Small lustre ware vase made in West Germany in tones of brown, gold and lemon.West Germany 923 65domestic equipment, ornaments, vase

Details contents of museum and describes the various types of carriages, tools and harnessesHistory of the manufacturing and maintenance of carriages12 page souvenir booklet, coloured front page, illustrated with a reproduction of an S.T Gill painting, black and white interiorcarriages, beechworth, beechworth carriage and harness museum, harness, buggy tools

The museum houses an extensive collection. It provides educational programmes for schools and other groups. There is a unique collection of 19th century guild banners representing Weavers, the Shoemakers, and the Carpenters. Trade banners also represent the Brick and Stonemasons, Farm Labourers and the Boyne Fishermen. The Old Drogheda Society founded in 1964 by a group of concerned citizens for the preservation of Drogheda's historical monuments and the collection and recording of historical material relating to the town and surrounding area established the award winning museum. The Museum was opened in 1974 and in 2013 achieved full accreditation by the Heritage Council.

Approval given for the adaption of the Museum Building into Senior Technical Class in Domestic Sciencemuseum building, ballarat school of mines, d h wheeler, education department of victoria

The Museum building at Ballarat School of Mines was hoping to be remodelled for student use, domestic sciences.Type written letter on Education Department letterhead Stamp indicating received and answeredSignature of Secretary, D H Wheeler Date 30th May, 1951 Initials of R W Richardsballarat school of mines and industries, education department, d h wheeler, secretary, r w richards, museum building

Public Works to submit a report regarding wiring diagram - sub-boards for Museum BuildingTyped letter on paper, with handwritten annotationsballarat school of mines, museum building, wiring, d h wheeler, education department of victoria, d.h. wheeler

non-fiction20th Anniversary Edition of Schwerkolt Cottage and Museum. The Legacy of August Schwerkolt, pioneerschwerkolt cottage and museum, arrowsmith ted, arrowsmith ted august schwerkolt his legacy

Colour slide of T class 181 with the destination of Explosives Factory leaving Leeds St Footscray. Has the various shops and the Railway Station in the background.Yields information about Footscray trams to the Explosives Factory.Kodachrome colour slides, cardboard mount, duplicate.Stamped "Tramways Museum Society Victoria". In pencil "181 Footscray"leeds st, footscray, explosives factory, t class, tram 181, trams, tramways, mmtb

Teacher's Curriculum Support Materials Level 2 and Level 3 for Schwerkolt Cottage and Historical MuseumTeacher's Curriculum Support Materials Level 2 and Level 3 for Schwerkolt Cottage and Historical Museum2 A4 folders each containing a ring bound booklet and 21 Activity sheets in Level 2 and 44 sheets in Level 3schwerkolt cottage & museum complex, education

Newspaper cutting from a Melbourne paper, 28/4/1975, titled "Moves for Australasian tramway museum body", about the formation of an Australasian body, following the three day conference which ended the previous day. Quotes David Rawlings of SPER, Dr John Radcliffe, with speakers the previous day being John Hoffman, Bob Prentice and Frank Stamford. Has the newspaper date glued to the item.cotma, btps, conferences, sper

Bottle and Jars found at the Museum in the ground Bottle with Pecks RD NO 30273 embossed on base - Peck's Fish Paste, circa: early to mid 20th century Historic - Bottle and Jars found at the Museum in the ground Bottle and Jars found at the Museum in the groundBottle and Jars found at the Museum in the ground Bottle with Pecks RD NO 30273 embossed on base - Peck's Fish Paste, circa: early to mid 20th century puffing billy, bottle and jars

Eltham District Historical Society with Mary Regan and Alan Butler Andrew Ross Museum with Warwick and Carol LeesonTomorrow's history documented todayeltham, jim connor collection, main road, eltham district historical society, eltham festival, alan butler, andrew ross museum, carol leeson, mary regan, warwick leeson

Eltham District Historical Society with Mary Regan and Alan Butler Andrew Ross Museum with Warwick and Carol LeesonTomorrow's history documented todayeltham, jim connor collection, main road, eltham district historical society, eltham festival, andrew ross museum

Newspaper clipping from The Courier, 17/9/2018 in the Advertising feature for the September school holidays. Article titled "All aboard for some education and fun" details the tramway operations, collection, photos, hours and self guided tours. Has a photo of Neville Britton turning the pole with helpers on 27. Below is an advert titled "Ballarat Tramway Museum has something for everyone" with photos of kids and Tram rides fares etc.btm, advertisements, school holidays, courier

Newspaper clipping from The Age,5/9/1998 by Keith Dunstan, titled "New start for end of the line" and "Tram museum rattles the ghosts as the Hawthorn depot opens its?". Part only of the article - has not been cut out fully. Written by Keith Dunstan, looks at the history of the building, and has a number of photos (646 and 968) of trams stored in the depot and a tram in Wallen Road through one of the windows of the apartments.trams, tramways, hawthorn, hawthorn depot, htt, museum, tram 646, tram 968

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The Grinton Collection. Captured German guns at the “Place de la Concorde” France Refer Cat No 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a collection of at least ten guns (German) in a plaza, one soldier in the foreground and buildings in background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "E. Captured German guns at the Place de la Concorde".framed accessories, camera on the somme, ww1, 38th bn, grinton, france

Letter opener with pocket knife in xylonite handle / engraved on pocket knife ' Jowika , made in Germany , picture of a bird on a branch.Jowika , made in Germanypersonal effects, keyrings & knives, jowika , made in germany

In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society

In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society

In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society

In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society