Hat belonged to Leslie Ricketson's Mother.Hat constructed with six large dark brown satin bows mounted on a pointed framework of wire or stiff nylon covered in the same fabric as bows. Hand stitched.costume, female headwear, trades, millinery

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Fashion (or clothing/costumes) in the collection was largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This short, beaded 'flapper' dress was worn by Mrs Udora Freame to a ball at the Hawthorn Town Hall in the 1920s. Donated by her daughter, the dress is the earliest item of fashion in the collection where provenance can be linked to a local civic event.Sleeveless black chiffon 'flapper' evening dress with v-neck. The dress is embroidered with silver thread using chain stitch and glass beads simulating Parisian jet.women's clothing, australian fashion - 1920s, evening dresses, udora freame, evening wear, flapper dresses, mayoral balls -- hawthorn (vic.)

Made by Mrs. Sarah Johnson.Star-shaped, white net milk jug cover, with stitched edging to the star and a crocheted cotton border. The crocheted border is decorated with turquoise-coloured glass beads.milk jugs, food covers, vessel covers

On loan from Eunice Russell née Gray. Used by Ebenezer Gray. Brown leather souvenir ammunition pouch. Turkish. Three compartments, with metal ring to attach to belt. Narrow belt strap. Has brass studs. Stitching on compartments.ammunition pouches, military equipment

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief

Cloth shoulder patch to indicate that the conductor of the tram was qualified as a "Tram Driver Trainer". Similar design to item 889Demonstrates the method of indicating a tram driver was qualified to train other drivers.Cloth badge or patch - made on black cloth backing with the words "Tram Driver Trainer" stitched in red cotton. Item 889 has a red border stiching. tramways, conductors, badges, mmtb, clothing, uniforms, training, drivers

A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. A lady's detachable, white, cotton collar with machine lace edge and long ties c1960clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar

Hand-stitched tapestry by M. Baker in 2001. Tapestry represents part of the family history of working in the wool industry as owners of a sheep property for five generations. The family has run Corriedale sheep in Lismore, Victoria.Brown timber framed woollen tapestry with cream mounting board. Tapestry is handstitched and features various colours. Scene depicts four men and a woman in a shearing shed. Two of the men are handling sheep, one man is weighing a fleece while the last man and woman look on. Back of frame has a horizontal hanging wire, a framers stamp at the bottom centre and a handwritten creators name and date at the top right corner.lismore, sheep breeding, tapestry

'Retsol' brand travel rug produced by the Returned Soldiers and Sailors Mill, Geelong. Retsol rugs were one of the specialities of the RSS Mill. This one was owned by Mrs A.T. Lucas who gave it to Running Stitch.RETSOLtextile production, textile mills, returned soldiers and sailors mill running stitch group, retsol rugs, running stitch collection, blankets, lucas, mrs a. t., geelong

This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. It is a brown leather knife sheath, with a decorative front and two canvas straps attached at the back. The shorter strap is located at the bottom of the sheath and the longer strap is located just below the belt loop. Both straps are fixed in place with stitching. The top strap has a square of stitching, while the bottom strap has two lines of stitching that follows the stitching of the sheath. The belt loop is at the top of sheath and is a fixed flap of leather that is folded across the top and also holds the handle of the knife in place using a circular hole that fits around the butt of the knife. The bottom canvas strap has three adjustable brass male press studs on the left side as well as the fixed female one on the right. The top canvas strap has four adjustable brass male press studs on the right side as well as as the fixed female one on the right. The sheath is held together by stitching and five iron rivets. There is one on the point of the sheath, two on either side of the top, and two more 51mm below the top two. 46mm above the sheath, there are another two iron rivets on either side. Above that on the holding flap, there are two iron rivets just above the circular hole on either side. On the flap, around the hole there are three brass flat-headed split pins, one on either side and one on the front. At the top of the sheath, above the decorative embossing, there is a dark brown jagged cut strip of fixed leather. All the leather on the object is a reddish-brown, while the canvas and stitching is light beige. The end stitching on the canvas straps is dark grey. The front of the sheath is polished leather, while the back is rough.On back of belt loop flap, there is an embossd manufactuing patent number; PATENT Nr152.463 On face of the sheaf there embossed decoration. It depicts a lion with stylised decorative foliage and above the lion there is a fleur de lise. Above that it reads Soallingen Norge.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf

This is a flag awarded to the Premiers of the Warrnambool District Bowls Association for 1963-4. The members of the Warrnambool District Bowls Association are Timboon, Dennington, Koroit, Port Fairy, Terang, Lawn Tennis, City Memorial and Warrnambool Bowls Clubs. It is presumed that this flag was awarded to St. John’s Bowls Club as it was passed over from that club to the Warrnambool and District Historical Society in 2014. St. John’s Bowls Club in Princess Street, Warrnambool was associated with the Warrnambool Presbyterian Church. It was formed in the 1930s and ceased to exist in 2013. This flag is of some interest as a memento of St. John’s Bowls Club in Warrnambool. This club was a well-known sporting club in the 20th and early 21st centuries in Warrnambool. Bowling is a popular sport in Warrnambool. This is a triangular-shaped cloth flag or pennant. It is dark blue with yellow lettering stitched on (Warrnambool District Bowls Association Premiers 1963-4). The base of the triangle has a white canvas folded binding in which is enclosed a plaited rope with a metal clip for attachment to a pole. The smallest section of the flag has been stitched over with black cloth. The flag is somewhat grubby with the white binding particularly dirty.‘W.D.B.A. Premiers 1963-64’warrnambool district bowls association, st. john’s bowls club, warrnambool, warrnambool

Cream coloured long sleeves hand knitted woollen baby coat with collar. Stocking stitch with three rows of diamond pattern on yolk, on lower skirt and on sleeves. Front opening and hemline edged with moss stitch. Fastened at neck with one pearl button. Cream satin ribbon tie at waist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby coat

Clothing. Infant's cream coloured satin silk bonnet. Embroidered sheaf of flowers on the back of the crown. Back edge trimmed with one cm lace. Front edge of bonnet has two triangular fold back tabs edged with lace. A pleated fabric frill is stitched across the top of the bonnet underneath the stitched down tabs.The front edge of the bonnet is trimmed with a double frill of white silk fabric. A fabric bow is attached at each front corner above satin silk ties (38 cms X 5 cms). Fully lined with silk fabric gathered into centre back. Circular piece of fabric stitched over gathering point.costume, children's, infant's baby bonnet

Clothing. Blue linen dress, with a black and white floral design, possibly home stitched. V neckline at front, high rounded neckline at back. Curved yoke at front bodice. Centre opening, fastened with press-studs. Three decorative buttons are sewn diagonally, side by side on the outside of the opening (X2). Side fronts are gathered to the yoke, and have two darts on either side front, at the waistline. Short set in sleeves. Six panels form the A-line skirt. Some hand stitching on facings and hems. A home stitched dress. Two decorative, curved decorative panels, 5 cm wide and 22 cm long, straddle the waistline at front and back.costume, female, blue linen floral dress

Hand knitted, short sleeved dress, with a tiny square neckline, with a two button opening on each shoulder. A dainty pattern, which repeats every 10 rows. A 3 cm moss stitch band on each of the short sleeves. A 2 cm band of stocking stitch defines the skirt and yoke. Stocking stitch also defines the neckline and shoulder openings. Two little 1 cm plastic pearl buttons fasten the shoulder openings. A 1.5 cm wide nylon ribbon passes through eyelets around yoke/skirt join, and ties in a bow .A picot crochet edge defines the neckline. Set-in sleeves. Matches jacket 11400.657.costume, children's, baby dress

WW1 Issue1. & 2. A pair of matching foot stirrups - both leather, brown, strap with metal buckle, cream coloured stitching. heavy metal loop to attach strap to stirrup.passchendaele barracks trust, leather stirrups

Refers to the service of " WO2 Tommy PATTISON", refer Cat No 5342.4This is a cotton/polyester hat. Colour is Aust Army camouflage. brim size 6cm. Around outside of hat is a band of similar material stitched in rows every 4 cms.aust army, uniforms, hat, wo2 tommy pattison.

This medical / hospital equipment was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Inside white and orange cardboard packet. Metal ends like wire attached to metal sections adjacent to each other. Used instead of stitches. Requires applicator and remover.'100 Michel' (in white writing on orange background) and other side - '18/8' circled (white numbers in orange circle). 'Mt Beauty' handwrittenmedical equipment. hospital equipment. tawonga. mt beauty. medical. hospital. nurse. doctor. medical aid. health. stitches.

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye

Vietnam era issue Polyester shirt.Vietnam era long sleeved khaki, 2 breast pockets and 12 plastic buttons.. Class 2 Warrant Officer crowns (brown and cream stitching) on upper sleeves.Class 8405 66-017-2257 Machine washable, do not boil, drip dry, warm iron"uniforms, military, polyesters

These hand crafted, crocheted table linen items are part of the many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Set of three lace doilies & a table runner white, rectangular pieces, hand crocheted wide borders with white linen hand stitched into the centre. (Part of the Giles Collection)Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, warrnambool breakwater, mailor’s flat, wangoom, textiles, victorian household items

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and hand embroidered central floral scene with decorative cut work above, leaf shapes 2cm border with triangular hand stitching tatting embroidery, handcrafts, bedroom linen, trimmings, cut work

The pennant was part of the collection owned by Helen Veitch when she was a student at the Ballarat Teachers' College in 1948. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)lBlue wool felt pennant with a yellow felt edge with 2 loops stitched to the side edge. The pennant is printed in yellow with the words 'Ballarat Teachers' College' and Coat of Arms.Printed - Ballarat Teachers' College & Coat of Armsballarat teachers' college, pennant, helen veitch

This white cotton lady's slip bodice is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire. The Blackburn family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. Fine white cotton lady's slip bodice. Front opening with five buttons. Hand embroidered satin stitch scalloped edges to both the sleeves and neckline. Good condition.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, blackburn nance

Music book of "Twilight Fancies", Morceau Brilliant for the pianoforte, by Arthur M. Bonser. The paper cover is very faded with bold black print. Hand stitched along spine.Olive M. Walter Grassmere

Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962–1972). Black wool felt beret lined with black polished cotton. The brim is bound with black leather. There are two stitch covered eyelets at the rear and on the right side of the beret for ventilation. beret, clothing, vietnam war