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Kew Historical Society Inc
Clothing, Ecstasy, Pink Silk Beaded Dress & Coat, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre. It belonged to her mother Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Two-piece pink silk outfit comprised of a round necked, knee length dress and plain matching silk coat. The dress is scalloped at the waist and bordered with pink glass beads. The dress has the label “Ecstasy Creation : a fine fabric”.“Ecstasy Creation : a fine fabric”.women's clothing, mcintyre collection, australian fashion - 1960s, cocktail dresses -
Kew Historical Society Inc
Clothing - Tenerife Lace Blouse, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Tenerife lace (calado canario) is one of the traditional industries of the Canary Islands off the coast of West Africa. It uses drawn work embroidery.Canary Island Tenerife lace blouse. The blouse is decorated with bands of drawn thread lace of two widths at the waist line. There are two bands of wide lace featuring two circular motifs and two simple narrow bands. The neckline is decorated with two bands of the wide lace and three bands of the narrow lace. There is a single button opening at both sides of the necklinefashion and textiles collection - kew historical society, lace, women's clothing, blouse, tenerife lace -
Kew Historical Society Inc
Clothing - Pink Silk, Glass & Pearl Evening Dress, Park Avenue Gowns, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie white, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman's white ready -tied bow tie with elastic and metal clips* neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie black, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman’s black Bow tie neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
Port Melbourne Historical & Preservation Society
Card - Parisma Business Card, c.2000
Card advertising Parisma KOUKLAN and her fashion consulting, alterations, dress-making & millinery business at 350 Bay Street, Port Melbourne Brown toned business card with a narrow darker border and text in black. business and traders - dressmaking, parisma, parisma kouklan, 350 bay street -
National Wool Museum
Hat, 1980
Made by Mrs Sayer in 1980 at Deniliqiun TAFE "Garment Assembly" course which was 2 years long. A popular course which was common in those days, Mrs Sayer was always crafty but not good at the other subjects. She wore this hat with the full ensemble also containing a dress and wool coat from 1980 - 2014.Small brim women's sunhat. Sandy brown in colour. Floral ribbon tied around the hat just on top of the brim which is secured with a green pin on right side of hat. On the front there is a small gold ANZAC badge that reads "Lest We Forget". On the left hand side there is a brown brooch with feathers attached, and the back of the hat features another brooch, which is round in shape and features 6 jewels with one large jewel in the middle. The inside of the hat is lined with orange fabric.clothing, women, fashion, hat -
National Wool Museum
Textile - Dress, 1980
Fabric for dress purchased from Cleggs, Elizabeth St Melbourne. Made at Deniliquin TAFE "Garment Assembly" course which ran for 2 years. Mrs Sayer was always crafty but not great at other subjects. This dress was worn with a hat and coat ensemble between 1980 and 2014.Cotton dress with belt, buttons down the front from chest to waist and a collar. Orange floral colours.dress, costume, fashion, cotton -
National Wool Museum
Coat, 1980
The coat along with matching hat and dress ensemble was made in 1980 at the Deniliquin TAFE 'Garment Assembly' course which was 2 years in duration. Mrs Sayer was always crafty but not great at other subjects. Coat is lined with a petticoat which Mrs Sayer wore in 1958. The seal fur collar was purchased by Mrs Sayer's mother at the shop 'Manly Corso' in Sydney, after WW1 with money from her father.Light brown wool coat with seal fur collar attached. Lined with red fabric from the petticoat of a taffeta and lace dress that was worn by Mrs Sayer in 1958. Wooden buttons down coat and on sleeves. Coat has been handmade and has no label.coat, wool, fur, fashion -
National Wool Museum
Photograph
The Australian Wool Board promotional caravanRitter-Jepperson Studios...wool marketing fashion, australian wool board australian wool board - wool marketing committee, wool marketing, fashion -
National Wool Museum
Photograph
The Australian Wool Board promotional caravanRitter-Jepperson Studios...wool marketing fashion, australian wool board australian wool board - wool marketing committee, wool marketing, fashion -
National Wool Museum
Book, Knitting, Vogue Knitting Book Fall-Winter 1955
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by American Vogue in 1955 and contains knitting patterns for womens garments.VOGUE KNITTING / BOOK / Fall and Winter 1955 / Over 60 / New Designs / Introducing a new / Easy-to-Knit / Section / 50 Centsknitting fashion, vogue - america, knitting, fashion -
National Wool Museum
Book, Knitting, Vogue Knitting Book no. 52
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue in 1958 and was part of a twice yearly sereies. It contains knitting patterns for mens and womens garments.VOGUE KNITTING / BOOK / Make this a / KNITTED / summer / Instructions inside / No. 52 PRICE 3'10knitting fashion, vogue - english, knitting, fashion -
National Wool Museum
Book, Knitting, Vogue Knitting Book no. 55
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue in 1959 and contains knitting patterns for mens and womens garments.Vogue Knitting Book / For all / occasions / .. jackets / .. ski sweaters / .. bedjackets / Sizes 30-44 / Instructions inside / No. 55 Price 2'6knitting fashion, vogue - english, knitting, fashion -
National Wool Museum
Book, Knitting, Vogue Knitting Book no. 61
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting patterns for men, women and childrens garments.Vogue / knitting / BOOK No. 61 / For you .. / For men .. / For children .. / All you need / to knit now / Instructions inside / 2'6knitting fashion, vogue - english, knitting, fashion -
National Wool Museum
Book, Knitting, Vogue Knitting Book no. 65
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting patterns for womens garments.VOGUE / Knitting / Book / no. 65 / Over 28 / new designs / suits / sweaters / dressesknitting fashion, vogue - english, knitting, fashion -
National Wool Museum
Book, Knitting, Vogue Easy Knits no. 2
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting patterns for mens, womens and childrens garments.VOGUE / Easy / Knits / No 2 / Quick / knitting / for the / family / 2'6knitting fashion, vogue - english, knitting, fashion -
National Wool Museum
Book, Australian Costume and Textile Society
"Context: Australian Costume and Textile Society journal" June, 1983. Special issue, marking the occasion of the Society chainging its name from the Textile Museum of Australia Association to the Australian Costume and Textile Society, and the handing over of their textile collection to the Powerhouse Museum, Sydney.fashion handicrafts - history, australian costume and textile society powerhouse museum, fashion, handicrafts - history -
National Wool Museum
Shoes
Australian shoes from the Sydney 2000 Olympic Games unisex casual uniform (option 1). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Shoes
Australian shoes from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Jumper
Australian jumper from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Trousers
Australian trousers from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Shirt
Australian shirt from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
T-shirt
Australian t-shirt from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Jumper, Roll neck sweater
Part of the Winter Olympic Uniform, 2002 and worn by both sexes.Salt Lake City 2002 WOOLMARKfashion, costume, sport, salt lake city -
National Wool Museum
Jacket
Australian mens jacket from the opening ceremony of the Sydney 2000 Olympic Games. Designed by Mambo Graphics.fashion, woolmark company mambo graphics, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Trousers
Australian mens trousers from the opening ceremony of the Sydney 2000 Olympic Games. Designed by Mambo Graphics.fashion, woolmark company mambo graphics, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Shirt
Australian mens shirt from the opening ceremony of the Sydney 2000 Olympic Games. Designed by Mambo Graphics.fashion, woolmark company mambo graphics, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Jacket
Australian womens jacket from the formal uniform for the Sydney 2000 Olympic Games. Manufactured by Saba Pty Ltd with wool from Macquarie Textiles.fashion, woolmark company saba pty ltd, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Skirt
Australian womens skirt from the formal uniform for the Sydney 2000 Olympic Games. Manufactured by Saba Pty Ltd with wool from Macquarie Textiles.fashion, woolmark company saba pty ltd, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)