Inglis Street of Ballan .circa 1930/40.The photograph is looking East. Parts of the Mechanics Institute and Free Library can be seen, as can the butcher shop, and on the opposite side of the Street the Ballan Hotel and Post and Telegraph office.Black and white photograph of Inglis Street Ballan.Looking East. Photograph is on a cardboard backing with an ornate surround of green and gold. Cars and a truck circa 1930/40 are parked in the street.The word Ballan written on bottom of surround under the photographtelegraph office, car, mechanic institute, butcher shop, delivery truck, 1930 40 cars

See Cat No 3505.23 a connection with Warick JOHANSON. See also Cat No 3506.Photo album consisting of heavy cardboard sheets tied together with brown cord. Photos appear to be of training camps in Victoria & Northern Territory & on deployment in New Guinea. All captioned. Several missing. “Printed in white by hand: Captions under each photo”books-albums, photography-photographs, military history

Webbing belt, US pattern 56, jungle green with brass buckles & 4 brass keepers. Numerous sets of 3 eyelets spaced along entire belt.Stamped under belt: 2 x letter “D”costume accessories - male, uniforms - army, webbing, passchendaele barracks trust

Slouch hat, khaki, puggaree, light khaki, colour patch with WWII red rectrangle with black ball* in centre. Rising Sun badge on raised edge is badly corroded green internally. Liner & chin strap removed. * The colour patch is of the Corps of Australian Electrical & Mechanical Engineers (field units) 1942 - 1945.Written in ink on puggaree under the colour patch: “Geelong”uniforms - army, costume - male headwear, slouch hat

.1) Leather, Stitched pistol holster with brass fasteners. .2) Brass cleaning rod for pistol, sits in the back holster.“Australia [left arrow]” tooled at top of holster under .military history - equipment, trades-leatherworking, passchendaele barracks trust

The album was owned by Jack Grinton 1043, 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took in England and France during WW1. He reproduced many himself in his hut in England prior to going to France. Refer Cat No 1280 for service details. Refer 1317P, 1320P. Dark blue photo album with string and tassels. Six pages, grey background with 22 B&W photos of England and France.Hand written remarks in ink under each photo.books- albums, photography - photographs

MEDIUM: Photograph/Print DESCRIPTION: Black and white photograph print No outer frame White board frameSigned, titled and dated under bottom of image on printbanda that, dress photograph

Black and white carte de visite photograph of Constable Lonigan in an oval shapeConst. Lonigan (written in black ink under photograph)kelly gang, police murders, thomas lonigan, stringybark creek

Black and white carte de visite of a standing constableConst Bray (written in blue pen under photograph)william john richard wallace, kelly gang, edward kelly, ned kelly

A small black and white photograph of Mr Monk showing his head and shoulders in an oval frame. Man is shown with beard and moustache facing towards the right sideMr Monk Saw Mill (in ink under photograph)ned kelly, edward kelly, kelly gang, police murders, edward monk, ted monk

Round clear glass bottle with numbers embossed on base.'1342', with a line under, then '13' upside down below

From Glen Iris.Dark blue and gold felt triangular pennant with gold screen print text."P.M.B.A. UNDER 13 A GRADE RUNNERS-UP 1968"

British 1907 pattern bayonet and .303 Lee Enfield rifle was standard issue to the armies of many Commonwealth countries including Australia, in World War One (1914-1918), World War Two (1939-1945), and Korean War (1950-1953). In Australia it was replaced by the 7.62mm Self-loading rifle (SLR) in 1960.British 1907 pattern bayonet with leather scabbard with metal fittings. XOA and L 43 under 1907 with Slazenger on handleworld war one, weapon, bayonet, british, lee enfield

framed lithograph on paperunder image in ink 'Bronwen Jones 1/5'bronwen jones, bookplate, lithograph, available, keith wingrove memorial trust

Geoffrey RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, Framed intaglio print from Geoffrey Ricardo's 'A Dark City, A Narrative' suite. Under image in pencil ' "The Illuminated City" Ricardo 99"geoffrey ricardo, printmaking, framed print, intaglio, etching

Collar Stud box used by Colin Kerr, containing 2 studsRound metal container with brown leather inset in lid. Blue velvet insets in lid inside and inside base. 1 mother of pearl and metal stud and 1 plastic stud.Text: 'A Stud in the Box / is worth two / under a Bed'.colin kerr

Former Officers' Mess propertySilver (EP A1) water jug with removable filler cap. A screw cap on spout is secured by a chain. Vertically set handle.Under base and under cap: "Crusader E.P.A.1" Engraved: "Presented by Lt Col J Boyce CO Jan 87 - Jan 89"mess silver, water jug, boyce, mess silver, water jug, boyce

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. At least 2 of these houses (17 and 84) are contributory properties to HO72 Elsternwick Estate and environs.Page 172 of Photograph Album with four photographs of differerent properties on Regent Street.Handwritten: Regent Street [top right] / 17 [under bottom left photo] / 84 [under bottom right photo] / 172 [bottom right]trevor hart, regent street, elsternwick, houses, mansions, cast iron work, verandahs

This photograph is part of the Caulfield Historical Album 1972. This album was created as part of a project from approximately 1966-1972 by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. This album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia Victoria and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Photographers Jenny O’Donnell and Trevor Hart, members of Caulfield Historical Society. Some photographs are older and from unknown sources. All photographs are black and white except where stated. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) An imposing single storeyed stuccoed Boom period Italianate villa residence, distinguished by its bayed and pedimented projecting wing and central portico with surmounting pediment and urns. The cast iron verandahs, to two elevations, have tessellated floors and are partly built-in. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) "Stanmere" is locally important as the home of the Short family whose decision to sub divide its holdings was linked closely with the profiteering ventures of the directors of the Premier Building Association, leading to the construction of low cost workers housing characteristic of the land boom speculators prior to the bank crash of the early 1890's.Handwritten: Page 186 of photo album with two photographs of the Elsternwick Club.Handwritten: Sandham Street [top right] / BOWLING CLUB [under top photo] / ELSTERNWICK CLUB [under bottom photo] / 186 [bottom right]trevor hart, victorian, chimneys, porch, cast iron lacework, verandah, sandham street, victorian villa residence, villa residence, cast iron frieze, cast iron columns, protruding bay, bay window, 1880's, late victorian, decorative brackets, rendered, arched windows, ornamented parapet, short family, premier building association, elsternwick club, boom years, elsternwick, pediment, stanmere, bowling club, club, bowling, land subdivision, cast iron work, tessallated floors

Linocut print on paper. Printer's Proof'P/P' in bottom left under printed section, 'DAWN RAID STRATEGY' in centre under printed area, signed on bottom right edge.linocut, line, pattern

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed section, 'ILAN REGATTA' centred under printed area, signed along bottom right edge.linocut, line, pattern, cultural reference, symbolism, boats

Signed and dated, lower right under printed image 'Kees Hos '66 Title and edition 2/25 in lower right under image

ScreenprintSigned and dated 'VP 82' in lower right corner under printed image. Edition 23/70 in lower left under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 19/30 in lower left under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' under printed image to the right. Edition 15/30, lower left corner under printed image.

ScreenprintSigned 'Sonia Lawson' in the bottom right corner under printed image. Numbered 'XXII' (22) in the bottom left corner under printed image.

LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition A/P, lower left corner under print.

Colour serigraphSigned 'Hodaka Yoshida' in lower right corner under printed image. Edition E.A (Artist's Proof) lower left under printed image.

Two coloured lithographSigned and dated 'T. Coleing '79' in lower right under printed image. Edition 11/22 lower left under printed image.