Photograph of Lil Kuhnle walking through the remains of Camp 3. Copy of photograph original held by R & L. Kuhnle. Duplicate copy on foam.Black and white photograph of a lady remains of Internment Camp 3 site.on back: Lil Kuhnle - internment camp siteinternment camp remains, kuhnle l, dean clark

Camp 3 casualty station. The hospital is fairly high (metre +) of the ground. Probably an annex hospital to the main camp 1. Also larger print.Black and white photograph of the hospital, camp 3, with Gerda Kuebler on the steps. camp 3, gerda kuebler, camp 3 hospital

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/2 St Johns Parade, Kew by Margaret Picken.3/2 ST JOHNS PDE., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/2 st johns parade - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/82 Studley Park Road, Kew by Margaret Picken.3/82 STUDLEY PARK RD., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/82 studley park road - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/11-13 Weir Street, Kew by Margaret Picken.3/11-13 WEIR ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/11-13 weir street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1-3/71 Wellington Street, Kew by Margaret Picken.1-3/71 WELLINGTON ST., KEW / MARGARET PICKEN ~2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1-3/71 wellington street - kew (vic)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 + 2 / 3 Findon Crescent, Kew by Margaret Picken.1 + 2 / 3 FINDON CRES., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 + 2 / 3 findon crescent - kew (vic).

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/178-180 Auburn Road, Hawthorn by Margaret Picken.3/178-180 Auburn Rd, Haw, Margaret Picken '93. Woodards - Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/ 63 Campbell Grove, Hawthorn East by Margaret Picken.3/63 Campbell Rd, Haw E, Margaret Picken '91. Woodards - C'well. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/ 68 Campbell Grove, Hawthorn East by Margaret Picken.3/68 Campbell Rd, Haw E, Marg Picken '87. Woodards - Camberwell. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photograph depicts the teachers and children in Camp 3. All were internees during WW2.Sepia photograph of 3 men with a group of children standing in front of them. A hut is at the back of them.camp 3 teachers, camp 3 children

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 265x183 Inscription: 3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORN3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORNartist - margaret picken 1950-

Three volumes. Dark Blue hard covers with dust jackets Author MajGen RR McNicoll CBE. .1) Ubique the royal Australian Engineers 1835-1902 "the colonial Engineers." Blue and While dust jacket with soldier in red and navy uniform standing with sword in right hand 203 PP .2) The Royal Engineers 1902 - 1919 " Making and Breaking." 232 PP. Author Maj Gen RR McNicoll CBE, cream and sepia coloured dust jacket photograph of the building of Watson's Rer Anzac Cove June 1915. .3) The Royal Australian Engineers 1919 -1945 "Teeth and Tail." 432 PP Author Maj Gen RR McNicoll CBE AM. Cream and Sepia coloured dust jacket photograph of sappers disarming anti vehicle mines near Derna, Cyremaica 1941..1) .2) .3) Donated by the Batham Family written in ink on title pages,books, military history

Relates to Ballarat School of Mines studies and excursions. The album belonged to Jeanette Perkins (later Watson) .Bound photograph album relating to study at the Ballarat School of Mines in 1944/45, and excursions to Sydney and Newcastle. Photographs include: Sydney War Memorial, Sydney Harbour, Sydney Harbour Bridge, Newcastle.jeanette watson, studies and excursions 1944/45, photo album, alumni, ballarat school of mines, sydney war memorial, sydney harbour, sydney harbour bridge, newcastle, university women, wyong, jeanette perkins, student activities

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/312-316 Barkers Road, Hawthorn by Margaret Picken.Unit 3/312-316 Barkers Road, Haw, Margaret Picken '89. Woodards - Kew.artist - margaret picken 1950-

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Army personnel assigned to Camp 3 Tatura during WW2. Sergeant Allan Timms is standing at the centre of row 2nd from the front. Black and white photograph of 4 rows of men: 3 standing at back, 3 standing next row down; 6 men standing 3rd row down and 4 men seated. All in Army uniform and in front of a hut.army personnel, camp 3 army personnel, garrison personnel camp 3, sergeant allan timms, wendy hicks