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Pyrenees Shire Councilpainting, Griggs Cottage by Helena Goossens, c. 2004
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture signed: H GOOSSENS (lower right) -
Pyrenees Shire Councilphotograph, Avoca in 1866 by J.N. Dallimore, 1866
J.N. Dalimore was an amateur photographer and settler who arrived at Port Phillip (Victoria) with his wife in September 1840 on board the Himalaya. Dalimore lived at Woodstock Station, near Avoca, he exhibited view photographs of the district at the 1866 Melbourne Intercolonial Exhibition that were sent on to the 1867 Paris Universal Exhibition. The Avoca Mail of 7 November 1866 reported: Mr Dallimore of Woodstock, determined that the town of Avoca and its environs shall be pictorially represented at the Victorian and Paris Exhibitions, has we learn, forwarded a series of photographs representing the High Street and the Pyrenees [Victoria] from different points of view. All the photographs are well executed and will possess considerable interest for the friends of Avocaites visiting the World’s Fair in 1867. Also included were views of Dallimore’s own station. They won him a medal 'for good Landscape Photography’. His panoramic photograph of Avoca is in the Shire Council significant as a historic photograph of Avoca, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Black and white photograph of Avoca showing Rutherford Street to the left and the original site of the Avoca Hotel"verso (affixed): AVOCA MAIL, 1st JUNE 1867. ""A remarkably well-executed photograph of the town of Avoca taken in 1866. and forming one of the exhibits at the Melbourne Exhibition, has been presented to the Avoca Shire Councilby F.W. Dalimore formally of Woodstock verso (affixed): No. 875 Intercolonial Exhibition 1866 Exhibitor: Avoca Shire Council Class: Section:" -
Pyrenees Shire Councilpainting, Sue Jarvis, Hillside Winter by Sue Jarvis, 1991
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a homestead"signed: JARVIS (lower left) verso (affixed): HILLSIDE, Winter (Beaufort) 1991 Sue Jarvis, Artist Ripponshire Art Award 1991" -
Pyrenees Shire Councilpainting, The Crows Nest, Warapingo Beaufort by Maude Glover Fleay, 1930
Maude Glover-Fleay studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupialssignificant as a work of art by a modern era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape with large tree at centresigned: Glover Fleay 30 (lower right) -
Pyrenees Shire Councilpainting, Mary Newsome, Belmont by Mary Newsome, 1990
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture print of a garden and house"signed:Mary Newsome (lower centre) editioned: 1/12 (lower left) titled: Belmonth 20.10.90 (lower right)" -
Pyrenees Shire Councilpainting, Melville Robinson, Pyrenees Landscape by Melville Robinson, 1998
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture acrylic painting of landscapeSigned: Melville R (lower right) -
Pyrenees Shire Councildrawing, Michael Vincent-Rori, Settling in the Pyrenees by Michael Vincent-Rori, 2002
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Swagman (with puppy) and historical buildings of BeaufortSigned: M. VINCENT-RORI (lower centre) -
Pyrenees Shire CouncilPainting, Anne Broidy, Beaufort Railway Station by Anne Briody
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture view of Beaufort Railway Station in watercoloursigned: A Briody (lower right) -
Pyrenees Shire Councilpainting, Heather Featherson, Beaufort from Camp Hill by Heather Featherson, 2007
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Landscape painting of Beaufort Townshipsigned: H FEATHERSTON (lower right) -
Pyrenees Shire Councilpainting, Afternoon Lake Goldsmith by John Burrack, 1884
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84" -
Pyrenees Shire Councildrawing, Michael Gersch, House Beaufort Victoria by Michael Gersch, 1983
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture drawing of distinctive Beaufort house"signed: Michael Gersch '83 (lower left) verso (affixed): MICHAEL GERSCH 33 FRANCIS STREET NORTHMEAD, N.S.W. House, Beaufort, Victroia Price $250" -
Pyrenees Shire Councilpainting, David Mellows, A combination by David Mellows, 2017
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a view of a railway crossing signed (verso): DAVID MELLOWS 11/17 -
Pyrenees Shire Council
painting, Vivienne Wheeler, Late Afternoon on the Raglan Road Beaufort by Vivienne Wheeler, 1988
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture "signed: V Wheeler 88 (lower left) verso (affixed): Vivienne Wheeler RMB 696 Bald Hills 3364 Late afternoon on the Raglan Rd, B'fort oil $500 1989 Ripponshire Art Award ""THE FIRS"" V Wheeler" -
Pyrenees Shire Councilpainting, Shearing 'Niawanda Beaufort' by Sue Jarvis, 1992
shearing, Beaufort, Pyrenees, Sue Jarvis significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Watercolour portrait of a shearer (possibly Lindsay Willding) with a sheep"signed: JARVIS (lower right) verso: LINDSAY WILLADING ALLEGED SHEARER" -
Pyrenees Shire Councilpainting, Christopher Palmer, Stockyard Hill Hotel No.1 by Christopher Palmer, 2009
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture drawing of old hotel"signed: C. Palmer (lower right) inscriberd: Stockyard Hill Hotel I (lower left)" -
Pyrenees Shire Councilpainting, Philip Adams, Rosella and Vines by Philip Adams, 2000
rosella, Phillip Adams significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of vineyardsigned: ADAMS (lower left) -
Pyrenees Shire Councilpainting, Market Day by Brian Magree
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of the Beaufort Marketsigned: B Magree (lower right) inscribed: MARKET DAY (lower centre) -
Pyrenees Shire Councilpainting, The Morning After the Storm by Maude Glover Fleay, 1930
Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay -
Pyrenees Shire Councilpainting, Rodney Read, Last Train from Beaufort by Rodney Read, 1994
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of train station with people and train to the leftsigned: RJR 97 (lower right) inscribed: LAST TRAIN FROM BEAUFORT 1994 FRI MAY 27 -
Pyrenees Shire Councilpainting, Ernie Collins, Beaufort Bush from Dolly's Car by Ernie Collins, 2013
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a street scene as seen from a car signed: ERNIE (lower right) -
Pyrenees Shire Councilpainting, Cherry Pattendon, Pyrenees Petanque by Cherry Pattendon, 2008
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of people playing petanqueunsigned -
Pyrenees Shire Councilpainting, Rodney Read, 6am Coach Buangor to Ballaarat by Rodney Read, 1996
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a historic scene with coach signed: R J READ 1996 (lower right) Inscribed: 6am Coach Buangor to Ballaarat (lower left) -
Pyrenees Shire Councilpainting, Heather Featherson, Hay Bales and view of the Grampians by Heather Featherson, 2005
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right) -
Pyrenees Shire Councilpainting, Sue Jarvis, Old Farm Chute Victoria (near Beaufort) by Sue Jarvis, 1997
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right) -
Pyrenees Shire Council
photograph, Off Shearers Sale
photograph -
Pyrenees Shire Council
Piece of Pressed Tin, Untitled
framed pressed tin from original garage of Wotherspoon Bros on the site of the Beaufort Resource CentrePiece of Pressed Tin -
Pyrenees Shire Council
photograph, Wotherspoon Bros and Co. Beaufort, c. 1880
historical image of Wotherspoon Bros store Beaufort c1880 photographic reproduction of a historic photograph of a horse and cart in front of Wotherspoon Bros store, Beaufort, Victoria -
Pyrenees Shire Councilpainting, Cherry Pattendon, Untitled, 2006
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left) -
Pyrenees Shire Councilpainting, Ralph Rogers, Untitled (Goanna) by Ralph Rogers (Bushka), 2019
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a goannasigned: R ROGERS Bush Ka (lower right) -
Pyrenees Shire Councilpainting, Storm Tossed, Twisted and Torn by Maude Glover Fleay, 1934
Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN
