Showing 614 items matching "cartoon"
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Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub BranchParachute Cartoon
Hess Parachuting into Scotlandpicture, ww2, general -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub BranchPoster Cartoon
Royal Australian Transport Corpsposter, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub BranchCartoon Poster
A look at the Bright sideposter -
Women's Art RegisterBook, Judy Horacek, Life on the Edge. Cartoons by Judy Horacek, 1992
Collected cartoons by Melbourne cartoonist and writer Judy Horacek, who believes "humour is a fantastic way of changing the world." ( from biographical noes). The introduction was written by Dale Spender.booknon-fictionCollected cartoons by Melbourne cartoonist and writer Judy Horacek, who believes "humour is a fantastic way of changing the world." ( from biographical noes). The introduction was written by Dale Spender.political art, community art, indigenous rights, racism, discrimination -
Women's Art RegisterBook, Evelyn Healy, Artist of the Left. A Personal Experience 1930s to 1990s, 1993
A history of the authors life as an artist, teacher, and political activist in Australia.non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria -
Monbulk RSL Sub BranchBook, Robin Youl et al, From desk to dugout : the education of a Victorian ANZAC, 2015
Come see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives -
Monbulk RSL Sub BranchBook, Wayward Pres, Be nice, 1967
More cartoons and capers of GI VietnamIll, p.98.non-fictionMore cartoons and capers of GI Vietnamvietnamese war 1961-1975 - anecdotes -
Monbulk RSL Sub BranchBook, UNSW Press, The Anzac book / written and illustrated in Gallipoli by the men of Anzac, 2010
Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.Bibliography, ill, p.203.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.world war 1914-1918 - campaigns - gallipoli, world war 1914-1918 - personal correspondence -
Monbulk RSL Sub BranchBook, Ross McMullin, Will Dyson : Australia's radical genius, 2006
Will Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.Index, bib, ill, p.348.non-fictionWill Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.will dyson 1880-1938, cartoonists - australia -
Monbulk RSL Sub BranchBook, Cassell and Company, From the Australian front: Xmas 1917, 1917
Illustrations (photographs, cartoons and caricatures) of Australian soldiers on the Western front in World War IIll, p.128.non-fictionIllustrations (photographs, cartoons and caricatures) of Australian soldiers on the Western front in World War Iworld war 1914-1918 - australian involvement, world war 1914-1918 - pictorial works -
Moorabbin Air MuseumDrawing (item) - Cartoons drawn by "Rog" depicting clowns working at CAC, Cartoons drawn by "Rog" depicting clowns working at CAC 1984<>1987
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National Vietnam Veterans Museum (NVVM)Book, Rigby, Paul, Aussie Humour, 1965 to 1969: The Vietnam War, *Nashos *Defence
A collection of copied cartoons by Paul Rigby - award winning cartoonistA collection of copied cartoons by Paul Rigby - award winning cartoonistaustralian wit and humour, vietnam war, 1961 -1975, australian -
National Vietnam Veterans Museum (NVVM)Book, Melvin, Ken, Sorry 'Bout That! - Cartoons, Limericks, and Other Diversions of GI Vietnam
Sorry 'Bout That is a hilarious book that captures the lighter side of the war in Vietnam, just as its title, a constant refrain of this war, captures the half-joking, half-serious, but always determined mood of its fighters.Sorry 'Bout That is a hilarious book that captures the lighter side of the war in Vietnam, just as its title, a constant refrain of this war, captures the half-joking, half-serious, but always determined mood of its fighters.vietnamese conflict, 1961-1975 - cartoons, caricatures etc., vietnamese conflict, 1961-1975- - aneaudio, cdotes -
Clunes Museum
Artwork, other - PAINTING
.1 PENCIL SKETCH OF A CREEK, A PUBLIC BATH HOUSEON THE OTHER SIDE OF THE CREEK AND A RAT ON THE BUILDING. A CAT ON THIS SIDE GREY ON BEIGE, GOLD CRACKED FRAME .2 PHOTOCOPY OF THE DRAWING .3 ORIGINAL BACKING OF THE DRAWING WITH PIECES OF WRITTEN NOTES AND NEWSPAPER CLIPPINGS BUT ILLEGIBLE, BROWN PAPER.1 ON SKETCH: CAT:AH MY SOTT!! DERE IS ZE RAT ON ZE HOUSE OF ZE ISLAND, I WILLHAVE A POKE AT HIM BUT - OH - IF I MISSES HIM HE MAY FLY AT ME, SOTTTAM RAT HApencil sketch, cartoon sketch -
Williamstown High SchoolCartoons Form 6 19602
Two copies of student work pen drawings, mounted on board'6B' and VI girls (?)williamstown high school, 1960s, student work, art, pen and ink -
Robin Boyd FoundationDocument - Manuscript, Robin Boyd, The Rich (In Art) Get Richer – and the culturally poor get poorer, 1963
Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript -
Robin Boyd FoundationBook, Sally Swain, Great Housewives of Art, 1988
Softcover"Patricia, for a laugh between vacuumings! Much Love, Molly (?), June '89"artists' spouses, caricatures and cartoons, parody in art., walsh st library -
Nillumbik Shire CouncilPrint (etching): Dean BOWEN, The Offering, 1997
Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97' -
Unions Ballarat
Great Frasers of our time, Green, Beckett, 1977
Malcolm Fraser was a Liberal Party Prime Minister of Australia from 1975 to 1983. He was appointed as caretaker Prime Minister following the dismissal of the Whitlam government in 1975 and subsequently won the double dissolution election. He was defeated by Bob Hawke in 1983. After exiting the parliament, Fraser became an advocate for human rights and international aid. This book is a humourous pictorial record.Entertainment value. Relevant to the history of the Liberal Party Australia.Paper; book. Front cover: red background; sepia photograph of Malcolm Fraser at a podium marked with the Liberal brand; black and white lettering.Front cover: Speech bubble, "Amazing scenes in living black and white."; title.btlc, ballarat trades hall, ballarat trades and labour council, fraser, malcolm, liberal party australia, prime minister, prime minister - caretaker, whitlam, gough, dismissal - government, hawke, bob, elections, parliament, government, leadership, cartoons, caricatures, humour -
Robin Boyd FoundationLetter, Hector Crawford, Hector Crawford (Crawford Productions) to Robin Boyd, 26.05.1964
Letter from Hector Crawford, Managing Director of Crawford Productions, advising Robin Boyd of the ABC’s decision not to purchase ‘Ginger Meggs’ series. The ABC's letter (25 May 1964) is attached.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, quarto, 2 pagesginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions -
Robin Boyd FoundationLetter, Hector Crawford, Hector Crawford (Crawford Productions) to Robin Boyd, 28.05.1964
Cover letter from Hector Crawford, Managing Director of Crawford Productions, with copies of letter to TCN 9 and letter from Australian Consolidated Press regarding television rights to "Ginger Meggs".Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, quarto, 3 pages plus note.ginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions -
Robin Boyd FoundationLetter, Correspondence between Crawford and Australian Consolidated Press, Nov and Dec 1963
Correspondence regarding negotiating rights to 'Ginger Meggs' telestrip production, and production of a pilot programme.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, quarto, 4 pages.ginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions -
Robin Boyd FoundationDocument - Script, Robin Boyd, Ginger Meggs Pilot Episode, 1963
Ginger Meggs, Australia's most popular and longest-running comic strip, was created in the early 1920s by Jimmy Bancks. The strip (based on Strip No. 589) follows the escapades of a red-haired prepubescent mischief-maker who lives in an inner suburban working-class household. This story follows characters Ginger and Mim, and their attempt to find and get an apology from new kid, Osmo Willis who plays a prank with a toy mouse on Mim. Ginger goes to Osmo's house to get an apology from him to Mim, but instead Osmo invites Ginger to his birthday party. Ginger then takes Osmo to buy ice-cream. Ginger in the end, gets caught out in his lie to Mim, that he couldn't find Osmo. Min finds out and scolds Ginger for being deceitful. "If only you were half a gentleman..." she says.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, carbon copy, foolscap, 3 pagesHandwritten side notes by Robin Boyd in pencil.ginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions -
Moorabbin Air Museum
Newspaper - CAC cartoons of flying, CAC newspaper flying cartoons
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Kew Historical Society Inc
Journal, Kewriosity : September 1987
Kew makes plans for the Festival / p1. [Photo - Joy Stewart with first cartoon for the Kew Bicentennial tapestries] / p1. Fines up [Dog Act] / p1. Dates for September / p2. Commentary - Mayor's column / Cr Jim Tutt p3. CAB [Citizens' Advice Bureau] keeping Kew's citizens informed / p3. Motherhood's challenge [Kew Children’s Services Consultative Committee] / p3. [Community] Notices / p3. New monitor [St George's Hospital] / p3. Wanted [ephemera] / p3. Pre-school music / p3. Scouts [1st Kew Scout Group] / p3. Willsmere moves / p4. Kew singer advises [Ian Lowe] / p4. [Volunteers] Wanted [Royal Talbot Auxiliary] / p4. Kew Community House / Judy Price p5. Action group update - Emergency Housing Group [Kew Community Action Group] / p5. Community Grants / p5. Volunteers help [Kew Community House] / p5. Library Support Group [Friends of Kew Library] / p5. New outdoors club forms [Kew Bushwalkers] / p6. Keeping you informed - Kew and your garden / p8. Footy news [ Kew Football Club] / p8. Join the Bowls [Kew Bowling Club] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew makes plans for the Festival / p1. [Photo - Joy Stewart with first cartoon for the Kew Bicentennial tapestries] / p1. Fines up [Dog Act] / p1. Dates for September / p2. Commentary - Mayor's column / Cr Jim Tutt p3. CAB [Citizens' Advice Bureau] keeping Kew's citizens informed / p3. Motherhood's challenge [Kew Children’s Services Consultative Committee] / p3. [Community] Notices / p3. New monitor [St George's Hospital] / p3. Wanted [ephemera] / p3. Pre-school music / p3. Scouts [1st Kew Scout Group] / p3. Willsmere moves / p4. Kew singer advises [Ian Lowe] / p4. [Volunteers] Wanted [Royal Talbot Auxiliary] / p4. Kew Community House / Judy Price p5. Action group update - Emergency Housing Group [Kew Community Action Group] / p5. Community Grants / p5. Volunteers help [Kew Community House] / p5. Library Support Group [Friends of Kew Library] / p5. New outdoors club forms [Kew Bushwalkers] / p6. Keeping you informed - Kew and your garden / p8. Footy news [ Kew Football Club] / p8. Join the Bowls [Kew Bowling Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society IncBook, Civvy Symphony, December, 1946 : the world since V.P. day / cartooned by Armstrong of the Argus, 1946, 1946
Kew Historical Society, founded in 1958, has an extensive reference library, of which this book is a part. Volumes in the library are used by members for research into aspects of local history and/or to support the Society's collections of pictures, maps, fashion and artefacts. Reference books have entered the collection through donation, presentation, collection and purchase.Important social document illustrating Australian views of the world in the immediate postwar periodMont Albert [Vic.] : Edgar J.K. Thompson for the Argus and Australasian Ltd., 1946 48 p. : chiefly ill. (some col.) ; 31 cm. "australian wit and humour -- pictorial, australia -- social life and customs -- 1945-1965 -- caricatures and cartoons. -
Mrs Aeneas Gunn Memorial LibraryBook, Cassell and Company, Mr. Punch's history of the great war, 1919
Cartoons by Punch magazine of the Great WarIndex, ill, p.303.non-fictionCartoons by Punch magazine of the Great Warworld war 1914-1918 - cartoons, world war 1914-1918 - satire -
Friends of St Brigids Association
Book - Cartoons of Australian History, Coleman, Peter, and Les Tanner. 1978. Cartoons of Australian History. West Melbourne: T. Nelson Australia
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Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Untitled [Cartoon] 1945, William Edwin Pidgeon ["WEP"]
Pen and ink -
Mrs Aeneas Gunn Memorial LibraryBook, Cassell and Company, The Anzac book: written and illustrated in Gallipoli by the Men of Anzac, 1916
Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli.Ill, p.164.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. world war 1914-1918 - personal recollections, world war 1914-1918 - campaigns - gallipoli
