Showing 593 items
matching fibre
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National Wool Museum
Report, Australian Wool Corporation survey for market potential of wool minority blends
"Australian Wool Corporation survey for market potential of wool minority blends " - WD Scott & Co Pty Ltd : a survey of Australian garment manufacturers and retailers.textile industry fashion textile fibres textile fibres - synthetic, cloth - woollen, cloth - worsted, textile industry, fashion, textile fibres, textile fibres - synthetic -
National Wool Museum
Book, Board of International Wool Secretariat Meeting, London, June 1964: Summarised papers
Board of International Wool Secretariat Meeting, London, June 1964: Summarised papers.wool marketing wool sales wool - research trade - international textile fibres textile research, international wool secretariat, wool marketing, wool sales, wool - research, trade - international, textile fibres, textile research -
National Wool Museum
Book, Textiles for Modern Living
"Textiles for Modern Living" - E.P.G. Gohl & L.D. Vilensky, Longman Cheshire, 3rd ed., 1987. Reference book for secondary school students.textile fibres textile production, textile fibres, textile production -
National Wool Museum
Book, Introductory Textile Science
"Introductory Textile Science" 2nd ed. - Marjory L. Joseph, 1972.textile fibres yarn production weaving textile production textile finishing, felting, textile fibres, yarn production, weaving, textile production, textile finishing -
National Wool Museum
Book, How to Know Textiles
"How to Know Textiles" - Cassie Paine Small, 1932.textile fibres weaving machine knitting yarn production cotton silk, lace, dyeing, cloth - woollen, cloth - worsted, rayon, textile fibres, weaving, machine knitting, yarn production, cotton, silk -
National Wool Museum
Book, The Dyeing of Textile Fabrics
"The Dyeing of Textile Fabrics" - J.J. Hummel, 1885.textile fibres dyeing, dyeing, textile fibres -
National Wool Museum
Book, Lanificio Ing. Loro Piana & C. spa Italia
"Lanificio Ing. Loro Piana & C. spa Italia" 1988. History of the Italian textile manufacturing company Lanificio Ing. Loro Piana & C. Includes photos of processes and products. They make use of vicuna and cashmere, as well as Tasmanian merino and superfine wool.textile production wool - superfine textile fibres merino sheep, lanificio ing. loro piana & c., textile production, wool - superfine, textile fibres, merino sheep -
National Wool Museum
Book, Textiles by Britain
"Textiles by Britain", by G L Fraser, 1948textile fibres textile history, textile fibres, textile history -
National Wool Museum
Book, Principles of worsted spinning
"Principles of worsted spinning 2nd ed" - Howard Priestman, 1921textile fibres yarn production, yarn - worsted, spinning, textile fibres, yarn production -
National Wool Museum
Book, The Du Ponts of Delaware
"The Du Ponts of Delaware" -W E Carr ,1965. The Du Pont company originally developed nylon.textile fibres textile fibres - synthetic, nylon, textile fibres, textile fibres - synthetic -
National Wool Museum
Book, Methods of test for textiles: B S Handbook no.11 1963
"Methods of test for textiles (excluding colour fastness tests): B S Handbook no.11, 1963" -British Standards Institution.textile fibres textile testing, british standards institution, textile fibres, textile testing -
Whitehorse Historical Society Inc.
Clothing - Womens Suit, 1980's
Attached George Gross Biography. Vogue Australia|With more than 40 years in the industry,- George Gross is one of Australia's best known fashion designers. Designing his own. label for the last 35 years, Gross is renowned for his glamorous evening wear, corporate and race wear ranges. Embodying style and sophistication, Gross has dressed celebrities the world over in his eponymous label.|With his first creation - a sequined shift, at the tender age of 16 George still believes 'every collection starts with the fabric and is all about the cut and proper finishing. The looks and silhouettes change every season but not dramatically, it is more that they evolve from season to season.'|The George Gross label was first conceived in Adelaide by Gross and his business partner Harry Watt. As designer, both were working for other fashion houses and saw a gap In the market for elegant evening wear, suiting and separates. Joining with his twin sister Kathy, the three began with a small Adelaide store and expanded to include more than 500 retailers worldwide at the height of their business.|Inspired by real women, Gross showcases his love of colour, cut and quality with each collection. His aim is to create sensuous clothing that women of any age, shape or taste look fabulous wearing. Attributing his longevity to a desire for experimentation while also listening to his customers' needs, Gross designs the fabric prints and only uses the best quality natural fibres from Europe.|Gross and Watt have won 13 Australian fashion design awards between them and both work closely with charities throughout Australia. Working primarily with Breast and Prostate Cancer Research, George organises parades around Australia, especially in their home town of Adelaide.|Gross now has seven stand alone stores, nine concession areas in David Jones department stores and numerous wholesale clients Australia wide. Having finished summer 2009, George is now working on winter 2010, his 73rd collection with many more to come.Three piece Grey - brown pin stripe pants suit. Fully lined pants, shaped waist band. Zip front & turned up cuffs. Jacket fully lined, wide reveres, single breasted, one button. Two pockets. Tailored waistcoat, 5 buttons. Two imitation pockets. Stretched lace backGeorge Grosscostume, female -
RMIT Design Archives
Textile - Woman's dress, Norma Tullo, Garment Designer, Shirley Lyle, Textile Designer, Woman's Dress
This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion -
Moorabbin Air Museum
Manual (Item) - STITS Poly-Fibre Covering Manuals - multiple
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Moorabbin Air Museum
Manual (Item) - Maintenance of Fibre Reinforced Plastics on Aircraft by Denis Peters - Aircraft Maintenance Text 5
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Surrey Hills Historical Society Collection
Book, The James Miller Story
A brief history of the development of the rope making business of James Miller. It celebrated its centenary in 1962, being Australia's largest manufacture of rope, cordage and associated products.[32] p. : chiefly ill. (some col.), ports. ; 29 cm. A4 booklet with plastic comb bindingjames miller and co. -- history, rope makers -- history, rope trade, plant fibre industry, (mr) thomas hogg, (mr) james miller vine, (mr) f. s. vine, (mr) alexander gray -
National Wool Museum
Photograph - Wool Fibres, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting strands of wool.[handwritten]: Kempagriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Wodonga & District Historical Society Inc
Book - The Kiewa Valley and Its Pioneers, Esther Temple, 1971
Historical handbook, includes brief section on Kiewa Valley tribes (Ya-itma-thang, Whroo, Kiewa, Unurring & Murramurrangbong), territory, shelters, fire, foods, including bogong moth, weapons, containers for water, fibre making for nets, stone tools, biographical details on Billy Elengeist & Queen Emily of the Murramurrangbong tribe.non-fictionHistorical handbook, includes brief section on Kiewa Valley tribes (Ya-itma-thang, Whroo, Kiewa, Unurring & Murramurrangbong), territory, shelters, fire, foods, including bogong moth, weapons, containers for water, fibre making for nets, stone tools, biographical details on Billy Elengeist & Queen Emily of the Murramurrangbong tribe.history kiewa valley, victorian pioneers, kiewa valley tribes -
Moorabbin Air Museum
Manual (Item) - Australian standard 1504 -1983 Fibre rope, three strand, Hawser laid
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Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Within ten miles of Melbourne 1, 2022
merri-bek public art collection -
Federation University Historical Collection
Booklet, N.L. Harvey Photographers, All that Glitters ... :The Growth of Ballarat Victoria, c1966
Red, blue and gold soft covered booklet. Images include the Ballarat Town Hall, The Eureka Monument, Begonia house, Ballarat Botanic Gardens,M.B. John, Sebastopol Technical School, reservoirs, Ballarat Base Hospital, Calembeen Park, Ballarat Industrial Estate, Lal Lal Falls, Buninyong Golf Course, Mayne Nickless, Firth Cleveland Plant, Bendix Mintex, Bunge, (Aust.) Pty Ltd, Martin's Stoneware, Sunshine biscuits, Timken, M.B. John and Hattersley Limited, Ballarat Gas Company, Ballarat Paper Mills, Ballarat Woollen and Worsted Mills, Eclipse Motors, E. Lucas and Co, Milk Processors Pty Ltd, Eureka Valves, Paddle Bros., George Farmer Pty Ltd, Sebastopol technical School, Burrumbeet and Windermere Co-Operative Society Ltd .greater ballarat association, develop victoria council, ballarat, begonia queens, yvonne arstall, carol penrose, wendy longmore, lal lal falls, ballarat town hall, the eureka monument, begonia house, ballarat botanic gardens, m.b. john, sebastopol technical school, reservoirs, ballarat base hospital, calembeen park, ballarat industrial estate, buninyong golf course, mayne nickless, firth cleveland plant, bendix mintex, bunge, martin's stoneware, sunshine biscuits, timken, m.b. john and hattersley limited, ballarat gas company, ballarat paper mills, ballarat woollen and worsted mills, eclipse motors, e. lucas and co, milk processors pty ltd, eureka valves, paddle bros., george farmer pty ltd, yvonne arsrtall, wendouree, shire of wendouree, guncotton factory, regina glass fibre -
Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Within ten miles of Melbourne 2, 2022
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Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Splitting logs for a “feed” 1, 2022