The Kew City Council Depot was for a period situated on the corner of High Street and Disraeli Streets. The photo from the former City of Kew Municipal Collection was taken by a photographer from Stuart Tompkins Studio in Camberwell.One of four black and white photographs (perhaps reproductions) of a horse and cart and a council employee in Parkhill Road, Kew. In a number of photos the cart has K.C.C., in large letters on its side. It is presumed to be the city garbage cart No.3 which was stationed at the old Council Depot on the corner of High and Disraeli Streets. "Cr Parkhill Rd & Hillcrest Ave Kew / Driver : Barry Avery"city of kew, garbage waste collection - kew (vic), barry avery, kew depot, stuart tompkins

Two from a collection of photographs donated by Laurie Dixon.Two slides of Robert Cleeland, Laurie Dixon and Barry Toovey working at a Chicory Kiln in 1961. (Slides scanned as photographs) chicory kiln, laurie dixon, barry toovey, robert cleeland

Two colour photographs of the first house built in the estate by Laurie Smith with a Barry Plant auction sign in front yard.mccarthy grove, montmorency

Black and White Photograph of Shire councillor Barry Secombe with two government representatives 1994 Tambo Shire Gippsland Victoriamuincipal history

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Denis Gibbons with Maj Barry Gillman, the 1 ATF Public Relations Officer (Jan 1967).photograph, nui dat, maj barry gillman, 1 atf base, public relations officer, gibbons collection catalogue, denis gibbons, photographer, vietnam war, nui dat press centre

Sheet brass pressed to form an image of a female tram crew member for wearing on a uniform. Has some likeness to the first female tram driver, Joyce Barry. Has a pin on the rear. Pressed into the rear of the badge is "K. G. Luke Melb." Used by Olive Bailey, Conductor, of Camberwell depot.trams, tramways, badges, crews

Sepia photo, horse drawn Irish Jaunting Car. John (Jnr) and Thomas Barry are sitting back to back in the car. John and Thomas won a medal (3822.5) at the Bendigo Agricultural Show in 1892. Their address was given as Barry Bros., Coachbuilders, Lyttleton Terrace East, Bendigo. Their residential address was Lucan Street.Unknownperson, bendigo, john and thomas barry

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

Newpaper clippings from the Ringwood/Croydon Mail, Wednesday 3rd August, 1983Titel - School gets more space and $45,000 grant. Features Barry May

Identity the families registered with the Church of Jesus Christ of Latter Day Saintssmall sheet of film Alphabetical Index BARRY - MARY Church of Jesus Christ of Latter Day Saintsfamily, register, alphabetical

Black and white photograph, 22/2/93, photograph of Des Duguid training Barry Johnson from Jumps for the new Box-a-Cise classes. Bendigo Advertiser description: 22/2/93 Box-a-cise Des Duguio trains Barry Johnson from Jumps for the new Box-a-Cise classes. (Box)WH

Leon Barry on Ariel, registration number CK-395, wearing full uniform including jodphurs, boots and helmet. Circa 1960police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; ariel motorcycle; barry, leon

COLOUR PHOTOGRAPH BARRY JAMES EQUIPMENT HOISTING BELFRY/BELL TOWER INTO POSITION ON ROOF OF CLUNES PRIMARY SCHOOL, NOVEMBER 1992local history, photography, photographs, schools 1552

COLOUR PHOTOGRAPH BARRY JAMES AND WORKMEN'S VEHICLES WORKING TO REPLACE BELL TOWER, BELFRY, AT CLUNES PRIMARY SCHOOL, NOVEMBER 1992local history, photography, photographs, schools 1552

Copy of speech and official program notes, presented by Principal, Barry Goode, at the 125th. Anniversary of the school; 3 pages typed and stapled.bendigo, education, golden square primary school, 125th anniversary, barry goode, golden square primary school laurel street 1189:

Advertisement in Nunawading Gazette for the old Winlaton Estate, Springvale Road, Nunawading being subdivided. Agent Barry Plant. 27 July 1994.Advertisement in Nunawading Gazette for the old Winlaton Estateland subdivision, springvale road, nunawading, candlebark lane, sugargum court, newburn court, barry plant

Colour photograph taken at Barrys Beach, South Gippsland. Features an oil rig under construction. Trees and foliage in foreground. Blockmounted on board.

Colour photograph taken at Barrys Beach, South Gippsland. Features an oil rig under construction. Trees and foliage in foreground. Blockmounted on board.

COLOUR PHOTOGRAPHBARRY JAMES MANEUVERING THE SPIRE INTO POSITION ON ROOF OF CLUNES PRIMARY SCHOOL, NOVEMBER 1992local history, photography, photographs, schools 1552

Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971" contains sheet detailing 3 "WOMENS SKIRTING AND OVERCOATING" patterns with 2 purple and 1 orange patterned cloth samplesBARRY HANCOCK TEXTILE DESIGN SAMPLE RANGE 1971 (ink) WOMENS SKIRTING AND OVERCOATINGweaving textile industry textile design, weaving, textile industry, textile design

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in the drawingroom of D'Estaville, Barry Street Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

Ektachrome slide image. Operating theatre photo of doctors operating on a patient. 4 figures plus patient. Photograph taken by Alan Barry PearceThe two outstanding physical aspects of Vung Tau that one has to adjust to are sand and blood. The sand is like fine salt and it eddies around the huts and covers your clothes, possessions and body, but the blood is a worse curse. The smell of blood is a physical sensation that you not only smell but taste. The cloying sweet smell permeates your skin and can't be scrubbed out. Its memory will last the rest of my life.1st australian field hospital, medical