This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

School Council, Members of Staff, Editorial, Principal's Page, Magazine Committee, Obituary - Rupert P. Flower, Literary Society, Prominent Personalities, Science School, News and Notes, Prize Presentation, The Apprentices, Boys Sport, Sun Youth Travel Memoirs, The Art School, His Majesty the Late King George VI, Commercial Notes, Gleanings Here and There, Junior School, Girls Sport, Sport, House Notes, Junior Technical School Students', Roll Call - Diploma Students 1952Pale blue soft covered magazine with navy blue titles.ballarat school of mines, magazine, mr bryan, c. sanos, s. deans, j. williams, r. simpson, c. g. fairbank, d. treadwell, e. aitkens, g. birkett, g. allen, f. benjamin, s. gillespie, r. hullick, h. mccallum, h. harris, j. walton, e. walsh, j. stevens, b. clark, rupert p. flower, john bechervaise, w. keith hindson, a. james tinney, walter c. tooth, john d. bethune, vilma sansom, betty clark, travers duncan, joyce wilson, lex lockhart, jim w. beattie, joyce stevens, slim ingleton, a. eddy, john howard, douglas george dean, edgar bartrop, colin mck. henry, tom adams, max kennedy, jeff coward, o. j. nilsen, j. skuja, s. rowe, w. maddox, a. kinnane, d. fraser, a. carpenter, john james, b. flavel, j. murray, d. schmidt, g. habel, t. duncan, l. matthews, n. spiers, b. smith, a. tonnisseu, r. ingleton, j. bethune, j. mills, j. mcneil, b. schreenan, w. carlyon, d. stevens, l. j. hillman, k. hindson, r. furlong, j. beattie, b. taylor, g. heyes, l. quilliam, r. archer, a. johnson, m. gillin, t. seabrook, m. phillips, j. sawyer, c. restarick, j. saggers, g. ditchfield, j. tinney, don stewart, j. faneco, m. stevens, w. tooth, ron simpson, bill maxwell, graham searle, jim tinney, k. treloar, j. barnes, s. j. deans, lynette j. blomeley, georgina cox, heather mcgregor, janet saunders, heather harris, elizabeth mcarthur, norma coffield, pat lavery, imelda lee, gloria white, valerie westbrook, cynthia stone, janice thompson, clare mooney, glenys perry, faida lewis, betty clarke, marion volk, isla veal, valerie yates, coralie mckenzie, lorraine digby, barbara henderson, deidre wilson, margaret henderson, barbara ngip, glenys sleeth, anne duncan, l. dwyer, elaine leishman, j. jenkin, stirling gillespie, w. bridges, b. baldock, b. braybrook, e. mackie, r. braybrook, c. grose, b. mackie, c. garnham, c. schmidtke, t. lugg, j. copeman, b. tozer, g. mathews, n. sutherland, r. lambert, j. sanders, m. quick, j. collier, g. pike, r. digby, r. quayle, r. sharp, n. brogden, r. lyons, p. stevens, j. bastin, b. kay, k. duncan, b. golding, l. norman, b. murnane, k. hocking, c. sealey, b. langdon, f. weightman, m. birch, r. stevenson, r. stewart, r. haintz, k. mccoll, k. jarvis, l. hocking, d. curtain, r. lazarus, e. boak, j. fletcher, b. orchard, j. squires, n. pike, j. shrader, l. reynolds, m. ritchie, g. smith, d. parkes, g. templeton, m. wunhym, v. vincent, d. robertson, d. lang, l. horwood, d. searle, d. new, v. jolly, a. minotti, b. beaumont, m. marshall, e. bowen, j. rogers, d. cody, e. kinnane, j. cunningham, j. schrader, r. horgan, j. white, n. flood, j. matthews, h. gale, k. mitchell, v. rowse, j. mayne, a. gilbert, b. warrillow, g. gilbert, n. quick, m. hall, d. furlong, n. lyons, j. richards, j. jones, l. major, d. baldock, d. dow, g. ruddick, d. howell, j. caddy, b. singleton, b. powell, r. sharpe, c. lockhart, l. daff, c. sharpe, d. irish, l. dow, a. douglas, n. twaites, j. courtney, l. beacham, n. c. cartledege, cliff sealey, j. f. collier, e. g. mackie, m. g. quick, b. l. collinson, j. n. bastin, g. e. timmins, valerie mills, j. a. jenkin, w. cowan, i. mitaxa, n. c. leckie, r. j. austin, n. coffield, d. quilliam, r. courtney, f. m. kilfoyle, p. nunn, king george vi

A magazine supplement of the Ballarat Courier containing articles, images and advertisement. Images include: St Patrick's Day March, Eight Hour Day procession Advertisements include: Morris undertaker, Olivers, Miller, Hanrahan's Hotelst patrick's day, ballarat townscape, st patrick's day parade, ballarat st patrick's day parade, ballarat courier, hanrahan, morris, labour day, 8 hour day, eight hours day procession, st patrick's day procession, mrs captain ellis, picture palace, grenville college, berry united company ullina, lewis s. smith architect, bolster brothers, buninyong butter factory, aquatic carnival, george e. deeble machinery, cape nelson portland, jelbarts, jelbart's telescope, lin hillman, presbyterian church snake valley, miss a.m. abrams, berry anderson and co, j.a. reynolds, maypole, w.f. coltman, ballarat boot palace, ben nevis elmhurst, jonathan reeve, victorian producers co-operative, r.u. nicholls, f.w. barnes and son, ballarat steam laundryballarat water reserves, yarra river warburton, erskine river lorne, john bray, eden studios, lake wendouree

A Ballarat News Special Publication.36 page Special Ballarat News Publicationsupplement, mighty, ballarat, fiskin, aborigines, eureka stockade, james esmond, bank of australasia, ballarat fire brigade, penyweight hotel, academy of music, urquhart street primary school, star of the east mine, ballarat observatory, ballarat district hospital nurse training school, bank of victoria, shearers union, john valves, ballarat school of mines, ambulance, f.w. barnes, phoenix foundry, neil grant, naval cadets, australian timken, robert baird, ufs dispensaries, arch of victory, coliseum, messer and opie, wrld war two, wags school, eureka valves, olympic games at ballarat, bendix, eureka concrete, btv channel 6, sovereign hill, mars confectionary, ballarat bypass, south street, south street competitions, wireless air gunners school, sturt street

Ballarat School of Mines Students' Magazine, 1955Pale blue front page soft cover with burgundy and navy blue inscriptions on front coverballarat school of mines students' magazine, staff, sports, bob jones, j. spencer, j. leckie,, graham willey, j. wolfe, i. schuke. d. schmidt, j. murray, b. tozer, staff, sports, glen baxendale, john skuja, bob ellsworth, arch collins, alec mcphee, murray lonie, alec ross, harvey maddern, m. shoppee, con martin, max wilson, harold steane, john collier, eileen grundell, janet steele, jim murray, jhon clelland, bill maxwell, judy johnson, anita young, ron furlong, russ whitcher, jimmy durant, alf hannah, gordon thurling, frank andrewartha, john barnes, peter ditchfield, richard dunlop, stan kisler, jim mcneil, alan orgill, pat quinlan, bill saggers, david schmidt, terry seabrook, russell whitcher, john williams, john proctor studios, ballarat junior technical school air training corps, cadets, bob jones, air training corps, william saggers

The Ballarat Technical Art School opened in 1907 as a division of the Ballarat School of Mines.Ledger with brown and blue marbled paper cover and brown tape spine. Some names are listed under keywords.ballarat technical art school, h.w. malin, lilliam moyle, queens college, .doris walker, emily turnbull, viola jackson, c.w. sergeant, hilda wardell, hettie gilbert, alice benoit, ella morrow, d.g. johnston, p. brokenshire, edna tweedie, millicent white, dorisn walker, isla gray, mollie brophy, annie speak, c.v. clegg, agnes w. reid, nin z. woinarski, bessie yates, bessie landles, jean mcdonald, harold herbert, harold h. herbert, lizzie develin, florrie sides, fletcher j. crane, catherine ronald, gertrude owen, m.d. hamilton, clara v. clegg, leslie sim, ida barker, charlotte turner, florrie barnes, james n. boyce, leo coburn, carrie peters, mabel chapman, fred mcintyre, elsie rich, henry c. hart, g. bannerman, jack meadows, preston white, lyn hamilton, a. murray, lillian moyle, nina davies, maggie kittelty, m. snell, samuel mee, agnes carley, ida delina, katherine dillon, nellie mccubbin, lila lynch, e. owen, g. owen, d. owen, alice m. coltman, ruby bawden, elsie joy, ellen j. norton, herbert rich, g. medwell, maria loader, agnes gibb, quennie young, a.e. kennedy, o. geddes, ruby l. smith, roy proctor, elsie naples, w.b.g. mcdonald, cecil brittain, elsie fawcett, g. calvert, albert coates, catherine hogan, may vercoe, daisy saunders, dora furness, matilda johnson, gordon steele, c.w. sargeant, e. cornell, irene hewitt, wilie finn, clare clegg, jessie mccallum, c.f. white, e. kilsall, kate morris, ella garrett, winnie trompf, ellie mckissock, oswald gedded, doris walker, elsie tipping, rose smith, daisy lewellin, eliza frank, una e. fitts, may wasley, grace medwell, mollie laffey, a. duck, pearl sergent, e. penny, r. bieske, f. pattendon, e.g. bailymay booth, nelliw evans, gertie evans, e. baker, c. brittain, ralph leyland, e. tipping, mary sheehan, may chenery, j. bickart, e. perry, m. bessemeres, george richardson, f. mcintyre, h. fern, d. little, o. tolputt, arthur toop, p. lakeland, charles j. rawlings, jack hooly, thomas pattenden, elsie finch, ernest murfett, gordone steele, frank power, n.j. coote, william ewart, patrick ryan, david walker, john perry, vera lindsay, robert cooper, violet leadbeater, maggie skelton, clara mann, laura ritchie, james m. johnston, ida brown, ethel butcher, michael glenane, f.j. branigan, keith booth, henry elliot, reg cutter, stan westcott, frank king, lottie finch, ladies art association, pauline lakeland, cyril thermeyer, albert berryman, stanley lindsay, joseph bickart, alf berryman, leo hewitt, hilda tweedie, vera carroll, lionel davies, isabel kiel, alex dickens, henry elliott, mollie buley, meg moore, harrie fern, eileen conway, minnie buchanan, thomas price, edward stewart, joy lugg, olive grainger, m. heinz, d. gooch, p. moon, g. bailey, charles bray, daisy dickman, george calvert, florence sides, tom hannah, eileen blake, ethel benoit, ruby oaff, chrissie ware, harrie wilson, muriel cornel, phoebe wilkinson, fanny kay, john norcott, stewart o'loughlan, m. featherstone, f. tweedie, a. corbould, d. allanby, f. buchanan, l. cody, v. fisher, r. murphy, hilda jamieson, bessie eason, phyllis palmer, lila hall, vera hall, anie walton, ruby stevens, dorotthy davison, ethel hancock, anas ross, lizzie williams, lional davies, leslie page, frank page, lilian bell, may henry, doreen mclean, dorothy dobson, helen mcintosh, charles fraser, murial cornell, j.b. sutcliffe, dorothy dawson, emma mavin, agnes lumsden, virginia kerr, emily figgis, beryl craddock, winnie treloar, gladstone procter, f.w. procter, effie baker

98 page newspaper supplement celebrating the century 1900-2000. Includes 100 names of great Ballaratians.the courier, ballarat courier, anniversary, century, steve bracks, tom o'meara, bruce morgan, weston bate, r.f. scott and co, camerons, sunshince train crash, nellie melba, queen victoria's death, star of the east gold mine, sebastopol, phoenix foundry closure, duke of cornwall and york, duchess of cornwall and york, central highlands water, electric trams, workld war one, richard w. richards, dick richards, william dunstan, mccann's dairy centre, conscription, george merz, peace, avenues of honur, red cross, james oddie, henry sutton, band competitions, influenza epidemic, ballarat council merger, bert hinkler, frank petch, bartrop real estate, ballarat zoo, english cricket team visits ballarat, the dole, the depression, sustenance works, charles kingsford smith, ballarat centenary, black friday, world war 2, world war two, walter davis, cuthberts, albert coates, john rowan, langi kal kal soldier setttlement, ronaldson and tippett, america soldiers, united stated marines, military hospitals\corckers, gollars, robert clark, edward j. bateman, ellinor morcom, f.w. barnes and son, rex hollioake, cricket, edgar bartrop, ideal homes competition, ballarat begonia festival, percy beames, bigarelli, good neighbourhood council, baird and mcgregor, sunicrust bakeries, begonia queens, tom beaumont, thomas toop, ray murphy, alice andrews, bobby greville, jack hill, john vernon, ballarat civic hall, haymarket, royal visits, trams, olympic games, robert lemke, bob bath, boxing, norm pinney, jack barker, greg binns, geoffrey blainey, pam davies, david haymes, m.b. john, morgan b. john, austin mccallum, steve moneghetti, richard crouch, voi williams, elsi simper, e.j. tippett, kenn webb, hugh williamson, st john's lutheran church, ballarat fine art gallery, art gallery of ballarat, peter tobin funerals, keith bray, john valves, vietnam war, john dellaca, haymes paints, henry haymes, sovereign hill, gold museum, dowling forest racecourse, ballarat turf club, mt helen campus, rupert hamer, swagman, bill mahoney, constance coward-lemke, hymettus historic garden, c.v. jones, eureka flag, save bakery hill, jessie scott, anne beggs sunter, ray's tent city, art theft, woodsplitters by tom roberts, fluoride, jack chisholm, ballarat railway station fire, princess diana, prince charles, university of ballarat, university of ballarat 130 anniversary, hailstorm, ballarat brewery closure, bicentenary, flooding, recession, pat cashin funerals, camp street arts precinct, arts academy, scout jamboree, ballarat learning city, council amalgamation, linton bushfire, eureka stockade centre, russell mark, tony lockett, east timor, ballaarat general cemeteries trust, john barnes, william heres, nelson brothers funeral services, valcor australia, bob davis, john curtin, david davies

These records were written to record the names of the students of the Ballarat School of Mines who attained their certificates in the areas of their study.It covers the years between 1916 and 1945.A cardboard foolscap folder containing lined and ruled pages containing the handwritten names and awards of the students of the Ballarat School of Mines and some from the Ballarat Junior Technical School, receiving certificates from the Victorian Education Department commencing in 1916 and finishing in 1945. Towards the end are several pages of type written records. Glued to the front cover are copies of three letters from the Education Department dated 1923, 1927 and 1930.All handwritten ballarat school of mines, certificates, education department victoria, awards, ashley baker, c c brittain, john dulfer, a r lepp, h m rowlands, william skilbeck, n c timworth, l h vernon, g c b williams, albert e williams, a l ronaldson, allan bernaldo, guido brelaz, p chatham, w h clutterbuck, h a sutherland, r valentine, h g wakeling, w l coltman, r s dale, e l fidge, a a gribble, carl schache, c h beanland, e biddington, r goodyear, amy heintz, george baragwanath, a hepburn, w h morrow, thomas o'bern, j a bath, harry d o'bern, edwin a brophy, alfred boyce, andrew elder, alan v gilpin, angus r leask, arthur lockett, ernest h praetz, hubert e siemering, john e skilbeck, edgar j t tippett, noel brelaz, lenard curnow, marjory dermer, ivan j galloway, john o'loughlin, raymond proctor, maud williams, henry corrie, alan ludbrook, harry nicholls, j blaikie, h ewert, h goldsmith, h thum-yuem, h almeida, r falla, l hillman, j scarff, girls junior technical certificate 1926, olga dulfer, annie dellaca, mary hopwood, g a fella, r hepburn, p jacobi, g rumpff, f lester, lorna f geary, robert m serjeant, f longhurst, kingsley callister, nellie campi, george gingell, gladys kopke, gilbert tippert, a e caldercoat, tessie bibby, thelma coulter, william mayo, stanley hillman, james capuano, r g benn, a h keast, f h penny, a w pound, e a steane, l g valpied, e j capuano, alfred w barnes, harvey j maddern, philip c maddern, allan w pound, james h pound, william selkirk, a d senior, eric a steane, geoffrey w shorten, r w warnock, i a h adams, valda m penberthy, n l spielvogel, h c tippett, d b lamb, marjory coward, norman jelbart, victor lepp, alan c leviston, edwin mclenehan, joy e young chung, b hollioake, a l spence, allan pilvin, e j skilbeck, k g haines

Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans

A portion of hand lettered cardboard with names of players was available though sometimes illegible; Terry Keenan with the help of Syd Ware determined as many names as possible.From the Woodruff family archives, Mayoral period, lasercopy of large damaged photo of Port footy team (2nd XVIII?) 1940s?families, sport, - table tennis, john william (jack) woodruff, henry h 'basher' barnes, j le clere, sydney ware, c batten, w smith, a denham, w jackson, claude plumridge, w wilson, j foden, a love, a lewis, h jacobson, a murphy, j callick, w mcguire, j collins, andrew bogdanoff, j metherall, stan plumridge, v williams, v hitchens, f davidson, e miller, p horner, m duggan, a ambler, jack irving, g menzies, e johnston