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Clunes Museum
Photograph, CIRCA 1920
NOTE THE STIFF CELLULOID COLLAR TYPICAL OF THE 1920s PHOTO TAKEN BY HORNBY PHOTOGRAPHERS CLUNES.BLACK & WHITE ORIGINAL PHOTOGRAPH OF CORPORAL NORMAN McDONALD TAKEN IN CIVILIAN CLOTHES.CPL. NORMAN McDONALD CLUNES, STUDIO HORNBY CLUNES POSTCARDlocal history, photography, photographs, military -
Clunes Museum
Photograph, CIRCA 1914 / 18
LIGHTLY TONED ORIGINAL PHOTO OF F. HULL. FEATURES SLOUCH HAT, AUSTRALIAN ISSUE UNIFORM.STUDIO HORNBY CLUNES POSTCARD F. HULLlocal history, photography, photographs -
Clunes Museum
Photograph, G, RICHARDS - PHOTO BALLARAT, CIRCA 1913
EARLY STUDIO PHOTOGRAPH OF A GENTLEMAN - RECEDING HAIR LINE LONG BUSHY BEARD AND SIDE BURNS, WEARING CHECK WAIST COAT AND COAT.EMERSON WILKINSON CLUNES. D. 1913local history, photography, photographs, early citizens -
Stawell Historical Society Inc
Photograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ken German David Read Motors Graeme Healy Family Ann French Doug Cross Family Vikki & John Holcombe Family Kaye Ellen Family Jenkins Hand Heather Slorach & Rod Reading Pencker Family Pigeons Ian Bryant Linda Clarke & Hank Woldhuis Philip West Aerial Photos Mrs L Fielding 80th Show 1980 Lindsay Flowers Harrisons Wedding Cake Debbie Martin & Bob McGregor Rene Hall 80th Pool Game 1980 Mrs Coates 100th Ann Watson & Mike Farrell Glenda Smith & Geoff Lewin Nell Stewart & Liam Pickering SAAC 1980 Dadswells Stawell Brass Band Shuttleworth Dogs Helen Grace Cat Tina Walters Queens Scout Peel Family Trudy Harrison Grange Golf Slaughter House Suzanne Gercovitch & Gary Isbel Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
Stawell Historical Society Inc
Photograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Graeme Wilson Family Glenys Lyle Family Rene Committee 80th Di Russell Win & Nev Morris Family Marge Cox Virginia & family Glenys Fraser Ivy Boag 80th Guides 6/83 Ted Bowden Norm McIntosh Healy Celebrations Wendy Perry & John Grellet Vikki Cameron & Bill Walker Great Western Hotel 1983 Stawell Bowling Club Ladies 1983 Losis Gaylor & Graham Kelm Leithhead Big Car Morgan Copies Janet Evans Presentation Janet Evans 83 Sandra Martin Copies John & Mavis Scaletti Virginia Family Lynda Rae & Jeff Moore Jenine Feilding & Mark Sparrow Clementson Garden Martin McGregor Child Photo Great Western Races 1983 Lyndyl Matthews & Tony Humphrys Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
National Wool Museum
Photograph
Photograph was found by a friend of the donor. Rear of photo has a stamp for "Ritter-Jeppesen Studio, 111 Lonsdale Street Melbourne", which would indicate that it was made between 1940-1962. Image appears to be of staff working at mending tables in an unknown woollen mill.Black and white photo attached to a light brown backing board. Photo shows women seated at desks in an unknown woollen mill, presumably working on 'mending' cloth. Roof appears to have a sawtooth design. -
Stawell Historical Society Inc
Photograph, Family of Mr James Martin & Mrs Emma Martin nee Bennett
Photo of sons of Emma and James Martin. Bill Martin on left and Alf on right. The children are formally dressed in long trousers, jackets with waste coats. Photograph of the other 2 sons of James & Emma Martin. On the left is Bill Martin on the right Alf Martin. Photo taken of the children leaning on a balcony possible in a photographic studio. Bill is leaning on the balcony and Alf has his right arm on Bills shoulder with his other hand in his pocket. Left Bill Martin Right Alf Martin ch. of James & Emma (nee Bennett) Martinstawell portrait -
Stawell Historical Society Inc
Photograph, St. Matthew’s Presbyterian Church
St. Matthew’s Church showing footpath and fence. The church is located in Scallon Street Stawell. St. Matthew's church was erected in 1868. The Spire was completed in March 1869 and the Church was dedicated on 11th April 1869. Now the United Church. Large photo of St. Matthew's Church taken from a post card in Album 13. p.28. The photo similar to 121.4 but shows the road, footpath and gate way in the picket fence with trees in the landscape.POST CARD The "Merle Studio" Main Street Stawell. stawell religion -
Stawell Historical Society Inc
Photograph, Salvation Army Group 1931-1932
Group of fourteen Salvation Army people seated and standing in studio with a backdrop. Back Row Lee Sherwell, Jeane Vince, Enie Reeve, Bob Clark, Don Reeve. Jessie Clark, Avis Reeve, Bill Collins Front Row Pearl Reeve, Mavis Vince, May Clark, Mrs Major Clinch, Florence Vince, Olive ClinchSepia photograph of a group of fourteen people in uniform, six seated and eight standing. Stamp on back, W.J. Chapman Photo Artist Stawell.stawell religion -
Stawell Historical Society Inc
Photograph, Group leaders some in Guide Uniform Seated in front of Guides
... Martin Guides Marshall Studios Large Black & White Photos of four ...Photograph in Stawell Girl Guides Hall Far right Esme MartinLarge Black & White Photos of four Girl Guides Leaders seated in front of group of guides seated on the floor.Marshall Studiosguides -
Stawell Historical Society Inc
Photograph, Studio Portrait of two boys and a little girl
Collected by Dorothy Brumby in relation to Great Western ResearchTwo boys seated with corsages and girl with lace collar standingMater W.J. Chapman Photo Artist Stawell -
Stawell Historical Society Inc
Photograph, Mitchell Bros' Employees Group Photo c1880, C 1880
Studio portrait showing how store salesmen had to dress very formally for work.Sepia Portrait - Group of young men and biy standing in formal suitsMitchell Brothers Circa 1880. David McAlpine, George, Robert Edward, Willian Henry and Hans Lamonmitchell bros. -
Stawell Historical Society Inc
Photograph, Seated woman - dark Striped dress, necklace, chair cushioned, hair in bun, mop cap -- Studio Portrait
Huttley - Martin FamilyB/W Photo: Seated woman - dark Striped dress, necklace, chair cushioned, hair in bun, mop cap.Stewart Ho 217 &219 Bourke Street east Melbourne. Reverse: ?Logo? Per Solen Pingohuttley, martin -
Stawell Historical Society Inc
Photograph, Portrait of Joe & Kitchener Floyd 1934, 1934
Both born in Stawell and Joe had a Milk Bar in the main street for many years. Photo given to a friend Ted Neyland from whose daughter we received the photo.Portrait of two young men in suits and ties. Mounted in a cardboard surround To Ted from Kitch & Joe 28/9/34 Chapman Studios Stawell -
Stawell Historical Society Inc
Photograph, Lower Main Street Stawell looking East c1905. Merle Photographic Studio at Left
Lower Main Street looking East from Railway gates. Shows four horse drawn vehicles. The photo was taken from the railway gates towards the main shopping area. The Presbyterian spire can be seen in the back ground. c1905.Sepia Postcard of a street scene the roadway is central in picture featuring 4 horse drawn vehicles. Street is tree lined with picket fence on right side of photograph. 0007a taken opposite the Diamond house looking down Seaby St. toward the railway crossing.Lower Main Street Stawell No 10. is inscribed on the front and The "Merle Studio" Main Street, Stawell on the back.stawell shops business streetscape building transport -
Stawell Historical Society Inc
Photograph, Mr. Angus H. Clarke Studio Portrait c 1918
Black & white photograph taken in 1918 of Angus H. Clarke engineer from 1893 to 1924. Angus is dressed in a woven jacket white shirt and dark tie he has a mustache. The copy of the photograph was made in 2012.Black & white portrait of Angus H. Clarke. Engineer 1893 to 1924. Angus H. Clarke Engineer 1893 to 1924 (Photo 1918)stawell portrait -
Stawell Historical Society Inc
Photograph, Mr Frederick John Cato Studio Portrait -- 2 Photos -- 1 B & W & 1 Coloured
... Studio Portrait -- 2 Photos -- 1 B & W & 1 Coloured Photograph ...Black and white portrait of Frederick John Cato seated holding folded papers. The coloured photo is an A4 print of a painting of Fred Cato in the Canberra National Portrait Gallery. In both photos Frederick is seated and dressed in a suit, vest and tie. Frederick John Cato (1858 -1935) was a grocer, part of the Moran & Cato chain of some years ago. He was born in Stawell and went to 502 (Stawell State School) for many years eventually becoming an assistant teacher. He resigned in 1887 to go teaching in new Zealand. Frederick was a generous man and Cato prizes were presented to pupils attending 502. Stawell benefited in many ways from his generosity. Cato Park was named in his honor. Two photographs of Frederick John Cato. One a black and white photo the other an A4 print of a painting of Fred Cato in the National Portrait Gallery in Canberra.Fred Cato-Photo in National Portrait Gallery-Canberra c. Early 1930sstawell -
Stawell Historical Society Inc
Photograph, Neil & Gorman Families Wedding Studio Photo c 1946
... Neil & Gorman Families Wedding Studio Photo c 1946..... Neil & Gorman Families Wedding Studio Photo c 1946. Photograph ...Malcom Neil & Doris Gorman, Wedding Group. Malcolm "Max" Charles Neil married Doris "Tuppy" Joan Gorman, on 25 May 1946 at Church of England Stawell. People in the wedding group photo - George Henry Gorman on the left with Edna Kindred, in the center Malcolm "Max" Charles Neil with Doris "Tuppy" Joan Gorman, on the right Marjorie Elizabeth Gorman, with Ken Neil.Sepia photo copy of wedding party - Gorman - Neil c 1946. Photo of 3 couples formally dressed. The males are in black suits and females in long white dresses. Brides maids are carry large bouquets similar to the bride who has a horse shoe for luck in her bouquet. The bride has a long trail and veil attached to her wedding dress. stawell -
Stawell Historical Society Inc
Photograph, Mr Nicholas Scallan & Mrs Kate Scallan nee unknown with their daughter c1865-1870 --- Studio Portrait
Portrait of Nicholas & Kate Scallan with Daughter c 1865 -1870. The Scallan brothers Patrick, David, Phillip and Nicholas were pioneer reefs minors and storekeepers. "The Golden Years of Stawell" by Robert Murray and Kate White mentions the Scallan Clan see page 71 Photograph of a male and female with a young child. The male standing with hand on shoulder of seated female. The child standing by her knee. An enlarged copy of the same photo also exists. stawell -
Geelong Naval and Maritime Museum
Postcard, Photograph of Claude Vincent Drury, c.1922-1925
Claude Vincent Drury (Service No. 10536) commenced with the RAN in December 1922. His records show he served for a period of 3 years and was stationed at the London Depot and on the HMAS Cerberus and HMAS Geramium (survey ship) between 1922-1925 (National Archives online, Series A6770, Barcode 4414684).This photograph is significant for its historical connections to Claude Vincent Drury who served in the RAN during the early to mid 1920s.Postcard from Claude Vincent Drury (c.1922-1925) in uniform with a hat with "Cumberland" on it to Elsie and Clarence.Handwritten message "From Claude/ To Elsie/ and Clarence/ with love" Printed on back of postcard "Photo by C. Purris(?) ... Photographic Studio,/ 101 Fore Street Devon ... 4863"claude vincent drury, hms cumberland -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of man in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Man with brown hair and moustache blue eyes and European complexion. White buttoned collar shirt, black three piece suite and tie. Grey button hole flower. Studio portrait background. Young mans flower is identical to woman's collar attachment in accompanying photo.Frame has gilded floral painted red and blue at top, bottom and two sides -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Stawell Historical Society Inc
Photograph - Committee F.R.C. 1904 & 05
B/W Photo on Foxed & burnt card. Studio 2 Rows of men in 3 piece Suits & Bowtie, Fob watches.Art Royal. Back Row S. Mews, J Hugall, E.R Farrand, J. Shaw, b. Evans. Front Row T. Longmure, H.M. Crowden. W.T. Farrer, D. Christie, J. Prince snr -
Stawell Historical Society Inc
Photograph, Lower Main Street Stawell and Barnes Street corner with cemetery in distance on right. c1905
Lower Main Street. Showing 2 carts, 1 wagons and a cyclist at the intersection of Lower Main Barnes and Scallan Streets. Federation light in to the left of photo. c1905.Sepia post card of 3 horse drawn vehicles and a man on a bicycle at the intersection of lower Main - Barnes - Scallan and Main Street. On the left is a federation light structure behind the horse drawn wagon and adjacent to cyclist.Lower Main St Stawell No 22 on the front and The "Merle Studio" Main Street on the back.stawell transport streetscape -
Stawell Historical Society Inc
Photograph, Mr Abbott Martin -- Studio Portrait
Huttley - MartinOval Portrait: Of a young Gentleman in suit, receeding hairline with a small moustache and Beard. Suit has wide lapels, wide tieHeat Plymouth. William Heath 4 George Street Plymouth. [J.G. Bulliham Photo in script.)huttley and martin -
Stawell Historical Society Inc
Photograph, Mr Richard Martin
Huttley - MartinB/W: Studio Portrait. Bespectacled gentleman seated receeding harline with mutton chops 3 Piece suitOn Reverse: Please quote this No 32969 when ordering copies. ( Printed in ink) Richard Martin Born June 7th 1807 Died Dec. 4th 1883 William Heath Optician & Photographer 24 George Street Plymouth (written in ink) ?.G Bullingham Photo Father of Abbott ( My great grandfather) Madges'huttley, martin -
Stawell Historical Society Inc
Photograph - Portrrait, Wedding Photo
Huttley - Martin2 B/W: Studio Portrait: Bide and Groom Bride Veil and long white dress with bouquet. groom in dark suit with tie1: Lorna with our love 2/4/32. Madge Huttley & Jack Hull married at Stawell Congregational Church 2/4/1932 age 33 & 28 Madge's Jack 2: Jack Hull & Madge Huttley married at Stawell Congregational Church 2 April 1932 aged 33 & 28huttley, martin -
Stawell Historical Society Inc
Photograph - Studio Portrait, Madge's Wedding Photo
... , holding bouquet Madge's Wedding Photo Photograph Studio Portrait ...Huttley Martin Familyfawn folder cardboard with textured front. B/W Studio Portrait -Bride in veil, dress, necklace, white stockings and shoes, holding bouquetW.J. Chapman Stawellhuttley, martin -
Stawell Historical Society Inc
Photograph, Magdala cum Moonlight Mine c1890
Black and White photo of Magdala cum Moonlight Mine.Mine site with open area and fence in foreground."Magdala" Herbert's Studio. Stawell stawell gold mining