Showing 1259 items
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Glenelg Shire Council Cultural Collection
Souvenir - Champagne Flute - Portland Lawn Tennis Club, n.d
Champagne flute, waisted bowl, hexagonal stem, segments continuing on to round base. Gold rim, gold printed 'PORTLAND LAWN TENNIS CLUB', two crossed racquets, 2 tennis ballssouvenir, glass, portland lawn tennis, sport, recreation -
Warrnambool RSL Sub Branch
Naval Ratings Bib
The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. They reflect traditions that can be traced back to the Royal Navy (England) and demonstrate the relationship between the two. This bib is one of four parts to a Naval Ratings Uniform.This bib is one part of a naval ratings uniform which consists of four parts. The uniform is representative of the Royal Australian Navy uniform and can be traced to the Royal Navy (England). The complete uniform shows the connection between Australia and England since European settlement.Cream cotton twill bib with navy blue trim around neck and over shoulders in square shape. Fastened at the waist with two long ribbons which are attached to both the front and reverse of the bib.Inscribed on both the front and reverse of the interior bottom hem: “D. HILL”navy, ran, royal australian navy, naval bib, naval ratings bib, naval ratings uniform, military uniform, j.m. parsons, parsons, j parsons -
Orbost & District Historical Society
christening robe, C 1900
Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood -
Bright & District Historical Society operating the Bright Museum
Apron, Ceremonial
Ceremonial apron, made of chamois, small trimmed with black silk and stamp of Manchester Unity of the Independent Order of Oddfellows. Cream bias ties for waist. Dark brown cotton material on reverse side.Stamp of the Manchester Unity of Independent Order of Oddfellows.apron, leather, machester unity of independent order of oddfellows, chamois -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's chemise, c1900
This lady’s fine cotton hand sewn chemise is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families .The Marriott family were pioneer market gardeners from 1850 to 1960's in the Moorabbin Brighton areaA lady's hand sewn fine cotton chemise with set in sleeves and concealed buttons along front bodice opening.The waist is elasticised and hand made lacework decorates the front and back with panels of pintucksclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, boys blouse, c1908
This cotton, boy's blouse is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire c1900The Maggs family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these familiesThis is a 2 year old boy's long-sleeved blouse. White cotton with blue pinstripes. Breast pockets and banded waist. C 1910. Some fraying to collar and cuffs. Small tear to body.clothing, brighton, moorabbin, pioneers, bentleigh, dendy henry, market gardeners, dressmakers, early settlers, maggs geoff, garments, craftwork -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical outfit, 2 piece for Ormond Choral Society
A 2 piece theatrical outfit, used by the Ormond Choral Society c 1950, which was formed by residents of the local area in order to provide artistic and musical entertainment and social activities for the community. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin 2 piece Plum and peach coloured theatrical outfit consisting of a V shaped sleeveless top and loose, full length pants with elastic at waist worn by Ormond Choral Society for one of their productions ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy, clothing, actors, early settlers, post world war 11 estates, -
Bendigo Historical Society Inc.
Clothing - CAMISOLE
Camisole. Ivory coloured fine cotton with lace and embroidered inserts. Lace edged sleeves. Square neckline with front opening with four pearl buttons. Small peplum. Cotton tape tie at waist.costume, female, underwear -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress, Barbara GARDINER, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Half petticoat ivory brocade satin waist section, plain satin underskirt and net overskirt with ribbon roses decoration, and blue ribbon bow. Petticoat is a full circlecelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship Rays Section, Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC006.1 and MGC006.2 Ray royal blue cotton sashes with 1cm white border rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Hume City Civic Collection
Skirt, Inmate's
Skirt in slate-grey denim, Roughly pleated at top into blue and white striped webbing waistband. Fastens at the waist with grey tapes. Hem and back opening Roughly hand-sewn with brown thread.costume, sunbury asylum, george evans collection -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1912
White Cotton Shift with Lace Yoke Waist plan Hem 9cm Wide Lace Rose Pattern Forming Yoke Trimmed with Rose Leaf Patterned Square Neck. Inserts of lace in Bodice. stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Half Length Evening Slip in Cream Pure Silk. Spoke stitched hem machine stitched. Floral pattern above hem line. Button closed opening at waist. McClure Family Collection.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
White Broderie Christening Gown Cotton. Waist line. Small short sleeves. Long skirt. A panel trimmed with a frill centre front. Neckline drawn with tape open. Mrs Thelma Clarkstawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Camisole and knickers combination
Purchased by Joy Kenny on behalf of the Society from St Vincent de Paul Opportunity Shop.All in one camisole and knickers combination in cotton trimmed with anglaise around the neck , sleeves and leg. Five linen buttons down front - back has trap door opening and ties at waist.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
Cream silk camisole with lace inserts. Blue ribbon in eyelet lace at neck. Four pearl buttons down front (one missing) concealed by lace, drawstring waist. Blue ribbon on sleeves.costume, female underwear -
Circa Vintage Archive
Gold lace 1920s dress, Gold metallic silk lace 1920s evening dress, 1920s
Sleeveless evening gown of delicate lace with a drop waist, scalloped detailing and slightly flared skirt. Fastens through a side opening of press studs. Photographed with a petticoat underneath due to the sheerness of the fabric.None -
Ballarat RSL Sub-Branch Inc.
Trousers
Long dark trousers. Four buttons along the waist line, front and back. Five buttons along the front, only four are present. Leather on the inside of the trouser leg, front. Plastic Buttons trousers, long, dark blue, pants -
Kew Historical Society Inc
Clothing - Pink Floral Voile Dress, Misses Mooney, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. When this summer dress was donated by Elaine Chenoweth, a resident of Kew, it was identified as a dress purchased from the Misses Mooney Shop at 189 Collins Street (active 1932-1972) and dated to the 1930s. The consensus is that the dress was made from a 1930s fabric in the mid to later 1930s and shows the characteristic sleeves, waistline and flared skirt of the period.Pink floral voile day dress, reputedly purchased from the Misses Mooney's Shop in Collins Street, Melbourne. The dress has a tie at the waist in the same fabric ending in small wooden clogs. women's clothing, day dresses, misses mooney, 189 collins street -- melbourne (vic.), fashion -- 1930s -
Kew Historical Society Inc
Clothing - Apricot Chiffon Dress with Waterfall Front & Satin Shift, Grace James, 1981
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s -
Tennis Australia
Accessory, Circa 1988
'Tennis Ball Caddy'. Ball-holding bracket for wear during tennis play. Holds five balls and is intended to be worn around the waist. Materials: Cardboard, Ink, Plastic, Synthetic material, Papertennis -
Kew Historical Society Inc
Costume - Maroon & gilt dress, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori -
National Wool Museum
Clothing - Petticoat, Eliza Lynon, 19th century
19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.White Irish linen bodiced petticoat with three sets of three pin tucks at hem. Skirt is attached with cartridge pleating and constructed with French seams. The bodice ties at the back with drawstrings at the neck and waist.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland -
Flagstaff Hill Maritime Museum and Village
Leisure object - Boudoir Doll, c. early 1900s
The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll -
Federation University Historical Collection
Costume - Nursing, Nurses uniform and cape, 1970s?
This uniform was worn by student nurses at the Hillcrest Psychiatric Hospital in Adelaide in the early 1970s. In 1964, Northfield Mental Hospital was renamed Hillcrest Hospital. .1) Mid pink waisted and darted uniform with a front pocket (with H H embroidered) on left breast and side pockets on skirt. Buttoned up the front, with three buttons on top and a placket with four hidden buttons on skirt. There is a hook and eye at the waist and a separate belt with two buttons and buttonholes. There is a collar and cuffed short sleeves, a back yoke and a center inverted pleat. .2) A lined (double layer) woollen royal blue cape with collar and neck tie and a hook and eye clasp.Embroidered on top pocket - H Hnursing, hillcrest hospital, student nurse uniform, nurse cape, costume, textiles, cape, uniform, hillcrest psychiatric hospital -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neckline with casing for cotton tape ties to back. Stand up lace trim (2cm) around neckline. Back opening (20cm). Lace at wrists and end of waist ties (.8cm). Gathered from neckline back and front. Front is gathered into broderie lace band (24cm X 3cm) at waist. Two fabric ties attached at sides of eaist band (64cm). French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Kew Historical Society Inc
Clothing - Blue Silk & Velvet Jacket and Skirt, 1868-1872
Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Two-piece royal blue heavy silk dress comprised of a tightly waisted top that extends below the waist at the front and the back, and a floor-length skirt. The full skirt and the sculpted fabric that is part of the top are designed to cover a bustle. The elaborately styled bodice is joined with fabric-covered buttons at centre front. The bodice is distinctively styled with the use silk velvet banding and tassles that extend the woven silk webbing. The outfit is in excellent condition apart from some wear on the velvet and the buttons.women's clothing, australian fashion, dresses, costumes, fashion & design, outerware -
Kew Historical Society Inc
Clothing - Blue Silk Jacket & Skirt, 1868-1872
Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Blue silk, floor length day dress comprised of a tightly fitted, long, waisted jacket joined by hooks and eyes at centre front. The bodice features large ornamental buttons from neck to waist, covered in a figured silk fabric of the same colour as the dress. The gown has extensive pin tucking on the sleeves, on the flounce of the skirt, and on the long train. The line of the outfit is emphasised by the flattened front, which is typical of the period. Its cut and lack of adornment emphasises the tailored effect.australian fashion, fashion & design, costumes, dresses, women's clothing, fashion - 1860s, fashion - 1870s -
Bendigo Military Museum
Uniform - BATTLE DRESS, 1) CGCF et al, 1968
Battle dress issue 1968..1) Battle Dress jacket, khaki colour, long sleeves, woollen waist length jacket with buckle clasp on lower RHS, 2 pockets. .2) Battle Dress trousers, khaki colour, woollen..1) “M LAFFERTY” written on makers labeluniforms - army, battle dress -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Jacket, abt 1970's
Jacket, dark blue, polyester/cotton, size small, slide fastener at front, internal pockets, elasticised waist and cuffs, 4/19 PWLH Regimental badge over "Band" on scroll on left frontjacket, band