Owner - John Charles DEAN No.144278 RAAF. Enlisted 26 /8/1943 in Bendigo. Discharged 13/3/1946. Leading Aircraftsman in 78 Squadron.Shirt - with detachable collar, quarter button opening and long sleeves. Mid blue colour, cotton fabric. Service No stamped on shirt below collar.Below collar at back - handwritten in black ink - "144278" Black ink stamp "144278".uniforms, raaf, ww2

Leather belt, brown, money pouch attached & 1 brass button, copper wire stitching, 2 brass buckles, 2 leather straps.Anterior surface of belt: “VII DG [star of David] T00002 Williamson South Africa”uniform - army, costume accessories - male, trades-leatherworking, passchendaele barracks trust

Item issued to Rod Hosking RACT CMF BendigoPeaked cap, khaki RAATC badge made in 1983 , it has a leather band around front brim held by a brass button on each side. uniform - army, costume - male headwear, peak cap

This pair of lady’s cotton underwear drawers is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn lawn long cotton drawers with button waist and long ties. Hand made lacework with ribbon around hem of legs.Waist : D BAYLEYdressmaking, craftwork, lacework, early settlers, pioneers, market gardeners, moorabbin, bentleigh, ormond

Grey cotton, fastened at wrist with a grey pearl button 1.5 cm in diameter. Three double rows of stitching in a V Shape on the back of the hand.Dent's Cotton Made in England 9costume accessories, male, gloves

Black & White Studio Photograph. Woman aged approx fifty. Bartlett Bros Sandhurst printed on front. Locket at neck. Buttoned embroidered jacket.Bartlett Bros Sandhurstphotograph, person, female

Manufactured by Philip Joseph, South Yarra, Victoria.Black woollen cap embroidered with Williamstown High School logo in yellow and red. Embroidered lines of red and yellow from top black button.Inside hat: Wemyss Thomsonwilliamstown high school, school uniform, cap

Yellow Velvet Evening Cape with Taffeta Collar. Cream Silk Linings Gold Frog & Button Fastenings on collar. Waist Length. McClure collectionstawell clothing material

See Ref. No. NA4362Maroon cotton skirt. Flared with four inch hem and wide waistband 3.5 inches fastened with a button, and 6 inch placket with a press stud.costume, children's uniform, handcrafts, dressmaking

Indicative of mementoes issued at time of important occasionSmall round badge with Coat of Arms and City of Nunawading on a cream background which is mounted on a brass button. Has a brass pin and fastener attached.City of Nunawadingcivic mementoes, souvenirs, numismatics, medals - civic

Machined nurses's apron - white cotton with bib. Long skirt. One pocket at side. Buttoned waist. Used during World War One.nurse, apron, world war i

'Doctor' flannelette infant petticoat buttoned on each shoulder. Silk embroidery around all edges. A label formerly NA1918 is filed in an Supplementary Envelope.costume, infants'

Hecla 10 amp metal electric iron with Bakelite handle and temperature control button, and material-wrapped cord with Ring-Grip Bakelite plug.Hecla logo on dial.

Map. Elmore County of Bendigo. Diggorra. Burnewang. Ryunnymead. Egerton Photo-Lithographed at the Department of lands and Survey Melbourne, by W. J. Button. 4.7.18

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.White cotton apron, covering clothing front and back and joined by two buttoned tabs. Based on an examination of the sewing it is presumed that it is a hand-made item.clothing - women's, aprons, protective wear

A Kew Patriotic Carnival was held in Victoria Park in 1941. The event was promoted in the Argus newspaper as: "KEW CARNIVAL - A carnival, at which more than 25 local organisations will co-operate in raising funds for Kew Patriotic Society, will be opened at Victoria Park. Kew this afternoon. The carnival will begin at 2 p.m. to-day and will continue to-morrow. There will be afternoon and evening sessions each day. Arrangements have been made for open-air dances, bicycle races, athletic events, tennis tournaments, folk dancing, miniature golf, and a shooting gallery. Flowers, sweets, cakes, and re-freshments will be sold at stalls conducted by auxiliaries, and lucky envelopes, darts competitions, spinning-wheels, and games will be among the attractions." The Argus (Melbourne) Friday 28 March 1941, Page 6.Rare example of Second World War local Kew memorabiliaPatriotic button. Kew Patriotic Carnival March 28-29 1941. Victoria Park. Numbered 2427. The design incorporates the British and Australian flags.Title: "Kew Patriotic Carnival, Victoria Park, March 28-29 1941". Number "2427"kew patriotic carnival, patriotic buttons, ww2

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges

This pair of shoes were the first shoes of Robert Lyndhurst Piesse [the donor's father], born at ‘Tarrangower’ 39 Broadway, Camberwell 24 May 1917. The family moved to ‘Merridale’ 43 Sackville Street, Kew in 1922. The shoes were kept as a treasured item belonging to her father by his daughter. Pair of toddler's brown leather shoes done up with a single loop and button. Leather soles and uppers. The sole has a small leather heel. footwear - children's, boys' shoes, merridale, robert lyndhurst piesse, piesse family

A cloth bag with envelope flap and button. Cream coloured material with red and pink embroidery on one side. Lace with red trim around edges.Schlate wohl' embroidered on top flap.handcrafts, embroidery, pillow, case, lace, needlework, german

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green button up tailored jacket with two faux pockets and a breast pocket on left hand side. Olympic logo on left breast pocket.Label 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia On breast of jacket - Australia Barcelona 19921992 barcelona olympics, uniform, jacket, fletcher jones

The five cell metal torch from c. 1950s has local significance due to being used by Wodonga resident, Bill Harris, in his youth, as well as historical significance due to its age and representativeness.Metal torch with a plated yellow surface around the light bulb and a long grip with repeated bands of three lines in the surface and a sliding on-off button."EVEREADY / TRADE-MARK / MADE IN HONG KONG" - on the base of the torch.1950s torches, metal torches, eveready torches, five cell torches, vintage torches

White girls nightgown. Long with short sleeves. Crochet detail on top of back with one button. Crochet detail also on the edge of the sleeves and collar.No visible markingscostume, children's, nightgown, clothing, sleepwear, white, crochet.

Hampton & Sons 1942

Trousers - green colour cotton twill fabric plastic buttons, 2 slide buckles. Four button fly with two strap slide buckle closure, button down belt loops, two side pockets, two back pockets, left back pocket with button down flap. Waist and pocket lining, green cotton fabric. Army work dress trousers commonly called "GREENS". TWO GREEN COTTON MANUFACTURERS LABELS ON INSIDE WAIST BAND. BLACK INK PRINT - VERY FADED. Handwritten information - on one label. Lining of waistband - black ink stamp.Cotton label information - Right side handwritten in Black ink "C.COY". Left side, black ink - "NATIONAL CLOTHING/CO PTY LTD/ 195? 2? 3/ SIZE " Waistband lining - black ink print " 69 27".uniform, army, work dress trousers

Black trousers worn with tail coat 11400.670. Concealed button fly with two X 1 cm black buttons at waist and six X 1.5 cm black buttons along opening. Two X 1.7 cm black buttons inside waistline on either side of front opening. Small vent at centre back waistline, 1.7 cm button on either side. Double braid stripe full length on outside of trouser legs. Side pockets at front and two back pockets. Pockets lined with cream coloured linen fabric. Button fastener on LHS pocket.costume, male, black high waisted trousers

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund

Lady's silk short nighties with shoulder straps, button crutch, crochet edging and needlework flowers is typical of the fashion c1930 and is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C These lady’s silk nighties are an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C 2x Lady's silk short nighties,with shoulder straps, 2 mother of pearl buttons at crutch, crochet edging,and needlework flowers clothing, , crochet, brighton, moorabbin, pioneers, dressmaking, needlework, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

Photograph of John Cook with two clients, one holding a large button telephone and the other writing on a notepad using an overhead light. One black and white photograph has been altered to create a portrait of John Cook.B/W photographs, and b/w and col. transparencies of John Cook and two clients using assistive devices. association for the blind, john cook