This photograph shows an RDNS Sister doing Liaison work at a Hospital. She will pass the information given about the babe to the RDNS Domiciliary Infant and Maternal Care (DIMC) Sister who will be visiting the baby and her family in their home. Sr. Schofield is wearing the RDNS winter uniform of a blue/grey skivvie under a V neck tunic style frock made of herringbone winter material.Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS) Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge, and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital. In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who was trained in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose before or after birth the patient was transferred to their care. Following birth, the Midwife gave Post-Natal care to both the mother and babe commencing with visits twice a day. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and a pioneering Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. In 1964 MDNS commenced a Post-Natal service with General and Midwifery trained MDNS Sisters working from a room on the ground floor in the Footscray Hospital Nurses quarters, and visiting early discharged Footscray Hospital maternity cases at home. Later, as Royal District Nursing Service (RDNS), this service was extended and renamed as Domiciliary Infant and Maternal Care, (DIMC) service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give Post-natal care to the mother and babe. Many of the RDNS Sisters who worked in DIMC also had their triple Infant Welfare Certificate, though double certificate Midwifery trained Sisters also visited. On the left of this black and white photograph is Royal District Nursing Service (RDNS) Sister Margaret Schofield, who has her long dark hair drawn back, and is smiling as she looks down at a baby being held in the arms of a Hospital Sister. Sr. Schofield is wearing a light grey skivvie under a V neck dark tunic style frock. She has a pen in the V of her tunic, and has a watch hanging under the RDNS logo on its left hand side. Her left hand is resting on a white table which has baby scales with a wicker basket on it. To the right, is the Hospital Sister, who is side-on and facing Sr. Schofield. She is wearing dark rimmed glasses; has her long dark hair drawn back and is wearing a dark cardigan over her white uniform. She has her right arm under the baby with her hand on babe's right leg; her left hand is holding the baby's feet. The baby has sparse dark hair and is wearing a white patterned jacket. Part of a dark filing cabinet is on the right of the photograph and behind the Sisters is a large window, then grass, small shrubs and part of a corrugated clad building can be seen beyond.Barry Sutton LP 43royal district nursing service, rdns, rdns dimc, rdns uniform, sister margaret schofield

Turner Collection. Wedding dress of Margaret Jane Morrissey who married James Cahill 31 May 1868 at St. Patricks Church, Kilmore KHS holds original Marriage Certificate. Both early Kilmore families.Brown silk damask dress with cotton lining. Front button fastening. Jacquard striped, bustle back. Tearing at armhole, breakage at hem, frayed binding, frayed black braid trim detached in places, staining on collar, accretion on back, pest webbing. Very fragile.wedding, morrissey, cahill

A very damaged, stained red antique hardcover book for girls with the title printed in gold lettering in the middle of the front cover. There is a gold outlined drawing of a girl sitting looking out of a window. There are red flowers and green leaves decorating the cover. The spine has the title printed in gold letters with red flowers and green leaves.On the front right side end paper is an inscription for a Sabbath School award dated 1882. The frontispiece balck and white illustration is of a girl sitting at a table at a fair. Tissue paper protects it. The title page has the title, author Howe Benning as well as publisher details. 296Pp. Throughout are black and white illustrations. There are four pages at the back are lists of Recent Gift Books published by the Religious Tract Society. The spine is broken from the pages.fictionThe book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.religious stories, family life fiction, stories for girls

Paperback with black & white photographs grouped at centre. Cover worn & creased. 214pp. Small tear to upper back cover at spine. Good condition.non-fictionStory of the childhood and early adult years of the Princesses Elizabeth & Margaret written by their former governess, Marion Crawford.british royalty

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph is of Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta), mother of Alf Haeusler who was born in 1922. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A black and white photographic portrait of a Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta) displayed in a thick wooden framephotography, photos, photographic, photographs, family photos, family photography, haeusler collection

Franz Gördes (b.1843) who immigrated to Australia from Germany in 1871. After docking in Melbourne Franz headed for the goldfields at Spring Gully near Beechworth, but didn't strike gold. He returned to his trade and opened a boot shop in Wodonga, which burnt to the ground the day before the opening. Undeterred, he rebuilt and operated the business until his death on 8 June 1928. He was survived by his widow, Margaret as well as six sons and three daughters. Franz Gordes’ Boot & Shoe Warehouse was situated in Sydney Road, now High Street, Wodonga.This item has a well documented provenance and connection to the local history of Wodonga.A black and white photo which has also been digitised. Above shop: Cheap / Boot & Shoe Warehousebusinesses wodonga, franz gördes, geman migrants

Bob Conroy died on Tuesday, December 12, 2017 at age 88. The Daylesford trainer and brilliant horseman enjoyed a life dedicated to harness racing, which he shared with his wife Pat and their five children, including Glenn, Anne-Maree and Peter, who themselves have combined to drive more than 800 winners. Renowned as an outstanding trainer of trotters, Conroy spent a life training from Daylesford, having been raised in nearby Korweinguboora before occupying the former Daylesford Trotting Club track, from where he would often venture into neighbouring Hepburn Regional Park to educate his horses. A trots trainer, driver and breeder, Mr Conroy’s training successes include Mary Beverley’s win in the 1973 V. L. Dullard Cup, Lincoln Star's win in the 1978 Bendigo Pacing Cup and 1978 Italian Cup, and the Lightfoot Laurels on four occasions (Lucy Lastic 1997, Miss Universe 1999 and 2001 and False Gem on 2008). His greatest stakes win came when Amazon captured the $30,000 Australasian Trotters Championship final in 1984 and then the same year the E B Cochran Memorial Trotters Cup, while notable triumphs also include Mister Everest in the 1990 Chris E Howe Trotters Cup, two Central Victorian Trotting Championships in 1991 (Omaorio) and 2005 (Sutters Glory), the 1996 Coulter Crown with Lucy Lastic, First Signal's win in the 1999 Cranbourne Trotters Cup and then the R C Freestone Trotters Cup with Miss Universe. Other notable performers he trained throughout his distinguished career included multiple metropolitan winners King’s Pride, Eden’s Return, Magic Madge, Minnesota Fats, Hot And Dry, Kyvalley Duke, Speeding Fine, Baltic Prince and Looks Like Me. Bob Conroy’s trotters Bootleg Bert and Margaret Ruth delivered his last trotting wins. Yellow with black Vrb conroy, lincoln star, amazon, bendigo harness racing club, bhrc, bendigo, horses, racing colours, trotting, pacing, harness racing, bob conroy, r conroy

Margaret Mary McSwain was born in Mordialloc in 1848, the daughter of Isabella Munro and Alexander Macdonald. Margaret died in Perth, Western Australia, in 1930.Black and white studio portrait of a woman wearing a long (black) dress, standing beside a chair which is in front of a table covered in a tablecloth, with books on top. Her hair is tied up and there is a ribbon tied in a bow at the top of her head.mordialloc, macdonald

Black and white image of Norman McSwain (1838-1908), Councillor of Shire of Moorabbin 1882-1893. Norman was born in Skye Scotland and arrived in Australia with his parents Ewen and Margaret (nee McLeod) McSwain & five brothers & sisters on the 'Miltiades'. He married Margaret Mary Macdonald, daughter of Isabella and Alexander McDonald, and later in their marriage, they moved to Western Australia.Head and shoulders portrait of Norman McSwain.

Black and white image of Norman McSwain (1838-1908), Councillor of Shire of Moorabbin 1882-1893. Norman was born in Skye Scotland and arrived in Australia with his parents Ewen and Margaret (nee McLeod) McSwain & five brothers & sisters on the 'Miltiades'. He married Margaret Mary Macdonald, daughter of Isabella and Alexander McDonald, and later in their marriage, they moved to Western Australia.Norman McSwain standing between a chair and a table, dressed in a three piece suit.

A photo of the finale of the 1953 demonstration. There is a large portrait of the Queen and her coat of arms above the stage with a Legacy torch suspended high above it. Junior legatees on stage in many different costumes, including beef eaters, soldiers, and in naval uniforms. Flag bearers hold Australian, UK, and Welsh flags. Some of the children hold musical instruments. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Names on the back of the photo could be those who ordered reprints. They include: EDC / Wilma / Dorothy Allen / Helen McGregor / B McCutcheon / Margaret Wallace / J Britton / Val Wigg / J Rees / M Rinnie / Mary Parker / Legatee Grattan / Audrey B / Norrie / Marguerite / Joan Spencer / B McCutcheon / Theresa.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of the finale of the 1953 Annual Demonstration.In pencil on the reverse " Finale - 1953 Demo " Then a list of names who had ordered reprints.annual demonstration, junior legatee

Photo of a white tram painted to celebrate 75 years of Legacy work. As well as the 75 Legacy logo, it says "Legacy - Helps the families of our departed Veterans" and "75 years on ... Legacy still caring. 1923-1998". Photos show people posing before boarding for a ride. The photo with 4 women includes Joan Miller, who was a valuable staff member as well as being a Legacy widow and Carmel McConnell who was the public relations officer for Legacy. Another photo shows widows and handicapped dependents posing, the lady on the top step is Margaret Anderson. The tram is possibly parked near the Shrine. Other photos show there were speeches and refreshments held in a marquee and a ribbon being cut be Legacy President Tom Butcher and Robin Cooper the Victorian Minister for Transport.A record of a way to promote Legacy during the anniversary in 1998.Black and white photo x 4 of a tram painted to promote to Legacy's 75th Anniversary.legacy promotion, tram, 75th anniversary

Two photos from a book compiled about the Legacy children's residence called Stanhope. One photo shows a reunion in 1959 featuring several past residents, their husbands and children. Faces have small numbers indicating their names which were recorded on the back: 1 Margaret Guy, 2 Greg Guy, 3 and 4 are their children. 5 Bab Thompson 6 his wife, 7 their child. 8 Alice Cameron and 9 her husband (Black) and their four children. 10 is Lois Clark (nee Fitzsimmons) and one child. 11 Doreen Ashworth and 12 is her husband (Closter) and their three children. The other photo shows two children of past residents. Names written on the page it was stuck on were 'Boy Guy' and 'Baby John Frost'. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01836. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Generally, Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of a reunion at Stanhope. A great example of the impact the residence and care had on the lives of the junior legatees that they kept in touch with each other and the home.Black and white photo of a group of people and a photo of a boy and baby at a Stanhope reunion in 1959.residences, reunion, stanhope

A photo of Badge Day in the 1960s, with Ivan Layton, Mrs Mack and Legatee Bert Davis counting the donations near a Legacy Appeal tin. Ivan Layton was the Chief Executive Officer for many years. Legatee Bert Davis was the Chief Financial Officer in the early sixties. Mrs Mack was a generous fundraiser. She lived at Mount Macedon and opened her beautiful garden to the public on a regular basis to assist Legacy with fundraising. She was given a Legacy lone pine tree by a grateful Legacy to add to her garden. The letter accompanying the photo said the garden and tree was lost in the Ash Wednesday fires in 1983. Further research shows that Mrs Margaret Mack and her husband Mr John D. (Jack) Mack first opened their garden at Dreamthorpe, Mt Macedon, in April 1950 for a garden fete. It raised £140 for Legacy (source: Trove). The exact date of the photo is unknown but would be early 1960s. Photo donated by Legatee Bert Davis' daughters.An excellent record of important people in Legacy's history.Black and white photo of Ivan Layton, Mrs Mack and Legatee Bert Davis on Badge Day.badge day, ivan layton, bert davis

BHS CollectionSoftcover book with photograph on front cover of the Bendigo Citizens Band and photograph on back cover of the 50th anniversary Red Cross Meeting held in Bendigo c1900. Contains 83 pages which record 15 oral histories of residents of the Anne Caudle Centre Bendigo in 1992. Also contains black and white photographs of people relative to the oral histories.Julie Marshallhistory, oral history, kevin weeks. ted drayton, doris ross, mary fittis, ella o'halloran, reg collis, bill chapple, john newman, john wilson, margaret landers, alf swift, arthur pearce, sulvia harvey, edith ryan, sylvia lovell

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

This story is compiled from Letters written by Henry W Pennington to his Sister Eliza who was 16 years old and training to be a School TeacherA4 size paper. Title written in black print over letters written on Blue, Cream& Pink PaperLetters from Harry 1872-1876 By Margret Knollstawell gold, family history

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a red, blue, black and white textile sample, another is a hand drawn sketch of a house, the third shows hand written text on lined paper in black ink.Front: [handwritten] Final / design / for housequilt, wagga, home, house, housing affordability, design

Note by E.B. Littlejohn, "Ferguson tractor with scalloped disc cultivator turning in a green manure crop. Note boxthorn hedge," and by T.H. Kneen, "Margaret Hunt at controls of Ferguson tractor.Black and white photograph. Student, Margaret Hunt, turning in Green Manure Crop with scalloped disc cultivator on Ferguson tractor. Early Spring. Boxthorn hedge in the background.ferguson tractor, scalloped disc cultivator, green manure crop, boxthorn hedge, margaret hunt, orchard, student working outside

Black and white photograph showing Lorna Mitchelson nee Peel being presented with 1996 Australia Day Citizen of the Year certificate by LERHS President Margaret Campbell and Marie Fishcelebrations, genealogy

Black and white photograph of Margaret Mary Darcy aged 18 years 10 months on the day she was named Miss Lakes Entrance. She is shown in dark frock and short sleeved cardigan seated at a cafe table holding a milksahake, Lakes Entrance Victoriagenealogy, celebration

Black and white photograph of Margaret nee Darcy and Colin Campbell taken after their marriage 9 July 1955. Brides frock lace over satin, long sleeves, pointed collar and tiny buttons centre of bodice, long train, small head dress holding veil.genealogy, celebration

Black and white photograph of Margaret Campbell nee Darcy with her pets in 1958genealogy

Black and white photograph of Margaret Campbell and her two children Erin and Stewartgenealogy

Black and white photograph office procedure assistant, Margaret Paterson, at Skillshare, Lakes Entrance Victoriaeducation

Margaret SULUKOWSKI (1963-1994) Born Victoria, Australia Margaret Sulikowski was a Visual Arts student at Ballarat University College (later Federation University). In 1989 Magaret Sulikowski won the Goldfields Print Award, and in 1997 Margaret Sulikowski she was co-winner of the Fremantle Print Award. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Black and white monoprint. art, artwork

Black and white photograph John Pascoe - former school inspector, Margaret Hannington - Admin officer, Bev Sinclair - Office Manager, John Roberts - former manager. standing in front of curtain covering a plaque at the closure of Bairnsdale Support Centre in Bairnsdale Victoriaschools, education

Black and white photograph of Emily Margaret Matilda Lee and David Carstairs on their wedding day, she is wearing a dark dress, tight waist, bodice gathered from shoulders to waist and embroidered centre panel, long sleeves with tight cuffs. Fine chain necklace with heart shaped locket, plain unadorned hairstyle. He is wearing a three piece suite, white shirt and dark necktie. Lakes Entrance Victoriaclothing, genealogy