BHS CollectionGreen cover book of musical sheets titled "Rosie's 8th Dance Album" containing: Toy city barn dance, Holly Berries mazurka, Glen Rosa schottische, Coronation Day polka, Darby and Joan waltz, Babes in the wood polka, Little blue eyes waltz, Baby's birthday waltz. The London Music Publishing Stores. On the inside cover there is a black and white pencil drawing by George Harris of a landscape signed by the author and dated '19. Aileen and John Ellison Collection.music, dance music

Black & white photograph of 8 girls and a boy, 4 of which are holding violins. 4 of the girls are holding rolled papers. The girl in the centre is slightly older and has nothing in her hands. All the girls are wearing white dresses and the boy light trousers and shirt with a dark jacket. The photo is mounted on cream cardboard. Written under the photo is: 1916 Successes. Yours Sincerely M. Foster LLCM. Note on tissue over photo - London College of Music 1916.Bartlett Bros., Bendigophotograph, portrait, group, foster & wilson collection, photograph, m foster

Document : on front 'dated 7th. August, 1896, Mr. T.F. Moylan to Messrs Fairclough & Brown. Deed of Covenant and extension of term of mortgage. Connelly, Tatchell & dunlop, Solicitors, Williamson Street Bendigo. J.R. Young, Printer &c, Bendigo' Document contains details of indenture between Thomas Francis Moylan of Loddon Vale and William Fairclough of the Bank of Victoria, London Bank manager, and Gilbert Wilson Brown of Mathoura Road, Toorak. Brown one penny stamp at top of documentbusiness, legal, connelly, tatchell & dunlop:, connelly, tatchell & dunlop:, fairclough, t. moylan, brown

Object, Scottish Country Dancing on the Goldfields, A recent family history by Rae Anderson of Bendigo contains reference to early Scottish dancing at Ironbark School on Rae's Hill near Bendigo.'Colonial Travels' by David Kennedy, published in London in 1876. The Ironbark School opened on 1st. June 1861, passed to the Victorian Government in 1875, and closed in 1928.The schoolmaster was John Rae who emigrated from Aberdeen on 3rd.November 1851, arriving at Melbourne on the ship ''Cuthberts'' on 10th. February 1852David Moorheadbendigo, education, ironbark school

Sunbeam Motor Cycle Catalogues and Envelope - S A Bush: a. Envelope addressed to S A Bush, Bairnsdale, posted in Streatham, England ; b. Catalogue for 'The Sunbeam Motor Cycle', Season 1916 with addendum dated June 1st, 1917. 24 pages. Handwritten ([pencil) on cover: R F Bush - St? ?? Rd, Streatham, London; c. Preliminary List - Sunbeam Motor Cycles, December 1919 - 8 pages with notations, handwritten on p. 5 27/4/20.person, individual, bush collection - personal, bush collection, collection, transport, motor cycles, catalogue

Document. Various legal papers. 1 - 1920 - Jenkinson Mrs A M (Kangaroo Flat) re costs F J Jenkinson deceased. 2 - 1920 - James M deceased (Manager, Farmers & Citizens Trustees Company (Bendigo) re costs Administration Account. 3 - 1920 - Nox Mrs E (Ironbark) re costs Stein. 4 - 1920 - Minto Mrs A J (c/o Miss Minto London Bank of Australia Bendigo) re costs Miss Egan.cottage, miners, connelly, tatchell & dunlop, jenkinson mrs a m, jenkinson f j, james m, farmers & citizens trustees company (bendigo). nix mrs e, stein, minto mrs a j, minto miss, london bank of australia bendigo, egan miss.

(a) Three letters typed on Nottingham Evening Post Letterhead, all sent to Mr. H. Marks. c/o Australia and New Zealand Bank Ltd., 15 Great Cumberland Place, London, W1, from Guy M. Denison, Librarian. They are all concerning a picture of Bendigo (The boxer?). (b) Invoice, from the Jockey Club 7/7/1993, Items bought (at auction?) - Tin $25, Folder $65, Horse Racing Set $45. Total $135person, individual, bendigo, h. marks. guy m. denison, nottingham, bendigo

A small box of ball-pointed pen nibs (7 left). A yellow, red and black box containing metal no. 5 & 6M grey nibs. Named as balled-pointed pens, 2L Flewitt's Patent. On back: Suitable for writing in Every position, glide over. Any paper, never scratch nor stick in the paper. Manufactured by D. Leonards & Co. Birmingham. Solely for Ormiston & Glass Ltd. Contractors to H.M. Government 28 Newgate St., London ECcommerce, office equipment / stationery, domestic items, writing equipment

Assorted magazines: The Star from February 1, 1936. The Australian from March 16, 1935 - March 30. 1935 - April 20, 1935 - May 4, 1935 - August 3, 1935 - January 11, 1936. The Australasian pictorial annual 1934 and 1935. The Land farm & station annual, August 23, 1939. The Illustrated London News from December 22, 1934. The Australasian annual 1949/1950. The Sun tree book. These magazines are part of the Aileen and John Ellison collection. national magazines, world magazines

Soft cover book. The front cover is divided in four triangles, The first at the top, red with the St. john ambulance association logo. Moving clockwise in white a drawing of an injured man and a man and a woman assisting. The next triangle again in red with the words in black and white "preliminary first aid". the last vignette is of an injured man lying down and one assisting and a third man calling for help. This is the fourth edition and was published in London in 1963. Aileen and John Ellison Collection.On front cover: Aileen Ellison and a signature.first aid, st. john ambulance

A concave, wooden racquet, with white cloth-taped shoulders, fine plastic string whipping, blue cloth collar, and a medium-depth grooved handle. Decal across throat on obverse: THE/ELTHAM. Inscription stamped along right side of handle: SLAZENGERS LTD/MADE IN ENGLAND. Inscription along left side: LAURENCE POUNTNEY HILL/LONDON. E.C.4. Butt cover contains maintenance instructions. Materials: Wood, Gut, Plastic, Cloth tape, Metal, Glue, Lacquer, Leathertennis

Colour photo of No 28 tram in green and gold livery, one man standing in door of tram, six men standing on roadside in front of tram. Tram is stopped on Pall Mall between Bull Street and Mundy Street. On back written, 'Bendigo Cup Day 1971 (L to R) Basil Miller (inspector), John Frost, John Betjeman - BBC LONDON, Tom McCaw, Charles Craig, George Sang, Michael Schnader. Also, a black and white copy.basil miller, bendigo trams

Brass and metal gold scales (a) formerly used in London Chartered Bank, corner of Forest and High Streets, Bendigo. E.S. &A Bank donated the scales ( see attachments) Scales stand on 3 legs at base of stand. Two large scale pans (b) with chains to attach to arms of scales. Seven brass sets of nested weights (c) with faint markings on some indicating weight of 16 oz, 8 oz. Indistinct weight markings on most. Sticker with '384' on main upright of scale.bendigo, banks, london bank

NeoclassicalOil on board of a Neapolitan fisherman his dog. A label inside the frame states that the painting is mounted on "Prepared Mill Board / Windsor & Newton / Artists' Colourmen / to Her Majesty / and / His Royal Highness Prince Albert / 38, Rahbone Place, London." This would indicate that the artist was British and working between 1841-61. Handwritten on the label is the name W.O. Harland. Modern frame. The painting may have been donated by Rosemary Vaughan-Smith who was a neighbour of Mrs Dorman (sic). artwork, neapolitan fisherman

File- card, green grey - Rondo of London type, titled "Municipal Miles" - giving the calculations and background paperwork for the breakdown of the tramway system by municipality. Used late 1920's to mid 1930's. The top sheet, scanned, though superseded shows the route miles by double track, single track, shared at council boundaries and the total miles of track. See Reg Item 2083 for tram miles for the system as a whole - was this information required for rate valuation returns.trams, tramways, mmtb, trackwork, mileages, reports, councils

Postcard photo of a W6 or W7 at the intersection of Bourke St and Elizabeth St, late 1950's or early 1960's. Photo looking east along Bourke St. Has the Myer's, Coles, London Stores and other buildings in the background. has a Holden station wagon waiting to do a Hook turn. Divided back with places for stamp, address, correspondence and details with makers details "Murray Views of Gympie Qld, No. 2, Bourke St. Melbourne, from an Ektachrome photograph.trams, tramways, bourke st, elizabeth st

Postcard - publicity take away - Melbourne published by the National Archives Office of two trams at the intersection of Elizabeth and Bourke St Melbourne 1955 with the London Stores in the background. Tram 392 has the destination of Essendon Bulla Road, Route 52 (has been changed prior to arriving at Flinders St) and tram 373, destination of Maribyrnong River, Route 54. On the rear has the details of the National Archives Melbourne Office, reading room and details of the photograph and reference details.trams, tramways, elizabeth st, route 52, essendon bulla rd, route 54, maribyrnong river, bourke st, tram 392, tram 373

Colour slide - red and white cardboard mount - reproduction of a photo looking east along Bourke St from Queen St with tram 1002, for City Spencer St route 88. Has Christmas decorations along Bourke St, late 1960's or early 1970's. Produced by Ess-vee-vee, No. 1079, Set No. 31, and then number "8600 - Looking east in Bourke St from Queen St hill"\. Stores in the view are McEwans, London Stores and Coles and Garrad.trams, tramways, bourke st, w7 class, route 88, tram 1002

Handwritten notes, with typed copy, on the chimneys of some of Bendigo's mines. Some were designed on Cleopatra's Needle which is situated on the Thames Embankment in London. Others had flags, horizontal bands, letters or initials in coloured bricks. The 180 mine stack had a pyramid built on the top with a hole on each side placed there as vents for the smoke which issued from them according to the wind. Today none of these chimneys remain. Written by John (Jack) Hattam. Albert Richardson Collection. document, gold, lansell's big 180 mine, mine chimneys, mr g lansell, cleopatra's needle, red white & blue, union jack, australia flag, john ? hattam, jack hattam

Dr Mary Kent Hughes (nee Cantwell) lived in Warrandyte. She served in the second world war and published several books. The manuscript was written by Bruce Bence for the Warrandyte Historical SocietyContents: 1. Manuscript: Dr. Mary Kent Hughes, Lieut. R.A.M.C. London 1940; photocopy, 6 typed pages and illustrated face sheet with additional alternate face page and hand written note from author Bruce Bence 2. Copy of catalogue record: MS 4856 Papers of Sir Wilfrid Kent Hughes (1895-1970), 2 pages A4 inkjet printout detailing scope and content of papers held by National Library of Australia including biographical noteskent hughes, mary, mary kent hughes, sir wilfrid kent hughes

Children's picture book that belonged to Phyllis Annie Diggins (nee Anderson). Phyllis and her sister Jessie Alexandra Diggins (nee Anderson) were sisters born in Bendigo. This book was donated by the son of Jessie Diggins. After leaving Bendigo the family lived in Kew. The sisters later married brothers - Joseph Diggins (Phyllis) and Victor Edgar Diggins ((Jessie). For many years the families returned to Bendigo to attend the Easter Fair, staying at the Shamrock Hotel. Phyllis was born 10.9.1908 and died 6.11.2004."Our Little Ones ABC". Book prize for Phyllis Anderson.. Printed by John F. Shaw Co. Ltd. 3 Pilgrim Street, London. Pink hard cover with red cloth bound spine. Picture of a young child dressed in a red smock on the front cover. The child is sitting on a step beside a magpie. The child is holding some cherries. Coloured illustrations with black print. Presented by AACHMY's High School as a special prize awarded to Phyllis Anderson for "Tables", 1st class 1913.Award book plate sticker from AACHMY's High School. Special Prize awarded to Phyllis Anderson for Tables, 1st class 1913.aachmy's high school, storybook, children's book

Album is a personal collection of postcards with letters written on the back of each.Bound 'Post Card Album' dated inside 1907. Cardboard with green textured paper cover decorated with scroll and red flowers in art nouveau style. 24 green thin cardboard double sided pages, 15 with cards and photographs attached. Post Card collection sent to 'Marg' as souveniers of soldiers travels and postings around 1917/1918. Sights include Egypt, Paris, Marseille, London, Edinburgh. Mix of coloured and black and white postcards, with photographs at the back. Inside cover ' To dear Harry with love from Marjorie - July 27th, 1907'.

The handkerchief was made and owned by Mary Ann Simmons, born about 1857 in Cuckfield, Sussex, England. She died in 1914 in England. It was then owned by Edith Mary Etherton (nee Upton) born 10-2-1888 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. Mary died in Yarram, Victoria, Australia 29-3-1969. The next owner was Edith Mary Lodge (nee Etherton) aka Mary Coxedge, born 10-2-1959 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. She died in December 1998 at Nagambie, Victoria, Australia. The family moved to Australia in 1922. The last owner was Nancy Mavis Lambrick (nee Lodge) born 25-7-1937 at Tarralgon, Victoria, Australia. The handkerchief is a very good example of fine drawn thread handmade needlework and handed down through the family over generations. Ladies handkerchief. Hand worked, fine cotton, off-white coloured handkerchief. Drawn thread work with bobbin lace edging. C. 1876flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade handkerchief, fine cotton handkerchief, drawn thread work handkerchief, ladies handkerchief, mary ann simmons, edith mary lodge (nee etherton), mary coxedge, nancy mavis lambrick, chatfield cottages, london lane, cuckfield, sussex, england, drawn thread work

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

This advertising material used as an ink blotter would have been given freely by salesmen, keen to sign up new buyers for their range of motorcar oils. Businesses had quickly recognized the potential for advertising on blotting paper, and began customizing sheets with company marketing. Ink blotting paper thus became a form of business card.often given away by salesman The Castrol company is headquartered in the UK. Castrol was founded by Charles “Cheers” Wakefield under the name of ‘CC Wakefield & Company’. In 1899. By 1960 it had become Castrol Ltd. This is a pictorial record of an advertising media not commonly used in the 21st century. Ink blotters remained in general use until the advent of the ball point pen, which in the period 1945 to 1960 progressively replaced the steel rib and liquid inks.A rectangular card with green and red print. It has two illustrations in red and green of plastic oil bottles with pourer tops. The underside is pink and it is designed for nse as an ink blotter. advertising-blotter castrol-motor-oils stationery

Items relate to Jack Grinton No 1043, 38th Batt AIF. The photographs were taken during and after WW1. The series of postcards, some of which are labelled, were collected by Grinton. Pictures of 38th Battalion soldiers are depicted on a number of postcards. Other photographs and postcards feature scenes from France and the UK. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. See also 1290.2P and 1291.2P. Refer Cat No 1280 for Jacks service recordBlack three ringed plastic folder in a black plastic box. Folder is divided into labelled sections each of which contains a number of photographs or postcards. Photographs and post cards are housed in clear plastic pockets. A handwritten white label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'ADDITIONAL PHOTOS', 'PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS'. .2) On spine label handwritten in blue ink: ' ADDITIONAL PHOTOS', PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS', JEAN GRINTON'.38th battalion, postcards, photography - photographs, books - albums, grinton collection, western front

These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A Tape Condenser is a device that receives the wide fibre web from a woollen card, divides it, and rubs each section into a sliver. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of a Tape Condenser in a landscape format. The first photo is of the front of the machine, the second is of the rear.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1138 Rear - Showing new model Tape Condenser with all-Perspex Guards, new gear box type of main drive to Condenser. New mounting of all Tape Rollers, cross shaft drive to Variable Speed Gear Box for drive to rubber shaft and many other improved features. 8038.2 - Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1140 Rear - New Model Four-teir Tape Condenser showing rubbing motion side Note greatly improved guarding completely enclosing rubbing motion and gearing, also Variable Speed Drive to Rubbing Motiom via heavy ‘V’ Belt. The drive is taken by cross-shaft from the main gearing of the Condenser. Rubbing Motion has all roller bearing eccentrics throughout.textile machinery, tatham, wool manufacture, tape condenser

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Etching by Maryanne Coutts showing a corner of the Printmaking Studio at the University of Ballarat, Mount Helen Campus. The etching is presented in an the University of Ballarat Printmaking Artists' Book 1996.art, artwork, maryanne coutts, coutts, artists' book, printmaking, etching