Black timber frame, buff coloured matt board framed colour photograph of Sioux helicopter on the ground with soldier collecting the mailDavo collects the mail - Vietnam 1971 copyright Len Pavich - My Vietnam Collectionphotograph, sioux (helicopter)

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show conservation efforts that were undertaken at Churchill Island.Black and White photograph with white border depicting alert koala on tree branch during the day.Catalogue number in pencil on reverse. Stamp on reverse: "COPYRIGHT/FISHERIES & GAME DEPT./VICTORIA"churchill island, koala, photograph, conservation

Sister Rocks Stawell Photo by W Dawson. with man on horse drawn buggy. Photo of Sister Rocks with a man on a horse drawn buggy beside the rocks.Copyrights regd. W, A. Whitehead. Photo W. Dawson date on photocopy C 2009

Photo of a Legacy widow with three children in a kitchen. Two children are holding Legacy Appeal tins. It was taken for an article to promote a Legacy appeal in the Herald newspaper. The article explains that Legacy helped Amy Lloyd after her husband passed away a couple of years before. Mr Lloyd had served in the Middle East in World War 2 and had helped raise his grandchildren. The grandchildren, Amy 3, Justin 9, and Brenton 5, were greatly impacted by his loss. Legacy helped Mrs Lloyd with financial matters and in being granted a war widows pension. The article mentions that in 'the past the organisation primarily cared for the children and young widows of fallen comrades - now it is caring for rapidly increasing numbers of elderly widows.' In 1990 it was caring for more than 23,000 widows and the numbers were increasing by 100 a month. The estimate for 2002 was that Legacy would be caring for 45,000 widows.A record of the beneficiaries Legacy was formed to help and an example of the type of aid they can provide recently widowed women.Black and white photo of a Legacy widow and three children in their kitchen and a newspaper article from 7 September 1990.Handwritten '44' in blue pen, Copyright stamp of Herald Sun in pink ink on reverse.widows, legacy appeal, legacy promotion

A photo of Sir Rohan Delacombe, Governor General of Victoria being shown a Legacy Club Melbourne Honour Roll. Perhaps it was used for promotion as the Governor of Victoria is the patron of Legacy. It came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a marathon run by WO2 Mike Hoffman (some are items 00433 to 00438, 01413 and 01414).A record of relationship with the Governor of Victoria.Black and white photo of the Governor looking at an Honour Roll.Stamped 31 Aug 1970 in purple ink. Stamped Copyright The Age in blue ink.fundraising, governor of victoria, patron, rohan delacombe

Black and white photograph of SEC No. 31 at the intersection of Sturt and Lydiard St after having an accident. Photo is on the front only of the tram, one cab window smashed, dash canopy lighting cover partly torn off. Crew members - one inside tram, one on outside. Another person standing by the doorway wearing a leather apron. Trams has destination of Grey St. Sebastl" Person looking into tram wearing the leather apron is probably the driver of the Fruit truck that collided with the tram. Published in the Courier on 3/9/1971. 2nd copy added 29/5/05 - in good condition. Hi Res version added 16-12-2015. See Reg item 7132 for a poor copy of the original Newspaper which identifies both people as Nicholas Marios and D. Powell.On rear of photo "Copyright Ballarat Courier Proprietary Limited" stamp in ink - very faint.trams, tramways, accidents, ballarat, sturt st, tram 31

Yields information about the recovery of No. 18 from Sebastopol, its storage facility and some of the people who were involved on the day.Black and White copy photograph of a newspaper photograph taken by The Courier of No. 18 being moved from Victory Park Sebastopol from the shed that it was sitting in. Photo has a number of BTPS members "pushing" the tram out of the shed. Photo taken 2/11/1982? published 4/11/1982. Photo used in the 1982-1983 annual report which dates the photo as the 2/11/1982. Copy of newspaper clipping photo appeared in, not held by Museum at date of cataloguing. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and in pencil "1 FC top"tramways, trams, btps, tram recovery, sebastopol, trams, tram 18

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of the Geelong Scrubber, sprinkler or water tram at the depot, Photo by Leon Marshal Wood, 29-3-1948, photo printed on Kodak Velox Paper.On rear in ink "Geelong 29-4-48" and the Leon Marshal Wood copyright stamp.trams, tramways, geelong, depot, scrubber tram, sprinkler tram, scrubber, water tram, sprinkler

QMC opening & lifeboat display.1987 OpeningNewspaper clipping re Opening of QMC 1987Reverse " Lewis Ferrier / official opening 1987-03-06 | copyright Geelong Advertiser "lifeboat 'queenscliffe', qmc opening

The 1992 Carols by Candlelight stage and crowds inside the Sidney Myer Music Bowl.Col. photograph of Carols by Candlelight stage.Carols by Candlelight '92. CBC 92-1-5 Copyright WMC 1/53carols by candlelight, royal victorian institute for the blind, fundraising

A group of junior legatees dancing as ballerinas on stage at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional. This photo was stored in an envelope with two other demonstration photos with ballerinas and dancers, two photos of girls club outings and a girls class posing. Perhaps they were donated by a former junior legatee. Photos are 02052 to 02057.A record of a Junior Legacy Demonstration and of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a troupe of ballerinas dancing on stage.Stamped on reverse copyright of The Herald in purple ink with a handwritten negative number in pencil 'R4128'.annual demonstration, costumes, ballet, junior legatees

Pavilion at South Beach showing horses & buggiesBlack and white photograph of the Pavilion at South Beach showing horses & buggies in the middle ground with a group of people in the kiosk and in the background the bathing boxes and swings taken for use as a postcardThe Rose Series P.1143. Copyright- The Pavillion at the Bathing Beach Port Fairy Vic. beach, pavilion, south beach, bathing boxes, kiosk, horses, buggies, people, family

Black and white photo of funeral cortège, showing tramway employees guard of honour. On back, 'Copyright Bendigo Advertiser' stamped in purple ink. 'Inscription under photo in album Trammies Funeral' written in pencil. In black ink '62% 3 3/4'' x 5'' page 72'.person, individual, basil miller

Diggers & Mining: The Diggers. Four Diggers crossing the boardwalk over the muddy was field. Boardwalk has posts either side with barbed wire on them. Water is lying either side of the boardwalk. No fighting at time of photo. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 14. Used as a teaching aid.Visaireducation, tertiary, war

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Little Candlemaker and His Dragon - copyright 1985 Lamplighter Books (J.A.H. and M.A. Kenney Pty Ltd); 13 Earlsfield Rd, Hampton, Melbourne. Colour printed - Illustrations of Bendigo throughout; 26 pages National Library of Australia car and ISBN number 0 9595967 5 5John Kenney and illustrated by Tom Bishopchinese, ted beattie, childrens' literature

3 part book set: 'Tennis: Nostalgia & Playing the Game'. (1) Cardboard cover for two books with ribbon tie. (2) Book: 'Tennis: Nostalgia', 96 pages. (3) 'Tennis: Playing the Game', 97 pages. All hardcover. Copyright 1998. Materials: Paper, Ink, Cardboard, Ribbontennis

Series consists of: I) Bird Songs And Night Calls - tape cassette of Sounds from the Shire of Eltham sound tapes (4 copies) recorded and copyright held by Duncan King-Smith. Liner notes included with each cassette. 2) Listening to the Landscape - Stories and Places - Collected from the Shire of Eltham, 1988. Tape cassettes and program guides (3 copies of each); recording, design and production by Duncan King-Smith.shire of eltham archives, series listing

Taken during World War I on the Western Front, this photograph depicts four soldiers dressed in full uniform and kit walking through muddy trenches on wooden duckboards.On the Western Front, the war was fought by soldiers in trenches. Trenches were long, narrow ditches dug into the ground where soldiers lived. They were very muddy, uncomfortable and the toilets overflowed. These conditions caused some soldiers to develop medical problems such as trench foot. There were many lines of German trenches on one side and many lines of Allied trenches on the other. In the middle was no man's land, which soldiers crossed to attack the other side. 'Duckboards' (or 'trench gratings') were first used at Ploegsteert Wood, Ypres in December 1914. They were used throughout the First World War being usually placed at the bottom of the trenches to cover the sump-pits, the drainage holes which were made at intervals along one side of the trench. This made it easier to pump out the pits when necessary. The raised edges of the boards in theory helped protect men's feet from accumulated water; walking along them (especially at night and in the wet) was something of an art as it was easy to lose one's footing and slip or trip on the fequently misaligned sections.Sepia rectangular reproduced photograph on matte photographic paperReverse: 6528/ (A copyright and reproduction notice from the Australian War Museum, printed in blue ink)/burke museum, military album, trench warfare, duckboards, soldiers, ww1, wwi, world war 1, world war i, western front

This photograph depicts Camp st in Beechworth looking east. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and white rectangular photograph (copy) printed on gloss photographic paper. Obverse: The Rose Series P.3469 Copyright FORD STREET Reverse: BMM7744 PH150 1998.00059 beechworth, ford street, rose series, photograph, post card, black and white

Sailors who were welcomed to the Mission for entertainment on Sundays were invited to share a brief evening service along with members of the Ladies Harbour Light Guild hostesses, held in the St Peter's Mariner chapel.This photograph was published in the Argus. The MTSV holds 3 of the 4 photographs published in this article.Black and white gloss photographic print with image of people at worship singingIndigo blue ink stamp : COPYRIGHT PHOTOGRAPH /.../ "The Argus" MELBOURNE AUSTRLIA / NEGATIVE [in pencil] AG990(A)chapel, ladies' harbour lights guild, worship, st peter chapel, pews

Genista ferry served in Western Port from 1889-1932 . Postcard was sent to Elaine Robb's mother, Floss from her Aunt Dulcie.HistoricalSepia postcard showing jetty with Genista ferry arriving. Also light pole, crane and several small boats. Another jetty in the backgroundThe Rose Series P. 698 [ probable number] Copyright S.S. Genista at San Remo, Victoriaearly postcard, ferries, genista ferries

A new bridge over the Snowy River at Orbost was opened for traffic on June 20th 1922. It was a new timber and steel girder structure, a joint Country Roads Board — Victorian Railways venture and was built and completed at a cost of £41,000 (the steel girders came from the Flinders Street viaduct reconstruction). Subsequently it was decided not to take the railway across the river, and the bridge was only ever used by road traffic. Postcards form a vital part of social and historical records for researchers. This postcard is a pictorial record of an earlier bridge across the Snowy River at Orbost.A black / white postcard photograph of a bridge over the Snowy River at Orbost.0n front - The Rose Series P1200 copyright Bridge Over Snowy River Orbost Vic.snowy-river-bridge

issued to Henry Claude Roussac 1737 a Gallipoli Veteran 25 BnEnameled Brass badge (Obverse) Returned Soldiers and Sailors Imperial league (Reverse) COPYRIGHT 22124 STOKES & SONS MELBOURNE returned soldiers and sailors imperial league, rsl badge, roussac, badge