOLSTERY FABRICS", "C. URQUHART". Booklets contains the following 2 paged inserts: "WEAVE REPEAT AND PATTERNING FOR PATTERN 1" sheet with orange patterned cloth; "WEAVE REPEAT AND PATTERNING FOR PATTERN 2" sheet with brown patterned cloth; "WEAVE REPEAT AND PATTERNING FOR PATTERN 1" sheet with yellow/green patterned cloth.RANGE 2 WOOLLEN UPHOLSTERY FABRICS C. URQUHART WEAVE REPEAT AND PATTERNING FOR PATTERN 1 WEAVE REPEAT AND PATTERNING FOR PATTERN 2 WEAVE REPEAT AND PATTERNING FOR PATTERN 3textile production weaving, textile production, weaving

Two seasons, the first on the 14th & 15th August, 1952 was part of the Company’s 1952 playbill and contains advertisements from local retailers in Ivanhoe and Eaglemont and advertises the forthcoming play, The Playbill by Terrance Rattigan, embracing The Browning Version and Harlequinade. The second season, on 2nd October, 1952 was in aid of City Of Heidelberg Eisteddfod Society Prize Fund and the Society acknowledges the Group's co-operation. Scans of original programs that are printed on both sides of single sheets.reg markham, ken proctor, leonard tonge, keith featherstone, clement meadmore, mel morgan, lois james, helen hyne, graeme tonge, jim howard, george tanner, patricia walker, bruce mcbrien, peter maxwell, laurie woods, peter goad, jack campbell, gwynneth roberts, reg rudd, max mundy, fred tipping, thora berg, stella guererro, the ringer, city of heidelberg repertory group, eistdford hall, 1952, 4, directed by joyce carthew

An album of pictures, memories and a report in honour of Merle Reid, a teacher at the RVIB Burwood School who passed away unexpectedly on March 25, 1985. Originally stored in a brown photograph album, this book contained tributes to the late teacher and a plan for an outdoor space redesigned to become an activity area, including elements she had promoted during her teaching career.Approx. 25 pages of textrvib burwood school, merle reid

Document or memo from the Director of Passenger Services Division to staff regarding the announcement by the Minister for Public Transport Alan Brown about the introduction of bus services to replace tram services on some routes after 8 pm. This caused considerable concern and industrial issues. Dated 6/1/1993. See also items 3049, 3052 (closure of route 82), and 5498.Yields information the 1993 proposal to replace trams with buses on some routes in the evening and weekends.Document or memo - single A4 sheetptc, tramways, buses, bus replacement, tram replacement, closure

This cropped halter top and palazzo pants outfit belonged to Meredith Lenné, a lifelong Brighton resident. Produced by Melbourne designer Leon Haskin in 1972, the design was also sold in colour combinations of gold-and-brown and white-and-blue. Meredith remembers being drawn to the outfit because she liked the colours, though she only wore it a couple of times to dinner parties.Cropped halter top and palazzo pants with a Pucci-style print of abstract patterns in red, pink, purple, orange and white. Top has a deep v-neck and secures with a fabric tie at the back.melbourne designers, meredith lenné, leon haskin, 1970s, flinders lane

1914-1918 Roll of Honour board located at Eltham Primary School Scholars of Eltham No. 209 State School Who Fought In The Great War Anderson, H. Ball, A. Bird, E. * Bromfield, C. * Bromfield, P. Brown, G. * Brown, J. * Cameron, T. * Cameron, W. Carrucan, J. Clayton, T. Cone, L. Crellin, W. * Crossley, N. Gilsenan, H. Gollings, L. Hill, G. Hill, Reg MM Hill, R. MM Jarrold, J. Knapman, E. Lyons, M. Morris, A. Morris, C. Morris, F. Morris, H. McColl, J. McGavin, G. McGavin, P. Orford, F. Orford, W. Pryor, J. Pryor, R. * Scarce, H. Scott, R. Shillinglaw, E. MM Somerville, G. * Thomas, L. Thomas, P. Williams, G. * * - Paid the ultimate sacrifice for their country MM - Awarded the Military Medal1918, a. ball, a. morris, aif, c. bromfield, c. morris, e. bird, e. knapman, e. shillinglaw mm, eltham state school no. 209, f. morris, f. orford, first world war, g. brown, g. hill, g. mcgavin, g. somerville, g. williams, great war, h. anderson, h. gilsenan, h. morris, h. scarce, honour board, honour roll, j. brown, j. carrucan, j. jarrold, j. mccoll, j. pryor, l. cone, l. gollings, l. thomas, m. lyons, n. crossley, p. bromfield, p. mcgavin, p. thomas, r. hill mm, r. pryor, r. scott, reg hill mm, roll of honour, t. cameron, t. clayton, w. cameron, w. crellin, w. orford, ww1, eltham primary school

These 10 photographs were taken over two decades from the late 1950s to 1979 at the Army Survey Regiment, Fortuna, Bendigo. The two photos taken in 1961 are annotated with named personnel and the date. The other photos are not annotated with dates, locations and names of personnel, although the technicians in the last three photos taken in 1979 are positively identified. The photos were most likely taken in the Ballroom, Ante Room and Attic, Cartographic Squadron’s main production rooms on the top floor of Fortuna Villa. Scribing was the cartographic process of drafting topographic features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a creek to a specified line width on the map sheet, using a tool affixed with a metal or sapphire tipped cutter.This is a set of 10 photographs of technicians scribing topographic features at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s. unidentified personnel in Cartographic Squadron .2) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic .4) - Photo, black & white, c1960s. Cartographic Squadron Attic .5) - Photo, black & white, Oct 1961. L to R: PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Cartographic Squadron .6) - Photo, black & white, Oct 1961. CPL Jennifer H. Murray. Cartographic Squadron .7) - Photo, black & white, 1979. SPR Mick Ellis in Cartographic Squadron .8) - Photo, black & white, 1979. SPR Mark Casey in Cartographic Squadron .9) - Photo, black & white, 1979. SPR Sharon (Jones) Treble in Cartographic Squadron .10) - Photo, black & white, 1961. PTE BJ Madex. Cartographic Squadron.1 to .4 - annotated “Scribing” .5 – annotated “Scribing PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Oct 1961” .6 - annotated “Scribing CPL Jennifer H. Murray. Oct 1961” .7 to .9 - annotated “Scribing” .10 – annotated “PTE Madex Oct 61”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

The cloth insignia badges date to 1925-1940, after the First World War and into the early Second World War era. During peacetime training, the "brown with a cherry-red crossbar" badge was initially used for the 8th Field Ambulance, 2nd Military District Medical and Veterinary Stores. The colour patch was approved for wear by full-time duty personnel of all medical units apart from the Infantry and Cavalry. In 1942 these patches were replaced by the new scheme of colour patches introduced by the Australian Army Medical Corps. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The badges are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.These colour insignia patches represent the history between the First and Second World Wars and the evolution of Australian Army Medical Corps patches. They Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The item allows insight into military life in the early-to-mid 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, cloth insignia patch. Pair of two Insignia colour patches.Red stripe with an inverted 'V' shape on brown fabric. Insignia of the Australian Army Medical Corps, Non-Divisional Units. One badge has light-coloured stitches around the perimeter. The cloth patches belonged to Dr W R Angus and are now part of the W. R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, surgeon captain, ballarat, bonegilla, badge, insignia, badge collection, world war 2, second world war, australian defence forces, army medical corps, military uniform, cloth patch, insignia patch, australian army medical corp (militia), ww 2, ww ii, 1925-1940, military badge, non-divisional unit, aamc, 1940-1942, 8th field ambulance, peacetime training, insignia history

The item is a hard cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page records the customer orders by date, name and goods supplied. Some entries include more detailed descriptions and small drawings. The cardboard cover is green with red and brown marbling on both front and back with some wearing at the corners. "B S GOODS" is hand drawn in black on the front cover, with a paper rectangle stuck over the top on which is handwritten the type of book and dates. The pages are bound together with string. The book includes the date range of 20 August 1894 to 12 November1895. All pages have been used. This item is part of the Margaret Roberts Collection. "B S GOODS" is hand drawn in large black capital letters across the front cover, with a brown paper rectangle stuck over the top on which is handwritten "Factory Order Book From Aug 20/94 to Nov 12th 1895". Also, on the front cover there are some ink spots between the D and S and other pen marks around the G, including mathematical workings (18 +13 = 31). The back cover also has ink spots and two groupings of mathematical workings.margaret roberts collection, ironmongers, forest street, bendigo businesses

Written on backing sheet, "St. Mary's School, Bedford Road, Ringwood. 1937-38. Back Row - K. Rodaughan, D. Hannan, ? Ellis, M. Maidment, J. Davern, D. Morphett, ??, J. Kiker, J. Nolan, F. Hardidge, A. Orr, W. Steeth. 3rd Row - B. Bates, W. Smith, K. Hardidge, J. Ryan, B. Byrne, P. Stratton, W. Davern, F. Barro, ??, J. Lindsay, A. Smith, ? Pratt. 2nd Row - Byrne, ??, G. Robinson, J. Grey, ? Brown, ??, G. Robinson, J. Grey, ? Brown, ? Brown, ??, ??, K. Ryan, W. Connell, W. Orr, J. Bowles, B. Grey, ??. Front Row - L. Hardingham, P. Gridley, ??, J. Orr, P. Alford, ??, P. Davern, V. Orr".

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

Pipe smoking is the oldest form of smoking. Tobacco was the most common substance used which dated from the mid 1600's. The practice is typically associated with relaxation and is more typically a mans' domain. Pipe of various types and construction were often used in ceremonies in many cultures around the world. The practice has declined in many parts of the world due to the A common item linked to a fairly common practice of the 18th- 20th centuries..1 Brown and caramel coloured pipe separated with a black band and silver overlay engraved with a leaf pattern.The bowl section is dark brown with a fine wood grain. The stem section is amber in colour and is possibly an early composite material such as bakelite. .2 The pipe shaped case is wood and is covered with leather on the outside and lined with greenish velvet with a small metal hinge on one end.W.A.T.with hallmark anchor, lion and unreadable letter.pipe, warrnambool, smoking pipe, gentleman's pipe

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner papers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy ProfessorThese original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 8th January 1869 to 31st December 1869. They are broadsheet pages, two per newspaper, printed on the four pages and bound together and published twice weekly. The cover is a mottled brown and green colour and it has brown binding glued together. The pages are unmarked and the papers are in good condition but the last few pages are heavily foxed. warrnambool examiner, richard osburne, william fairfax

A yellowed clear plastic rectangular shaped container with embossed inscriptions on the lid. The container contains 5 packets of food rations. The largest packet is rectangular in shape and composed of brown paper. It has inscriptions on the front which detail the ingredients within. The second largest packet is also rectangular in shape and composed of brown cardboard. It also has inscriptions on the front detailing the indredients within.......

Photo, black / white, 6 soldiers in uniform without head gear. 3 standing at rear, 2 seated in centre, 1 lower in front. Photo is in brown wooden frame with glass front & fawn paper backing. Photo is mounted with brown / gold border & features NCO's who survived the Messines Armentiers Battle. D Coy 38th Battalion AIF.Information on cardboard marker at bottom of photo identifies 2 members: 1. Centre front: R H LUXON (Cpr) 2. Seated RHS: Harry W SHELTON (CQMS) In black texta & black ink on backing: Trust 31 On stickers front / back: No 56soldiers, framed photographs, group portraits

.1) Box, cardboard, brown colour for 9 mm cartridges. Box holds 40 cartridges. .2) Necklace made from small shells, colours soft white, brown & grey. .3) Bracelet made from same shells as .2). .4) Bracelet made from same shells as .2). .5) Bracelet made from same shells as .2)..1) “7 Feb 1944”costume accessories - jewellery, arms - accessories

Item in the collection re Regt Sgt Major Edgar Frederick Dawson DCM, No 4472 57th Batt AIF. Refer Cat No 893, for his service history.Certificate from the Kangaroo Flat District Soldiers Memorial and Welcome Home League, presented to R.S.M E.F Dawson D.C.M Certificate: Black and dark brown print, background illustrated in colour with blue, red and white flags (Australian & British), and native flora. Frame: timber, mid brown stain with gold painted inner edge, decorative edge - glass front.Black printdocuments - certificates, name accessories, civic momentoes - presentation

Belonged to Warick Rosenthal No TX6321 AAMC. Refer 622.3, 775.,1) Battledress uniform Pants, winter khaki. .2) Battledress uniform Jacket, winter khaki. Has shoulder Pips and crown sewn for the rank of Lieut Colonel Shoulder flashes sewn "Royal Australian Army Medical Corps" .3) Officers Sam Brown Belt in Leather. Brown in color complete. .4) Officers peak cap with gold Badge RAAMC.medical corp, uniform army, raamc

UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions)

Standard issue slouch hatStandard issue slouch hat individualised by Corps badge and unit colour patch Khaki Australian Army slouch hat (fur felt) with khaki cloth puggaree. White above blue with purple square superimposed 42 mm square colour patch (142nd Signal Squadron) on right hand side of puggaree. Royal Australian Corps of Signals cap badge on front of puggaree. Brown sweatband. Brown leather chinstrap. Mounted on plywood mounting board.Latiners 1986 55 (size) gold stamped on sweatbandheadgear, slouch

Clothing. Waistcoat, part of man's three piece brown tweed suit. Pure wool - brown with black and red fine stripe, forming a plaid type pattern. Pure wool front, taffeta type fabric lining and back. 6 button front. Peaked at waistline. 2 bound slit pockets. Some insect damage on front panels. Side vents at waist.Inside front: Small tag 36Rcostume, male suit, tweed waistcoat

Two(2) State of Victoria Pensioner's Fare Concession Certificates.. Nos.60 and 61, for the years 1964-65. They are both printed on brown and off-white light cardboard. One colour to each side.The lighter side has a brown line across the top and then angled down to the bottom right corner. There is a lot of detail on these cards and for more information refer to the scans.person, individual, basil miller

Sepia photo of a girl taken from an angle. She is standing in a garden with a paling fence and some plants behind her. She is wearing a dress with 3/4 length sleeves and holding a piece of ivy. She has short hair and is wearing a long necklace. Photo is mounted on beige cardboard with a brown border with darker brown edges then the beige with a darker edge.photograph, portrait, female, foster & wilson collection, female portrait