This album was presented to the Earl of Stradbroke by Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo of Churchill Island taken from Newhaven.Photograph of Churchill Island taken from Newhaven, Phillip Island. Small jetty and bushes in foreground.Rose Series P696. Churchill Is., from Newhaven, Phillip Is., Victoriaphillip island, churchill island

This album was presented to the Earl of Stradbroke by Fathers of the Soldiers and Returned Soldiers 16/2/1923. The photo of Cliffs at Cape Woolamai, Phillip IslandThe Cliffs at Cape Woolamai, Phillip Island with Newhaven in background.Rose Series P683. The Cliffs, Cape Woolamai, Phillip Is., Victoriaphillip island, cape woolamai, newhaven, earl of stradbroke

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers & Returned Soldiers 16/2/1923. Pink granite outcrop on southern tip of Cape Woolamai.The Pinnacles - a granite outcrop on Cape WoolamaiRose Series P678. The Pinnacles, Cape Woolamai, Phillip Is., Victoriaphillip island, cape woolamai, pink granite, earl of stradbroke

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo showing pier with Cowes in the background and trees covering the foreshore.Postcard of Cowes Pier, Phillip Island. Cowes in the background and trees covering the foreshore.Rose Series P657. Cowes from the pier, Phillip Is., Victoriaphillip island, cowes, pier, earl of stradbroke

In 1893, a timber enclosure was built at the end of the main beach to protect bathers from sharks and later a building with change rooms was added. In those days it was unthinkable for men and women to bathe together so separate times were allocated. A red flag was displayed when the baths were open for women and a blue flag indicated the men were allowed in. Some tall timber poles and a number of short wooden stumps rising from the sand are all that remains of the old sea baths. Black & White postcard of the foreshore and Cowes Sea Baths with 2 sheds and wooden fences, taken from eastern foreshore.The Rose Series. P. 660. The Baths, Cowes, Phillip Is., Victoriacowes sea baths, sea baths cowes phillip island, cowes beach, meg davis, nancy mchaffie, brenda higgins

A digital copy of a black and white postcard of Narbethong House situated next to the Black Spur Hotel in Narbethong.A digital copy of a black and white postcard of Narbethong House situated next to the Black Spur Hotel in Narbethong. A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Narbethong. narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, souvenir, black spur hotel, narbethong house, p. 10284

Rose Series Postcard. Victoria Reserve later Cato Park at Head of the St George Mine Dam originally established with donations from Mr E Simmons and voluntary efforts. Shows rotundasB/W Photo The Rose Series P. 1643 Copyright of Stawell Post Cards. Victoria Park, Stawell, Victoria. Top right corner torn off. Shows a Wooden Rotunda with seating by Lake Victoria (now Cato Lake). Shows young Willow Walk on right of lake . Renamed Cato Park. Reverse: Real Photo POST CARD. The "Rose" Series DE Luxe Produced in Australia. Published by "The Rose Stereograph" Armadale Victoria. Rose emblem logo divides the post card.stawell

The construction on Lake Kerferd began in 1862 however it wasn't completed until 1874 due to engineering and funding issues. The lake was named after George Briscoe Kerferd (1831–1889) who was responsible for Beechworth's water scheme. George Briscoe Kerferd was born on 21 January 1831 in Liverpool, England and arrived in Melbourne April 1853. He spent his first years in Australia in Bendigo before settling down in Beechworth as a wine and spirits merchant. He married Ann Martindale on 17th December 1853 at St James Cathedral, Melbourne and between them they had three sons and five daughters. Kerferd began his political and legal career in Beechworth when he was first elected to the Municipal Council in May 1857. Later he would be elected to the Legislative Assembly for the Ovens District in November 1864, and continued to represent the area until February 1886. The postcard holds Historic significance due to its connection to Beechworth and its Lake Kerford. It demonstrates the interactions between nature and colonialists, especially how the lake has somewhat been 'protected' with the man made fencing. It also presents information on the environmental development or degradation for the area, with possible changes to the environment that may have been caused by human physical forces, natural decay or Global Warming.Sepia rectangular postcard printed on paper.Obverse: The Rose Series P. 10542 / Copyright / Evening lights, Lake Kerferd, Beechworth, VIC Reverse: Farley / Published by the Rose Stereograph Co., / Armadale Victoria. / 84-132-1 / Post card / The "Rose" Series De Luxe / A Real Photograph Produced in Australia / BMM299 lake kerferd, beechworth, water scheme, water reserve, reservoir, legislative assembly, hon. george briscoe kerferd, catchments, beechworth water reserve, beechworth catchments, municipal council, st. james cathedral, lakes, reserve, water supply, political projects, rose series, postcard, rose series stereograph

Postcard - Black and White - Rose Series P4311, titled "St Kilda Road, Melbourne Vic" - looking south with the Shrine of Remembrance and Prince Henry Hospital in the background. Has a number of trams in the view. Possibly taken from the clock tower at Flinders St station. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia" and the Rose logo and address details.On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, melbourne, st kilda rd, shrine of remembrance

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard is evidence of the location of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. A sepia postcard depicting a winding path lined with rocks. There is a cannon on the right hand side of the card beneath a spreading palm tree. There is a tall pine and a cypress tree in the background. The cannons were relocated from Fort Gellibrand to the Gardens in 1906. Front: ‘THE ROSE SERIES, P. 1030 THE GARDENS, WILLIMASTOWN, VICTOORIA / copyright’. Reverse: Left side vertical ‘Published by the Rose Stereograph Co. / Armadale, Victoria’. Across the top of the card: ‘POST CARD / The “Rose” Series A Real Photograph / De Luxe Produced in Australia’. There is an image of a rose and stem with three leaves in the centre of the card. In pencil on top right hand corner: $5 [believed to be inserted by the vendor of the card]postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cannon, rose stereograph, rose-series, 1906

One of a collection of photographs donated by Steve Stefan, Archivist, St Frances Church, MelbourneBlack & White postcard showing the rugged coastline at San Remo."The Rose Series, P. 710" "The picturesque coast, San Remo, Victoria"san remo coastline, coastline, steve stefan

One of a collection of 6 postcards donated by T. H. HillSepia postcard of The Pinnacles, Cape Woolamai, Phillip Island."The Rose Series, P. 677" "The Pinnacles, Cape Woolamai, Phillip Is., Victoria.the pinnacles, cape woolamai pinnacles, phillip island coastline, pinnacle rock formation, t h hill

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieSepia Postcard of a horse and gig with man and dog. Nobbies in the backgroundThe Rose Series P 666. Looking to The Nobbies, Phillip island, Victoria.the blowhole phillip island, phillip island coastline, horse & gig, meg davis, nancy mchaffie, brenda higgins

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of the Cowes Pier with Jetty Shed in the foreground.The Rose Series, P 672. The Pier, Cowes, Phillip Island, Victoriacowes pier, cowes pier phillip island, cowes jetty, cowes jetty shed, meg davis, nancy mchaffie, brenda higgins

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of Churchill Island in the background taken from Newhaven foreshore. Jetty in the foreground.The Rose Series P. 696. Churchill Is., from Newhaven, Phillip Is., Victoriachurchill island, newhaven, newhaven phillip island, meg davis, nancy mchaffie, brenda higgins

Donated by G. HaywoodBlack & White Postcard of seals on rocks in foreground with sea in background."The Rose Series, P. 652" "On The Seal Rocks, Phillip Island, Vic."seal rocks phillip island, wildlife - seals, phillip island, g haywood

Donated by G. Haywood.Black & White Postcard of walkway under trees fenced on both sides. Walkway called "Lovers' Walk"."The Rose Series, P. 3403" "The Lovers' Walk, Cowes, Phillip Is., Vic." lovers' walk cowes, phillip island, g haywood

Donated by G. HaywoodBlack & White Postcard of view taken from Newhaven with Churchill Island in the background. Trees on foreshore."The Rose Series, P. 696" "Churchill Is., from Newhaven, Phillip Is., Victoria"view from newhaven, phillip island, churchill island, g haywood

Donted by N. G. Hunt, Baxter, VictoriaBlack & White Postcard of woman standing on bridge over creek running under Lovers' Walk. Trees and scrub either side and in background."The Rose Series, P. 653". "The Lovers' Walk, Cowes, Phillip Is., Victoria".lovers' walk cowes, phillip island, n g hunt

One of 5 postcards donated by G. Haywood.Sepia postcard of the Main Street in Cowes. Houses on the left and Cowes Motor Garage on right. Sea in the background."The Rose Series P. 3413" "Main Street, Cowes, Phillip Is., Vic."main street cowes, phillip island, cowes phillip island, phillip island, g. haywood

One of 5 postcards donated by G. Haywood.Sepia postcard of Seals on Seal Rocks, Phillip Island"The Rose Series P 652" "On The Seal Rocks, Phillip Island, Vic."seal rocks phillip island, seals on seal rocks phillip island, wildlife - seals, phillip island, g. haywood

One of 17 photographs donated by Olive BlameySepia postcard of Lovers' Walk, Cowes. "The Rose Series P. 3403" "The Lovers' Walk, Cowes, Phillip Is., Vic."lovers' walk cowes phillip island, phillip island, olive blamey

One of a collection of photographs donated by Shirley PetersonBlack & White postcard of lady crossing small bridge on Lovers' Walk Cowes."The Rose Series P. 653" "The Lovers' Walk, Cowes, Phillip Is., Victoria"lovers' walk cowes phillip island, cowes phillip island, phillip island, shirley peterson

One of a collection of photographs donated by Shirley PetersonSepia postcard of Lovers' Walk lined by a fence on the left side and trees on the right side."The Rose Series P. 3403" "The Lovers' Walk, Cowes, Phillip Is., Vic."lovers walk cowes phillip island, cowes phillip island, phillip island, shirley peterson

One of 11 photographs left in the museum for the Society by an anonymous donor.Black & White postcard of the Cowes beach with the Cowes Jetty in the background. Shed on the end of the pier and the Cowes Jetty Shed at the beginning of the Jetty. People at the water's edge with two boats in the water.The Rose Series P 10073. The Beach, Cowes, Phillip Island, Vic.cowes beach phillip island, cowes jetty, cowes jetty shed, phillip island beaches

One of 20 photographs/postcards donated by Mary KarneyBlack & White copy of a postcard showing sheep grazing on pasture in Newhaven Phillip Island, with gentleman in the distance."The Rose Series P. 685" "A Pastoral, Newhaven, Phillip Island, Victoria"pastoral scene, newhaven pasture, sheep, phillip island, mary karney

This album was presented to the Earl of Stradbroke by Fathers of the Soldiers 16/2/1923. The photo is of the Rhyll beach known as "the nits".Sepia photograph of the beach at Rhyll known as The NitsRose Series P 3418 The Beach, Rhyll, Phillip Island, Vicphillip island, rhyll, the nits rhyll, earl of stradbroke

This album was presented to the Earl of Stradbroke by Fathers of Soldiers on Phillip Island. The photo is of Rhyll shore line with pier in back ground.Sepia photograph of the shore at Rhyll, Phillip Island with pier in background.Rose Series P 3432 View at Rhyll, Phillip Island, Vicphillip island, rhyll shoreline, rhyll pier