Various residents of Elanora with staff members. 1. Residents Ron Watt, Merle Herdhom (?) and Florence Pinner. 2. Merril Dunlop - Resident, Judy Hammer - Receptionist. 3. Judy Parker SEN, Ernie Clarke Resident. 4. Residents Singalong. 5. Singalong Group. Volunteer Piano Lillian Egan. 6. Woodburn Lodge Residents lunch.6 colour photographs of Elanora residents1. Residents Ron Watt, Merle Herdhom (?) and Florence Pinner. 2. Merril Dunlop - Resident, Judy Hammer - Receptionist 1993. 3. Judy Parker SEN, Ernie Clarke Resident 1993. 4. Residents Singalong 1993. 5. Singalong Group. Volunteer Piano Lillian Egan 1993. 6. Woodburn Lodge Residents - lunch 1993.association for the blind, elanora home (brighton), ron watt, merle herdham, florence pinner, merril dunlop, judy hammer, judy parker, ernie clarke, lillian egan

Paterson Hall Story is told through the reminiscences of 23 people who played an active part in the life of a popular recreational and entertainment hub from 1929 to 1999. They relate how a simple concrete structure in Glenferrie Road, Kooyong became a 'home away from home' for people who were blind or vision impaired, their families and friends. The hall was originally built as a clubhouse for blind cricketers in 1927, but by 1929 it had been extended to include a social hall and other facilities including a verandah where spectators could watch the cricket. Over the years the hall was used for activities as diverse as square dancing, singing, craft classes, ball games, art and craft shows, drama groups and annual meetings.60 MP3 sound files of oral history interviews and book excerptsNarrated by Maurice Lockie, Bill Charles and Norah Tooheypaterson hall, association for the advancement of the blind, victorian blind cricket association

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

Ill, p.87non-fictionHere in brief compass is the thrilling tale of air crew adventure told by its navigator, who was one of three Australian in a crew of six manning a Marauder aircraft operating from Africa over the Mediterranean. The aircraft becomes involved in combat, in which two enemy fighters are drive off, one emitting clouds of smoke; but the Marauder, too, is crippled, and comes down in the Mediterranean near the Italian Island of Ustica. Rescue from the sea is followed by the rigours of captivity in Fascist barracks and compounds, of travel through Italy, of sharing British air raids with their captors, assuming careless ease while their musical comedy soldier captors cannot conceal their unease. An ingeniously planned escape is successful; five prisoners break from the compound, and this party, with intrepidity and endurance, gain a liberty which is also a life of great hardship. Italian peasant life provides great interest, and friendly folk protect the adventurous band from the Fascists, while they meet at the coast a mysterious English Captain, who later proves to be a Commando officer on a mission; when this mission is accomplished, and not before, he helps the several groups of escapees to liberty. A motor torpedo boat calls at midnight and, within six months, home in Australiaworld war 1939-1945 - aerial operations - australia, world war 1939-1945 - prisoners of war

Black and white photograph. Members of the Canterbury History Group inspecting the cellar, converted to a chapel, in "Shrublands". Edie Prest is second from the right. canterbury, balwyn road, "shrublands", st john's home for boys and girls, canterbury history group, prest> edie, cellars, chapels