Black T-bar high heeled shoes. Rounded toe with three straps across instep. Narrow tapered heelsGaiety Shoes Size 5Dcostume, female footwear

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

Lawn lace camisole with blue ribbon drawstring at neck and sleeves. Cotton drawstring at waist. 4 pearl buttons. Pintucking at neck.costume, female underwear

Blouse was handmade by Judith Fry, the donor and Society member and Society PresidentCream cotton blouse with long sleeves. Collar edged with frill. Centre closing and cuffs have pearl buttonscostume, female

Pale blue waterproof Gabardine raincoat with mandarin collar. Buttoned down front with six buttons. Yoke back and front and two side pockets. Inside lined with silk rayon.costume, female

The coat was donated by Penguin Dry Cleaners Tunstall Square as it had not been collected for two yearsc1970 Full length imitation fur coat with tie belt. Coat is lined with brown rayon and has two pockets.costume, female

c 1980 Ladies full length camel coloured coat, raglan sleeve style. Two side pockets. Tab and button decoration on sleeve. Four large buttons down front. Tabs on sleeves. Double saddle stitches in cream silk thread. Fully lined in rayon material and treated with acetate.Made In Englandcostume, female

Purchased from Opshop with original price ticket.Grey felt with a wide brim set on skullcap. Crown edge of brim trimmed with grey grosgrain ribbon crown trimmed with ribbon finished with large bow on back of brimcostume, female headwear

George Harold Merrett married Dorothy Lorna James at Christ Church, Horsham 14/08/1954. wedding gown and accessories were donated by family members. Photo of wedding couple.Cream lace dress and train overlaying pink satin with attached cream taffeta half slip trimmed with 4 cm cream lace inserted with blue ribbon. Design is scalloped sweetheart neck, dropped waist line and 34 pink satin covered buttons down centre back of the bodice. Sleeves are crossover cap sleeves and 180 cm train from centre back waist line. Pair of elbow length cream kid gloves, three pearl buttons at wrist and cream net horseshoe with apple blossom and pink rayon horse shoe. Full length cream veil attached to pearl and blossom headdress. See also NA4231 Mauve Bridesmaid's dress, NA4138 Mauve hat for bridesmaid's dress and NA3949 Mauve fingerless gloves for bridesmaid's dress.costume, female ceremonial

Worn b y Gloria Woodland as a foundation garment for special evening gown - she found it a very impractical garment taking up to a half an hour each time at the toilet. Only worn once...Flesh coloured elastic & lace body length garment. Lace bra cup - lace panel down front - elastic shoulder strap, silk nylon crutch with eight adjustable hooks and eyes to close under the crutch - also four loops to hold suspenders.Hickory Style 4512 - size 16Bcostume, female underwear

Was worn for gala occasions. Fur was made by Stephen Dattner for donor. He was a business acquaintance.Honey mink fur stole with collar and removable tails - lined with beige synthetic satin and it has pocketscostume, female

This hat was purchased by Margaret Skey from Myer (Margaret always went out and brought a new hat when she had an argument with her husband....)Brown straw hat with a roll back brim.(purchased in Myer Melbourne)94-414 100% straw|Made in Italycostume, female headwear

I have lived in Box Hill now City of Whitehorse since 1970 I have belonged to Box Hill Spinners and Weavers Inc. since 1990.During the 90s' Box Hill Spinners and Weavers participated in the Annual Sheep and Woolcraft Show, at that time held in the Melbourne Showground. As well as submitting individual entries we always entered the Group Competition, known as the '5 articles' the entry had to have 5 separate articles made by a group and displaying different woolcraft techniques . In 1997 our Box Hill entry focused on 'The Planets' featuring five capes. The red one representing Mars the red planet. It was woven. The dark cape represented Jupiter. It was also woven. the Neptune cape was felted in blue and greens. The Earth cape featured knitting and crochet. My contribution was the Venus cape featuring spinning from raw merino fleece and silk. Once completed this wool/silk yarn was fashioned using hairpin lace. I was adept at spinning by this time but knew nothing about the old technique of hairpin lace. Box Hill Spinners and Weavers won First Prize. Margaret Dimelow.Cream coloured cape spun from raw merino fleece and silk, technique is hairpin lacecostume, female

Purchased in Europe in the 1970sSleeveless light brown leather dress. there is a zip down the front and an attached belt which has metal studs and a gold coloured metal buckle in the frontcostume, female

Blousettes were popular for ladies wear under suits and cardigans in the 1930's and 1940's. Part of the Bette Jones collection.Fine voile and net blousette (blouse front and back); cream coloured. Ties at side- elastic at waist and back, satin ribbon at front and back. Front panel of three vertical panels of petit-point coloured flowers, centre panel flanked, each side, by four rows of cotton edging lace. Stand-up net collar of three rows of same edging lace. Back neck opening fastened with metal hooks and eyes.costume, female underwear

Part of Betty Jones collectionBlack chiffon scarf, square. White flower pattern embroidery in one cornercostume, female underwear

Part of Bette Jones collectionDeep beige linen apron with bib. Bib and skirt embroidered with flowers and leaves in pinks and greens. Apron edged and trimmed with cotton lace. No straps, so either designed to be pinned on or unfinished.costume, female working

Skirt may have been worn as tennis skirt circa 1910-1920c 1910 White linen skirt, 3/4 length with placket fastening with 7 hooks and eyes. Wide hem and fold above hem. Laundered 2011costume, female

Worn by Cecilia Foley , Blackburn, VictoriaLadies dress, black and white zig-zag print. Three buttons to waist; belted, eight panelled skirt. Circa 1960'sElcee. By Leon Cutler, New York, Sydneycostume, female

Worn by the donor's motherMachine knitted, brown and cream short sleeved dress and waist length, long sleeved jacket. Dress brown with cream pattern; polo necked, A line with inverted pleat at front of skirt, zip down back. Jacket Chanel style: brown with cream trim at neckline and along facingJoan Knitscostume, female

Worn by an aunt of donor, Lorraine FarnsworthCream silk cap; cream lace insert, edging trimmed with orange flowercostume, female nightwear

Purchased by member of Whitehorse Historical Society to add to the collection of Costume AccessoriesBlack, high-heeled shoes. Platform soles; two strap sandal-type, with ankle strap and silver buckle fastening. Synthetic material, covering of silver glitter.Pierre Fontaine (6)costume, female footwear

See attachedA Victorian Battenberg Lace collar in two tones of ecru. It is mounted on to pink polished cotton with paper backing. Tape is machine made with infilling by handcostume, female, handcrafts, lacemaking

Hat worn by donor, Barbara Gardiner during the 1960'sBrimless, pleated, close fitting hat. Crown uncovered with a large bow at the back. Fabric patterned in lime green, deep blue and black on an orange background.costume, female headwear

Donated by wearer; worn to churchWhite, chenille, off the face, 1960s bonnet shaped hat; small gilt brooch pinned on front.costume, female headwear

Pink hat of stiffened net, rouched all over; little sprays of apple blossom nestling in the netJulianne, Melbourne MF 8770costume, female headwear

Worn by donor for churchPink straw hat with deep, off the face, brim. Pink ribbon band around crownWeltra Hats, Paris, London, New Yorkcostume, female headwear

Worn by donor for churchFur over 2 wire head bands, trimmed with two brown satin bowscostume, female headwear

Wedding veil worn by the donor in 1963White tulle veil attached to comb with cream satin bow sewn on to it. See Wedding Dress NA3477costume, female headwear