Colour photograph of a clay sculpture by Matcham Skipper of a seated boy with a swan. Printed on reverse: 9821308 1 © Sandy Kilpatricksandy kilpatrick, photograph, matcham skipper, sculpture, boy, swan

Don Dunstan, manager, at his desk in Kelaston.1 x B/W photograph of man seated behind a deskDon Dunstan, Manage "Kelaston" Ballaratassociation for the blind, kelaston home (ballarat), don dunstan

Black and white photograph. Female students and Staff standing and seated in the Gardens.Names in paper catalogue. On reverse, "Hockey Team 1968," and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1341.Ffemale students, staff, hockey team, 1968, publicity

Mass produced. Used by Wandin Sebire.Wickerwork chair with cane trim. Under seat is commode with all contents. chairs, toilets, commodes

Gordon Bennett was a son of George Garnsworthy (G G) Bennett and his wife Ada (née Bersey).Sepia photograph of a very young child wearing dress, seated on a chair."Gordon Bennett".gordon bennett

Carrie Rogers Murrell, b.1905 at Daylesford, was a daughter of William Murrell and his wife Lily, née Clarke/Young. She was a grand-daughter of Ambrose and Mary Murrell. Carrie Murrell attended Linton State School, completing Grade 8 in 1n 1918. She then assisted her father in the Linton newsagency, before taking over as its manager, a role she enjoyed for some seventy years. In 1932 she moved the business from its site on the west side of Sussex Street to the east side, into a shop next to the Railway Hotel that had previously been run as a shoe shop by Dan Cornish. This shop remained as the Linton Newsagency until Carrie retired. It is now used as a private residence. Carrie Murrell died in 1998.Colour photo of Murrell's Newsagency, Miss Murrell seated in front doorway.carrie murrell, linton newsagency

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students seated outside the Pavilion. On reverse, "Carine Wettenhall, Pat McVickar and others 1929."female students, pavilion, pat mcvickar, carine williams (née wettenhall), 1991, centenary, 1929

Image depicts soldiers of the 2/24 Battalion Carrier Platoon after the battle of El Alamein in 1945.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honour.Reproduced black and white photograph of unknown soldiers seated in four rows.2/24th battalion, wangaratta

2 Door four seater Pontiac sedan Turquoise green in colourLong vertical chrome grille with Indian head insignia on bonnet fold.vehicle, pontiac, car

Black and white photograph of 5 students seated in the Hall with E.B. Littlejohn.On reverse, "Intercol Tennis Team." and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D1655B."students, e.b. littlejohn, 1970, sports, intercollege tennis team

Weights and Measures Colour photograph of a large group of seated people in a room with display casesweights and measures, old court house

Colour photgraph of a group of Seated people at the opening of the Weights and Measures Displayweights and measures, old court house

The six Mitchell sisters were the daughters of Frederick Mitchell and his first wife Jane McDonagh. They were born between 1862 and 1876. Their mother Jane died in childbirth in 1878. It is not clear who is who in the photograph. Elizabeth Jane Mitchell, the oldest sister in the photograph, married Oscar Ball. Louisa Mary Mitchell married John James Jennings. Albertha Mitchell married William Godden. Caroline Albertha Mitchell (also spelled Alberta) married William Henry Godden in 1902. See Mitchell and McDonagh family files for more information.Sepia photograph of six ladies three standing behind three seated."Mitchell girls, Robert, only boy, missing". [Note: Frederick and Jane's only son was called Henry. Robert Mitchell was a son of Frederick and his second wife Isabell McDonagh.]mitchell sisters, elizabeth jane mitchell, frances fredericka mitchell, antonet ann mitchell, louisa mary mitchell, florence victoria mitchell, caroline albertha mitchell, elizabeth ball, louisa jennings, albertha (alberta) godden

The photograph was taken at a family picnic. The group are clockwise from the little girl in the front: Effie Raftopoulos, Ioulia Raftopoulos, Koula Paxinos, George Paxinos, Marigo Sikiotis, Aspasia Paxinos, Nina (Regina) Black and Rita (Marguerita) Black. A black and white photograph of a picnic group seated around a table in a park.

It is a studio photograph of Constantine Mavrokefalos (Black), father of Nina, John, Ellie, Rita and Olga Black.A faded black and white photograph of a man in military attire and seated on a chair.

The photo is of toddler Olga Varvarigos and possibly her mother Giannoula Varvarigos. A black and white photograph of a lady and a little child sitting on a seat in a garden.

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio photograph with older man seated with elbow on pedestal W.J. Chapman Stawell

The man in the theatrical costume is Panagiotis Lekatsas (Peter Lucas) who was a Greek actor in the 1920s.A sepia studio photograph of a man seated on a bench and dressed in theatrical costume.

TIMBER FRAMED, SEPIA STUDIO PORTRAIT OF FOUR MALES, SEATED AND STANDINGON MATTE BOARD, PRINTED: HORNBY CLUNES HANDWRITTEN IN PEN ON REAR "THIS PICTURE BELONGS TO ME (INDECIPHERABLE) .... PHOTO TAKEN IN 1911 DAD WOULD HAVE BEEN 20 YEARS OLDspark family, early citizens of clunes

A souvenir of Egypt brought back by an unknown person at the end of World War 1. It contains a central image of the Sphinx, the Great Pyramids and man seated on camel. There are flags and images of military leaders. The date is unknown but assumed to be from the first World War period. Flags around the central image are from countries allied in World War One, clockwise from bottom left: flag of Belgium ; the Sultanate of Egypt (red flag used 1914-1918) ; French flag ; a form of the UK flag with King George V ; Russian flag and image of Tsar Nicholas II in top right ; Italian flag ; and the Serbian flag in bottom right. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.A record of a type of souvenir from Egypt at the end of World War 1. Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Square printed cloth (possibly silk) with lace outer edge, possibly added later. Printed section contains central image of Egyptian Sphinx, pyramids and man seated on camel (facing left). Surrounding main picture is a series of portraits of leaders of countries with national flag.Souvenir of Egyptsouvenir, world war one, egypt

The term 'seat squabs' is no longer commonly used, but is sometimes referred to in the upholstery and motor vehicle industries. Squabs are padded cushions frequently added to wooden chairs or benches to add comfort to their hard forms. They have been made to an 18th-to-19th-century pattern using beautiful, richly coloured satin fabric and fancy cord tassels. The weighted flap at the rear of the squabs helps to keep them in place on the chair, and could be used on the top of the backrest instead of on the seat. These days, squabs are attached with fabric ties or hook-and-loop tabs. These seat squabs were once used in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria, which was purchased and furnished around 1943. The furniture and furnishings are now part of the St. Nicholas Seamen's Church collection. DETAILED HISTORY of the Missions to Seamen: - The Missions to Seamen is an Anglican (Church of England) charity that has served the world’s seafarers since 1856. It was inspired by the work of Rev. John Ashley, who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired, others continued the work, founding the Missions to Seamen. It adopted a Flying Angel as its symbol, inspired by a verse from the Bible in Revelation 14. Today, over 200 world ports have Missions to Seamen centres and chaplains. A Missions to Seamen’s club warmly welcomes sailors of all colours, creeds and races and provides a wide range of facilities. The Missions to Seamen organisation changed its name to the Mission to Seafarers in 2000, continuing to include Missions to Seamen clubs in Victoria’s cities of Melbourne, Portland, Geelong and Hastings. Flagstaff Hill’s St Nicholas’ Seamen’s Church is named after its namesake from Williamstown, Victoria, which began in 1857. Bishop Perry opened the first Sailors’ Church, which was known as ‘Bethel’, on an old hulk floating in Hobson’s Bay, Port of Melbourne. In 1860, a Sailors’ Rest started operating from rented premises in Williamstown. In 1878, the Sailors’ Church moved into an old Wesleyan chapel in Ann Street. By the end of that year, they managed to purchase the building, which they had already refurbished. In 1883, they affiliated with the Victorian Seamen’s Mission. A few years later, in 1906, the building had to be demolished because it was no longer safe. While they raised funds for a new building, the Sailors’ Rest temporarily moved to premises in front of Customs House in Nelson Place. Around this time, in 1906, the Ladies Harbour Lights Guild was formed in Australia to support and raise funds for the Mission to Seamen organisation in Melbourne. Two of the most significant ladies of the Guild were founding members Ethel Godfrey and Alice Sibthorpe. During the Mission's time at Siddeley Street, Melbourne, the activities of the Guild raised funds for the Mission to Seamen's Chapel at their new, and still current, premises in Flinders Street, Melbourne, opened in 1917. The Guild continued its important work until the 1960s. In 1908, the Williamstown Mission had enough money to purchase the former Mascotte skating rink on Thompson Street, Williamstown. In August of that year, they were inaugurated into the Victorian Missions to Seamen. They continued at that venue for a few decades. In 1943, the former ES&A Bank building at 139 Nelson Place, Williamstown, was purchased for the new Mission to Seaman’s Club. The official opening was on May 6th, 1944. It was described as a ‘distinctive little building’. Funds had previously been raised for the building and furnishing of the chapel at the rear. The chapel was named St Nicholas’ Seamen’s Church, after St Nicholas, fourth-century bishop and patron saint of sailors. Services were held on Wednesdays and Sundays. The church was supported by the Williamstown Lightkeepers’ Auxiliary, newly founded by Mrs Ethel Margaret Musther in 1943, as well as the Harbour Lights Guild and the League of Soldiers’ and Sailors’ Friends. The Williamstown Mission to Seamen’s Church operated until 1966, when large international ships no longer used the Port of Williamstown. The Commonwealth Government then leased the premises. In the formative years of Flagstaff Hill Maritime Village, the Advisory Board decided to include a Missions to Seamen Chapel and Recreation Room in its village. The Missions organisation was a significant feature of ports during the late 1800s and early 1900s, the period that the Village represents. They often erected Missions to house social and worshipful activities for seamen. Flagstaff Hill’s curator, Mr Ken Marshman, approached the Melbourne Board of Management of Missions to Seamen regarding the Williamstown branch. Consequently, the Board permitted the furnishings of the Williamstown chapel to be transferred to Flagstaff Hill Maritime Village. A provision of the transfer was that the Victoria Missions to Seamen be recognised, that the items would remain as a collection, and that the chapel would be called St Nicholas Seamen’s Church and conduct Divine services. The donation was approved on 21st May 1979. Flagstaff Hill's St. Nicholas Seamen's Church: - The idea behind Flagstaff Hill’s Missions to Seamen’s Church was partly driven by the offer of Stained Glass Memorial Windows that originated from the Warrnambool and District Base Hospital, which was undergoing multi-storey expansion in the late 1960s and early 1970s. The hospital’s Manager/Secretary was eager to see the historic window installed in a suitable place. The church, or chapel, was designed by a local architectural draftsman in collaboration with the Flagstaff Hill Planning Board and was constructed by Mr Leon Habel. The designers hoped the church would be used for formal worship, such as weddings, funerals, and multi-denominational special services like war commemorations. Its design was inspired by the ‘Missions to Seamen’ buildings in Portland and the Port of Melbourne. The furniture and furnishings were placed as accurately as possible according to photographs of the Williamstown St Nicholas Seamen’s Church and with assistance from local clergy. The Recreation Room was furnished and arranged on advice from experienced members of the Missions to Seamen organisation. A framed document in the building recognises the donor of the furnishings, Victoria Missions to Seamen, and includes the names of some original donors and their donated item/s. The building’s design incorporates local features such as Warrnambool sandstone, which was no longer commercially available but was procured from demolished buildings and uniformly cut to use as a veneer over the stronger Mt. Gambier stone. Also, traditional green American roofing slate was used, sourced from the 1908 local shipwreck “Falls of Halladale” by Flagstaff Hill volunteer divers. The bell tower includes a bell believed to be from a local shipwreck. Additional furnishings were acquired locally, and several items were donated by Warrnambool residents. Light fittings in both rooms were assembled to simulate 19th-century gas light fittings. The stained-glass window at the back of the church is a memorial to Dr Connell, a well-respected member of the Warrnambool community. It was originally installed in 1928 in the main building of Warrnambool Hospital. The St Nicholas’ Seamen’s Church at Flagstaff Hill was officially opened by His Worship the Mayor, Cr. John Lindsay, on Sunday, 11th October 1981. The event included a service of thanksgiving conducted by the Warrnambool Ministers Fraternal. Since then, the Chapel has been the historic venue for many weddings. This pair of seat squabs is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers’ physical, social, and spiritual needs. The organisation originated in Bristol, England, when a Seamen's Mission was formed in 1837. The squabs are also significant for their use in the St Nicholas Missions to Seamen's chapel, Williamstown, as the original building is now listed on the Victorian Heritage Register. Squabs or padded seat cushions, a pair of two. These 18th to 19th-century design squabs have crimson and cream satin fabric on top and underneath, and weighted tassels are attached to their rear corners. They can be used for comfort on hard seats and benches. The squabs were furnishings from the Missions to Seamen chapel in Williamstown, and they are now part of the St Nicholas Seamen's Church Collection.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, st nicholas mission to seamen's church williamstown, mission to seamen williamstown, mission to seamen victoria, st nicholas mission to seamen, st nicholas seamen's church, religion, religious service, sailor's rest, ladies harbour light guild, squab, seat covers, cushions, squabs, religious furnishing, padded seats, seating, accessory

The Ka 8 was designed by Rudolf Kaiser in 1957 and built by Alexander Schleicher. It has been described as the single seat version of the Ka 7 Rhonadler. The Ka 8 proved popular with clubs in its role as a sailplane for early solo flying. Over 1100 were produced. The Museum’s example is a Ka 8B which is the second variant of the design, distinguishable by a larger blown Plexiglas canopy and improved ailerons. The particular glider was built by the RAAF Williamtown Gliding Club from kit supplied by Edmund Schneider Ltd of South Australia as agent for Alexander Schleicher. It was test flown on 8 July 1967. For a period from August 1994 it was owned by a syndicate at the Bendigo Gliding Club. The last entry in the log book is dated January 1995 at which time the glider had accumulated 1148 hours from 2303 flights. From 1967 to 1994, the glider was flown at numerous places including Williamtown, Bellata, Warkworth, Dubbo, Waikerie, Quirindi, Tamworth, Redding, Narromine, Leeton and Keepit. During 1994 and 1995 it was flown a small number of times at Bendigo. A notable flight recorded in the logbook is dated 31 October 1971 when W. Kenny reached 11,000 feet in height during a flight of 5 hours 10 minutes. The last owner prior to the transfer of the glider to the Australian Gliding Museum in 2015 was John Ashford of the Geelong Gliding Club. The glider carries Serial Number 8478-SH and appears to have been registered firstly as VH-GPA and secondly as VH-GMA. The last registration (VH-GMA) was cancelled in 2011.This Kaiser Ka8B sailplane, when fully restored, will be an airworthy example of a popular 1960s German club sailplane type. It is a rarity in Australia as only 4 of the type have been registered and flown here.Single seat sailplane made with a steel tube framed fuselage and wooden wings. A glass plastic moulding has been used to form the top of the fuselage forward of the cockpit. The structure is fabric covered.The glider serial number 8478-SH and the registration VH-GMA.australian gliding, glider, sailplane, schleicher, kaiser, ka 8, schneider, raaf williamtown gliding club, bendigo gliding club, geelong gliding club, ashford

This portable 'dunny' toilet may have been taken on camping trips possibly to the Bogong High Plains where this type of facility didn't exist.Cattlemen grazed their cattle on the Bogong High Plains during summer. They stayed in huts which had basic amenities such as a fireplace, tree stumps for seats and an area set aside for a bed. A separate area was used to stock firewood and the hut was located near a stream. Toilet amenities were most often in the bush.Dirty dented hollow tin cylinder with open ends top and bottom. It has a curved seat attached to the cylinder and a cover attached to the seat by a hinge at the back. It is hand made with basic fittings and is light to lift.Top of lid: "Guaranteed not / to use too much / water / Lifetime guarantee / on all parts / Bush Plumbing Co. camping. camping equipment. portable toilet. cattlemen. bogong high plains.

Photo of a Wireless Patrol Rambler patrol car in 1967 with the driver. Rambler Classic, registration number JNC-003, with light on roof. The car is parked and all doors are open. There is somebody sitting in the driver's seat and somebody else in the back seat, neither identifiable. Circa 1967police vehicles; motor transport branch; motor transport section; wireless patrol; highway patrol; rambler classic car

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a rotunda situated in Hyde Park, London. A band is seated within the rotunda with the conductor standing at the front. In the foreground are seats with a couple of spectators. The band is St Hilda's and the conductor is Frank Wright.Written in pencil on back - Frank Wright Conducting St Hilda's Band, Hyde Park, London, May 1934frank wright, cornet, conductor, london, rotunda, st hilda's band

Chair wooden with missing round seat & plain legs. Has 6 turned back supports & decorative carving on back piece. Bracing ring under seat & on sides. Chair is reddish coloured woodflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, wooden chair

Mr. “Brickie” Thomas of Clifton Ave and his wife. (4 snaps). Mr. Thomas was affectionally know as Bricky Thomas. He and his wife were early Stawell resident of 17 Clifton Ave. Stawell. Mrs. Pickering sister (Vera Perry) cared for Mr. and Mrs. Thomas in their later years. Four photographs, three are of an elderly gentleman with a white beard and the fourth of a woman seated in a long dress. The elderly man is seated beside a two-tiered cake on a table and holding what looks to be another cake. 1. Grandpa Thomas. 2. Grandpa Thomas. The man Vera (Perry) worked for. 3. Grandpa Thomas (known as bricky Thomas). They lived in Clifton Ave. 4. Great Grandma Thomas Since the 8th Dec 1923. stawell