76 p. : ill., 2 maps; references; 22 cm.Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.aboriginal art -- visual arts - general -- rock engraving -- rock painting.

79p. : ill.(part col.) ; 24cm.The profound mystery of the creation of the Universe has occupied the beliefs of people from the simplest cultures to those of the present day. Almost without exception, except perhaps in some aspects of modern life, these veliefs have played a major part in mouldroberts, ainslie, 1911- | aboriginal australians -- folklore. | legends -- australia. | aboriginal tales & legends. australia. texts. | australian paintings. roberts, ainslie. | australian

9-158 P.; ports.; map; 18 cm.A moving account of an Aboriginal man caught between two civilisations.namatjira, albert, 1902-1959. | australian paintings. namatjira, albert, 1902-1959. biographies.

237 P.; ill,; figs.; tables; notes; reviews; 24 cm.This volume of 'Australian History' is devoted to studies of the south-eastern corner of the Australian continent. The papers arose from a series of meetings convened with Professer R. W. Dixon in 1981. They involved scholars from the disciplines listed, all concerned with the south-east. A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | settlement and contacts - colonisation - 1788-1850 | race relations - violent - massacres, murders, poisonings etc. - to 1900 | sex relations | indigenous knowledge - world view | language - personal names | language - semantics | social identity | language - sociolinguistics | government policy - state and territory - new south wales | socioeconomic conditions - living conditions | language - linguistics - language classification | language - vocabulary - word lists | language - linguistics | geography - territories and boundaries | art - rock art - painting | art - production - materials / techniques | art - art motifs |

38 unnumbered pages colour illustrations, map ; 26 x 31 cm.Ian's narrative paintings recall the stories of his youth with refreshing simplicity, while their rich textures and brilliant colours evoke a deep love for a time and a place that are never very far from his imagination.He has mounted seven solo shows and fifteen joint exhibitions and represented in many galleries throughout Australia, including the National Gallery.abdulla, ian w., 1947-2011 -- childhood and youth. | aboriginal australians -- murray river region (n.s.w.-s.a.) -- food -- juvenile literature. | aboriginal australians -- south australia -- food -- juvenile literature. | aboriginal australians, in art -- juvenile literature. | painting, australian -- south australia -- aboriginal artists -- juvenile literature. | wild foods -- murray river region (n.s.w.-s.a.) -- juvenile literature. | wild foods -- south australia -- juvenile literature.

40 unnumbered pages : colour illustrations, 1 colour map ; 26 x 31 cm.As I Grew Older affirms the culture of rural Aborigines who, despite being dispossessed, have been determined to stay onb their own land. The painting of Ian Abdulla offer us a window on to the life of an Aboriginal Family on the Murray River in the mid-twentieth century.abdulla, ian w., 1947-2011. | aboriginal australians -- murray river region (n.s.w.-s.a.) -- biography. | aboriginal australians -- south australia -- juvenile literature. | aboriginal australians, in art -- juvenile literature. | painting, aboriginal australian -- south australia -- juvenile literature. | murray river region (n.s.w.-s.a.) -- biography. | australian

xxxi, 310 p. : ill., map ; 24 cm. An impressive collection of the poetry, artwork, and prose of thirty-six contemporary Aboriginal and Torres Strait Islander writers and artists. . . . The world views and the expression of the contributors are compelling. . . . It is an exploration of Ôthe dreamingÕ that organizes the text, in the sense that individual and kinship relationships to the origin stories of ÔdreamtimeÕ inform both a resistance to the genocidal heritage of Australian colonization as well as a unique focus for indigenous identity.australian literature -- aboriginal australian authors. | aboriginal australians -- literary collections. | aboriginal australians, in art. |

144 p. : ill. (some col.), facsims., ports. ; 27 cm.Contents: The coming of The Strangers; The environment & its shapers; The Governors & Their Circle; Staying & leaving ; The Lot of Women; Australia & the World; Australia in 1822.Blurb: The Coming of The Strangers challenges our ideas about the European settlement of Australia. Through a selection of the many document, painting and engravings held in the Mitchell and Dixon collections of the State Library of New South Wales, a picture of life in Australia is reconstructed - spanning the arrival of the First Fleet in 1788 to 1822 when the first generation of white Australians had accepted the continent as their home.Those who left no written records: the Aboriginal people; white women and convicts, have been brought to the foreground to give a balanced perspective of history during the earliest decades of European habitation in Australia.The Coming of The Strangers accompanies a major exhibition being held at the State Library of New South Wales during 1988. In co-ordinating both this book and the exhibition, the Mitchell Librarian, Baiba Berzins brings to public view many letters, journals and works of art that have not been published or displayed for over a century.australia -- history -- 1788-1851

166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang |

Christmas card featuring Schwerkolt Cottage drawn by Jack Montgomery, April 1967 (proof)schwerkolt cottage

Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.crafts, walden, phillip, model soldiers

Article on Blackburn North artist, Margaret Kettels.Article on Blackburn North artist, Margaret Kettels.kettels, margaret, painting

Pierce Boardman, 1828-79 (from self portrait). Roads Board member 1865 - 66; Auditor 1869 -74.Pierce Boardman, 1828-79 (from self portrait). boardman, pierce

Mobile of Schwerkolt Cottage - drawings for colouring in and cutting out.schwerkolt cottage, childrens mobile project, project