An early example of Melbourne Legacy Club newsletter (No. 265 16/2/1932), covering the activities of Melbourne Legacy Club. Information includes speakers for the weekly Tuesday meetings, the opening of the new Club Rooms at 55 Market Street by the Lord Mayor, personal news of Legatees, and a considerable amount of space devoted to job placement for Junior Legatees, which was proving problematic for boys over 17 years of age. There is also a report by the Chairman of Committees on the activities of the Club, news from other clubs, and a clothing appeal. The overall tone is chatty but informative and the dedication to the welfare of Junior Legatees is obvious. A further sheet is appended with limericks to accompany the concert on 15 March at the Auditorium by Junior Legatees and Legatees, which was held to raise money to equip the new premises..Brings to life the work of Melbourne Legacy in the early years.White foolscap pages with black type x 5 pages of a newsletter for legatees.'H50' in blue ballpoint on page 1.newsletter, founding legatee

An event at the Shrine of Remembrance Visitor Centre, the guests include some youths and Ron Barassi. Afterwards they posed for a photo in the Garden Courtyard. The president is George McKenzie. Ron Barassi participated in several Legacy events over the years. Ron was a a junior legatee after his father Ron Snr was killed in action at Tobruk in World War II, aged 27. From the film numbers see also 00686 and 00687. The Visitor Centre was completed in 2003 and provides unimpeded access for the elderly and disabled to the Sanctuary, the Crypt and the Galleries of Remembrance as well as open space for exhibitions and events. The courtyard has an olive tree as a centrepiece. This is the olive tree of peace that was planted by Legacy in 1973 to mark their golden jubilee. It was relocated to the new courtyard in 2002 when the Shrine was being redeveloped.A record of a ceremony at the Shrine for Legacy Week in 2004.Colour photo of the Legacy President George McKenzie with Ron Barassi and other dignitaries.Printed on the back "No.<10> Clarendon Photos 0556" which is the frame numbers and place of processing.legacy week, legacy promotion, george mckenzie

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Fifteen Photos of the St Paul's Church of England and an unknown dam. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Ten Photos of the Anderson Family. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade lamp base, irregularly ridged with applied green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola annie ayling, viola annie mcvicars

From 1909-1929, all boys 12-14 yrs and men 18-20 were required to enrol for army training only for domestic service. In 1939 all unmarried men aged 21 yrs were required to register for 3 months training for service in Australia and its territories. This was expanded in 1942 when all men 18-35 yrs and single men 35-45 yrs were required to register for the CMF (Citizens Military Force) Many of these then volunteered for the regular army during WW2. However the biggest National Service intake occurred between 1951 and 1972 as a reaction to the Korean and Vietnam Wars. Initially this required all 18 yr olds to complete 176 days of military service. Then in 1964 the lottery system was invoked.Bendigo Advertiser ''The way we were'' from 2002. Walking proud: these men were part of the July 9, 1957 national service intake chosen by ballot. The men are pictured at Puckapunyal army camp. Photo supplied by Ernie Hartland.newspaper, bendigo advertiser, the way we were

Annie Meredith Nicholls, a daughter of William Henry Nicholls (1845-1902) and Annie Nicholls (nee Smith, 1847-1900) of Linton, worked for Mr. George Smith, who ran a stationery and newsagency shop at what is now 88 Sussex Street, Linton. When George Smith died in 1900, he left most of his estate, including the shop, to Annie Nicholls, then aged nineteen. Annie continued to run the shop and in 1903 she married George Brown, who was working at Mt Bute station at the time. They had seven children - Laurie, Victor, Ivy, Noelene, Annie, Ethel and Verna. In the early 1920s Annie became too unwell to run the shop, which was taken over by Walter and Katie Bonthorn and then by Ruby Sandow. Annie died in 1924.Photograph of young woman wearing a dress which has a large crocheted or lace collar and a fine chain attached. (nee Annie Nicholls)annie nicholls, annie brown

After reading an interview of Elizabeth Fiddian in the Age in 2003 about her time volunteering at the mission, Matt Blackwood and Csilla Csonvay contacted Nigel Porteous to offer to film a documentary. The filming was self-funded: they had a volunteer crew of three, pulled some personal favours to source the equipment, Csilla edited the film at her workplace’s edit suite out of hours. Nick Farnell provided the voice overs for reading out the letters. It was recorded in a week end, on Betacam. They interviewed six or more members, who talked about their experiences, and they intercut their interviews with archival footage from the Mission. The interviews took place both at the Mission as well as in some of the interviewees' homes. The film was premiered at the Mission, and where it was played on a dedicated TV for visitors on a DVD. In 2023, Matt send a digital copy in mp4.The producers met some of the surviving ladies of the Harbour Lights Guild who gave up their Saturdays and Sundays to arrange events and outings for lonely sailors arriving in Melbourne. Documentary including interviews, photographs from the MSTV archives, and reading of Lillie Duncan letters from Charlie.sadie wilson, annette wood, bernice kennett, rodney kent, jan lee, dennis lee, 2003, csilla csongvay, matt blackwood, beverley kent nee oliver, nigel porteous, charlie, lillie duncan, nick farnell, elizabeth fiddian

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Eleven Photos of the St Paul's Church of England and an unknown dam. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Links to another image in the collection previously unidentified now known as at 2018 to be the children of a seafaring family of Captain and Mrs Aviss. In 1918 the family was re-united with Mrs Aviss' parents after a dangerous journey by sea the first time that the children met their grandparents, Captain and Mrs Frampton also seafarers . Mrs Aviss gave birth to her third child in August 1918 on board the ship. She contracted the "Spanish flu" probably in St John, New Brunswick and died, at the age of 28, on the 3 November 1918 after a week in hospital, leaving her husband with two toddlers and a 3 month old baby. The story demonstrates the respect and support of the Mission for two remarkable families of seafarers and the dangers of the influenza epidemic post WW1.An example of lives and tribulations of a seafarer family who survived the Great War but who also had to deal with the Spanish flu pandemic of 1918-1919.Large engraved brass plaque mounted onto brick wall commemorating wife of sea captain. To the Glory of God / and in memory of Catherine Florence/ the beloved wife of Captain Herbert Aviss/ (Barque Inverneill) who died at St John. N.B./ Nov 3rd 1918.brass, plaque, great war, memorial, commemorate, catherine florence aviss, florence catherine nee frampton, wwi, first world war, barque, inverneill, herbert aviss, st peter the mariner chapel, mission to seafarers, flinders street, 1919, st john, new brunswick, influenza, spanish flu, pandemic, 1918

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Ten Photos from the Anderson Family. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

This item comes from the estates of the Misses Ardlie of Warrnambool. It belonged to Agnes Ardlie (1915-1993) who was aged 11 when she received the album. Her sisters were Olive (1905-1912) and Dorothy (1910-1993). They were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnmbool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, early settlers in Warrnambool. The Misses Ardlie lived in their early years at Aroona in Princess Street in Warrnambool. The autograph album has handwritten contributions (verse and signatures) from family members and friends and twelve signatures of cricketers from the Australian Test series of 1928-1929. These are mostly English cricketers and include the signatures of Wally Hammond, Jack Hobbs, Harold Larwood and George Duckworth.This autograph book is of considerable interest, firstly as a memento of Agnes Ardlie, a member of a prominent family in Warrnambool in the 20th century and secondly, as an item of some significance in the cricket world with its signatures of some English cricketers on tour in Australia in 1928/29.This is an autograph album with a dark red leather cover and gold writing on the front cover. Inside the cover are pages in a green mottled pattern. The other pages are mostly white or cream with some coloured pages. Some pages have handwritten verse and signatures in black and blue ink. A blue shopkeeper’s label is on the inside back page. Album Agnes M. Ardlie ‘Aroona’ Warrnambool 3.11.26 ardlie family, history of warrnambool, autographs of australian cricketers, wally hammond, george duckworth, harold larwood, jack hobbs, australian cricket team 1928-1929

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by the Australian art potter, Klytie Pate.Small, green glazed dish, highlighted with splashes of purple. Five ballerinas in the cavetto surround an undecorated well. The reverse is glazed a lighter green. Spur marks in the foot rim reveal that the dish was supported on stilts in the kilnSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1940s, 1950s, 1960s and 1970s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), ceramics -- victoria (australia), viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, earthenware, footed oval dish, covered with a turquoise glaze. The feet, two of which has been repaired, were created from coils that were then luted to the base.The base bears the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Pair of hand moulded abstract ceramic wall sculptures with holes and marks of the original wires on the reverse. The front and back are glazed while the interior has been left unglazed. The free-form shapes resemble waves which were initially covered with a white glaze which was then overgrazed in a semi-transparent turquoise glaze. Both pieces are signed by the artist on the reverse.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling, ceramic sculptures

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel-thrown, globular earthenware vase with a fluted neck, The vase has three glazes, its exterior glaze is a mottled greenish black which has dripped onto the foot rim. Internally it is glazed in cream, while the four petalled flowers encased in buds that form the exterior decoration are highlighted in pink, as is the interior of the rim. The base is signed with the artist's signature.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown ceramic vase with the body pierced between the moulded floral exterior. The vase is fully glazed in orange with the glaze pooling in the recessed sections to provide an opaque contrast. The five petalled flowers and leaves extend to the base, which is separately glazed in a paler colour and signed by the artist. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, reticulated containers, pierced work, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown bulbous vase with a narrow neck. Subsequent to potting, the vase has been scraped from head to foot. An overall pink glaze, fading as it has dripped down the exterior has been highlighted with a second irregularly applied green glaze within the ridged surface. The artist has signed the base. Signature to bases: "V. Ayling" ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.A handmade eathernware lidded ewer, the exterior fully covered in an olive green glaze, while the interior is glazed in cream The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, pouring vessels, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Freeform, heavily-potted earthenware vase, initially covered with a semi-transparent maroon glaze with a secondary green glaze applied over the top and allowed to drip over parts of the ground colour. The interior and foot of the vase are glazed in cream. The artist has signed her name to the base.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie ayling, viola annie mcvicars

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade ceramic container, expertly potted and glazed in a style that is representative of Australian ceramic design of the period.Wheel-thrown ceramic container, the interior and exterior fully glazed. Three glazes have ben used to decorate the object. The exterior had an initial glaze in chocolate brown with a second glaze of orange. The interior and the base are glazed in a pale cream colour. The artist's signature is on the base. Signature to base: "V. Ayling"ceramics, containers, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand thrown earthenware dish, covered with a chocolate brown glaze into which a design on the cavetto and well has been incised. The cavetto has a design of four groups of joined semicircles filled with horizontal and vertical lines. The well includes an abstract representation of a flower. The signed, finely shaped foot and rim are glazed in cream with the artist's signature incised on the base. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie ayling, viola annie mcvicars

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.A large, eathernware dish, with a maroon ground and a mottled green and black glaze on the inside of the dish. The petals that form the floral design on the base are highlighted in a pink glaze. Each petal overlaps the rim. The artist's signature is on the base. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, initially thrown lidded container, with applied decorative coils as decorative elements. The pot has a vibrant yellow glazed ground with highlighting in green glaze. The underneath of the separate lid continues the circular design with an incised spiral design. The base is signed with the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand built deep dish, glazed in maroon and green. The maroon ground includes a splash of green in the centre of the dish. This is the only ceramic piece in the collection that is both signed and dated.Signature to base: "V. Ayling / 1954"ceramics, pakington street -- kew (vic.), dishes, viola annie ayling, viola annie mcvicars

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Eighteen Photos of the Bendigo Hospital - wards, pharmacist, nurses and general views. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was maked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Eight Photos of clergy, also it is assumed, elders and Sunday School children; at St Paul's Anglican Cathedral. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Order of Service (funeral) for Rae Alexander Anderson -organist and choir master of the paraish church of St Paul, Bendigo, 1931 - 1965. (Thursday 13th March, 1986) Invitation on back page to join Mrs Anderson after service at Dudley House. Two copies.rae alexander anderson, st pauls bendigo, dudley house., bendigo hospital pharmacist