Detailed descriptions of Australian native birds at all life stages, including their calls and range of habitat.Maps, colour illustrations, colour photographsbirds, australia, identification

Marble headstone for Jeremiah and Bridget Carty in the Warrnambool Cemetery. Includes sculptural flowes, bird and wreath.warrnambool cemetery, cemetery art, headstone art, catherine carty, jeremiah carty

Marble headstone for Jeremiah and Bridget Carty in the Warrnambool Cemetery. Includes sculptural flowes, bird and wreath.warrnambool cemetery, cemetery art, headstone art, catherine carty, jeremiah carty

Necklace made of small bones possibly birds, threaded onto string with small chrome clasp.costume accessories, jewellery, necklace

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton rectangular tray cloth embroidered with boronia, wattle, blue flower and two birds.tray cloths, household textiles

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A bird with outstretched wings is positioned vertically above leaves within the title which forms a circlebookplate, printmaking, australian bookplate design award, keith

Owned by Mrs. McSeverentyEmbroidered picture of a bird against a black background. Gold metallic coloured border and a black frame.embroidered pictures

Set of two decorative candle protectors for piano brackets. Pink with gold bird and flower design.candles, candle equipment

One of 16 photographs and postcards donated by Mary KarneyColoured postcard of Cape Woollamai coastline."Greeting from Cowes" "Phillip Island - Cape Woollami Home of Mutton Bird"rocky cliffs at cape woolamai, cape woolamai, coastline cape woolamai, phillip island coastline, mary karney

The Great Crested Grebe is the largest bird in the Grebe family. It has a long neck with a black crown and orange/black "fans" on the sides of the face. This bird can be found in all Australian states and territories and typically resides in open bodies of fresh water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Great Crested Grebe in a tall position standing on a wooden pedestal. It has a long neck and bill with coloured plumage. The crest is black with orange and black cheek "fans" on the sides of the face. The eyes are made of glass and are a red/black colour. On paper tag: "[Austra]lian... [G]rebe... [pa]ge, 42" taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great crested grebe

This book was written by Edward Vidler (1863-1942), a printer, publisher and author. Born in England, Vidler was in Geelong in the 1880s and produced there a commemorative volume on that city. He came to Warrnambool in the early years of the 20th century and was Secretary of the Warrnambool and District Progress League and the Warrnambool Chamber of Commerce and Industry. While in Warrnambool he produced an important 1907 publication, ‘Warrnambool Past and Present – Sixty Years of Progress’ and also organized the production of the Pioneer Honour Board featuring portraits of 204 Warrnambool and district pioneer men. After he left Warrnambool he lived in Melbourne where he edited magazines and published his own and other writings. He was a foundation member of the group that established the Maranoa Native Gardens in Balwyn and promoted Australian flora and fauna. This book is of great interest s it was written by Edward Vidler, a resident of Warrnambool in the early 1900s and an important and influential figure in our history. He left behind in Warrnambool two most important legacies – the Pioneer Honour Board and the book ‘Warrnambool Past and Present’, a history of Warrnambool that has proved invaluable to researchers today. No information has been found on the original owner of the book, William Ewers. This is a 1931 soft cover book of 96 pages. The cover has a grey-coloured background and a sepia-coloured photograph of two kookaburras on a tree branch on the front cover and an advertisement for a publication called ‘Songs of the Bush’ on the back cover. The book is dedicated to the Gould League of Bird Lovers. It has a Contents page, a Foreword, a Preface, pages on Australian birds and an Index. It has many black and white photographs of Australian birds. It is glued and bound with blue tape.Signature on front cover and inside first page: ‘Wm. D. Ewers’edward vidler, history of warrnambool, warrnambool pioneer honour board, 1907 warrnambool history book, ‘warrnambool past and present’.

Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk

Donated by S Serpell of Serpell and Reid families, Sandringham.Black & White postcard of a young penguin approaching a mutton bird chick sitting on the grass among the rushes.young penguin and young mutton bird, wildlife - penguins, wildlife - mutton birds, s serpell

Small decorative white plate featuring blue design of dragon and bird. Plate has a gold rim."PMA 0231/1"

Swinton CollectionGold flying bird on circular disk of gold and 2 blues circled around the earth and inscription of Australia. Gold lettering on dark blue outer circle Royal Federation of Aero Clubs of Austswinton, aero clubs, royal federation of aero clubs

This item was donated as a display item for the Slab Hut (Orbost Information Centre). Quadruple silverplate items were four times as heavily plated with silver as standard items. Quadruple plate hollowware was some of the highest quality made during the latter part of the 19th century.This item clearly has an aesthetic significance as silver cake baskets were a common sight in upper-class households in the 18th and early 19th centuries.A silver plated cake plate on a pedestal with a handle. It has a pattern of flowers and birds etched into the top of the plate.SIMPSON HALL MILLER & Co. Quadruple platesilver-plate cake-stand tableware domestic

1992 school producton "Birds of a Feather" - 14-page programme with photographs and list of cast and crew members.

Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.Saucer with gold rim and decoration, 2 swallows and 10 stylised birds. Hand-painted by Margaret Amess.saucer, margaret amess, churchill island

Small pale wooden carving of a bird about to land on a tree branch which forms the carving's base.

Lush colour photographs of the particular environments, including flora, fauna, birds etc and maps locating area.Colour illustrations, colour photographsconservation, sustainability, biodiversity, victorian alps, mallee

Red and gold oblong tin used for containing throat lozenges. Bird and music notes painted on lidThroaties|Invaluable for coughs, colds, sore throats, influenza, etc.domestic items, containers

Box containing multiple embroidery cotton threads. Box has bird and leaves and flowers painted on lid.handcrafts, equipment

Silk piano shawl with deep cream silk fringing. White background with embroidered flowers, birds and flowers.manchester, bedding, handcrafts, needlework

Black lacquered wooden handkerchief box with illustrations of flowers and birds in dark pink and gold on the hinged lid.costume accessories, jewellery

Colour photograph , possibly of a stained glass window depicting a Kingfisher type bird with a fish in it's mouth