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Mission to Seafarers Victoria
Booklet - Catalogue, Margaret Woodward, The Sea is All Around us, 2015
Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Small flyer in PDf for the art installation by artist Margaret Woodward at the Mission to Seafarerscultural events, norla dome, mso, 2015, art installation, margaret woodward -
Eltham District Historical Society Inc
Book, Oral History Association of Australia (South Australian Branch), Oral History Handbook by Beth M Robertson, 2006
... techniques and preserving sound recordings. ISBN 0646454447 viii, 104 ...Contents: Introducing Oral History Preparing for the Interview Copyright and Oral History Developing Questionnaires Recording Equipment Digital Recording Standards Interviewing Techniques Summaries and Transcripts Funding for Oral History Guidelines of Ethical Practice Commissioning Oral History Recommended Reading The Oral History Handbook has been published by the Oral History Association South Australia since 1983, and is significant in that it is well established as the national standard. The author draws on 25 years experience of practising and teaching oral history techniques and preserving sound recordings.viii, 104 p. : ill. ; ISBN 0646454447 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Objects, Vinyl record cleaner kit 'NAGAOKA', c1970
a) Nagaoka Record Anti-Static & Disc Guard Kit The Nagaoka STAT-10 is a record protecting agent that serves both to protect your records from static and to significantly reduce record and stylus wear. By using this product you will improve the sound that you hear from your records, but will also protect your records. The unique charge reducing formula significantly reduces the amount of static electricity present on the surface of the vinyl recording. It also reduces the irritating noise produced by the scratches present on the surface of the vinyl recording. This record protecting agent also contains a special lubricant / protecting fluid agent.This lubricant / protecting fluid reduces record wear so that your recordings are as good as new. b) 'PAROSTATIK' Disc preener -: Use while rotating record slowly on Turntable. Press gently during one or two revolutions. Dust collected on plush surface should be removed before re-use. Device has "built-in" anti-static requiring occasional moisture replacement. Remove cap from centre tube withdraw and moisten wick (when dry) with clean water and replace Always return "Parostatik" to case when not in use. Vinyl records became very popular mid 20thC and cleaners were used to preserve the audio quality of the record surface.A box containing Vinyl record cleaning equipment manufactured by a) Nagaoka Pty Ltd Japan and b) 'Parostatik' C.E Watts Pty Ltd England a ) Box : NAGAOKA / A / trademark / NAGAOKA / AUTOMATIC RECORD CLEANER / ORIGINAL BEST PRODUCTS / NAGAOKA & CO LTD. MADE IN JAPAN / AUTOMATIC / RECORD CLEANER / AUTO 1 / NAGAOKA ORIGINAL BEST PRODUCTS b) Packet ; THE / "PAROSTATIK" PATENT .... REGD./ IMPROVED / DISC PREENER / FOR PERFECT RECORD MAINTENANCE Cylinder; Watts / "PAROSTATIK" / DISC PREENER / For perfect record maintenancerecord players, music, vinyl records, moorabbin, bentleigh, cheltenham, japan, nagaoka pty ltd ,, watts c. e. pty ltd, parostatik disc preener, england -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Musical Equipment, Gramaphone Edison c1900, late 19C / early 20C
... recording and reproduction of sound. The phonograph was invented... A Gramophone / Phonogram is a device for the mechanical recording ...A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights; -
Flagstaff Hill Maritime Museum and Village
Machine - Voice Recorder, Thomas A. Edison, Edison Laboratory, 1916-1929
This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, Tape, A collection of 16x 7" sound recordings
... " sound recordings Audio Audio, Tape Unknown ... -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, Tape, A collection of 21 sound recordings
... Newhaven phillip-island-and-the-bass-coast A collection of 21 sound ... -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, NAM bus, sound tracks: Vietnam sound tracks
Recording of American and Australian pilots on bombing raidsvietnam war, 1961-1975 - aerial operations -
Anglesea and District Historical Society
Fujifilm FinePix S3500, Fuji Photo Film Co. Ltd, Four Megapixel Digital Camera, July 2004
... to a camera via USB. It has a movie feature which allows recording... to a camera via USB. It has a movie feature which allows recording ...This camera combines 4 megapixels with 6 x optical and 3.4 digital zoom. It is powered by 4 x AA batteries - is comfortable to hold and easy to use. It also acts as a webcam when connected to a camera via USB. It has a movie feature which allows recording of movies without sound at 10 frames per second. Includes: 1. Lens cap 2. Adaptor Ring 3. 256mb Picture Card (128 photos).Top: Fujifilm digital camera S3500. Lens Cap: FinePix / Digital Camera - 4.0 mega pixels. Lens: Fujinon Zoom Lens - 1:28-3 6x optical zoom - f=6-36mm Side: xD Picture Card Bottom: N705 No. 4DL26522 / Made in Chinadigital camera -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Creswick Campus Historical Collection - University of Melbourne
Sound, 1984
Off Air recording of "The Science Show" 14/01/1984 - Agricultural development in IsraelSorted by Sid and Gina CowlingCompact Cassette Tape -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Mixed media - Oral History, Bendigo Nurses, 1950s to 2014
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.CD entitled "A Cure for All Ills: Medicine in Bendigo 7 Feb - 10th August 2014". The CD contains eleven recordings of nurses who trained in Bendigo relating their experiences. The Sound Tracks are: 8495.75a Diane 8495.75b Craig DeLacy 8495.75c Joan O'Shea 8495.75d Gladys Thompson 8495.75e Jenny Clutterbuck 8495.75f Liz 8495.75g Lysle Lindria 8495.75h Mavis 8495.75i Nancy Shaw 8495.75j Norma Holmberg Nursing in Elmore 8495.75k Peter Rosewallndsn, nursing, lister house -
Wangaratta High School
WHS Kool Skools CD, 2003
Kool Skools is a Sydney and Melbourne based recording and multimedia project for secondary level students where students write and record an album of their own music, with opportunity for live performance.Coloured CD cover with a drawing of an ambulance with dropped suspension and a large sound system, reading WANGARATTA H.S., and a graphitised footpath reading 'HIPHOP PATIENT'. A white bar runs across the left side and light blue text reading KOOL SKOOLS 2003 national recording and multimedia project. -
Wangaratta High School
WHS Kool Skools CD, 2008
Kool Skools is a Sydney and Melbourne based recording and multimedia project for secondary level students where students write and record an album of their own music, with opportunity for live performance.Colourful CD case with an image of a sound desk in bright primary and secondary colours, a simplified WHS logo and with a white heading reading 'Wangaratta High School Neon'. A white bar runs across the left reading 'Kool Skools 2008 Recording and Multimedia Project' -
Melbourne Legacy
Film, Senior Widows Garden Picnic
Large gathering of widows in an unidentified Botanic Garden listening to Navy and Army bands whilst they chat and drink tea. Some of them have brought flasks whilst others get their tea from an urn. We see one widow taking money from participants. TBC This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Legacy providing a venue for widows of deceased ex service personnel and deceased veterans to give them a social outing. Significant in the manner of visual recording of the era, and the social benefit that Legacy provide.A film on a metal spool in a metal canister. Label says it is of a Widows picnic.Cannister lid L/Strickland. Senior Widows Garden Picnic, Reels 1&2, running time 12 min (hand written on paper in biro and pencil). Cannister base 20/9 (written in texta). 22 min 08 sec. 16mm sound no colour.widows, concert -
Melbourne Legacy
Film, Our Children Remember, 1959
Colour film that is 10 min 29 sec in duration, 16 mm sound. 28th Melbourne Legacy Children's commemoration ceremony on the eve of Anzac Day at the Shrine of Remembrance in Melbourne 1959, attended by the Governor, Sir Dallas Brooks, who gave an address. The President of Melbourne Legacy, Legatee McKeddie, conducted the wreath laying in the Inner Shrine. 2,500 children from 254 Melbourne Schools attended the ceremony, which was simultaneously broadcast by the ABC throughout Victoria, and over 200,000 children participated. Filmed by The Melbourne Repertory Film Unit, cameras Eric Aitken, David Corke, Ian Hanna and Jack Semmens, musical recording by Leo Fowler, music by Felix Werder, directed by Ian Hanna. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Film shows the public reverence and respect for those who died serving Australia in times of war. Displaying the Shrine environs and Melbourne skyline at that time adds further interest.Metal canister and spool with celluloid film labelled Our Children Remember.Circumference of spool MASPRO SYDNEY AUST. Spoke of spool calibrated in 50 feet units from 50 to 400 feet. Label x 2. Label 1 - Please note this film is the property of Melbourne Legacy. Label 2 - Victorian Film Laborities PTY. LTD., Cambridge Buildings, Station Street, Box Hill, Victoria. Our Children Remember. A film of the Anzac Eve ceremony at the Shrine of Remembrance. Melbourne 1959. Magnetic Stripe.anzac commemoration for students, wreath laying ceremony -
Bendigo Historical Society Inc.
Audio - The 1930s Depression Tapes - Jane Blanche Hillman, 2005
In 2005 Michele Matthews interviewed current and former residents of Bendigo for her thesis on the 1930s Depression as part of her PhD Research, with the University of Melbourne Faculty of Arts, History Department. Michele interviewed fifteen members of prominent Bendigonian families. The thesis was titled: "How Depressing?: The impact of the Great Depression on Bendigo and District 1925-1935". The Michele Matthews Collection contains fourteen audio cassette tape recordings and one written transcript. The tapes are each approximately 1 hour and 45 minutes duration. The questions presented to the interviewees explore everyday experiences they would have lived through at the time of the Depression. The questions covered sixteen relevant subjects: • Introduction and housing • Social activities, swimming, cinemas, school and games played with friends • Organizations such as the RSL, Relief Committees etc. and any effect they had on family life • The life of the single woman • Unemployment and Employment • Government Assistance • Charities Aid • Self-help • People Power, e.g. boycotts or protests • Politics • Trouble or crime • Family Health, Medical and Diet • Education • General memories of, and hardships encountered, during the DepressionAudio tape interview with Jane Hillman. Daughter of Robert James Hillman and Elizabeth Hebden. Jane was born in 1919. She attended school at Gravel Hill State School. The tape has been converted to a sound file. The 30 minute only interview (due to recording errors) can be listened to, and the notes viewed, at the Bendigo Historical Society. By appointment only.history, bendigo, michele matthews collection, the 1930s depression tapes, jane hillman -
Ballarat Tramway Museum
Audio - Vinyl Recording, Ormond Slater & Ewen Cameron, Destination City, 1969
... tramcars Melbourne sound recordings vinyl records W3 class W2 class ...The jacket has a stylised view of the intersection of Flinders and Swanston Streets and Flinders St railway station with W2 233 in the top right-hand corner. On the rear are extensive details of each of the 11 recording tracks featuring various trams around Melbourne. The vinyl disk itself has a blue label with the title, speed and side number. Includes recordings of trams 676, 933, 980, 233, and 662. Produced and recorded by Ormond Slater and Ewen Cameron in 1969 with the assistance of the Australasian Post and the TMSV.Demonstrates sound records and production of Vinyl records.Record - vinyl based with paper card jacket and plastic record cover - 33 1/3 rpm microgroove vinyl record, or "LP", titled "Destination City".tramways, tramcars, melbourne, sound recordings, vinyl records, w3 class, w2 class, tram 233, tram 662, tram 980, tram 933, tram 676, tmsv -
Ballarat Tramway Museum
Archive - Notes on USA streetcar (tram) systems, Wal Jack, c1950
Wal Jack kept extensive notes on railways and tramways around the world, provided by his correspondents and research. This set of notes has information on the Puget Sound Electric Railway (Seattle to Tacoma), cars of the Jamestown, Westfield and North western Railroad. closure of the Lancaster Ohio streetcar (tram) system, the McKeen Motor car company and Central Electric Rail fan's Association. (CERA) who published a detailed magazine. Bickarts were Ballarat Watchmakers and Jewellers.Yields information about type of work undertaken by Wal Jack.Two orange coloured sheets - Bickarts of Ballarat letterhead - recording details of USA Streetcar systems.letters, wal jack, archive, usa, mckeen, cera, records, bickarts -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.123, June 2018
... & continuing / Judith Scurfield p5. A Nationally Significant Sound ...No 123 JUNE 2018. Reservoirs and Pipes / Don Garden p1. Society News p3. Victorian Collections / Collections Group p4. Bookshops of Boroondara: past & continuing / Judith Scurfield p5. A Nationally Significant Sound Recording / Robert Baker p6. In Memoriam [by John Longstaff & John Springthorpe] / Robert Baker p7. Princess Street: a short survey of subdivisions / David White p9. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionNo 123 JUNE 2018. Reservoirs and Pipes / Don Garden p1. Society News p3. Victorian Collections / Collections Group p4. Bookshops of Boroondara: past & continuing / Judith Scurfield p5. A Nationally Significant Sound Recording / Robert Baker p6. In Memoriam [by John Longstaff & John Springthorpe] / Robert Baker p7. Princess Street: a short survey of subdivisions / David White p9. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Vision Australia
Administrative record - Text, Our 82nd year in Braille and Talking Book: eighty-second annual report and statements of account for 1975-6, 1976
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: Colvan Charity Cup Golf Day raffle winner receives car from Bib Stillwell, Frank Moorhouse wins Braille Book of the Year with Barrett Reid, Dr Stephen Murray-Smith and Lloyd O'Neil making up the judging panel, luncheon to celebrate Alice McClelland's 54th year of service to the library, rationalisation of Moon books with RBS NSW, popularity of Fraser Twins Sound magazine, retirement of published Lloyd O'Neil from judging panel and appoint of Joyce Nicholson, death of Joan Armytage, former auxiliary organiser then committee member and renovation of library and construction of talking book room and recording studios (in notes to accounts).1 volume of print and illustrationsbraille and talking book library, annual reports -
Vision Australia
Machine - Object, Telex Corporation, Telex cassette player
A talking book player that allowed the user to change the tone and speed of cassettes played in it. Designed to handle both 4 track and 2 track cassettes, these players were the perfect solution to having both commercial (2 track) and recordings for the blind (4 track) materials without needing separate players. Tonal changes in particular were sometimes required by older listeners, as aging reduces the ability to distinguish high pitch sounds. Speed variability also allowed those who read faster to increase narration, and to slow down reading patterns for listeners with acquired brain injury or other conditions that affected cognitive processing of language.Blue plastic rectangular talking book player with buttons for navigational controls and 5 buttons.Model tbci serial no 8017. Machine number: 8157audio equipment, royal victorian institute for the blind -
Mont De Lancey
Mixed media - Book and Record, Australian Bush Sounds - book, Australian Bush Sounds, 1968
... animals A book and recording of Australian Bush Sounds from ...A book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals -
Mont De Lancey
Mixed media - Book and Record, Harold J. Pollock, Menura the Lyrebird, 1979
A book and recording of Menura the Lyrebird. It was recorded in the lyrebirds' natural habitat in the Dandenong Ranges Victoria. The book describes the life of two birds, Theresa and Wanderer with coloured photographs depicting them in the bush.A slim white square hardcover book with text by Harold J. Pollock and a record of Menura the Lyrebird. The cover has the title written at the top - Menura the Lyrebird with a round photograph of a Lyrebird in the bush with its tail fanned. Jacaranda Nature Series is printed in blue at the top right hand corner of the front cover. At the bottom is printed in black lettering - EP RECORD INSIDE FRONT COVER. Inside the left front cover is a pocket with an EP record recorded by Harold J. Pollock. The book has explanations of the sounds recorded as well as coloured photographs of the lyrebirds in their natural habitat. At the back of the book is a list of recordings on each side of the record. The back cover has a black and white photograph of Harold feeding a lyrebird by hand on his knee. A paper card illustrated with a coloured lyrebird on the front with an inscription inside is inserted at the front of the book. 20 pp.non-fictionA book and recording of Menura the Lyrebird. It was recorded in the lyrebirds' natural habitat in the Dandenong Ranges Victoria. The book describes the life of two birds, Theresa and Wanderer with coloured photographs depicting them in the bush.australian birds, australian animals, records -
Australian Nursing & Midwifery Federation
Video recording and proceedings of 'Ethics and Legal Problems in Resuscitation' seminar, 20 March 1991, Geelong Hospital
Written proceedings and video recording of a seminar held at the Geelong Hospital on 20 March 1991. The topic of the seminar, ethics and legal problems in resuscitation, resulted in a heated debate among attendees. Several doctors took issue with a presentation by Megan-Jane Johnstone, a nurse, ethicist and academic, in regards to documenting decision-making, patients' rights and guidelines around resuscitation. Other speakers included Paul Mestitz (Physician at Geelong Hospital) and Brian Bourke (Barrister). The seminar took place from 7.45-9:45pm in the John Lindell Lecture Theatre at the Geelong Hospital. The content was donated to the Australian Nursing and Midwifery Federation (Victorian Branch) on a USB by Megan-Jane Johnstone, with the aim of raising awareness of how members of the medical profession debate and respond to ethical and legal concerns in healthcare. The original was given to the donor on VHS in 1991.115 minute video file (.mp4 multimedia format), transferred from VHS tape. In colour, with sound. Video shows proceedings of 'Ethics and Legal Problems in Resuscitation' seminar at The Geelong Hospital on Wednesday 20 March 1991. An image file shows a scan of the proceedings of the seminar, with handwritten notes indicating the name of those asking questions during discussion.ethics, nursing, legal, law, bioethics, medical ethics, patients rights, decision making -
Mont De Lancey
Gramophone cylinders, Thomas A. Edison, 1910
... -and-dandenong-ranges gramophone cylinders gramophones sound recordings ...10 Cylinder records. 6 - Edison cylinders, 1 Stirling cylinder, 1 General Phonography Co., 1 Columbia Phono Co., 1 Indestrictible Phonographic Co.gramophone cylinders, gramophones, sound recordings -
Melbourne Legacy
Audio - Recording, tape, ABC Broadcast April 24th 1957, 1957
Legacy hold an Anzac Commemoration Service for Students every year. For many years it was simultaneously broadcast on the ABC radio stations around the State for students that could not attend. This tape has not been played but presumably from the date it is a recording of the broadcast of the 1957 service.A record that the Anzac service for students was of significant importance that it was broadcast on the ABC.An audio recording on a clear plastic spool of an Annual Anzac Commemoration Service for Students in 1958 in a cardboard box with the Mastertape logo. Top of box. Mastertape, M.S.S. Recording company Ltd., in red print The master sound system in blue print. Poyle Farm, colnbrook, Bucks, England in blue print. Type PM15 Bottom Box, handwritten, black ink Anzac OBS COMTE. In blue ink, A.B.C. Broadcast April 24th 1957. In pencil, Simpson and the donkey. Spool M.S.S. side no1 no2. Tape, magneticanzac commemoration for students, wreath laying ceremony -
Melbourne Legacy
Audio - Recording, tape, Annual Dinner 1958, 1958
The tape has not been played but presumably is a recording of part of the Annual Dinner held in 1958 due to the label.A record that Legatees felt their meetings were worth recording for future reference.An audio recording on a clear plastic spool of an Annual Dinner in 1958 in a cardboard box with the Mastertape logo.Printed with Mastertape M.S.S. recording company LTD. Type in red print. PM15, BW2.561, stamp. The master sound system, Poyle farm, Colnbrook, Bucks, England in blue print Torn cardboard, Annual Dinner 1958.legatee event, legatee -
Melbourne Tram Museum
Document - Form/s, Tramway Museum Society of Victoria (TMSV), "Announcing "Destination City" Record", 1969
... Trams tramways TMSV Melbourne Sound Recordings Vinyl Records ...Form - Gestener duplicated on foolscap paper - "Announcing "Destination City" Record", published by the TMSV 3/6/1969 advising that the 12in 33 1/3 LP recording could be purchased via the TMSV. Gives prices for postage. Signed by Bob Prentice. Gives some detail of the produced Ormond Slater. See Reg Item 211 for the recording itself.trams, tramways, tmsv, melbourne, sound recordings, vinyl records