Black velvet jacket. Black velvet has cream coloured spot pattern. Long sleeves with wide gathered black velvet cuffs (18cms). Front opening with ruffled black velvet edging which continues and widens to form a collar. Satin lined jacket and sleeves. Fastened at waist by a large velvet covered button (3cms) and velvet loop.costume, female, ladies velvet jacket

Golden satin ribbon gathered over a cardboard horseshoe shape. Light cream embroidered ribbon, 68 cms long, forms a loop, and is attached to the horseshoe with a bow. A floral arrangement of two leaves and five small "berries" decorates the horseshoe. Merle's Grandparents, Alice and Charles Geuer were married in 1892, celebrating their Wedding in 1942. The horseshoe was a gift on this occasion.costume accessories, clothes accessories, wedding celebration horseshoe small

Deep brown seal skin fur handbag on a silver frame. A side clasp opens the bag - with a silver engraved knob and keyhole. Another swing silver clasp closes the bag. Handle is covered with fur,Frame is decorated with embossed relief work, including some faces. Bag is lined with satin, and has one side pocket. Lining shows damage.Frame marked: DEP.H&B Rd. No. 25436. Patent Applied For. DEP. H&B.costume accessories, female, handbag

Clothing. Woman's navy check wool coat with rounded lapels. Single breasted coat fastened with four X 2.7 cm navy plastic buttons decorative comb pattern. Internal pockets at hip level with vertical slit openings. Long straight sleeves. Coat is fully lined with satin fabric. A shaped coat widens to hem. Padded shoulders.costume, female, woman's navy check wool coat

Cardboard or plastic horse shoe shape wrapped in white satin ribbon. The face of the horse shoe is covered in pleated two - edged cotton lace 3 cm wide. A small silk flower, with stamen at the centre trims the lower edge of the horse shoe. A silk ribbon bow sits at the top of the horse shoe, with a 17 cm long wrist loop.wedding, accessories, wedding horse shoe

G079.1 Dark brown leather box with gilt cross on its lid. The box has a single chrome keyed latch and is lined with pale grey satin. G079.2 - G079.7 Six small silver chalices with an etched cross on the front of each. They are secured by a leather strap to the side of G079.1. G079.8 Square white line cloth with an embroidered cross in one corner.glen iris uniting church, glen iris wesleyan church

BHS CollectionKnee length fur fabric coat, lined with soft black satin-like fabric. Long sleeves, revere collar and five black button fastening at front, five machine stitched button holes. Shoulder pads give a broad shouldered profile. One button at top is high under the collar, allowing the coat to button up to the throat.costume, female, black fur fabric coat

Distinguish Flying Cross medal awarded to John Hudson WILKINSON 400444 born 18/2/1914 at Rutherglen. He was a Pharmaceutical Chemist prior to enlisting in the RAAF on 2/9/1940 He was reporting missing during air operations over East Prussia and later presumed to have lost his life on 30/8/1944 Awarded the Distinguished Flying Cross - citation reads Pilot Officer Wilkinson is an air gunner of great ability and determination. He has taken part in a large number of operational sorties many of which have been against some of German's most heavily defended targets. On one occasion in March 1944 when engaged n an attack on Stuttgart a Junkers 88 attacked his aircraft five times but Pilot Officer Wilkinson by his accurate directions to his captain and coolly aimed return fire drove ff the enemy aircraft in a badly damaged condition. At all times his unwavering devotion to duty and constant alertness have inspired confidence in his crew. The Distinguished Flying Cross (DFC) is the third-level military decoration awarded to officers, and since 1993 to other ranks, of the United Kingdom's Royal Air Force and other services, and formerly to officers of other Commonwealth countries, for "an act or acts of valour, courage or devotion to duty whilst flying in active operations against the enemy"Black case which opens out from right side. The top affixed by two side hinges on the left and push in pin on the right side. Inside case the top is lined in satin fabric imprinted with a black crest and the base is lined in felt containing a silver metal medal in the shape of a cross attached to a purple and while diagonally striped ribbon.On Top - DFC impressed in gold colour paint. Inside Top - Royal Mint Medal inscriptions -400444 Flt Lt Wilkinson Stuttgart 1944 pilot officer john hudson wilkinson, dfc, ww2, raaf, kia

Robin William Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness. Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. The Orton Medal was awarded posthumously.Gold coloured oval shaped medal with the Faculty of Anaesthetists coat of arms on the obverse in relief. The owner's name has been engraved into the reverse. There is a thick, ribbed, navy blue ribbon connected to the medal by a circular ring at the top. The medal and ribbon are encased in a black velvet box with white satin lining on the inside of the lid and a red velvet cushion resting in the base.Engraved on reverse of medal: R.W. SMALLWOOD / 1986 - 1987medal, medallion, dean, anaesthetist, anaesthesia, anaesthetic history, royal australasian college of surgeons

Wedding dress was made and worn by donor's mother, Jean Margaret Mathie, school teacher, who married John Caldwell Wells, farmer of Burwood N.S.W. On 17 December 1954, her daughter, Margaret Eleanor Wells, married Kevin William Mayes and wore the late mother's wedding outfit1929 Cream satin wedding dress; V-neckline, dropped waist, skirt cut on cross, draped long sleeves, long train at back. Headdress is a circle of waxed flowers and green leaves with green cloth ties on the end. See also NA3485.1.2 - Gloves; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in bridal dress (1954 wedding)costume, female

See also Registration No 2347.2P.1) Ribbon for Australian Service Medal 1945-75. .2) Wallet, green plastic with gold lettering on front: POW Medal Australia. .3) Case, covered in black leatherette, black felt & satin lining for Australian Service Medal 1945-75, contains .1). .4) Paper insert in green wallet giving details of POW commemorative medal history..2) Gold letter on front: “POW / MEDAL / AUSTRALIA” .3) Silver lettering on lid: “AUSTRALIAN / SERVICE / MEDAL / 1945 - 1975”containers, personal effects, military history

Hilliard and Thomason was established in Birmingham, and closed in 1908.Sterling silver presentation trowel in blue leather hinged presentation trowel with blue suade and satin lining. The trowel handle is silver plate and can be screwed off the trowel, and is hollow. The trowel is hallmarked H&T = Hilliard and Thomason - Sovereign Head/Duty Stamp = 1784 - 1890 - Lion passant guardant = silver quality- Anchor = Birmingham - b in oval = 1876Engraved into the trowel "Presented by the President & Council School of Mines Ballarat to the Hon. A.J. Peacock Minister of Public Instruction on his laying the Foundation Stone of New Buildings April 14th 1899hilliard and thomason, silver, presentation trowel, ballarat school of mines, new classrooms, administration building, buildings, andrew peacock, andrew j. peacock, silversmith, a building

Pipe cleaner doll, dressed in costume of 'Lady Holyrood" in the production Flora Dora, 1954. Doll is mounted on buff cardboard and dressed in a pink satin skirt, overlaid with white lace. Hair black with pink 'bows' on side of head. . Written on top LH corner 'Gertrude Perry'. Bottom LH corner 'To remind you of 'Lady Holyrood' Flora Dora, 1954.person, individual, gertrude perry

MGC066.1 Handwritten letter to Mrs J Pryor from Joan M James written on Methodist Girls' Comradeship letterhead. The letter includes a diagram of the positioning of the badge on the uniform. The letter contained Rays Social badges for four named girls. MG066.2 Blue felt square backing for Rays Social badge. MGC066.2 Yellow satin ribbon with blue embroidered letter "S".wesley rays ballarat, methodist girls' comradeship rays' section

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.This photograph confirms that the purple ballgown is/was part of the Coombs family donation of Victorian era costumes made to the Society in 1961. Therefore it is important for establishing the item's provenance. Display of costumes from the collection of the Kew Historical Society, exhibited during the Festival of Kew in 1979. Recognisable items include from left the 1890s purple ball gown, the 1860s white satin wedding dress and the blue two-piece 1880s outfit. All items are clearly from the Coombs donation of 1961, there being no other record of costumes occurring before 1979. Inscribed verso: "Taken during Festival of Kew 1979 / Kew Hist contribution / Exhibition of Family Treasures / Donated by Janet McDermott 1979"kew historical society -- exhibitions, festival of kew -- 1979

This pant suit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with Darren, Jenny and their three children. Stell-Ricks was the label of Melbourne fashion designer Stella Dare.Pant suit comprising tunic (.1) and flared pants (.2) made from cream, yellow and gold lurex woven in a floral pattern. Tunic has a pair of non-functional pocket flaps at breast and two finctional pockets at front hip area. Tunic fastens with a centre back zip. Tunic lined with shell pink poyester satin; pants unlined.Label woven white on black acetate centre back tunic: Stell-Ricks / OF MELBOURNE / SUITS TOPCOATSpant suit, 1970s fashion, chevy chase, overend family, bernice overend, melbourne designers, stell-ricks, stella dare

Square, padded, silk-covered box with lid for handkerchiefs or trinkets. It has a cream-coloured, twisted cord edging the lid, which has a hand-painted design depicting a small branch with autumn leaves, purple berries and pink flowers. The inside of the box is lined with cream-coloured silk. The box also contains two small purple, satin pouches containing lavender.boxes, personal effects, containers

Clothing. Silk-satin brocade cape with 7 cm high stand-up collar. Rounded at the hipline, and curved upward toward the centre fronts, where two 6 cm wide cream ribbon bows are attached. The hemline then falls to a steep 16 cm deep peak at the centre fronts. Four metal hooks and stitch covered metal eyelets form the closure from the high collar to the bustline. Two silk fabric loops on the inside of the opening-19 cms long, and 6.5 cm wide allow the arms to be free, and the cape to remain firmly fitted. The cape is padded and stitched internally in a diamond-shaped pattern. The back of the cape is curved and fitted at the waistline and the centre back. A large satin bow is attached 12 cm above the hemline, and sits over two box pleats 12 cm long, from waistline to the hemline.costume, female, silk cream brocade short cape

Silver silk, with a jacquard woven floral pattern. Long sleeves have pleated tops, forming a leg-o-mutton sleeve, which gathers in at the elbows, to a narrow fitted sleeve to the wrist. A 4cm wide band of cream satin embroidered and corded lace. Cream cording and lace trims the cuffs, the shoulder/arm hole seam, and two bands on each side of the V shaped cross-over bodice. Metal press-studs fasten the cross over bodice at the waistline. Cream satin with embroidered lace overlay forms a 5cm wide stand-up collar and a centre front panel at neckline. Twelve metal hooks and eyes fasteners fasten the grey cotton front lining of the bodice. The cotton lining of the bodice is part machine, and part hand stitched. Relocated to Clothing Box 176 10.2.2022costume, female, silver silk and lace trimmed bodice.

Ladies grey blazer worn by Heather Pain as Pipe Major of the Ladies Pipe Band Bendigo. Grey woollen single breasted blazer. Grey satin lining across shoulders at back. Long sleeves lined with yellow and black striped cotton fabric. Body of blazer unlined. Three pockets on front-one on either side at hip level. One LHS breast pocket with red embroidery shield containing thistles, leaves and crossed swords. The pocket has a 1cm tartan bans across the top. Hip level pockets and lower sleeves have 1.5cm bands of red corded ribbon. Front opening is fastened with two X 2cm grey plastic buttons. Internal seams edged with brown satin ribbon.Red embroidery on breast pocket ""Ladies Highland Pipe Band''.''Bendigo embroidered inside an embroidered banner.Label at back of neck- ''ASHMANS'' The Home of Better Suits, Hargreaves Street Bendigo''. Label attached to lining across shoulders (^cmX6.5cm).Picture of shield with tailor's tools and words, Ashmans, The Home of Better Suits, Hargreaves st Bendigo. Label stitched inside right front Ashmans Hargreaves St., The Home of Better Suits. Miss H. Pain 8141 6/9/55''.costume, female, ladies grey blazer.

Silver presentation trowel with wooden handle in an oblong black box. The trowel has an inscription. The trowel is in an oblong black box which is covered in black leatherette/paper and the inside is lined in royal blue satin on the bottom and in white satin inside the lid. There is supplementary material which includes a black and white photograph H150mm X W 200mm. On the reverse of the photo ‘LAYING FOUNDATION STONE 1923 / Sir Alexander Peacock, Minister for Education’. Other supplementary material icludes copies of four sheets of A4 typed letters dated between 9th October, 1941 and 18th November, 1941 among The Director of the Education Department, The Principal of Collingwood Technical School and The Hon. T. Tunnecliffe, MLA, concerning the wishes of Lady Peacock that the trowel be presented to the school and the school's acceptance of the offer. Also a With compliments slip ' With the Compliments / of / T.Tunnecliffe, M.L.A. / PARLIAMENT HOUSE, / MELBOURNE.' The trowel has an inscription ‘PRESENTED TO / SIR ALEX PEACOCK, M.L.A. / BY / MR. W. BOLGER, CONTRACTOR / FOR THE PURPOSE OF LAYING / THE FOUNDATION STONE / AT / COLLINGWOOD TECHNICAL SCHOOL / SEPT. 4TH 1923’. The box has a gold coloured oval makers stamp on the inside of the lid 'ARMFIELD''S / Watchmaker, Jeweller & Optician / 24 Smith St., COLLINGWOOD'. collingwood technical school, presentations, buildings, nmit,

A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham

A tie pin is a neckwear-controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-producedThe family of Lorna Risstrom were early settlers in Moorabbin ShireA tie-stud and chain in a small, blue velvet covered, silk lined, hinged jewellery box with . The tie-stud has a red stone set in gold metalmoorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardneners, jewellery, risstrom lorna, tie-pins, tie- studs, cravats, silk, lace,

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

This jacket would have been worn with a long black skirt by an elderly woman or by one in mourning, probably in early Edwardian times.This item is retained for display purposes.This is lady's black satin top with long sleeves. There are hooks and eyes for the full length of the front. with a fitted, boned waist. It has panels on each side of the opening on the front with black embroidered " frog" decorations. The sleeves are pleated with three bands of black velvet on the cuffs at the wrist. The garment is lined with black cloth. The cream lace around the neckline appears to have been added at a later time.vintage woman's clothing, edwardian era, warrnambool and district historical society collection

1951 Commemorative Plaque (Centenary of Government in Victoria and Centenary of the Discovery of Gold) THE obverse side of this Medallion represents the three qualitities of democratic Government which makes the citizen's life worth living. Freedom, Justice and Equality. But the basic quality, through which Equality and Justice can be achieved or which results in Equality and Justice is FREEDOM. So the artist, in agreement with the sub-committee, selected a beautiful horse, gallantly bounding forward, his broken shackles still on his foreleg, carrying a woman representing Justice and a man representing Equality on its back. Without Freedom there is no Justice and Equality, but if there is Freedom, Justice and Equality are its natural results. The Stake on the reverse side represents strong democratic Government. Supported by it society grows and blossoms freely.Medal: OBVERSE: Depiction of a bucking horse with two nude riders. The first rider is a man wielding what appears to be a torch. The second rider is a blind folded woman wielding a sword. The horse has a broken shackle on the left foreleg. Information sheet in case. Case: Black leather, white satin lining and green velvet insert. Top bears gold coat of arm of Government of Victoria.Front: Equality and Justice through freedom. Back: CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951 (edge) Presented to THE TOWN OF PORTLAND 1951 (engraved, centre)medal, commemorative, centenary, victoria

Cream wool hand knitted square necked dress. Small balloon sleeves, short cream satin ribbon tie at waist. Yolk has an open pattern, while skirt is stocking stitch, with a band of diamond shaped patterning 13 cms wide, and a bottom band of garter stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress

Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket

A wedding bodice made for Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon1886 satin bodice, boned and paneled to fit 24 ins waist. Closed at front with 18 pearl buttons. Long sleeves, beaded and embroidered cuffs also lace trimmed. Pocket on left side for watch. Peplum at back to sit on bustle of skirt. Beaded collar to fit over bodice neckline. See also Fan NA3582, shoes NA3578 and bridal headdress NA3489.costume accessories, clothes accessories