A coloured photograph of two children and an adult walking through the school gate.schools, bulla

Three colour photos Brick Valve House on Big Hill Two Colour photographs of brick building against green grassed embankment.stawell

Four photos of owners of Shamrock Hotel corner of Seaby Street and Longfield Streets Stawell West. Clockwise from top left Agnes Jenkins nee Keegan. William John Jenkins. Agnes Jenkins nee Keegan. Agnes Jenkins nee Keegan on left Four Photos of people. Woman, man, two ladies and older lady Owners of Shamrock Hotel stawell business

Painting of two pink fish lying head to tail on a tan background. Dated in pen (L.r) '27.5.88'clifton pugh, painting, pinkfish

Rectangular rubber mould of an oval design depicting two lovers embracing. Nonematcham skipper, mould, jewellery, lovers, nude

Plaster mould of a teardrop shaped design depicting two lovers embracing. Nonematcham skipper, mould, jewellery, lovers, nude

Oval rubber relief depicting two female nudes embracing an orb.Nonematcham skipper, mould, jewellery, female, nude

Bronze medallion depicting the heads of two young girls with floral motif.Nonematcham skipper, medallion, bronze, jewellery, girl

Brown long sleeve cardigan with button front and collar, and two pockets.

Len CASTLE (23 December 1924 – 29 September 2011 ) Born New Zealand 'My best work is when intuition and conscious choice come together successfully.' Len Castle trained as a secondary schoolteacher and started making pottery in 1947. Initially self-taught, he was the first potter to be awarded a fellowship from the Association of New Zealand Art Societies, travelling to St Ives to work with Bernard Leach in 1956-57. He lectured at the Auckland Teachers' College until the early 1960s, before concentrating on making stoneware at Titirangi, New Zealand. Len Castle was an artist in residence at the Gippsland Centre for Art and Design (GCAD).Two piece press moulded ceramic form with glaze wash surface.ceramics, len castle, gippsland campus, jan feder memorial ceramics collection

Christopher HEADLEY Born York, England Arrived Australia 1974 Chris Headley studied at York School of Art before majoring in Ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and set out for Australia. He travelled overland across Europe and Asia, through Turkey, Afghanistan and Iran. He was invited to attend a traditional wedding in Pakistan by someone he made friends with on the bus trip from Isfahan to Teheran, got lost several times in India and ran out of money in Thailand. Eventually, a year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991; and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. (http://www.christopherheadley.net/#!about) While artist-in-residence at the Arts Academy, Federation University in 2009 Chris was spotted dragging his ceramic figures and photographic equipment across mullock heaps near Ullina, around Lake Wendouree and inside the Art Gallery of Ballarat where he was photographing Mount Warrenheip. These figures were used in the photographs. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two white earthenware glazed ceramic figures, one with a kangaroo head.art, artwork, christopher headley, ceramics, sculpture, artist in residence, figures

Queensland Minister for Employment, Training and Industrial Relations, Santo Santoro hands the keys of Vision Queensland to the first Chairman of the Board, John Puttick on November 1, 1996.1 x B/W photograph of two men shaking hands1. 2 col widthvision qld, john puttick, santo santoro

Committee member Jenny Haynes receives a cheque from Charmaine Clarke, donating $1200 from a charity ride.1 x colour photograph of two women during a cheque presentationassociation for the blind, kelaston home (ballarat), jenny haynes, charmaine clarke

An older female and male sit either side of a desk. The lady holds a pen and a sheet of large print music in front of her, with a small pile of similar sheets to her right. The man holds a pen and looks at sheets of paper (presumably music) whilst sitting next to a box with the title 'Family Fun Box Organ course' to his left. In the background are filing racks, The Australian Hymn book and Braille volumes in various bindings. Over time, the RBS built up a considerable music collection thanks to the work of its dedicated supporters such as Dulcie Magnus.Digital image of two people working together to produce braille music Second century 24royal blind society of new south wales, braille music

This badge has 'Royal Victorian Institute for the Blind' written in gold against a dark blue background around an oval shape, with the words 'Rifle Club' in the same lettering at the base. Inside the oval, on a light blue background, is a lighthouse and a rifle either side of it, the butts crossing at the apex. In the 1960's, the RVIB approached engineer George Glover to produce equipment to allow blind people to shoot, based upon that made available at St Dunstan's Hospital in the UK. The rifle range opened in February 1966 at the rear of St Kilda Road with 30 members, and soon became involved in matches with sighted rifle clubs in the area. The club had many successful years, competing against teams from Canada and New Zealand in 1968, and had the support of ICIANZ which provided them with free munitions as well as teams to compete against. In 1977, George Glover passed away and some of the skills required for maintenance of the equipment was lost, however the club continued until the late 1980's/early 1990s.Lighthouse with two rifles either side and crossed at top on blue backgroundRoyal Victorian Institute for the Blind Rifle Clubroyal victorian institute for the blind, badges, rvib rifle club

Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions. A woman works at a switchboard, using an assistive device, whilst another woman sits beside her. A young man dressed in a blue coverall and goggles, uses a bandsaw to cut through an object, whilst another uses a circular saw to cut wood. A man in a workshop, with a large toolset on the wall, operates a machine.employment, royal victorian institute for the blind

The Eureka A4 was a Melbourne invention, designed to capitalise on the growth of IBM PCs. It attached to the PC and allowed blind and vision impaired people to utilise screen orientated programs. The Royal Victorian Institute for the Blind supported the project and in this image, David Blyth and the managing director of Robotron Milan Hudecek, pose for a publicity shot at the launch of the Eureka A4 Notetaker in July 1997. Black and white photograph of two men at the Eureka A4 computer standDavid Blyth, Director of Community Services at the Royal Victorian Institute for the Blind, carrying a Eureka A4, while Milan Hudecek, Managing Director of Robotron Pty Ltd looks on.royal victorian institute for the blind, braille equipment, david blyth, milan hudecek

Embroidered khaki shoulder slides - Warrant Officer Two (W02) rank

Two Insignia slides with Australian Coat of Arms embroidered. on Khaki PatchEng

The Corporal rank insignia is sewn onto the arms of Service Dress JacketTwo embroidered gold cotton chevron one above the other on polyester chevron corporal, gold embroidered chevron

5 discharge tubes in a black box, one is Ar, two are H.

Donald Clark Collection. Two copies of a colour photograph of the Borough of Tarnagulla Seal. Original photograph. local government

Legacy have many programs to send young junior legatees on activities, camps and outings. The photos shows junior legatees wearing wetsuits on a beach with a kayak and board. It could have been part of a camp. The date is not known, though it is thought to be from early 2000s, and it was stored with other photos of Junior Legatees.A record of a Legacy providing experiences for the junior legatees.Colour photo of two junior legatees preparing to kayak or surf on a beach.Printed on the back 'No.11' which is the image number.junior legatee outing, kayaking

Cast iron lemon squeezer, hand operated with two wooden handles.'H. Forman's Patent'juicers

Commemorative Seats x 3, Ballarat Botanical Gardens. They are the "Rats of Tobruk", "Lucas Employees World War 2" and "Victor Catherall" seats.The three seats commemorate citizens of Ballarat who made valuable contributions during their lifetimes and who were to be remembered. Two sheets of pale green paper; one and a quarter sheets of print. p.1 top right hand corner, Eureka flag logo, "City of Ballarat".john garner collection, garner, dr, commemorative seats, seats, tobruk, lucas, catherall, ballarat botanical gardens, ballarat, gardens, victor moreton catherall, rats of tobruk, lucas employees, world war 2, location of seats, reg middleton, irene lillingstone nee catherall.