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Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Black and white photographic postcard. Image is of a street scene in Picadilly Manchester with a 1cm white border along the bottom edge. Image depicts a street with many trams travelling along tracks, horses, a horse drawn carriage and many people standing or walking along or across the road. Buildings are in the fore and backgrounds. The words Piccadilly, Manchester are printed in the border on the left hand side and someone has handwritten the words 'here it is again' above some marks around a statue in the distance. The reverse is blank.R Hildescheimer & Co Manchesterpostcard -
Bendigo Historical Society Inc.
Postcard - CARWARDINE COLLECTION: QUEEN'S RESERVE BENDIGO
Black and white postcard, brown frame. Written on bottom 'Queen's Reserve, Bendigo' Image shows Town Hall clock in background, Hustler's Royal Reserve mine poppet head and chimney and statue of Queen Victoria front LH side. Written on back in black ink: 'Warragamba July 2nd. 1912. Dear Susan, Please accept out best wishes for a happy birthday, from Father, Mother, Mip, Cleave and Ruth.' Receipt number 355/16J.E Barker, Kew, Meyer's Seriesbendigo, business, carwardine soap and candle -
Bendigo Military Museum
Postcard - POSTCARD, ALDERSHOT, UK, Valentine's Series, c 1914 - 1918
R..H. Baron took leave from Herdcott Camp between 4.10.19918 and 8.10.1918 to visit Aldershot. See Catalogue No. 7743 for leave pass details. Relatives lived in the Aldershot area. Part of the 'Robert H. Baron', No.3596 and Cooper Collections. See Catalogue No. 19819 for details of Baron's service.1. Coloured street scene with buildings, groups of people and horse drawn transport. 2. Coloured street scene with buildings, groups of people and horse drawn transport. 3. Coloured street scene with buildings, groups of people. 4. Coloured scene features a canal with boat, tow path, bridge and house. 5. Coloured, Band marching down a street. Spectators lining the road. Church in background. 6. Coloured Group of soldiers in uniform marching along the road. Spectators, church in background. 7. Coloured statue of a man on a horse. Statue located on a hill 8. Coloured scene of gardens surrounded by buildings and a church. Groups of women. 9. Coloured - Large building with a clock tower. 10. Coloured column of uniformed soldiers on horseback. Buildings lining road. Horse drawn transport sharing road. 11. Coloured street scene with red brick building and pedestrians. 12. Coloured Monument with inscription. Buildings in background. 13. Black and wgite street scene. Street lined with buildings. Horse drawn transport. Pedestrians.1. High Street, Aldershot. 2. Wellington Street, Aldershot. 3. Union Street, Aldershot. Handwritten in black ink on back: (Notice how narrow the streets are). 4. Wharf Bridge, Farnborough Road, Aldershot. Handwritten in black ink on back: "I was all over these places with Uncle. I had a good time in Aldershot, Bob. 5. Wellington Avenue (Church Parade), Aldershot. Handwritten in black ink: 'One of the Aldershot bands', R.H. Baron.' 6. Queens Avenue and St. George's Church, Aldershot. Handwritten in black ink on back: 'Soldiers going to church". 7. Wellington Monumental, Aldershot. Handwritten on back in black ink: 'I was right up around this place!' 8. Municipal Gardens, Aldershot. Handwritten on back in black ink: 'This place is very pretty, Bob'. 9. Cambridge Hospital, Aldershot. Handwritten on back in black ink "This is a fine place!". 10. Hospital Hill, Aldershot. 11. Smith Dorrien Home, Aldershot. Handwritten on back in black ink. 'I was all over Aldershot with Uncle. I have saw all these places. Bob.' 12. R.A.M.C. Memorial, Aldershot. 13. Victoria Rd, Aldershot.robert h. baron, cooper collection, aldershot uk, postcards -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Frazer & Vallance, Unveiling Ceremony, Statue of Sir Thomas Bent, Brighton, 1913
politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, thomas bent, unveiling, ceremony, mayoress, sculptor, councillor wilson, crowd, 1913, nepean highway, mrs bent, elizabeth bleazby, fountain, memorial -
City of Ballarat
Sculpture - Public Artwork, Hebe by Charles F. Summers, 1899
This statue of Hebe standing tall in Sturt Street is a religious reference to the youth. She holds aloft the cup of youth while the flask or jug of knowledge hangs in her fallen arm. Both Hebe and Ruth as iconic figures face each other across their garden beds forming a part of the sculptural vista of Sturt St. Hebe, Greek Goddess of Youth and the biblical figure Ruth, were the gift of wealthy local benefactor John Permewan, who owned carrier firm Permewan & Wright. He commissioned Charles Summers to sculpt both of the women figures. The artwork is of aesthetic and historical significance to the people of Ballarat.Marble sculptural depiction of the Greek goddess Hebe Presented to The City Council of Ballaarat by John Permewan J.P. 1899/ Unveiled 3 April 1889. / This wealthy gentleman of the firm of carriers Permewan & Wright, was also an investor.hebe -
Stawell Historical Society Inc
Photograph, St Patricks Church Residence 2000 -- 2 Photos -- Coloured
Six photos of the exterior and interior of Thomas Kinsella's past residence in grounds of St Patrick's Catholic Church taken 2000. The house "Donanore" was built in 1900 by Thomas Kinsella and was the family residence for many years. The Stawell news of 26.1.1924 reported the arrival of nuns from the order of Sisters of Joseph. The nuns resided in the house for many years. Three of the six photos are of the interior. One of the front door surrounded by stained glass windows. Another a detail of an external door. The third a view of a statue at the end of the hallway. The photos are in Album 2 p. 52 & 53.Six colour photos taken in 2000 of "Donanore" Tomas Kinsella's residence in the grounds of St Patrick's Catholic Church. Three different views of the house and three photos of the interior entrance and hallway. The house is a red brick house with grey trim and a verandah out the front with a slate roof. stawell -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Colour , WW1 Memorial at Coleraine, Letter to August Rietmann, c1921, c 1990
August Rietmann (1877-1951) of Lustdorf ,Switzerland, married Maria Frieda Oesschlager (1878- 1942) of Baden Baden, in Germany on 6/8/1910 In August 8th 1915 August and his wife Frieda migrated to Melbourne, Victoria, Australia sailing on the Steam Ship ‘Osterley’ from Marseilles to Melbourne August and Frieda leased the Box Cottage in 1917 and raised 2 children Stefanie 1918-2006, and William 1920– 1997. August was a Monumental Mason / Potter / Sculptor and he was employed at Corbens Ltd Clifton Hill, to make the World War 1 Memorials for many Victorian towns c1920. This Soldier Statue at Coleraine was typical of many carved by August, however it was not usual for him to sign this work .Records have only been found for the Towns of Boort, Morewell and Coleraine. Other Soldier statue memorials in the same style are at Myrtleford, Benalla, Bonnie Doon and Yarck and possibly other towns. August purchased the property 1935,and established a pressed concrete business using the cottage as a workshop and storeroom After August died in 1951, William, his son, continued to work in the business from the site until the land was sold to Lewis Co. Ltd Timber Merchants in 1970. Rietman's Landscaping Ltd moved to Bay Road Highett 1953 and later to Carrum. The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.a) Photograph , colour of the WW1 Memorial at Coleraine, Victoria carved by August Rietman st Corbens Ltd. c1921. b) Letter from The Secretary of the Coleraine Fallen Soldiers' Memorial Funda) Handwritten information b) Typed letter signed by Goldbergrietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, box william, box elizabeth, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, box cottage ormond, box elizab -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens Statues, Fencing and Fernery Reconstruction, Public Meetings, 22/09/2003, 16/9/2003
... Statues ...This letter was sent to Friends of the Ballarat Botanical Gardens Committee Members, in this instance.This letter indicates that it has taken the first 21 years of the 21st century for the Fernery to be almost completed which attests to its importance as part of the Ballarat Botanic Gardens.1 sheet of paper with heading and dates in bold print and Ballarat Botanical Gardens logo in green.Ballarat City Council letterhead; signed in blue biro by Ian Rossiter, Manager, Lake Wendouree and Botanical Gardens.john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues, fencing, fernery, reconstruction -
Friends of Ballarat Botanical Gardens History Group
Slide - Colour transparency, c. 1940
... statues ...View of the Wishing Wellballarat botanical gardens, trees, wishing well, vandalism, pathways, lawns, bricks, statues, benches, cars -
Friends of Ballarat Botanical Gardens History Group
Print - Information on 3 statues in BBG Statue House, Summaries on Ruth, Rebekah and Susanna
... statues ...Summaries on Ruth, Rebekah and Susanna, article possibly written by John Garner for a presentation.Useful thumbnail sketcheslarge print on white paperjohn garner collection, garner, dr, statues, ruth, rebekah, susanna, ballarat botanical gardens, ballarat, gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - 1885 Marble Statue, Perseus Statue
... Statues ...Acquired by the NGV and on loan to City of Ballarat from 1943.How Perseus came to be moved aroundinformation in 5 points (2 copies)nonemarble statue, john garner collection, garner, dr, perseus, statues, granari, ballarat, gardens, ballarat botanical gardens -
Supreme Court of Victoria Library
Marble Portrait Bust, Justice Edward Holroyd
This bust was commissioned and made in the years before Holroyd's retirement from the bench. It is not known precisely when the bust entered the Library collection or the circumstances of its execution and commission. Justice Holroyd (1828-1916) was a judge of the Supreme Court for 25 years, after a successful career at the bar. Charles Web Gilbert (1867-1925) was a largely self taught sculptor, only tackling the medium of marble in the years before World War One. After the war he made a number of War Memorials, but his best known work is his statue of Matthew Flinders, the explorer, in Swanston Street.The portrait of Justice Holroyd is of interest as an unusual depiction and commemoration of a Judge. It is notable as a work by the distinguished Australian sculptor Charles Web Gilbert.Marble portrait bust of Justice Edward Holroyd. The bust is made of white carrara marble. The pedestal is made of rouge marble. The bust is slightly larger than life size. The head is finely detailed, Holroyd is shown wearing contemporary clothing, but the detail is less fine, than for the head and beard.The bust is signed and dated 1901 -
Ballarat Tramway Museum
Postcard, Valentine & Sons Publishing Co, "Sturt Street, Ballarat", c1950
The photo shows the view of the south side of Sturt Street from Lydiad St, looking east. The Robbie Burns statue is on the left of the card, along with the Mechanics Institute, The Ballarat Gas Co, Buckshead Hotel. There is one tram parked in the parking loop. On the rear, Wal Jack in a note to Ken Magor has written: "4 wheeler (No. 30 or 33?) in parking loop. Lower Sturt St from Lydiard St, looking east showing narrow Bridge St and Victoria St hill. Mt Warrenheip 4 miles away." Has a sketch of the tram tracks as well. C1950Yields information about Ballarat during the late 1940s or early 1950s.Postcard black and white, undivided back, with a handwritten note on rear. Card No. V39.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, sturt st, valentine -
Kew Historical Society Inc
Journal - Visitor Book, Grace Tabulo, Fairyland Lady And Children, 1958-1959
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap visitor book containing newspaper clippings, handwritten comments and drawings relating to visits to the home of Grace Tabulo, 57 Malmsbury Street Kew, known as Fairyland, June 1958 - April 1959. The book is wrapped in brown paper, which covers a grey card and red cloth strip binding. Creator's title inscription is located under the brown paper on front cover. 120pp. Mrs TABULO/ FAIRYLAND/ LADY/ AND CHILDREN./ c.1959grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1963-1965
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Visitor book containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, in the period 6 January 1963 to 26 December 1965. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers a black binding. Unpaginated, 93pp. On front cover: "MRS TABULO: 1879-1966/ "FAIRY HOUSE" / 1963 /- /1965" On title page: "FAIRY LAND Kew / JANUARY 6th 1963"grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1956-1957
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Diary repurposed as a visitor book and containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, 1956-1957. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers maroon and black card covers that are decorated with stickers of the British Royal Family. Unpaginated, 94pp. Handwritten on paper front cover: "MRS GRACE TABULO: 1879-1965/ FAIRY HOUSE [sic] / 1956 / 1957" Printed on card cover: "COLLINS / AUSTRAL/ DIARY/ 1948/ NO 926" Handwritten inside cover: "FAIRY LAND / Kew / February 22 1956""grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1959-1960
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap visitor book and containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, May 1959- August 1960. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers blue and red card covers with green cloth strip binding. Several pages of the book have entries which have been made upside-down. Unpaginated, 80pp. Handwritten on paper front cover: "1959 / 1960" Handwritten inside cover: "Fairy Land / 57 Malmsbury St/ Kew""grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book
"Fairyland", the home of Jim and Grace Tabulo, was a notable local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following Dorothy Roger's death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.A rectangular notebook with a clear plastic front cover and black plastic rear cover with a maroon plastic patch. Unpaginated, approximately 50 loose pale blue-grey pages with red printed lines, held in place by black plastic spine at top edge. The notebook contains handwritten comments and drawings primarily made by children during visits to "Fairyland", at 57 Malmsbury Street, Kew, c.1949. grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, [1962-1963], 1962-1963
"Fairyland", the home of Jim and Grace Tabulo, was a notable local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following Dorothy Roger's death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap size visitor book containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, 4 January 1962- 30 January 1963. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers back cardboard covers with a red cloth strip binding. Approximately 139 pages, and covers. Note pages are paginated, commencing at page 36.Handwritten in pencil on paper cover: "1962/ 1963" Handwritten in ink on label adhered to front cover: "January 4 / 1962 / Fairy Land/ Kew"grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland Book, 1950-1962
"Fairyland", the home of Jim and Grace Tabulo, was a notable local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following Dorothy Roger's death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap size visitor book containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, c.1950-1960. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers back cardboard covers with a red cloth strip binding. Unpaginated, approximately 160 pages, and covers. The book has an additional loosely inserted black card cover located at the front of the book.Handwritten in pencil on paper cover: "1950 - 1962 /(edit book dates)" Handwritten in ink on paper label on loosely inserted cover: "Fairy Land / Book/ September 1950 / Fairy Land / Book / 75 [sic] M...berry [indistinct] st Kew / Fairy Land Book"grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Bendigo Military Museum
Book - BOOK, PHOTOGRAPHS, WW1, Phil DWYER and Helen DUFFY, The Western Front- An Australian Perspective, 2015
“THE WESTERN FRONT- AND AUSTRALIAN PERSPECTIVE “ “It is a snapshot of war, with the focus on the sacrifices made by 60,000 Australians who died and the manny more who returned home but were changed forever “Hard cover book with dust cover. Hard cover- cardboard, green colour buckram with white print on spine. Dust cover- paper, white, red and gold print on front, spine and back. Illustrated- front Peter Corlett’s statue “COBBERS” in colour with red cloud background. Book- colour photographs “Villers - Bretonneux Military Cemetry” End papers- illustrated green tones names on a honour roll. Owners label. Front 217 pages, plain ,white. Illustrated black and white, colour and sepia photographs and maps.Front end paper- owners label- J.E. WILES 2/7th INF BN VX16067books, histroy, ww1, western front -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Henry Harvey, c1890
Black and white print from the State Library of Victoria, of a horse tram (possibly No. 10), turning left from Sturt St. into Armstrong St. enroute for Skipton St. Has City of Ballaarat Town Hall in the background with two other horse drawn cabs in the view. Has the statue of ???? on the left hand side of the photograph. State Library Multimedia Source Catalogue gives the photographer as John Henry Harvey and date of print as 1875c. Actual date is post 1888. State Library Permission required to reproduce the photo.On rear in pencil in bottom left hand corner "Copy of H92 150/408" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, armstrong st, horse trams, ballarat town hall, tram 10 -
Glen Eira Historical Society
Letter - MONUMENTS AND NATIONAL REGISTER
... Statues ...This file contains five items pertaining to plaques, memorials and monuments located in Glen Eira: 1/Three letters (1 page each) pertaining to a statue of Isabelle Webb adorning the Caulfield City Hall. The first letter, typewritten, dated 14/07/80, is addressed from J. Pollet, Honorary Secretary of the Caulfield Historical Society, to Mr. G. Calder, City Manager of Caulfield, and announces that the Society has identified the previously unidentified statue and wishes to provide a plaque for it. The second letter, handwritten, dated 20/09/1980, is addressed from Mr. R. Ballantyne of the Caulfield Historical Society to Calder, and laments that the Caulfield City Council has not responded to the first letter. The third letter, typewritten, dated 24/10/1980, is addressed from G. J. Walker, Deputy Manager-Administrator of the City of Caulfield, to Ballantyne, and notifies the latter of the Council’s acceptance of the Society’s offer to provide a plaque. Also included are the invoice and delivery docket for the plaque. 2/A typewritten letter (1 page), dated 26/06/1985, from Norma Polglase, secretary to mayor Brian Rudzki, inviting Mr. and Mrs. R. Ballantyne to an unveiling ceremony at Hopetoun Gardens. 3/A typewritten letter (1 page), dated 05/10/1986, from John Adams, Convenor of the Memorials Committee of the Royal Historical Society of Victoria, to Miss H. Bullock, thanking the latter for her contributions to the Society’s Memorials Project (which presumably consists of the recording of the location of all memorials located in Victoria), and confirming the acknowledgement of four memorials located in Caulfield. 4/A one page typewritten letter, with handwritten note, dated 07/05/1987, from Chilla Bulbeck, project coordinator of the National Register of the Australian Bicentennial Authority, to Mr. R. Ballantyne, thanking the latter for agreeing to act as a recorder for the Project. Attached are 12 pages extrapolating on the Project and a list (2 copies) of monuments thus far acknowledged, although none of this contains anything of relevance specifically to Glen Eira. 5/A typewritten letter, dated 29/11/1996, from Bob Ross, Senior Surveyor of the Geodetic Survey of the Office of the Surveyor General, to the Caulfield Historical Society, requesting the latter’s assistance in identifying any historic survey marks located within Glen Eira, as part of a greater project to identify all such survey marks located within Victoria. Also included is a leaflet extrapolating on the project and featuring a form for documenting survey marks, although this contains nothing of relevance specifically to Glen Eira.glen eira, caulfield, plaques, monuments and memorials, walker g. j., ballantyne r. mr., caulfield historical society, statues, webb isabelle, webb isabella, calder g, pollet j, city of caulfield, caulfield city council, city hall, hawthorn road, glen eira road, neville street, glenhuntly, thompson p. mr., arrow engraving & foundry co., rudzki brian j. p. cr., ballantyne mrs., cannons, festivals and celebrations, invitations, hopetoun gardens, mayors, glenhuntly road, glen huntly road, caulfield city hall, polglase norma, adams john, bullock h. miss, royal historical society of victoria, memorials committee, memorials project, ‘kadimah’, caulfield grammar school, rosstown railway, bambra park, elsternwick, begonia street, gardenvale, bulbeck chilla, australian bicentennial authority, national register of unusual monuments project, jowett memorial drinking fountain, ross bob, office of surveyor general, geodetic survey office of surveyor general -
Federation University Historical Collection
Book, Powell & Co, Guide to Ballarat the Beautiful, 1906, 1906
A book highlighting Ballarat and surrounds for visiting tourists. Green, black and red soft covered book of 50 pages. The book includes many illustrations and advertisements. Themes of the book include: Ballarat and district, Lake Wendouree, Ballarat Botanical Gardens, Statues, gold and mining, Ballarat gold nuggets, Eureka Stockade, Ballarat School of Mines, Hepburn Lagoon, Emu River, race courses, Art gallery of Ballarat Advertisements include: Dr Lem Chinese Practictioner, Eureka Aerated Waters & Brewing Co., Sunshine Harvester, Gordon Bros., Long's biscuits, South Street, Grand National Eisteddfod of Australia, Lake View Hotel, Carlyon's Hotel, Clarendon Ladies' College, J.E. Sang Chinese Doctor and Herbalist, Reid's Ballarat Coffee Palace, Robert Sim & Co Timber Merchants, Cobb & C0 livery and stables Ballarat, Eagle Foundry, Fred A. Reed Tobacconist, Heinz bros butchers, J.J. Goller & Co. Illustrations include: Craig's Royal Hotel, McBride's Boots, John Lavis Cordial Manufacturer, R. Graham & Sons tanners, Lester's hotel, Sun Foundry, Central business College, Edwards Pyrites & Ore Reduction Co., George Farmer, Sturt Street (colour), Lake Wendouree, Ballarat East Town Hall, Lake Burrumbeet, Queen Victoria Statue, Fairy Land, Ballarat Botanical Gardens, Lal Lal Falls, Moorabool Falls, Kirks Dam, Lake Wendouree and paddle boat, Lydiard Street, Bopeep Creek, Star of the East Mine, Peter Lalor Statue, great Equatorial Telescopu at Oddie Observatory (Ballarat Observatory), Boer War monument, Entrance to Art Gallery of Ballarat, interior of Art Gallery of Ballarat, Old Curiosity Shop, Angus Rialto cafe, Ballarat Brewing Co, Royal Standard brwery, Phoenix Brewery Warrenheip, John MacLeod and Companyballarat, ballarat school of mines, buninyong, burrumbeet, cobb and co, eureka brewery, ballarat brewing co, sturt street, m1604, chinese, chinese medicine, d. lem, j.e. sang, brewery, tanners -
Ballarat Tramway Museum
Photograph - Digital image, Rose Stereograph Co, "Corner of Lydiard and Sturt Streets, Ballarat", c1929
Digital image titled "The Corner of Lydiard and Sturt Streets Ballarat Vic", photo looks south west from the Post Office steps towards the south west corner - has Craigs Hotel, National Mutual Life, town hall shops including Anderson Printer and the Town Hall in the picture along with Robbie Burns statue. The Rose Series Postcard No. P 1783. An ESCo tram is parked at the tram stop - No. 5? A number of horse drawn and motor vehicles are in the photograph. Wal has dated the photo about 1930 on the rear of the postcard and about 1929 in his album notes. See item 9193 for a copy print.Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a number of vehicles in the view.Digital image from the Wal Jack Ballarat Album of a postcard .trams, tramways, esco, lydiard st, sturt st, town hall, tram 5 ? -
Ballarat Tramway Museum
Postcard, The Post Office & Burns Statue Sturt St Ballarat, c1905
Image of the intersection of Sturt and Lydiard Streets looking north towards Lydiard St. Photograph shows a horse drawn tram turning from Sturt into Lydiard St North, while another crosses Lydiard St, heading west along the north side of the street. Photo shows the Post Office, the Robert Burns statue, and the large arc lamp in the middle of the intersection. Two copies held. On the rear of the first copy is a Birthday and New Year message to Mrs Serpell of the Wesleyan Parsonage in Timaru New Zealand and the second has been posted to a person in Antwerp Belgium - dated 19 Feb. 1909.Yields information about the intersection of Sturt and Lydiard Streets in the horse tram era and the operation of the horse tram system.Postcard - coloured - divided back, post marked Ballarat 21?-12-1905 with a Victorian 1d penny stamp and over stamped with a "5". 2nd copy has had the stamp removed.See Contextsturt street, horse trams, post office, ballarat, tramways, lydiard st, burns statue -
Melbourne Legacy
Photograph - Legacy Week 2004, Event at the Shrine, 2004
An event at the Shrine of Remembrance Visitor Centre, the guests include some youths and Ron Barassi and President George MacKenzie. It could be the launch of Badge week - the poster says: Buy a Badge, with an image of the Widow and Children statue. See also 00686. Ron Barassi, an ex-AFL footballer, participated in several Legacy events over the years. Ron was a a junior legatee after his father Ron Snr was killed in action at Tobruk in World War II, aged 27. The Visitor Centre was completed in 2003 and provides unimpeded access for the elderly and disabled to the Sanctuary, the Crypt and the Galleries of Remembrance as well as open space for exhibitions and events.A record of an event at the Shrine for Legacy Week in 2004.Colour photo x 2 of an event at the Visitor Centre at the Shrine with guest Ron Barassi. Printed on the back "No.< > Clarendon Photos 0556" which is the frame numbers and place of processing. Negative numbers 5 and 2.legacy week, legacy appeal -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, "Corner of Lydiard and Sturt Streets, Ballarat", c1929
postcard - titled "The Corner of Lydiard and Sturt Streets Ballarat Vic", photo looks southwest from the Post Office steps towards the southwest corner - has Craigs Hotel, National Mutual Life, town hall shops including Anderson Printer and the Town Hall in the picture along with Robbie Burns statue. The Rose Series Postcard No. P 1783. An ESCo tram is parked at the tram stop - No. 5? Several horse-drawn and motor vehicles are in the photograph. Wal Jack has dated the photo about 1930 on the rear of the postcard and about 1929 in his album notes - see item 5126 for the digital image. Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a number of vehicles in the view.Postcard or copy photograph of Rose Stereograph Co. postcard, No P 1783ballarat, trams, tramways, esco, lydiard st, sturt st, town hall, tram 5 ? -
Glen Eira Historical Society
Article - Caulfield Park
... Statues ...This file has thirteen items. 1/Typed note date and author unknown, titled development in Caulfield Park, describing the statuses commissioned for the park in 1975. 2/Photocopies undated of photographs of two of the statues. 3/Article dated 19/03/1980 in the Southern Cross newspaper about Caulfield Councils frisbee and golf day at the park. 4/Invitation for Mr. and Mrs. Campbell to attend tree planting ceremony at Caulfield Park on 23/10/1988 to commemorate Raoul Wallenberg. 5/Black and white photograph, undated, photographer unknown, of lake and fountain at Caulfield Park. 6/Three colour photographs dated June 1982 of Caulfield park. 7/Photocopy of photograph of War Memorial at Caulfield Park. 8/Leaflet advertising a parade and fair at the park on 25/05/1997. 9/Two black and white photographs, date and photographer unknown, of conservatory at the park after it burnt down, possibly in the 1920’s. 10/Friends of Caulfield Park newsletter dated July 2007 concerning the council’s plans for the park. 11/Article dated 19/10/2011 from Melbourne Weekly Bayside about the conservatory and its future, includes photograph. 12/Article dated 07/05/2013 in the Glen Eira Leader concerning the council’s plans for the conservatory. Includes dot points that original glasshouse (ex-Ripponlea) destroyed by fire in 1977 and replaced by existing hothouse. 13/Article dated 23/07/2013 from Glen Eira/Port Phillip Leader about public society survey concerning the conservatory’s future.caulfield park, north caulfield, balaclava road, caulfield city council, cannizzo phillip, statues, sculpture, hawthorn road, meserow hale, campbell jack, campbell mrs., braun emil, huppert michelle, wallenberg raoul, fountains, parks and reserves, monuments and memorials, parades and processions, festivals and celebrations, greenhouses, conservatories, catherine street, st aloysius school hall, friends of the caulfield park., caulfield park pavillion, pavilions, sportsgrounds, playing fields, playgrounds, glen eira council, wilde david, pilling neil, lipschutz michael, rippon lea mansion, magee jim, lobo oscar, sounness thomas -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Interior of St Brigid's Crossley, C2016
... statues ..."LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the in..terior of St Brigid's Crossleyst brigid's crossley, st brigid's, catholic church, catholic, church, community, ceiling, stations of the cross, confessional, statues, windows