Showing 974 items
matching the fountain
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Bendigo Historical Society Inc.
Photograph - VIEW POINT BENDIGO
Photograph - black and white. Photo of View Point Bendigo. Fountain right hand side of photo. A large clock on top of Armstrong Tyre Service. Also Australian Mutual Provident Society, Colonial Mutual Life Building and other buildings. No.14 on right hand bottom of photo. Newsagent advertising The Herald, Age, The Sun, Argus.place, bendigo, view point, sandhurst, view point bendigo. -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Charing Cross, Bendigo, mid 1900's
Demonstrates aspects of the development of the Bendigo tramways by ESCo prior to undertaking the Ballarat system. Yields information about Charing Cross soon after the electric tramway was opened.Black and White postcard, early 1900's view of Charing Cross, Bendigo looking towards the north, Pall Mall. Has three tram cars in the view, the fountain, centre poles, horse drawn cabs and vehicles, a poppet head and building on the east side of the Pall Mall. Divided back postcard with areas for message, address, and the stamp. Has "67)" in the top left hand corner of the back of the card, a circled "13" crossed out, "early 1900's" in ink. In the top right hand corner "$8" in pencil. On the front of the card has "67)" in the top left hand corner in ink.trams, tramways, bendigo, pall mall, charing cross, tram 4 -
Bendigo Historical Society Inc.
Booklet - Bendigo Walking Tour by Glenn Woodger
52-page soft cover booklet with colour photo of the fountain at Charing Cross on front and back covers. 'Bendigo Walking Tour' authored by Glenn Woodger, June 2003. Includes photos of 58 buildings in Bendigo with a map outlining 3 walking tours. A narrative is included with most photos. A list of references and acknowledgements is given on back page. bendigo, buildings, walking tour -
Melbourne Tram Museum
Postcard, Vic Post Card, gardens at the south end of the Victorian Parliament building, c1950
Postcard photo of the gardens at the south end of the Victorian Parliament building, showing the Stanford Fountain with Spring St in the background and the spires of St Patrick's Cathedral. Has two W2's in Spring St. Divided back with places for stamp, address, correspondence and details with makers details "Vic Post Card"?, Series 1/18 - c1950/trams, tramways, spring st, parliament, st patricks -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Captain Cairncross, c. 1890
On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre). -
Federation University Historical Collection
Article - Compact Disc, Convergence, 1998
17 students: Guy McCutcheon, Aidin Bautista, Matthew Packwood, David Clarke, Stuart Fountain, Jason Lipscome, Stephen van Elst, Stacey Quick, Matthew Scully, Steven Skrekovski, Vanessa McCoy, Matthew Aylmer, Andrew Fiscalini, Melanie Woolcock, Patrick Filipiak, Mark Byvoet, Nigel Harvey. Music credit: Luke Chisholm Successfully tested on vintage Macintosh G4 with Mac OS 9.2.2CD Rom featuring work of third year Graphic Design graduates, 1998. Printed two colour, black and white, on silver disc, in metallic silver plastic sleeve with one colour print (white). The interactive/multimedia CD Rom was developed using Macromedia Director 6.5, finalised on 14 October 1998. 2.3Mb of data.university of ballarat, federation university, graphic design, helmut stenzel, guy mccutcheon, aidin bautista, matthew packwood, david clarke, stuart fountain, jason lipscome, stephen van elst, stacey quick, matthew scully, steven skrekovski, vanessa mccoy, matthew aylmer, andrew fiscalini, melanie woolcock, patrick filipiak, mark byvoet, nigel harvey., luke chisholm -
Federation University Historical Collection
Article - Compact Disc, Convergence, 1998
17 students: Guy McCutcheon, Aidin Bautista, Matthew Packwood, David Clarke, Stuart Fountain, Jason Lipscome, Stephen van Elst, Stacey Quick, Matthew Scully, Steven Skrekovski, Vanessa McCoy, Matthew Aylmer, Andrew Fiscalini, Melanie Woolcock, Patrick Filipiak, Mark Byvoet, Nigel Harvey. Music credit: Luke Chisholm Successfully tested on vintage Macintosh G4 with Mac OS 9.2.2CD Rom featuring work of third year Graphic Design graduates, 1998. Printed two colour, black and white, on silver disc, in metallic silver plastic sleeve with one colour print (white).university of ballarat, federation university, graphic design, helmut stenzel, guy mccutcheon, aidin bautista, matthew packwood, david clarke, stuart fountain, jason lipscome, stephen van elst, stacey quick, matthew scully, steven skrekovski, vanessa mccoy, matthew aylmer, andrew fiscalini, melanie woolcock, patrick filipiak, mark byvoet, nigel harvey., luke chisholm -
Ballarat Tramway Museum
Slide - 35mm slide/s set of 7, Noel Simons, 29 Feb. 1972
Set of 7 transparencies taken on 29/2/1972 on Kodak mounts. 1208.1 - Bendigo 18 (en route to Quarry Hill) and 2 (Eaglehawk) in the early morning at Charing cross with the Alexandra fountain and the Fountain Plaza building in the background. 1208.2 - No. 2 descending View St. Photo taken after tram has passed the photographer. 1208.3 - as for 1208.2 at Mackenzie St. intersection 1208.4 - No. 26 ascending View St. with the ANZ bank, T& G in the background. 1208.5 - as for 1208.4, but at Mackenzie St. intersection. Photo taken after tram has passed the photographer. 1208.6 - No. 18 in View St. seen from the lookout tower in Rosalind Park. 1208.7 - No. 7 en route to North Bendigo in Nolan St. Photographed across the Centenary Oval.Information written on in blue ink and date stamped on purple ink. 1208.1 - "Nos. 18 and 2 in the early morning sun at Charing Cross." 1208.2 - "No. 2 descending View St. towards Charing Cross." 1208.3 - "No. 2 in View St. passing Mackenzie St." 1208.4 - "No. 26 in View St. just after leaving Charing Cross." 1208.5 - "No. 26 climbing View St. past Mackenzie St." 1208.6 - "No. 18 climbing View St. seen from lookout tower in Rosalind Park." 1208.7 - "No. 7 in Nolan St. heading towards North Bendigo. / Last picture of a Bendigo tram."tramways, trams, bendigo, charing cross, view st., nolan st., tram 2, tram 7, tram 18, tram 26 -
Bendigo Historical Society Inc.
Document - GUINEY COLLECTION: INVOICES, FRANK J. EVERY & SONS, HARGREAVES STREET, BENDIGO
Three buff coloured invoices issued on 12.11.1949, 27.3.50 and 1.4.50 to Miss G. Guiney, 126 Sternberg Street, Bendigo, for stationery items and newspapers. e.g 3 Advertisers @ 2d each. Written on top of invoices 'Hargreaves Street, Bendigo', educational and general booksellers and stationers, modern lending library, fountain pen depot and on bottom 'Try Every's First'bendigo, business, frank j. every & sons -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRAMS AT ALEXANDRA FOUNTAIN, BENDIGO, 1960's
Colour photo of 4 trams taken at Alexandra Fountain, Bendigo. Two trams entering from View Street, one tram entering from Pall Mall, another entering intersection from High Street. Possibly photo was taken from high vantage point - City Family Hotel. "Maples" and 'Ezywalkin' advertising signs on Mitchell Street buildings. basil miller, bendigo tramways, charing cross, alexandra fountain, mitchell street, high street -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRAM AND ALEXANDRA FOUNTAIN
Photographic enlargement of a postcard of centre of Bendigo showing tram stopped near Alexandra Fountain. Businesses visible in the background include C. Plume, tailor, and J. R. Edwards, (watchmaker), PRE 1934 as tram is still carrying old colour scheme, not S.E.C. livery. Written on back in black of photo: '51/2 X 8, page 82, 83%.cottage, miners -
Bendigo Historical Society Inc.
Photograph - VIEWS OF BENDIGO
Photographs - 8 of (small) black & white. Photo's of Pall Mall (no.22), Civic Buildings (no.1), The Baths Upper Reserve (no.13), Alexandra Fountain (no.6), Conservatory Gardens (no.29), City Hall (no.8), Central Deborah Mine (no.19), Rosalind Park (no.5). Handed in by Barry & Vicki Mulvena of 48 Lord St.,m Roseville, NSW 2069.Valentine's Snapshots.place, bendigo, picturesque views of bendigo., views of bendigo. -
Bendigo Historical Society Inc.
Document - BENDIGO SCHOOLS COLLECTION: WHITE HILLS TECHNICAL SCHOOL
One page photocopy. White Hills Technical School year 1961. Principal: Mr. E.C. Thompson (Senior School), Senior Assistant: Mr. G. Fountain (Feb to Jun), Headmaster: Mr. R.M. Wisemen(July onwards), Mothers' club President: Mrs. D. Yates, Top academic student in form 1 was Gregory N. Welshe.school, history, white hills technical -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: EASTER
Bendigo Advertiser "The way we were" from Monday, February 21, 2005. Easter: many entrants in the annual Easter parade in Bendigo rely on the generosity of businesses to enter their floats. In the late 1940s, general carrier and wood merchant, Eric Finch, donated his services to the Bendigo Benevolent Home. The float is photographed travelling around the fountain at View Point.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: STEAM TRAM
Copy of a photograph of a stem tram at the fountain in Bendigo. To the right of the photo is a small child wearing a bonnet, there is another person standing near the child, no details are visible. There is a two wheeled hand cart in front of the tram. (Batcheldor photo ?). The words 'Steam Tram Bendigo' are written in ornate script at the bottom of the photo. Just visible below these is written 'with the compliments of the season'organization, public utility, tramways, steam tram -
Ballarat Tramway Museum
Newspaper, Bendigo Advertiser, " A memory Soon in Bendigo", 19/07/1968 12:00:00 AM
Newspaper cutting, undated, from Bendigo Advertiser (?) with a photo of a bogie car on the Eaglehawk route at Charing Cross, with the Alexandra Fountain in the foreground. Caption refers to the State Cabinet decision the previous day to close the Bendigo system, which would date the item as 19/7/1968. Item has been glued onto a sheet of foolscap paper - white.trams, tramways, bendigo, closure, charing cross -
Bendigo Historical Society Inc.
Booklet - Bendigo Yesterday & Today by Ken Arnold, 2017
70-page soft cover booklet of colour and sepia photos of Bendigo past and present. Designed and set up for printing by Ken Arnold 2017. Published by Crown Castleton Publishers, 359 High St Golden Square, 3555. Printed in China by Asia Pacific Offset Ltd. Sepia and colour photo on front cover of Alexendra Fountain at View Point. M & J Qualtrough sticker on title pagebendigo, architecture -
Kew Historical Society Inc
Print, Post Office and Police Court Kew, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.An enlargement of an original postcard in the collection, created for the purposes of exhibition, depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. kew court house, kew post office -
Glenelg Shire Council Cultural Collection
Functional object - Bottle, n.d
In 1905, Mr. Frank Jarvis and Mr. Tommy Garner formed Conway Stewart & Co. Limited at 13 Paternoster Row EC1, next to St Paul’s Cathedral in London. Today, this area is known as Paternoster Square having been redeveloped after its complete destruction during the Blitz of World War II. Although there is much debate regarding the origins of the Company’s name, it is believed that the name “Conway Stewart” derives from a popular vaudeville act of the day. Conway and Stewart were supposedly a comedy double act who appeared at Collins Music Hall in Islington. The two entrepreneur took a great risk in leaving their secured jobs to start a new enterprise reselling fountain pens made by other manufacturers. They concentrated their energies and invested in importing pens from the United States. After an arduous month of persistent selling of their stock, they reaped the rewards of a rather healthy turnover of more than £13 and 9 shillings. This was a great accomplishment considering that the rent for their business premises was only five shillings a week. Even though this turnover would be pleasing to many new ventures, the strength of De La Rue in the fountain pen market made it impossible for the company to continue selling no-named fountain pens. In the same year, De La Rue reportedly invested £50,000 in a promotion campaign for their new launch, the Onoto. However, Garner and Jarvis soon recognized there was an audience desiring good, reliable writing instruments that were also affordable. This is when Conway Stewart began to capture a market amongst the English. Jarvis and Garner developed a single aim, to produce elegant and beautiful, yet functional writing instruments – a principle that Conway Stewart holds true to this day.Red "Conway Stewart Ink" bottle with black metal lid and red round label. Square bottle with flat edges. One quarter filled with ink.Front: 20 fl. ozs./Conway/Stewart/ink (white letters on red background, label, upper area of bottle)ink, writing, bottle -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle & Case, 1934 – Mid 1950’s
Pens, nib pens and later fountain pens, with suitable inks, were commonly used for writing communications from the 18th century to the mod 20th century. Fountain pens continue to be used and enjoyed. Dip pens with a wide variety of nibs are used for calligraphy writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room to wrap the bottle with a padding or card or blotting paper. The screw top lid fits the case well and this container would be a good way to travel with ink because any spillage would be kept within the waterproof case. The Bakelite material is lightweight and strong. Ink bottle cases, or travelling cases, have been made as an accessory for nib pen writers. The first patent for a “pocket-case for bottles”, a wooden case, was applied for in the US in 1891. Other materials such as steel, pewter and aluminum as well as Bakelite have also been used. The British Museum has an elaborately decorated bronze ink pot holder that is inlaid with turquoise. Today ink bottle cases are even available in fabric with loops to attach to a belt. Bakelite, the material used for this ink bottle case, is made from synthetic materials and is an early form of plastic, developed in 1907 and used extensively until the 1940’s. It is still in used today for specific applications but has been largely replaced by more modern forms of plastics. This ink bottle case carries the imprint of Mabie, Todd & Co. (Aust.) Pty. Ltd. This form of company name was used from 1938 to the mid 1950’s. The Swan ink bottle’s information says it was made by Mabie, Todd & Co. Ltd., London and Sydney, so dates the ink bottle from about 1908 until 1934. (Australian newspapers display advertisements dated 1908 until 1934 for Sydney wholesalers and agents for Mabie, Todd & Co. Ltd.) ABOUT PERSONAL FOUNTAIN PENS (FOUNT PENS) A 1917 newspaper advertisement recommends that the owner of a “Swan” doesn’t lend it to anyone else to use due to its qualities of it personalised to the owner. It reads “Don’t lend your “Swan” fountpen, recommend it, but don’t let other people use it. You see, a good pen doesn’t wear, but its “tamper” (or spring) works into the writer’s pressure and manner of holding. Another person with a dashing style of writing may strain it do that it will no longer feel just like your own.” This personalisation of nib pens may be the reason that legal documents in the past being acceptable only if they were signed using a ‘wet ink’ pen. Forgeries of signatures could be easily detected as the nib takes on the character of the pen’s owner. A ballpoint pen was not acceptable. This is a strong contrast to modern times when a digital signature is widely accepted. ABOUT MABIE TODD Pty Ltd. The American company Mabie Todd began by making pencil cases in New York in the 1860’s. The Bard Brothers, makers of Gold nibs, joined Mabie Todd and the company was established in the 1870’s as Mabie Todd and Bard. In 1878 the company filed a patent for the design of a fountain pen and in 1884 the first Swan fountain pen was released. In 1884 a Mabie Todd and Bard office and showroom was established in London. In 1906 the company’s name changed to Mabie Todd & Co, New York. The UK offices also used this new name and in 1907 the UK began producing their own Swan pens. Manufacturing was going so well in England that New York sold their rights to European and Colonial business to the new Mabie Todd & Company Ltd of England. By the end of the 1930’s all components for the pens were being made in the UK; the pens in the London factory, the gold nibs in Birmingham and the ink in Liverpool. Newspaper articles from 1934 stated that Mabie Todd were large buyers of Tasmanian iridium, which had been welded with gold and used since 1834 for the tips of nib and fountain pens. Fountain pen points were the largest market buyers for Tasmanian iridium, which was classed as “the best in the world”. Production growth continued up until WWII times, when the headquarters and main factory were destroyed. Mabie Todd & Company Ltd of England rebuilt out of the inner city and by 1946 pen production began again. The market for nib and fountain pens was diminishing by this time, with people beginning to use the new ballpoint ‘Biro’ pens. The Mabie Todd bought shares in Biro Pens and in 1952 became Biro Swan. They went on to make more ballpoint pens than any other manufacturer in Britain. The ink refills that Biro-Swan produced came in five different viscosity or thickness xhoices, depending on the season and location of where the pen would be used . Along with the ballpoint pens, Biro-Swan also introduced a range of Calligraph pens to attract those following the new trend for italic writing. In 1948 Mr. T. Burke, a director for Mabie Todd & Co. (Aust.) Pty Ltd., announced that there would be a £40,000 factory built in Sydney in 1949 for the manufacture of ink. The plant for the factory would be imported from overseas. Sadly the company struggled against competition and in 1956 Mabie Todd closed business and no more Swan pens were produced. The ink bottle and container was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The ink bottle case is significant for its association with writing methods commonly used during the colonisation of Australia until the mid-20th century. The protective Bakelite case demonstrates the value placed on caring for the user’s supply of ink and protecting other belongings of the user, enabling writers to easily carry and safely transport their ink without the concern of spilling it. The case’s design is a good example of the use of new technology. The properties of Bakelite have enabled its moulded design and make it waterproof and lightweight, easily cleaned, closely fitted to the shape of the ink bottle within and lid and base join together using a smooth screwing action. The maker’s marks have also been moulded into the Bakelite, therefore not distracting from the simple but elegant design. This ink bottle case also represents the period of early to mid-20th century when handwriting materials for writers using ink and nib pens were imported into Australia and developed for the Australian market and sold by wholesalers on behalf of overseas companies. Vintage brown Bakelite travelling ink bottle case (or holder, pot, well) containing glass ink bottle and original textured cardboard liner, made by Swan Ink, Mabie, Todd & Co. (Aust) Pty.. Ltd. The Bakelite container is shaped to fit snugly around the ink bottle. It still retains its original shiny finish, the lid screws on and off perfectly. The maker’s name is embossed on lid and base of the Bakelite container. The inkwell contains a glass Ink bottle with a tiny amount of dried up ink Swan triple filtered ink inside. The bottle is cylindrical with curved shoulders tapering to a neck of around 2cm. The white metal screw-on lid and the white and red paper label on the side of the bottle both have a printed description of the ink and maker. Circa 1934-1950’sBAKELITE INK CASE - embossed on either side of the lid “ “SWAN” INK / ”SWAN” INK “ - embossed into base, written in a circle “MABIE TODD & Co (Aust.) PTY. LTD.” GLASS BOTTLE – printed on lid “SWAN”/ [corporate logo combining letters ‘M, T, co’]/TRIPLE FILTERED/ INK.” - printed on label “SWAN” INK /FOR FOUNTAIN & / STEEL PENS / A BLUE BLACK INK OF/ THE FINEST QUALITY/ MADE IN ENGLAND/ MABIE. TODD & CO LTD …….. LONDON. SYDNEY/ Makers of “SWAN” Pens, Gold Pens & Ink“ - moulded into the base of the ink bottle and written around the bottom outside edge of the bottle are the words “THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF/ MABIE TODD/AUST”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ink bottle holder, ink bottle case, ink bottle pot, travelling inkwell, portable inkwell, travelling ink pot, travelling ink bottle case, ink bottle, inkwell, ink well, swan ink, bakelite, dip pen ink, nib pen ink, fountain pen, fontpen, writing methods, stationery, mabie todd & co, swan fountain pens, biro-swan -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, William Almeida Memorial, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. The William Almeida Memorial is a drinking fountain located in the Triangle Gardens, Hampton, which commemorates William Almeida who was killed in an armed robbery at the Commercial Bank, Hampton, on 28 November 1914. Twenty-two year old Almeida was working alone at the bank when two armed robbers entered the premises. After refusing to hand over the bank’s money, Almeida was shot by one of the assailants before they fled. Despite the gunshot wounds, Almeida managed to chase one of the robbers down, dragging him back to the bank and handing him over to a bystander before collapsing. Almeida later died at the local hospital and this fountain was erected in his memory by the Bank Official’s Association and Almeida’s colleagues.Annette Meikle, William Almeida Memorial 1977, ink and watercolour, 35 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, william almeida memorial, hampton, william almeida, drinking fountain -
Eltham District Historical Society Inc
Photograph, Main Road, Eltham south from Bridge Street, 1902c
Colour photograph of original image of Main Road Eltham, looking south from Bridge Street showing Post Office c.1902 Shop on left with verandah is post office Bank, Shop, Hotel on top of rise opposite Fountain of Friendship Hotel and other shops. Shire of Eltham Pioneers Photo Collection, no. 623 (duplicate of hard copy held at Eltham Library)main road, bridge street, eltham, post office, sepp -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: CHARING CROSS AND BRIDGE WORKS
Black and white photo of Charing Cross showing bridge works over creek. Two trams visible, Burnie 'Safety Car' (right) and Bogie Car (left). Baby Health Centre (extreme left), War memorial, Alexandra Fountain (centre), various Pall Mall businesses and Shamrock Hotel (top Right). '31/12/2773' written in pencil on back of photo.person, individual, basil miller -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH, 1798
Photograph - black and white. Two lots of writing, first one 'Bright day, Fernery, Gardens, Eaglehawk, Easter 97' (1897). 2nd lot of writing - 'To right of main gate behind present toilet block - remains of fountain shifted to new position - E'hawk Fernery'. In the photo are two young girls, a woman sitting behind them, a man and a woman standing in the background.place, eaglehawk, eaglehawk fernery, photograph. eaglehawk fernery. 2 young girls. -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: BIKES, 1992
Photograph - three riders in uniform and man in suit with trophy in front of Bendigo Bank Building (Bendigo) On Rear: 28/10/92 Herald Sun tour, winning team. Fountain Court. Left to right Steve Wood (Team manager). Chris De Araugo (Bendigo Building Society Marketing manager), Bart Bowen (Tour Winner) Build. C SLA, Mullensrecreations, sports, cycling, bendigo advertiser -
Bendigo Historical Society Inc.
Photograph - BENDIGO PHOTO FOLDER, 1920's
Rose souvenir folder containing fourteen black & white photographs Of Bendigo buildings and scenes. Pall Mall & PostOffice, Upper Reserve showing Municapal Baths, Memorial Hall & Po, Mitchell Street, The Conservatory, Lake Weeroona showing Boat houses, Pall Mall, Soldiers Memorial, Queens Gardens, Shamrock Corner, Rosalind Park, The Fernery, Pall Mall , Alexandra Fountain.Rose Stereograph Co, Armadale Vicbendigo, buildings, heritage buildings -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - FOSSEYS BENDIGO
Light blue auction catalogue with black printing for a sale on 13th August '98 for Fosseys Bendigo. For sale was a complete fit out of Commercial Cafeteria Restaurant, bakery, fast food & chicken outlets, coffee/soda fountain, display gondolas, chackouts, lockers, display tables, office furniture, steel safe, carton compactor and warehouse shelving. Curnow Dyett were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - fosseys bendigo, ian dyett, curnow dyett, noel dyett, fred dyett -
Bendigo Historical Society Inc.
Photograph - LESLIE JOHN BAGUST COLLECTION: CHARING CROSS AND THE MALL, 1940
Leslie John Bagust Collection. Black & White Photo Charing Cross and Pall Mall Bendigo 1940. Alexandra Fountain in the foreground and behind that the Queen Victoria Gardens. Image taken looking west towards the Shamrock Hotel and the Old Post Office. Beside the R.S.L. Soldiers Memorial Hall is the Military Museum. The law Courts are then beside the Old Post Office Gallery.bendigo, tourism, charing cross and pall mall bendigo -
Bendigo Historical Society Inc.
Photograph - Views of Bendigo
Set of eight photographs, views of Bendigo. 1. Alexandra Fountain, Bendigo; 2. Town Hall, Bendigo; 3. The Conservatory, Bendigo; 4. The Swimming Pool, Bendigo; 5. View Point from Mitchell Street, Bendigo; 6. King George V Memorial Conservatory Gardens, Bendigo; 7. Queen Victoria Gardens, Bendigo; 8. Queen Victoria Gardens, Bendigo. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Education, Pen Nibs ' R. Esternbrook Co. Ltd, 20thC
Dip pens emerged in the early 19th century, when they replaced quill pens. They were generally used prior to the development of fountain pens in the later 19th century, and are now mainly used in illustration, calligraphy, and comics. A nib pen usually consists of a metal nib with capillary channels like those of fountain pen nibs, mounted on a handle or holder, often made of wood. Other materials can be used for the holder, including bone, metal and plastic. Generally speaking, dip pens have no ink reservoir; therefore the user has to recharge the ink from an ink bowl or bottle in order to continue drawing or writing. Birmingham, England was home to many of the first dip pen manufacturers. John Mitchell pioneered mass production of steel pens in 1822; prior to that the quill pen had been the most common form of writing instrument. His brother William Mitchell later set up his own pen making business in St Paul's square. The Mitchell family is credited as being the first manufacturers to use machines to cut pen nibs, which greatly sped up the process. Germany 1842 began at the factory of Heintze & Blanckertz in Berlin By 1860 there were about 100 companies making steel nibs in Birmingham, but 12 large firms dominated the trade. Dip pens are rarely used now for regular writing, most commonly having been replaced by fountain pens, rollerball pens, or ballpoint pens. However, dip pens are still appreciated by artists, as they can make great differences between thick and thin lines, and generally write more smoothly than other types of pens. Dip pens are also preferred by calligraphers for fine writing. Richard Esterbrook was a Cornish Quaker from England who saw an opportunity in the United States to manufacture Steel Pens. In 1856 R.Esterbrook traveled to the US to set up shop as 'The Steel Pen Manufacturing Company' where Richard made these steel pens by hand using special tools and machines (mostly that Richard had to invent). In 1858 he was able to establish himself as the sole pen manufacturer in the USA and he changed the company name to 'The Esterbrook Steel Pen Mfg. Co.' The company settled down in Camden, New Jersey. Quality was a key factor in his success. His steel pens were versatile, long lasting, and came in many different styles to fit the varied writing styles of the public. Sadly, Richard Esterbrook didn't see the 'empire' his company was to become as he passed away in Atlanta on October 12th 1895 . in 1896 they started an Esterbrook branch in England to join the ranks of the other main pen manufactures in Birmingham . In 1912 the company had gotten so large that they erected a 5 story building, just to continue manufacturing pens. By 1920 the fountain pen was fast becoming more popular amongst people who were tired of 'dipping.' To meet this demand the company manufactured its first fountain pen. In 1930 the company sought less expensive means of manufacturing pens because gold and 'jewel' tips were too expensive and in this same year they began selling fountain pens in England . The Esterbrook Company began using the metal Iridium which they called 'Durachrome.' To meet the fountain pen demand the company reformed as 'The Esterbrook Hazel Pens Ltd.' In 1940 war had come to strike a blow at the Esterbrook company. On November 19th 1940 their England location was hit by an incendiary bomb destroying half of the location! To make matters worse, when putting out the fire using a human water bucket chain, someone accidentally grabbed a bucket of paraffin and set the place further ablaze. Oddly enough, the company was able to rebuild the structure during the war. However, the government had placed a stipulation that 50% of its capacity was to be used for government related purposes. In 1947 the company bought out John Mitchell and the American branch had already acquired Hazel Pen Co. The company re-formed again as 'The Esterbrook Pen Company.' This is the last company name the dip pen nibs were manufactured under. A box of Steel dipping nibs for writing pensOn Box; Photo of man / R. Esternbrook Co. / PENS / PROBATEsteel nibs, writing pens, education, schools, writing, caligraphy, artists, moorabbin, bentleigh, cheltenham, dip pens, inkwells, fountain pens, mitchell john, birmingham england, esternbrook richard, maple barbara