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Glenelg Shire Council Cultural Collection
Photograph - Photograph -Vietnam Veterans memorial garden, 14/08/1993
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Vietnam Veterans Motorcycle Club in Bentinck St Portland, for the dedication of the Vietnam Veterans Memorial Garden. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph- Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Black and white photo. Syd Cuffe and Mike Noske holding Australian flags.Back: white sticker ' copyright Portland Observer' -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Syd Cuffe in Town Crier's regalia, including bell, standing beside steam locomotive, with Portland Station Master. Portland's 150th Anniversary celebrations.portlands 150th anniversary celebrations 1984 -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Pioneer Award of Merit, Syd Cuffe, 1984
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Certificate, unframed awarded to Syd Cuffe, Town crier, November 1984. Portland 150th Anniversary Committee Pioneer Award of Meritsyd cuffe, portland town crier -
Glenelg Shire Council Cultural Collection
Headwear - Town Crier's Hat - Syd Cuffe, 1988-1995
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Syd Cuffe's Town crier's hat. Black felt, sides turned up with point in brim at front, trimmed in gold braid, gold feather, round white felt Portland souvenir, cloth patch on one side of turned-up brim, printed in red and blue with image of beach, tree and yachtsyd cuffe, headwear, ceremonial clothing, town crier -
Glenelg Shire Council Cultural Collection
Clothing - Town Crier's Cloak - Syd Cuffe, MARGARET BELDEN, 1988-1995
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Syd Cuffe's Town crier's cloak. Mid blue lightweight home made coat with detachable cape, trimmed in gold braid with gold buttons with shield design. Five cloth patches sewn to one side of the front of the cape - American Guild of town criers; 11th World Town Criers Championship Maryborough Queensland; The Honourable Guild of Town Criers, NZ, AHG - ATC Town Criersyd cuffe, town crier -
Glenelg Shire Council Cultural Collection
Award - Trophy - Town Crier Competition, 1996 (Syd Cuffe), 1996
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Trophy, wood base, gold plastic and wooden drum, flame and laurel wreath on top, gold plaque ' Clunes Gold Festival 1996, Town crier Competition'Back: white sticker, maker detailssyd cuffe, award, town crier competition, 1996 -
Glenelg Shire Council Cultural Collection
Uniform - Glenelg Shire Council Name Badge - Sydney Cuffe, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.ID badge Sydney Cuffe Glenelg Shire Council with shire logo on it.portland town crier, syd cuffe, glenelg shire council -
Glenelg Shire Council Cultural Collection
Photograph - Images - Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Identification numbers 9217 a,b Two images of Syd Cuffe printed on one sheet of photographic paper. One shows Syd sitting on a chair, in Town Crier regalia. Other shows Syd standing at lectern in Town Crier regalia. Both photos at same function. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Syd Cuffe in Town Crier's regalia, with a woman in a blue hat and dress, white jacket. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheet of contact prints showing silo and conveyor construction, 1964
Port of Portland Authority ArchivesFront: 83. 23.9.64 84. 23-9-64 85. 23-9-64 95. 23-9-64 96. 23-9-64 86. 23-9-64 (In white, beneath each print).port of portland -
Port Melbourne Historical & Preservation Society
Book, J J Mouritz, Port Phillip Directory 1847, 1847
Port Phillip Directory 1847. Small book, red cover, Port Phillip almanac and directory for 1847, 150 pages. Facsimile reprint"Signadon" Dominion College of Advanced Education, Canberra. PO Box 256, Dickson ACT 2602. Stamp binding has library catalogue description 994.51 POR. In pencil on title page HBG-4919 85/3254transport - shipping, local government, province of port phillip -
Otway Districts Historical Society
Memorabilia - Trophy, Plate Craft, Otway Tennis Association, B grade Junior Premiers, c.1962
Trophy. Otway Tennis Association, B Grade Junior Premiers. An EPAINS lidded-cup with handles on a round bakelite base, with the names of winning teams from 1963/64, 1975/76, and 1982/83 to 1987/88 inclusive.1963/64 Beech Forest B 1975/76 Lavers Hill 1982/83 Johanna 1983/84 Carlisle River 1984/85 Lavers Hill 1985/86 Lavers Hill 1986/87 Wyelangtatennis, otway tennis association, lavers hill, beech forest, johanna, carlisle river, wyelangta -
Woodend RSL
Memorabilia - Trench Art - French Shell Casing Model 1885 37 mm, January 1918
The Canon d'Infanterie de 37 modèle 1916 TRP (37mm mle.1916) was a French infantry support gun, first used during World War I. TRP stands for tir rapide, Puteaux (fast-firing, designed by the Atelier de Puteaux). The tactical purpose of this gun was the destruction of machine gun nests. It was also used on aircraft such as the Beardmore W.B.V and the Salmson-Moineau. Fighter ace René Fonck used a 37mm mle.1916 on a SPAD S.XII.Shell casing - BrassOn the base: PDPs 267 1.18 37-85 (there is a symbol of a flaming bomb between 18 and 37) On the side: "1917 BULLECOURT MESSINES NIEUPORT YPRES" On opposite side (in an engraved ribbon towards top of casing): K.F. KEATING -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 85% of original plate remains. The outlines of five makers marks are visible and the details of two of these are clear - (1) WP&Co trademark, (3) Maltese Cross.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: ''THE BENDIGO CHORAL SOCIETY'' 23RD GRAND CONCERT
A white souvenir programme with a photo of the Conductor Mr. W.C. Frazier A.R.C.O. on the front. Also on the front are the words, ' The Bendigo Choral Society.' Season 1923. First Concert. 23rd GRAND CONCERT Town Hall, Bendigo. Wednesday, May 9th. 1923, at 8 p.m. Hon. Secs. J. Hudspeth, 85 Wills Street, Z.S. Martin, 66 McKenzie Street. Cambridge Press Print, Bendigo. Programme price 3d. Inside the leaflet is the programme. 4 pages.Cambridge Press Print, Bendigoprogram, music, bendigo choral society, lydia chancellor, collection, ' bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert -
Melbourne Tram Museum
Book, Colour Tech Productions, "The City on the Yarra Melbourne Australia", 1985
Full colour, 28 page on gloss paper travel souvenir guide photos, with a fold out centre fold - titled "The City on the Yarra Melbourne Australia". Features many photographs of the City of Melbourne, Phillip Island, Puffing Billy, Flinders St railway yard, Flinders St Station, Westgate bridge, the Trams of Melbourne, including some Transport Art trams. Trams: 181, 32, 497, 235, 85, 9W, 902, 22, 994, 168, 101, 225, 990 and 861?Has a price lable of $3.50 on the front cover.trams, tramways, transporting art, decorated trams, city of melbourne, travel books, souvenirs -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: OLD BATTERY TO CHARGE-UP TUNNEL TOURISM
BHS CollectionThree photocopies of a newspaper article titled Old Battery to charge-up tunnel tourism. The date 11/1/85 is written at the top of the article. There is a photo of the battery mentioning it was the Thompson's Foundry battery and it was being re-erected at Maldon, near Castlemaine. It has been in far of Victoria to crush rock taken from mines there. The battery will be one of the attractions in the Parkin's Reef Reserve being developed by the Conservation, Forests and Lands. Also mentioned is the work of volunteers, grants they received, restoration and tourism.bendigo, history, long gully history group, the long gully history group - old battery to charge-up tunnel tourism, thompson's foundry, parkin's reef reserve, conservation forests and lands department, carman's tunnel, north british mine, parkin's reef, carman's tunnel committee, dr doug kemsley, prospectors' and miners' association of victoria, ken garden, north british mine, george ellis -
The Beechworth Burke Museum
Geological specimen - Anthracite crystal, Unknown
Anthracite typically occurs in geologically deformed areas due to extreme heating – with temperatures ranging from 170 to 250 °C – caused by igneous intrusions or high geothermal gradients. It is most commonly found in northeastern Pennsylvania in the United States; however, smaller amounts are also found in Australia, China, eastern Ukraine, South Africa, western Canada, and other countries. This specimen was recovered from Tasmania and is 85-95% carbon.Anthracite is the mineral name for hard coal and is the least plentiful of all coal types. It is clean to the touch and, when polished, is used for decorative purposes. Before natural gas and electricity, anthracite was used for domestic heating as it produces little dust, burns slowly, and gives off a minor amount of smoke. However, it is also limited in abundance and expensive. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized highly metamorphosed coal mineral with a black/steel-grey shiny metallic lustre.geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, geological, mineralogy, victoria, alfred selwyn, anthracite -
Pyrenees Shire Council
painting, Royal Hotel, Snake Valley by Brian Nash
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of streetscape with Hotel to left"Signed: Brian Nash (lower right) Verso (affixed): Artist: BRIAN NASH Title: ROYAL HOTEL SNAKE VALLEY VIC Price: $85 Address: 13/15 MOODEMERE ST NOBLE PARK Phone: 547 5447" -
Vision Australia
Photograph - Image, Alex Momot, 1962
Alex Mamot was a White Russian immigrant from China, sponsored by the Association of the Blind. Despite initial language barriers, his determination to succeed was an inspiration to those around him, who developed new ways of teaching which took into account his growing knowledge of English. In these images Alex Momot is showing with a Russian typewriter, being shown how to make stools by Mollie McDowell, feeling texture of a new suit held up by Matron Agar, being taught English by Carole Laird, learning the alphabet with H. Mackenzie and greeted at Brighton reception by Ms A. Mann. In addition, there are two typed notes without images: - The ship Tjiluwak, carrying Alexander Momot and other White Russian refugees approaching the wharf in Melbourne. - On the wharf, Alex 2nd from left, is greeted by Mrs W Christian (left) a blind Committee member of the Association for the Blind and Miss Constance Duncan of the Australian Council of Churches. At the right is Sergie Bankovski, also a blind White Russian who acted as interpreter. Miss Duncan also initiated the move which resulted in the Association for the Blind giving refuge to Sergie and his mother. Standing at the rear is Major General S.F. Legge, Director of Public Relations for the Association of the Blind.12 b/w photographs of Alex Mamot1 - No 4, 3" wide all in full depth, Hayer top + Bottom, #85, 3178 3 - P14. Reduce to 3" wide. Hayer top + Bottom, #85. 3178 4 - Volunteer Carole Opperman teaches English to White Russian refugee Alex Momot, who has been sponsored by the Association for the Blind. 2/8 9 - Celine Mann & Alex Mamot at point of arrival. No 1. 3" wide all in, full depth, Hayer top + Bottom, 3178, 45, 16B. 12 - 3181association for the blind, elanora home (brighton), alex mamot -
Bendigo Military Museum
Award - BADGE, LIFE MEMBER BDSC 1986, Bendigo & District RSL Club, C.1986
The Bendigo & District Servicemen's Club was a Co Operative of the 3 Bendigo RSL Sub Branches. Roy Leslie Thurlow was a tireless worker for the Servicemen's Club, he was President 1984 - 85, 1988 - 89, he was made a life Member of in 1986. With the Bendigo RSL Sub Branch he served on the Committee from 1980 - 93, he was Jnr Vice President 3 years and 4 years as Snr Vice President. Refer Cat No 4688PBadge metal, colours are red, blue and gold. The top section is rectangular shape with the wording "Bendigo and District Servicemen's Club, centre of has 3 figures as per the RSL Logo, a membership pin for the year "1987" is attached. Rear has details and maker. Attached to the badge section via rings has the wording "LIFE MEMBER".On rear, "R.L. Thurlow" - 0004 - 1986"brsl, smirsl, bdsc, life member -
Moorabbin Air Museum
Archive (Item) - Box Baa 71 Boeing (Gaf / Asta) Collection
Description: - Jindivik drawings B3A-83-277 to -752 B3A-84-02 to -603 B3A-85-02 to -704 B3A-86-01/02 Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi -
Vision Australia
Text, Association for the Advancement of the Blind monthly meeting minutes from 18/9/1942 to 16/7/1948, 1942-1948
Minutes of the quarterly meetings of the AAB Committee held at the Kooyong Club House. Minutes contain matters discussed from correspondence and via individual committee members. These include amending the Constitution so that any board or staff member of any other blind institution shall not be eligible to be elected or appointed as a Trustee (p.20), a response to the Blind Persons Society Security Bill (p.42) and incorporation of the Association under the Charities Act (p.85). 1 paper registerassociation for the advancement of the blind -
Surrey Hills Historical Society Collection
Photograph - Digital photograph, George L Coop, 690 Whitehorse Road, Mont Albert 1958, 1958
The donor George Lister Coop was about 21 years of age when he took this photo in 1958 from the Coop family home at 688 Whitehorse Road. Ralph Walton, a bricklayer, and his wife Maria lived at 690 Whitehorse Road from c1931 (when it was numbered 447) until their deaths. Maria died in 1944 aged 77 years and Ralph died in 1959 aged 85 years. Whitehorse Road was renumbered in 1936.A view from the adjacent front garden of 690 Whitehorse Road, Mont Albert which includes some garden details of 688. A wire fence divides the 2 properties. No 690 is a red brick Californian bungalow style home with a tiled roof and a veranda offset to the eastern side.george l coop, whitehorse road, mont albert, ralph walton, maria walton, californian bungalow -
Latrobe Regional Gallery
Print, SENBERGS, Jan b.1939 Riga, Latvia. Arrived Australia 1950, Lithograph, 1985
LithographSigned and dated 'J. Senbergs. '85.' lower right corner under printed image. Titled 'Looking at Jesus Houses in Italy' centre bottom under print. Edition CT/P in lower left corner under printed image. -
Eltham District Historical Society Inc
Photograph - Slide, Joan Castledine, 87 Bible Street, Eltham, c.Dec. 1970
View looking northwest from 83 Bible Street towards Henry Street and the property on the corner of Henry and Bible streets - 87 Bible Street. 85 Bible Street is a vacant block at the time. The house is a white weatherboard cottage with corrugated iron roof and belonged to Len Jarrold at the time, a builder who was closely associated with the building of Montsalvat with Justus Jorgenson. The house has since been demolished and repolaced with a unit developmet which faces Henry Street. len jarrold, henry street, bible street, eltham, houses, montsalvat -
Creswick Campus Historical Collection - University of Melbourne
Still Image, 1956 -1968
Subject: Creswick 1956 . 8 brown envelopes marked Run 4 -3 No. 31 - 42 of c.45 prints total. 2 empty brown envelopes marked run 4 no.38 -39, and run 6 no. 85-87. 5 loose black and white prints. Subject: Lower Glenelg Plantation . 2 brown envelopes marked Run 1. No. 26-27. Stored in a brown cardboard file box marked Creswick 1968 Project.Aerial Photographs -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: A VICTORIAN DREAM HOME
Real Estate advertisement for a home built by Anthony Truscott in 1900 called Kilhallen. There are three photos, one of the two story house, one of the ornate fireplace and a small add on building at the rear. Written at the top of the page is: Old shop pulled down and a new one Built Feb 90. Long Gully Super Market closed riteway 14/1/85. opened again May 1985. Sold 1985. approx $105 000 Which is crossed out. Friday Jan 18 - 1985.bendigo, history, long gully history group, the long gully history group - a victorian dream home, richard foord, bendigo advertiser, anthony truscott, kilhallen, craig tweed & co -
Bendigo Historical Society Inc.
Document - SOUTH NEW MOON GARDEN GULLY LINE OF REEF
Two page typed carbon copy of document, headed 'South New Moon, Garden Gully line of Reef', located one mile north from Eaglehawk post Office. An historical overview of the mine is provided with information regarding its location, depth of shaft, original company, engine house, air compressor, battery and years of operation. The steel poppet legs were approximately 85 ft high and had a greater slope than usual on the front legs. ' Said to be the best poppet legs on the field'.Albert Richardsonbendigo, mining, south new moon mine