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Glenelg Shire Council Cultural Collection
Letter - Invitation - Invitation to Citizenship Awards, 1984
Barry & Carol Payne1984 Citizenship Awards. White cardboard. Blue Print. Shire of Portland Crest.Front: Mr. & Mrs. B.T. Payne -
Glenelg Shire Council Cultural Collection
Document - Invitation - Patrons 150 Anniversary Committee, 1984
Barry & Carol PayneInvitation/Anniversary Committee. White paper. Invitation to Reception.Front: Mr. & Mrs. B.T. Payne -
Glenelg Shire Council Cultural Collection
Document - Invitation - Invitation to the Foreshore at the Proclamation of Portland to a City, 1985
Barry & Carol PayneProclamation of Portland as City, October 28th 1985. Royal Highnesses, Prince & Princess of Wales. White cardboard. Portland Crest. Invitation to the Foreshore at the Proclamation of Portland to a City.Front: Mr. & Mrs. B.T. Payne -
Glenelg Shire Council Cultural Collection
Memorabilia - Ticket - Ticket for the Colonial Ball, 1984
Barry & Carol PayneGinger Cardboard. Black Print. "Henty's Landing at Portland", darker shade of ginger.Front: n/a Back: n/a -
Glenelg Shire Council Cultural Collection
Souvenir - Ticket for the Leeuwin Sail Training Foundation Ltd, 1988
Barry & Carol PayneTickets for the Leeuwin Sail Training Foundation Ltd.Front: Pale blue cardboard. Black print. Sailing Ship/Postage stamp size. In left upper corner, REVERSE-TERMS & CONDITIONS. Mr.. B. Payne. Mrs. B. Payne (as other) K.S. Anderson No. 2 Berth 5 March 1988. Enbark 0830. Sail 0900-1200 -
Whitehorse Historical Society Inc.
Clothing - Blouse
Donated by Ann BarryCream polyester five pearl button fastening down front. Thirty six vertical pin tucks across shoulders, long sleeve, pearl button at cuff.Fletcher Jones. Australia's Finest Clothingcostume, female -
Bendigo Historical Society Inc.
Document - PERSONAL LETTER FOR MR BARRY CHURCH OF THE GOOD SHEPHERD ABBOTTSFORD MAY 14, 69, ?1969
Personal hand written letter to Mr Barry Church of the Good Shepherd Abbottsford Victoria, Australia May 14, 1969. Double-sided A5.church, history, personal letter -
National Vietnam Veterans Museum (NVVM)
Film, 217698 Greg Cant, 1st Australian Field Hospital December 1968 - December 1969
Ektachrome slide image. Operating theatre photo of doctors operating on a patient. 4 figures plus patient. Photograph taken by Alan Barry PearceThe two outstanding physical aspects of Vung Tau that one has to adjust to are sand and blood. The sand is like fine salt and it eddies around the huts and covers your clothes, possessions and body, but the blood is a worse curse. The smell of blood is a physical sensation that you not only smell but taste. The cloying sweet smell permeates your skin and can't be scrubbed out. Its memory will last the rest of my life.1st australian field hospital, medical -
Whitehorse Historical Society Inc.
Newspaper, Land Auction, 29/04/1992 12:00:00 AM
The Site of the former Middlefield Primary School is to be Auctioned on 12th May, 1992,The Site of the former Middlefield Primary School is to be Auctioned on 12th May, 1992, by Barry Plant. State Government agreed to 22% Public Open Space.The Site of the former Middlefield Primary School is to be Auctioned on 12th May, 1992,middlefield primary school, auctions, primary schools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
Black and white photograph eleven students from primary school with Cr Barry Secomb of Tambo Shire with teacher Karen Scott.Lakes Entrance Victoriaschools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1986
Black and white photograph of Barry Murphy and Ian Cathie kneeling behind the plaque following the ceremony for Centenary Celebrations of primary school Johnsonville Victoria(on back) Unveiling the Plaqueschools, celebrations -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
Black and White Photograph of Jeff Kennett , State Premier with Barry Secombe announcing funding for Cunninghame foreshore redevelopment 1994 Lakes Entrance Victoriamuincipal history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
number in album 03580.01Black and white photograph Metung Bowls Club, two B Grade trophy winners, Wendy Campbell and Barry Healy. Lakes Entrance Victoriabowls club, service staff, sports -
Kew Historical Society Inc
Photograph - Alma Figuerola in her Studio, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her Studio, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Alma Figuerola at the front door of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola standing in the portico of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Glenelg Shire Council Cultural Collection
Document - Ticket - Colonial Ball, Portland, 1984
Donate by Barry & Carol PayneOrange cardboard with black print. "Henty's Landing at Portland", darker shade of orange.Front: n/a Back: n/ahentys landing, colonial ball -
Glenelg Shire Council Cultural Collection
Document - Invitation, 19/11/1984
Donated by Barry & Carol PayneOpening of Portland 150th Anniversary Year. White cardboard. Blue print.Front: Mr. & Mrs. B.T. Payneportland, 150th anniversary, opening -
Expression Australia
Report, What's Happening in the World of Deafness - Recent Trends and Developments
Written by Barry R. KnightsBlue cover, Size 27.5cmHx21cmW, 21 pagesdeafness -
Flagstaff Hill Maritime Museum and Village
Literary work - Book, Ward. Lock & Co., Limited, The Complete Works of William Shakespeare, 1908
William Shakespeare 1564 to 1616 was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" . His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hailed Shakespeare in a now-famous quote as "not of an age, but for all time.A book published in 1908 of Shakespeare works and significant as yet another reinterpreted of his plays only reinforcing that he was not only of his time but as his friend once said Shakespeare's works are for all time.The cover is burgundy coloured leather with embossed lettering and the inside covers are a dark green with a light symmetrical pattern. The edges of the pages are gilt.“The Complete Works of William Shakespeare” with introduction by Barry Cornwall (Bryan Walter Procter). Published by Ward, Lock and Co. Limited, London, New York and Melbourne. The book has an introduction by Barry Cornwall (Bryan Walter Proctor).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, complete works of shakespeare, book, complete works of william shakespeare, barry cornwall -
Bendigo Historical Society Inc.
Document - CONSTABLE JOHN BARRY COLLECTION: INVITATION TO MR AND MRS BARRY FROM LORD EGLINTON, 04/02/1857
Invitation from the Lord Lieutenant and the Countess of Eglinton to Mr J. F and Mrs Barry on the 4th of February 1857. On invitation: 'The Chamberlain is directed by Their Excellencies the Lord Lieutenant and the Countess of Eglinton to request the pleasure of Mr. J.F and wife Barry's company on Friday evening the 4 of Feby at 10 o'clock. Dancing Castle' Lord Eglinton was Lord Lieutenant of Ireland from 1858 - 1859.document, invitations, dance, invitation, dance, lord lieutenant and the countess of eglinton, mr i f and mrs barry -
Bendigo Historical Society Inc.
Document - CONSTABLE JOHN BARRY COLLECTION: LETTER RE VICTORIAN POLICE GUIDE BOOK
One page letter from Charles I. Du Ve, Court House, Rosedale dated 11th October, 1888, to Mr. J. Barry, Senior Constable, Sandhurst, congratulating Snr. Cons. Barry on the excellent content in the book he produced 'Victorian Police Guide'. Extract from letter: 'a work which should be of great value and use in the Police Force of the Colony'person, bendigo, john barry -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Warren Doubleday, 5/12/1983 12:00:00 AM
Colour photograph of SEC tram No.13 being positioned on No. 6 road at the BTM depot on 5th Dec. 1983 by a Barry James Crane. In Photo are Peter Winspur and Peter Allen. Barry James crane - Coles - IRP 594. Photo from a Warren Doubleday slide - slide No. 10/83/27 Photo copy made 4/1999 for display purposes.btm, tramcar acquisition, btps, tram 13 -
Malmsbury Historical Society
Photograph (Item), "Malmsbury Streets, Gutters", Malmsbury ca1990
Buildings - House People - "Andrews, Barry" -
Wodonga & District Historical Society Inc
Functional object - Victorian Railways Guard's Satchel c. 1970s, c. 1970s
The leather satchel with printed information and equipment including instruction manuals, report sheets, rubber stamps and books was issued to Barry Ryan when he started working as a guard for Victorian Railways in Wodonga in 1972. It was in use until he became a locomotive train driver in 1987, when guards no longer worked on the trains.The leather satchel has local significance as it was used by a guard on the Victorian Railways in Wodonga and the railway was an important factor in the development of Wodonga. It also has state significance as part of the Victorian railways equipment for train guards, and is representative given that it's a complete kit with the green signal flag, lamp and the instruction manuals, report sheets, rubber stamps and books in the satchel.Brown leather Victorian Railways guard's satchel, with a leather handle and shoulder strap. There is a rolled up green signal flag attached behind the handle on the top and a dark blue metal lamp attached to the front of the satchel. The lamp has a green filter in front of the bulb, so it would emit green light. The raised letters "V.R." are located on the front and top surfaces of the blue metal lamp, and the number "2749" is engraved on the back surface. The name "B. RYAN" is engraved in the front surface of the lamp. The number "2544' is stamped into a brass plate on the front of the satchel. There is a semi-circular red painted iron disk hinged to the front of leather satchel with a cut out area in the centre to show the number on the brass plate. The lamp is attached to lower rim of the semi-circular red painted iron disk. Inside the leather satchel there are instruction manuals, report sheets, rubber stamps and books relating to the work as a guard on the Victorian railways, as the satchel was used by the donor Barry Ryan when he started working as a guard for Victorian Railways in Wodonga in 1972. "V.R." in raised letters on the front and top surfaces of the metal torch. "B. RYAN" engraved in the front surface of the torch. "2749" engraved into the back surface of the metal torch. "2544" stamped into the surface of the brass plate on the front of the leather satchel. victorian railways, v.r., victorian trains, trains, train guards, leather satchel, satchel, wodonga -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
Black and white photograph Rotarians Bill and Ann Daniel Sandy Kee and Barry Peel with Youth Exchange Student Leslie Backham. Lakes Entrance Victoriarotary club, volunteering, religion -
Williamstown High School
WHS Boys Swimming Team 1949
Copy of a black and white photograph, laminated. WHS Swimming Tean 1949 Back Row: Doug Henderson, Bruce Porter, Ray Smit, Don Jack, Barry Boettcher, Trevor Treadwell, Clive West, Gerald De Rose. Middle row: Barry Campbell, Neil David, John Peckham, Tom Radford, Harrow Morgan, ?, Barry Wylie,, ?, ? Front row: Frank Crane, Geoffrey Jones, Bernard Sidlerwilliamstown high school, 1949, swimming team -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints, Information Branch Victorian Department of Agriculture, Graduation day 1979, 1978-1979
Photographs taken on Graduation Day 1979. (1) Frank Keenan (Staff). (2) Margaret Egerton, Nicholas Bailey, Laurie Metzeling (Staff). (3) Brian Pell (Principal), Frank Keenan. (4)Frank Keenan. (5) Barry Dimelow. (6) Frank keenan, Brian Pell, Barry Dimelow. (7) Barry Dimelow. (8) Brian Pell, Frank Keenan. (9) Frank Keenan, Barry Dimelow. (10) Unidentified. (11) Frank Keenan, Brian Pell. (12) Frank Keenan, Brian Pell. (13) Brian Pell, Peter Wood, Graeme Pitt (student), Robert Taylor. Photograph by Information Branch Victorian Dept of Agriculture Ref. No. 1978(648-39). (14) Ref. No. 1978(648-39). (15) Peter Wood, Graeme Pitt (student), Ref. No. 19789648-38). (16) SRC Rep?, ? Frank Keenan.graduation day, 1979, frank keenan, staff, margaret egerton, nicholas bailey, laurie metzeling, brian pell, principal, barry dimelow, peter wood, graeme pitt, students, src, robert taylor -
Kew Historical Society Inc
Photograph - Interior, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
Photograph - sepia. Portrait of a young male, dressed in uniform. On his cap is a number 3 and a badge. Written on the back 'Mr Barry Harrison'. Wearing a light moustache.Alan Spicer, Bendigo.person, individual, portrait male, photograph. male portrait in uniform. barry harrison. -
Clunes Museum
Photograph
COLOUR PHOTOGRAPH BACK VIEW SCHOOL, BARRY JAMES EQUIPMENT PREPARING TO REPLACE NEW BELL TOWER AND SPIRE ON ROOF CLUNES PRIMARY SCHOOL, NOVEMBER 1992local history, photography, photographs, schools, 1552