Showing 795 items matching "alfred street"
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Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape -
Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum Trust
Photograph
... Chiltern Athenaeum Trust 57 Conness Street Chiltern high ...Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Chiltern Athenaeum Trust
Photograph - Reproduction
Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape -
Chiltern Athenaeum Trust
Photograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Melbourne Athenaeum Archives
Theatre program, The Cobra (play) by Justin Fleming performed at the Melbourne Athenaeum Theatre commencing 12 May 1983
The production was performed by The Sydney Theatre Company presented by Wilton Morley and Peter Davis. The Melbourne production was performed by arrangement with the Melbourne Theatre Company. Cast: Sir Robert Helpmann as Lord Alfred Douglas; Mark Lee as the young Lord Alfred Douglas; Ric Hutton as the Month Marquis of Queensberry with, Frederick Parslow as Oscar Wilde. The play was directed by Richard Wherrett.small poster ; good conditionmelbourne theatre company, sydney theatre company, robert helpman, mark lee, ric hutton, frederick parslow, richard wherrett, athenaeum theatre, theatre poster -
Clunes Museum
Photograph
DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)MURIEL & FRANCES O'BRIEN, ALFRED(JIM) O'BRIEN, FRANCES MAY O'BRIEN, ALFRED O'BRIEN WITH MURIELlocal history, photography, photographs, clark family -
Clunes Museum
Photograph, ALLAN STUDIOS, 1995
MR. FRED EBERHARD OF EBERHARD & CO AERATED WATER OF CLUNES IS SEATED AT THE TABLE CENTRE RIGHT FRONT..1 ORIGINAL BLACK AND WHITE PHOTOGRAP OF COUNTRY CORDIAL MANUFACTURERS DINNER 1949, ORIGINAL PHOTOGRAPH OWNED BY DONOR .2 BLACK & WHITE PRINT OF COUNTRY CORDIAL MANUFACTURERS DINNER 1949, ORIGINAL PHOTOGRAPH OWNED BY DONOR .3 ONE SHEET OF PAPER WITH HISTORICAL DETAIL OF EBERHARD & CO. CORDIAL FACTORY CLUNES VICTORIADINNER GIVEN BY ALFRED LAWRENCE & CO. LTD. IN HONOUR OF THE SECOND ANNUAL CONFERENCE OF THE VICTORIAN COUNTRY AERATED WATERS & CORDIAL MANUFACTURERS ASSOCIATION MELBOURNE - AUGUST 1ST. 1949photograph, commercial event -
Clunes Museum
Book, STRAHAN AND CO. 56 LUDGATE HILL, LONDON, IDYLLS OF THE KING, 1869
TYPICAL EXAMPLE OF MATERIAL HELD IN VARIOUS FREE LENDING LIBRARIES AND MECHANICS INSTITUTESA GREEN COVERED BOOK WITH STRIP OF BROWN BINDING. "IDYLLS OF THE KING" BY ALFRED TENNYSONfictionTYPICAL EXAMPLE OF MATERIAL HELD IN VARIOUS FREE LENDING LIBRARIES AND MECHANICS INSTITUTESlocal history, book, poetry, idylls of the king, alfred tennyson -
Box Hill Historical Society
Book, Green, Robert, The First Electric Road - A History of the Box Hill and Doncaster Tramway
This book gives a brief description of tramways around the world before focussing on Box Hill-Doncaster's very own. The tramway - the first electric one in the Southern Hemisphere - operated from 1889-1896. It ran from Whitehorse Road along Station Street north to Doncaster Road Intersection. Photos. Index.arnot> arthur, draper> thomas, laurie> david, meader> william, masters> william, serpell> richard, glassford> matthew, aspinall> joseph w., cockcroft> george, collier> samuel, ellingworth> william, inglis> john, mcmurdie> f.a., padgham> silas, rawlings> alfred, serpell> alfred, wright> george, wright> james, wright> john, wright> william edward, lauer> a.c.h., transport, tram services, station street, box hill, elgar road, doncaster, doncaster road, box hill and doncaster tramway company -
Clunes Museum
Photograph
... Clunes Museum 36 Fraser Street Clunes goldfields ALFRED ...ALFRED HARRIS WON PRIZES FOR HIS PRESERVES AT THIS EXHIBITION. THE ORIGINAL FRAMED CERTIFICATES ARE ALREADY IN OUR COLLECTIONPHOTOGRAPH OF LAMINATED PHOTOCOPIES OF CERTIFICATE PRESENTED TO ALFRED HARRIS FROM THE COLONIAL & INDIAN EXHIBITION IN LONDON 1886local history, photography, photographs, harris family -
Clunes Museum
Photograph
... Clunes Museum 36 Fraser Street Clunes goldfields JOHN ...JOHN ALFRED SHRIGLEY (1829-1880), WITH HIS THREE SONS JOHN (1861 - ), ALFRED (1863), JOSEPH (1858)PHOTOGRAPH - SEPIA COPY, JOHN ALFRED SHRIGLEY (1829-1880) WITH HIS THREE SONS - JOHN (BORN 1861), ALFRED (BORN 1863), JOSEPH (BORN 1858)SHRIGLEY FAMILY. LEFT TO RIGHT. JOHN (BORN 1861), JOHN ALFRED (1829-1880), ALFRED (BORN 1863), JOSEPH (BORN 1858). ALSO IN FAMILY ELEANOR MARY (1856-1931), GRACE ELIZABETH (1865- ), ANNE (1868-1948), KATHLEEN (1870 - ).local history, photography, photographs, crick, shrigley, mc lennan, lazarus -
Clunes Museum
Photograph
SEPIA COPY OF PHOTOGRAPH OF HANNAH SHRIGLEY NEE PARKER (5TH FEB. 1835 - 19TH APRIL 1899). BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO JOHN ALFRED SHRIGLEY.PHOTOGRAPH - SEPIA COPY OF HANNAH SHRIGLEY [NEE PARKER] 5th FEB.1835 - 19th APRIL1899. BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO ALFRED SHRIGLEY.HANNAH SHRIGLEY NEE PARKER (5TH FEB. 1835 - 19TH APRIL 1899) BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO JOHN ALFRED SHRIGLEYlocal history, photography, photographs, crick, shrigley, mc lennan, lazarus -
National Wool Museum
Medallion, Elkington and CL Medallists, 1797
Wool classer Alfred Henry Turton joined the Australian Field Artillery 11th Bde as an Armourer Quartermaster Sergeant.Round silver medallion with crown motif on top. Snake tail at bottom. Inscribed on both sides. Shield side: Alfred H Turton 1797 En Reconaissance. Ship side: Rust rcestturton, 1797, elkington, alfred henry turton -
National Wool Museum
hardback Book, Scott, Greenwood and son, Analysis of Woven Fabrics, 1914
Dark green hardback book with gold letteringAnalysis of woven fabrics. A F Barker, M Sc and E Midgley -
National Wool Museum
Photograph, Blending section
Colour blending, R S & S mill.Blending section/ Alf Harper - the colour blender ROBERT POCKLEY/ PHOTOGRAPGER G Kidmantextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, blending, colour blending, finishing, harper, mr alfred - returned soldiers and sailors mill kidman, mr g. l., textile machinery, textile mills - history, textile mills - staff, textile mills -
Stawell Historical Society Inc
Photograph - Portrait, Alfred Huttley
Huttley - Martin FamilyB/W: Oval Portrait. Young Man, wavy hair, moustache 3 piece suit white shirt and light tie. - Oval embossedAlfred Huttley (My Father) The Gordon Studio Main Street, Stawellhuttley, martin -
Stawell Historical Society Inc
Photograph, Horse Team with load of Mallee Roots with Mr Alfred Benjamin Lokan c1920
Alfred Benjamin Lokan Born 2/12/1894. Died Stawell 10/5/1981. Married to Ottilie Meta with four children. In Identities Index. Resident of 14 Shirreff StreetSix draft horses in harness with wagon piled high with Mallee Roots. Alfred Benjamin Lokan standing beside cart.Horses Names : Rose Lofty Bess Prince Boxer Kate A B Lokantransport -
Melbourne Athenaeum Archives
Reproduction of theatre program, The Skin Game (film 1931) / Old Soldiers Never Die adapted by Alfred Hitchcock and directed by Monte Banks commencing at the Athenaeum Melbourne July 10th 1940, 1931
by Union Theatres screened 10 July 1940 at Athenaeum TheatrePhotocopied page of program sourced from SLVathenaeum theatre, union theatre, the skin game, old soldiers never die -
Malmsbury Historical Society
Photograph (Item), Robert Alfred Augustus Williams Of Malmsbury 1841-1923, Malmsbury bef1923
People - "Williams, Robert Alfred Augustus" -
Malmsbury Historical Society
Photograph (Item), "Alf Bates In House Owned By His Father, From Newspaper", Malmsbury
People - "Bates, Alfred" Buildings - House Fire Place Associated with - Newspaper -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.PORT PHILLIP MILLS PTY. LTD. / Morland Street / Footscraywool - history wool growing wool processing, port phillip mills pty ltd, wool - history, wool growing, wool processing -
National Wool Museum
Book, Registered American Merinos selected by W G Markham, Avon, NY,USA from the best American flocks
"Registered American Merinos selected by W G Markham.." 1883Office copy/ July 1880sheep breeding merino sheep - history, hay, mr alfred markham, mr w. g., sheep breeding, merino sheep - history -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.Sturgeonwool - history wool growing wool processing, wool - history, wool growing, wool processing -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.wool - history wool growing wool processing, wool - history, wool growing, wool processing -
National Wool Museum
Booklet, American merino rams recorded in the American Merino register, selected by W.G. Markham
American merino rams recorded in the American Merino register, selected by W G Markham, Avon, NY, USA from the best American flocks. Consignee Alfred Hay, esq, Boomanoomana, Mulwala, New South Wales, Australia. Shipped from San Francisco, California June 1883 by steamer, City of New York.sheep breeding merino sheep - history sheep - american, hay, mr alfred, sheep breeding, merino sheep - history, sheep - american -
Malmsbury Historical Society
Photograph (Item), Boundy Family Grave At Malmsbury Cemetery, Malmsbury ca1998
Buildings - Malmsbury Cemetery People - "Boundy, Elizabeth, John, Alfred, George" -
Malmsbury Historical Society
Photograph (Item), Carter Family Grave At Malmsbury Cemetery, Malmsbury ca1998
Buildings - Malmsbury Cemetery People - "Carter, John Richard, Alfred John Thomas, Elizabeth"