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Stawell Historical Society Inc
Photograph, Stawell High School Form 4B 1975, 1975
asked to remove glasses for photoColour Photo. 3 Rows of Female and Male Students in front of the stage in Assembly HallStawell High School Stawell 1975 Form 4B -
Canterbury History Group
Photograph - Canterbury Theatre, c1960s
Photocopy of a photograph of the Canterbury Theatre taken at the corner of Bryson Street and Maling Road Canterburycanterbury, canterbury hall, theatres, maling road, newsagents, theatre place -
Stawell Historical Society Inc
Photograph, Stawell and District Juniors Cycling Team Country Premiers 1936
Four men on Bicycles being supported by 4 males and several males in background. Stawell and District Juniors Cycling Team Country Premiers 1936stawell sport cycling -
Glenelg Shire Council Cultural Collection
Print, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
The Beechworth Burke Museum
Animal specimen - Snowy Owl, Trustees of the Australian Museum, 1860- 1880
The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white and colour prints, Student Photographs
3 photographs: male student or staff member, 2 photographs male students. Unidentified. Appear to have been stapled to something. A note attached asking Tom Kneen (former Principal) to ID them but he does not appear to have done that.students, staff -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C Oct 1985
Parade commemorated Major Mitchell's visit in 1838. Man with Beard is John Miller, Woman is Janet Witham. Band is Stawell Brass Band. Parade was held in conjunction with the Wildflower Show.Photo shows 1 male, 1 female, 1 girl in the foreground. Musicians in uniform are seated. A crowd of onlookers fill the background. Male is wearing a hat and has a beard. Female is wearing a cream coloured hat decorated with wildflowers and a blue ribbon.events, parades -
Glenelg Shire Council Cultural Collection
Print, The Wedding, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17 -
The Beechworth Burke Museum
Animal specimen - Magpie-Lark, Trustees of the Australian Museum, 1860-1880
The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark -
Federation University Historical Collection
Instrument - Scientific Instrument, Tripod
A heavy tripod, wooden legs, top flange equipped with 6 cm male screw thread.ballarat school of mines, tripod, surveying -
Bendigo Military Museum
Photograph - PHOTOGRAPH RAAF, c.1941
Charles Sutherland CORNELIUS, No 40595 RAAF. Refer Reg No 93.2 for service details, also 94.Laminated copy of a black & white photo. Full length figure of male in uniform standing in a garden.Printed in black at bottom: Charles Sutherland Cornelius No 40595 RAAFphotography - photographs, raaf, -
Wangaratta RSL Sub Branch
Photograph, F J Vonarx
Photograph of Francis John VONARX 1918 - enlisted at Wangaratta on 15/6/1915 aged 33 years and embarked on 26/8/1915. Served with the 23rd Infantry Battalion and 2nd Machine Gun Battalion. Returned to Australia on 8/4/1919Refer to item 30 - Docker Plains State School Roll of Honour.Unframed sepia photograph of male in full army uniform with rifle at shoulder standing outside tent.F Vonarx 1918 - on white paper taped to photographfj vonarx, ww1, 23rd battalion, wangaratta -
Cobram Historical Society Inc
Photograph, Grant Wheelwright coachbuilder Cobram
photograph fixed to board depicting scene of young and old male carpenters building carts for horses -
The Dunmoochin Foundation
Oil Painting, Legend of Wur-run-nah's Walkabout, No Date
Thick impasto painting depicting six figures; two indigenous males catching a fish in a landscape.Signed (L.r) 'Eric L. Stewart'. On Reverse: 'Legend of Wur-run-nah's walkabout by Katherine Stow (later Mrs. k.L. Parker). Wurrunnah when in a strange country, saw little round men who live in water. They made a coolomon of bark to keep the fig flies from him. Caught fish which were thrown up by the little water men'.eric stewart, painting, landscape, indigenous male, fish -
The Dunmoochin Foundation
Gouache Painting, Hospital Suite, Needle in Stomach, 1977
Gouache painting depicting a male torso with striped pajamas, hand with needle and table with glass of water. Signed (L.l) 'Clifton 7/10/77'.clifton pugh, painting, gouache, hospital, needle -
Tatura Irrigation & Wartime Camps Museum
Photograph, Male Cossack dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a cossack dancer, male.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, male and female dancers - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male and female dancers.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Port Fairy Historical Society Museum and Archives
Photograph, 1907
Award students St Joseph De Cluney Pt Fairy 1907Black and white photograph of 2 females and 4 males formally posed with musical instruments and their certificatesschool, st joseph de cluney, awards, students -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students in Chemistry Class
Male students in a classroom with a teacher. From the clothes they are wearing it appears that they are from a nearby boys school.male students, classroom, teacher, chemistry -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Publicity Branch Victorian Department of Agriculture, Students Working Outside Shade House, c. 1960
Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 106. Students identified as Oliver Frost and Dian Durrant. the caption reads, "The Old Nursery had only bare facilities but note the espalier fruit tree and the Shade House."2 male students working outside the Shade House putting potted plants in small glasshouses.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. c.1695Q ."students, shade house, glasshouses, green grows our garden, a.p. winzenried, oliver frost, dian durrant -
Montsalvat
Photograph, Untitled (Necklace)
Black and white photograph of a Matcham Skipper Necklace depicting a male and female nude with the head of a man. Nonematcham skipper, photograph, necklace, male nude, female nude -
Stawell Historical Society Inc
Photograph, Mark Dadswell, Choral Society on Town Hall stage 1956, 1956
Stawell Choral Society 1956 on Town Hall stage. Women dressed in evening gowns. Black and White Photograph of a Group of Male and Female Persons, Dressed in evening wear. Taken on a Stagestawell, choral -
The Ed Muirhead Physics Museum
Photograph, Optical Munitions: Optical glass
Black and white photograph showing male hands preparing glass for fusing. Same photo as 144.On front of image in ink: “24” On back of image in pencil: “No. 24 Glass Preparation for fusing” On back of image in ink: “24” -
The Ed Muirhead Physics Museum
Photograph, Optical Munitions: Optical glass
Black and white photograph showing male hands preparing glass for fusing. Same photo as 144. On front of image in ink: “24” On back of image in pencil: “No. 24 Glass Preparation for fusing” On back of image in ink: “24” -
Ballarat Heritage Services
Program, Con Brio, 16 July 1995
Three performers gave a concert of operatic and popular works at Her Majesty's theatre. Jacqueline Dark (Moran) has gone on to a successful career as a principal with Opera Australia, while Ivan Williams has worked overseas in Europe for many years. Suzanne Donald continued to sing for many years and was a most successful artist.Single sheet with image of three (male and 2 females) on front with black text on white background."Con Brio" Jacqueline Moran, Ivan Williams, and suzanne Donald in Concert SUNDAY 16th July 1995 at 2.00pm Her Majesty's Ballarat ADMISSION Adult $15.00, Concession $12.00 Group Concession Availablecon brio, jacqueline moran, ivan williams, suzanne donald, concert, 1995, her majesty's theatre -
Kew Historical Society Inc
Photograph, Male Patients, Kew Mental Hospital, 1959-60
This photograph is one of approximately 43 original photographs and photocopies of buildings, patients and staff assembled in a red covered, spirally bound photograph album (the album itself is now discarded and the images stored separately). The images in the album cover the period from the 1870s to 1965. A few photographs have inscriptions on the reverse; others had later separate labels in the album. The album was presumably compiled as a public record. It and other items came from the collection assembled by Dr Fred Stamp, the last medical superintendent of Willsmere Hospital before its closure in 1988. Original photographs have been uploaded to and described on Victorian Collections. The album itself is listed and linked separately showing the photographs in situ.A number of the photographs from the Willsmere Hospital album are confronting, especially given the condition of the buildings and facilities depicted, as well as the casual photographs of patients, which some viewers may find distressing. The album and its photographs are however an historically significant visual record of the Kew Mental Hospital, especially in the years 1951-1965.Small colour photograph of what appears to be a lecture to male patients (sic) at the Kew Mental Hospital. kew lunatic asylum, kew hospital for the insane, kew mental hospital, kew mental institute, willsmere mental hospital, willsmere hospital -
Brown Hill Progress Association Inc.
Photograph - Black and White, Brown Hill State School, Grade 6, 1966
A male teacher stands to the right of a group of Grade 6 students at Brown Hill State School.brown hill, brown hill state school -
Canterbury History Group
Photograph - View across Canterbury Road, corner of Rochester Road, towards Maling Road, Canterbury
Black and white photograph, corner of Canterbury and Rochester Roads looking towards Maling Road, Canterburycanterbury, canterbury road, maling road, rochester road, e.s.& a. bank, pharmacies, horses, horse drawn vehicles, kerbing and guttering -
Canterbury History Group
Photograph - Demolition of shops in Maling Road 1992-3, Jan Pigot, 1993
Part of a set of eight photographs taken by Jan Pigot to record the demolition of shops in Maling Roadcanterbury, maling road, shops -
Canterbury History Group
Photograph - Street view of the laneway between Shop No.80 and No. 78 Maling Road, Canterbury, Stuart Warmington, 1995
Coloured photograph of street view of the laneway between Shop No.80 and No. 78 Maling Road, Canterbury.canterbury, maling road, shops, laneways