Drill dress with badly torn blue collar and cuffs - AMWAS, belonged to Lilian E. Steinberg (on same hanger as dress with pink trim)uniform, ww2, army

Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Pale pink lace ballerina length dress gathered at the waist to form a full skirt. The dress includes a belt of the same colour and fabricwomen's clothing, cocktail dresses, fashion and textiles collection, australian fashion - 1950s

The children were encouraged to join in singing Australian ballads as part of their Colonial Day celebrations. The day was also included in their history studies.A coloured photograph of a man seated in the school courtyard playing a guitar while children dressed in colonial dress gather around to listen to him.bulla primary school, colonial days, history studies

Norma Bull and her mother, Catherine Bull (nee Perrier) outdoors. it was probably taken at 'Medlow' in Warrigal Road. Mrs Gentleman was a friend of Norma Bull.A black and white photograph of two ladies in the garden. One lady looks dressed in a fur coat and hat whilst the other is in a sun dress.miss norma bull, mrs catherine bull, miss catherine perrier

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man and a woman standing in front of a house. The man is dressed in a band uniform with hat and the woman is dressed in a dark above the ankle length dress. The woman is Laura Wright and the man is Frank Wright. The house is "Dalbrao" at Northcote Hand written on back - Laura Wright 25, Frank Wright 20, "Dalbrae", St Georges Road, Northcote, Melbourne, Taken by Vernon Holt, 9/4/22laura wright, frank wright, dalbrae, vernon holt, cornet, band

One photo from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photos show passengers on the deck of the Ceramic dressed in life jackets. It shows the type of life preservers and clothing worn at the time. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo of passengers on deck of the Ceramic dressed in life jackets glued to black cardboard in an album of photos from 1920.Handwritten caption 'Life boat drill from children' in white ink.souvenir, world war one, jb mclean, ship, ceramic, passengers

This dress was worn by Nancy Kirsner (nee Rosenhain, b. 1906) and her older sister Mona (b. 1903) as children in England. Nancy Bertha Rosenhain was born in Worchestershire to German-Australian metallurgist Walter Rosenhain and Australian Louisa Rosenhain (nee Monash). Louisa was the sister of Sir John Monash; the couple met through a synagogue in Melbourne before settling in England. Nancy travelled to Melbourne in 1929 and was married to Marcus Kirsner on 24 July 1932. Nancy and Marcus lived together at 3 Baroona Court in Brighton.White cotton piqué dress. Square neck. Skirt gathered at waist. Broderie anglais trim around neck and sleeves. Hand-embroidered cornelli work on sleeves, bodice, and skirt. Small frill on skirt. Three self-covered buttons at back.children's clothing, 1900s, nancy bertha rosenhain, mona henrietta rosenhain, jewish diaspora

Helen Malvira Mackenzie (1865-1956) married Charles Ansell Smith (c1861-1934). He was baptised 23 April 1861 in Tintinhull, Somerset - son of William Maxwell & Louisa Claudina Smith (nee Ansell). His father was curate of the church at the time. Helen Malvira (or Malvena) MacKenzie, known as Nellie, was the second daughter of the John Mackenzie J.P., of Westernport, and Wilcannia, N.S.W., and great granddaughter of the late Admiral Pasco, R.N. They lived at 'Devon', 3 Vincent Street from at least 1910 but perhaps earlier until 1915. Charles Ansell and Helen Malvina Smith’s children: 1. Kenneth Ansell – b 1892 d 3 May 1977 at Lancefield SERN 819 Enlisted AIF on 17/8/1914 giving his occupation as book seller Assigned to 8th Battalion, G company Enlisted 17 August 1914 Embarked A24 Benalla on 19 October 1914 Returned to Australia on 23 October 1918 Obituary describes him as eldest child of the late Charles Ansell & Helen M Smith of Surrey Hills and Lancefield. 2. Stanley Charles – b 1893 (Carlton) - lived Surrey Hills 3. Dorothy Louisa – b 1894 - 1988 4. Harold Maxwell Pasco – b 1897 Oakleigh SERN 3268 Educated Surrey Hills State School Religion Cof E Occupation: Clerk Served with 48th Infantry CMF, Kooyong Enlisted 23 July 1915 – parents living at Vincent Street at the time Assigned to 24th Battalion, 7th Reinforcement Embarked HMAT A73 Commonwealth on 26 November 1915 KIA 4 October 1917 at Passchendaele, Ypres No known grave. Parents at ‘Cloverdale’, Lancefield 5. Francis W D (Frank) – b 1898 – 1972 Obituary: Frank (FWD) Smith on Feb 14 (suddenly) Francis Wm Douglas Smith, son of Charles Ansell & Helen M (Surrey Hills & Lancefield) and brother of Kenneth (Lancefield), Dorothy (Mrs Cromwell), Harold (KIA) Roy & Stanley. 6. Roy MacKenzie – b 1901 – 1988 m Ruby Olive Laity in 1931 So, the children were all born before the family came to Surrey Hills but Vincent Street was where they grew up. Charles and Helen are buried in Box Hill Cemetery (CE-NS-1266) Comment: An early example of a 'traditional' wedding dress.B&W bridal studio portrait of Mrs Helen Malvira Smith in a traditional wedding dress. weddings, wedding dresses, helen malvira mackenzie, helen malvira smith, kenneth ansell smith, stanley charles smith, dorothy louisa smith, harold maxwell pasco smith

This is a photo of participants in the "Queen Competition", which was held in the Halls Gap Hall. The Queen of Grampians House was Amy Johnson. See Record 4 for information about the Queen Competition.The photo shows a young girl dressed in a long white dress, with a large train, sitting on a throne. The has a small crown. On her left and right stand two young girls, also wearing long white dresses and head bands. To the far left is a young boy dressed as a page, holding a shield which reads :"Queen of Grampians House".recreation

Australian Home Journal magazine from January 1st, 1953. On the cover: these patterns enclosed No.8060 lady in green, yellow white and red dress, no.8061 lady n wide brim hat and pink dress, no. 9333 toddler in yellow dress, No. 9334 young girl in blue dress. The magazine has 52 pages. Price 1 shilling.books, magazines, women's magazine

Sepia photo: large group - 3 rows of women dressed in long white dresses; all women are wearing a ribbon on their chest. Two rows of men dressed in black suits, with stand up collars and bow ties. Woman in centre of 2 row has lace covered long dress and is carrying a pointer. Possibly Bendigo Choral Society 1912?Richard & Co., 23 Sturt Street, Ballaratperson, group, performing group

Photocopy: image shows four women, dressed in suits or dresses and hats, two wearing furs around shoulders. Written on photocopy '1930's'?bendigo, bendigo easter fair, 1930 popular girls

Photograph, sepia. Portrait of a young child, standing next to a tree stump, dressed in a white lacy looking dress, white socks and black shoes.Bartlett Bros., Sandhurst.person, individual, child portrait, photograph. portrait of a young child. unknown family collection.

Photograph - black and white. Portrait of a young woman, dressed in a white coloured dress with lace and puffed sleeves. She has tight curly hair.Mendelssohn, View St., Bendigo.person, individual, female portrait, photograph. portrait of a young female. unknown family collection.

From Fiona Seager's family (Stewart)Light blue satin dress, full-length (ballgown). Gold thread patterns across dress, floral paisley pattern. Crown decorative buttons.ladies dress, ballgown, satin

30cm Miniature Doll dressed in long blue dress with long white apron. Red cape and white veil on head. White cuffs on sleevesName Tagminiature doll, nursing uniform, nursing history

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Plum coloured single piece dress, belted at the waist, with a belt covered with the same fabric. It has pearl buttons. The dress was retailed by Scotchco of MelbourneLabel: Scotchco of Melbourneaustralian fashion - 1950s, melbourne fashion designers - scotchco of melbourne, women's clothing, day dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Grey coloured crepe dress with cream coloured collar and neckline to waist. The dress has three quarter length banded sleeve and a pleated skirtLabel: Nouvellenouvelle, women's clothing, day dresses, fashion - australia - melbourne (vic), fashion - melbourne - 1950s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.A 1920s style short sleeve white cotton dress. The dress is gathered below the waist to allow for a two layered flared skirt with scalloped borders.Label: Malikamalika, australian fashion - 1980s, women's clothing, day dresses

Associated with Captain William Robertson, Captain of the S.S.Casino, Port Fairy Naval Reserve,Naval Dress Sword and scabard: Naval Dress Sword with brass handle with safety catch and gold thread tassle. Scabard of leather with brass decorationsSword and Crown E.R.VII- Owen Harries 15 Russell Street Landportlocal history, arms, edged weapons, captain william robertson, s.s.casino, port fairy naval reserve, belfast and koroit steam navigation co., boxer rebellion

Colour photograph showing three girls and an adult dressed in period costume enjoying games in the garden with one lady in modern summer dress watching."Jean McDonald".children's games

The wedding was in 1925. Fred Osterlund was a ferry captain from Rhyll. Fred and Ida were the parents of Jim Osterlund of Rhyll.HistoricalSepia photo of a man, dressed in a suit and bow tie, seated and a woman standing, wearing a wedding dress and veil and holding a large bouquet of flowers.wedding photo, fred osterlund, ida richardson, rhyll

Black and white photograph (2 copies- 1 large, 1 small)Image shows a group of people dressed in costumes riding on a horse and dray. Sign on dray reads 'King Billy- the last of his tribe.'

Taken in the early 1900s, the postcard depicts two girls dressed in old style, white knee length dress which was common for this period for young women. This compared to the ankle length styles which were acceptable for adult women. We can also see an example of early bridge construction and engineering, notably made from timber rather than from stone or steel, noted in the postcard as Snow's Bridge. Sepia rectangular postcard printed on card Obverse: Snow's Bridge/Beechworth Reverse: Dear Julie/ I received your pretty PB/ We haven't gone away yet. Mr Stokes/ asked me were you going to be/ married. He wished you luck/ (I wonder/ if he meant it.) We sent the Magpie to Annie to-day. I haven't got any/ word about going to a [unknown]/ yet. We had a great Friendly Societies/ day yesterday but it rained a bit/ Sally is going to get a [illegible] silk/ dress. When are you to be married?/ Mr Pounceby is back at Allen's shop./ [unknown]. We are going to Belle's for a [unknown] if we can. With Love from Lilly. bridge, beechworth, snow's bridge, children, childhood, postcard

Gathering of seafarers and LHLG members carrying the Mission flag, at Graylings, property of Frederic Race Godfrey, in St Kilda, on 13 November 1905. Sixty-three men and boys were invited to the picnic. Miss Ethel Godfrey is standing on the right hand side next to another lady, wearing a dark dress and hat. In the article published in the Church and the Sailor in July 1930 after she resigned from her position of Honorary Secretary, this was the first picnic organised by her after Reverend Gurney Goldsmith pleaded for women's help during a sermon at All Saints church in St Kilda the same month. The Ladies Harbour Lights' Guild was formed on 1st October 1906 and she was nominated Honorary Secretary and Treasurer on 4 December 1906. See item 1642This was the official first picnic of the Amalgamated Victorian Seamen's Mission and the first picnic organised by Miss Ethel Godfrey. A year later she was nominated Honorary Secretary of the newly Ladies Harbour Light Guild. The Melbourne Guild was the first one of its kind and was so successful that the scheme was spread around the world.Small monochrome photograph, quite blurred, depicting a group of sailors and ladies in a park. The Flying Angel Mission to Seamen flag behind them.In the centre wearing dark dress and hat is Ethel Godfrey.Handwritten in pencil on verso: 12 Handwritten in white ink on the album page: First picnic of the Mission, Graylings, St Kilda, King's Birthday 19051905, graylings, st kilda, reverend a. gurney-goldsmith, lhlg, ethel augusta godfrey, king's birthday, picnic

This dress belonged to Katherine Blair, a longtime resident of Brighton. Katherine Fennell Blair was born in April 1929 in Benalla to magistrate Douglas Granville Blair (1893-1976) and his wife Isabell Nora (“Billie”) Blair, nee McNamara (1895-1989). Katherine was a child when the family moved to Brighton, where she attended St Joan of Arc Catholic Primary School and Star of the Sea College. After school, Katherine worked as a secretary and PA for various companies in the Melbourne CBD. Following a working holiday in the UK in 1959-61, she returned to Brighton, living first with her parents at 14 Kilrush Street and later in Burrows Street. An active part of the local community, Katherine was a member of the Brighton Red Cross, Brighton Probus Club and the St Joan of Arc Catholic parish and choir.Long-sleeved black velvet dress with shallow v-neck and self-covered belt. Smocked at shoulders and either side of waist. Floral embroidery around neck, cuffs and above smocking at waist.katherine fennell blair, 1940s, 1950s

Research suggests that this dress dates from the early 1920's when elastic was first used in clothing.Deep cream cotton muslin ladies tea dress. High waisted, square neckline, elbow length sleeves edged in cotton lace. Skirt has four panels of fabric - two side panels extending around front and back, and centre panels at front and back. French seams - some stitched in pink thread - machine stitched. Centre panels have two rectangular inserts of cotton lace. Each side panel has one rectangular insert of cotton lace. Lace inserts are edged on sides with six ball passementerie buttons. Neckline and sleeves edged with cream cotton lace. Soft gathering from neckline of centre front and back. Elastic casing around waist.costume, female, ladies tea dress

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll