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Federation University Art Collection
Painting - Oil on Canvas Board, 'Introductions' by Bernard Ollis, 2001
Ollis was head of painting at Latrobe University, Bendigo, before his appointment as head of the Sydney Art School. His work has been described as allegorical expressionism. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a seated woman and man with a yellow lamp behind them. art, artwork, bernard ollis, available, ollis, oil on canvas, oil -
Federation University Art Collection
Artwork - bookplate, 'Ex Libris Edwin Jewell' by Irena Sibley
Framed bookplate for Edwin Jewell showing a woman riding a unicorn.edwin jewell, irena sibley, unicorn, bookplate, framed bookplate, available -
Federation University Art Collection
Bookplate, ‘Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman sits on the ground in an outdoor setting reading a book48/400 and signature P. Hamyl in pencilbookplate, printmaking, australian bookplate design award -
Federation University Art Collection
Bookplate, Irena Sibley, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A woman with flowing hair is depicted riding a unicorn amongst the stars.bookplate, australian bookplate design award, printmaking, keith wingrove memorial trust, a01666 -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman is depicted sitting beneath a tree reading a bookPat O'Harrisbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust, life drawing -
Federation University Art Collection
Oil on canvasboard, 'The House Wife No.2' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a woman in green dress holding a vacuum cleaner.art, artwork, neville bunning, domestic goddess, available -
Vision Australia
Medal - Object, Helen Keller medallion, 1980
Produced by Lions International to commemorate the 100 years since the birth of Helen Keller, who was a pioneer in changing attitudes and rallying support for the blind and vision impaired community in the United States of America, as well as around the world.Silver medallion with profile of short-haired woman turned to the leftHelen Keller in profile with the words 'Helen Keller Centennial 1880-1980' on front side. "While they were saying among themselves it can not be done it was done' - Helen Keller (script on back) collectibles, medals -
Vision Australia
Photograph - Image, Female resident reading Stories for a Prince, 1983-1990
An unknown nursing home resident sits as she reads 'Stories for a Prince', outside in the shade. It is unknown where these images were taken, however assumed to be at Elanora.1 black and white photograph of older woman reading a bookelanora home (brighton), recreation, association for the blind -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewel’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A kneeling nude woman with mermaid-like feet is depicted reading.Pencil signature below printbookplate, australian bookplate design award, printmaking, keith wingrove memorial trust, life drawing, edwin jewell -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman with a pony tail is depicted standing reading a bookbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A kneeling man holds a knelling nude woman in his armsPencil signaturebookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Artwork, other - Marquetry, Henry Moritz, Khayyam's Ladies
Henry Moritz lectured at the Ballarat Technical Art School, a division of the Ballarat School of Mines.A scene depicted in marquetry showing a man and a woman holding a bird. marquetry, henry moritz, available, women -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Vicky Stanic
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. Image of dancing woman with headset incorporating name and Ex Libris2/4 signed V Stanicbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Armstrong, Juliet, Homeward to You by Juliet Armstrong, 1953
Romance novelHardcover book with colour image of a woman and a man. 191 pages. fictionRomance noveljuliet armstrong, romance, fiction -
National Wool Museum
Photograph - Close-up of Warping Machine, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a woman working at a warping machine.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W25 / W25. Close-up of Warp.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
National Wool Museum
Photograph - Warping Machine, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing a woman working at a warping machine.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W24 / W24. Warping.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
Surrey Hills Historical Society Collection
Photograph, Falconer family home, 'Legerton' at 15 Albert Crescent, 1920
Date is approximate. House was built in 1910 and has been demolished. The woman on the verandah is probably Mrs P Falconer, Ron Falconer's mother. Her full name was Emily Victoria Aird (1884-1957), daughter of James Bromich Aird and Sarah Ann (nee Edwards). She married Patrick Henry Falconer on 11 December 1907 in Blackburn. The Falconer family lived in Albert Crescent for many years. Listed in electoral rolls in 1916 through to the 1950s. By 1963 the family were at 33 Weybridge Street, Surrey Hills. Emily and Patrick Henry Falconer had 4 children: Ronald Keith (b1908); Hilda Irene (b 1910); Harold Leslie (b 1913) and Hilah (b 1915). James and Sarah Aird are buried in Box Hill Cemetery.Black and white photo showing a close-up view of the Falconer family home, 'Legerton' at 15 Albert Crescent, Surrey Hills with a woman at the entrance. It is a timber Edwardian home with simple fretwork on the verandah and a mature garden which partially obscures the entrance.edwardian style, legerton, albert crescent, miss emily victoria aird, mrs emily victoria falconer, patrick henry falconer, ronald keith falconer, miss hilda irene falconer, harold leslie falconer, hilah falconer -
Flagstaff Hill Maritime Museum and Village
Tool - Router Plane, A Mathieson & Son, Mid 19th to early 20th centuries
The subject router is commonly referred to disparagingly as the ‘old woman’s tooth’ or ‘hag’s tooth.’ It is a router that houses a plough plane iron instead of a purpose made shoe-type cutting iron. They work fine but rarely give the type of clean surface required for veneer inlays. These types of tools are adjusted by the same hammer-tap tapping method used generally on wooden-bodied planes on the iron or plane body. These tools are effective and practical when used in general carpentry and joinery. Company History: The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow regarded as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperage's and other industries, both locally and far and wide. The year 1792 was deemed by the firm to be that of its foundation it was in all likelihood the year in which John Manners had set up his plane-making workshop on Saracen Lane off the Gallowgate in the heart of Glasgow, not far from the Saracen's Head Inn, where Dr Johnson and James Boswell had stayed on their tour of Scotland in 1773. Alexander Mathieson (1797–1851) is recorded in 1822 as a plane-maker at 25 Gallowgate, but in the following year at 14 Saracen's Lane, presumably having taken over the premises of John Manners. The 1841 national census described Alexander Mathieson as a master plane-maker at 38 Saracen Lane with his son Thomas Adam working as a journeyman plane-maker. In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company acquired the Edinburgh edge-tool makers Charles & Hugh McPherson and took over their premises in Gilmore Street. The Edinburgh directory of 1856/7 the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street. The 1851 census records indicate that Alexander was working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 (Post-Office Glasgow Annual Directory) the firm is now listed as Alexander Mathieson & Son. By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, also off the Gallowgate, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses log the firm's growth and in 1861 Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm. A vintage tool made by a well-known firm made for other firms and individuals that worked in wood. The tool was used for making timber veneers or smoothing a trench in a piece of timber that was then used in some form of cabinet manufacture or wood working enterprise. A significant item from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made and required considerable skill in their use. Old Woman's Tooth Router Mathieson. Single iron cut down from a larger plane iron. Has Marked A Mathieson & Son also stamped inscription on side G Hill. (owner)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, plane, old woman's tooth, router, hag's tooth router, cabinet making, woodworking tools, a mathieson & sons, cabinet tool makers -
Federation University Historical Collection
Photograph - Photograph - black and white, Sarah Wright and family, 1928?
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. As Sarah is in her dressing gown and slippers these photos could refer to a note on an envelope left by Frank which says 'Mother taken on the first day up out of bed - at Lauls on 13th May 1928'. .1) black and white photograph of a man and a woman sitting on a wicker chair which is on a tessellated floor of the front porch of a brick building. The woman is wearing a dressing gown and slippers. The man is Frank Wright and the woman is Sarah Wright, his mother. .2) black and white photograph of a woman sitting on a wicker armchair with a pillow behind her back. The chair is on a tessellated floor on the front porch of a brick building. The woman is Sarah Wright. .3) black and white photograph of a man, two women and a child sitting on a wicker chair which is on a tessellated floor on the front porch of a brick building. The man is Frank Wright and the older woman is his mother Sarah Wright. The younger woman is his sister Laura and her son, Frank Ritchie is sitting on Frank's lap.On the left hand side of the porch are ornate columns and on the right hand side is a potted plant.frank wright, sarah wright, laura wright, tessilated floor, wicker chair, ornate column, child -
Kew Historical Society Inc
Photograph - Daguerreotype, Henty Family Portrait, 19th century
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length studio portrait of a female member of the Henty family, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. The woman is dressed in a silk dress, typical of the 1860s, with a lace collar and bonnet. She appears to be holding a locket in her right hand.henty family, australia - early settlers -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, Victoria, Portland Observer, May-97
Photographs of Portland Library - late 1990s to early 2000s, showing activities at the library and construction of additions to the building.Black and white photo. Woman sitting on chair, open suitcase beside her various items visible. Children sitting, facing her. This woman also in photos 9462, 9463, 9464.Back: white sticker, black print 'COPYRIGHT PORTLAND OBSERVER' '2655' Black biro -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, Sarah Wright at 'Laura Villa', Smeaton, 1928, 1923
Sarah Wright was married to a gold miner named William. They lived at Laura Villa, Smeaton. Their family won many singing and instrumental awards. Frank Wright their son was born and attended Smeaton State School and was a renown resident of Smeaton. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a woman in a long dark skirt and white blouse standing in front of steps leading to the verandah of a weatherboard cottage. The woman is Sarah Wright and the cottage is Laura Villa, SmeatonWritten in pen on the back - Mrs W. Wright, "Laura Villa", Smeaton, March 1923, F.W.sarah wright, frank wright, cornet, smeaton, laura villa -
Federation University Historical Collection
Photograph - Black and White, Sarah Wright, early 1920's
Sarah Wright was married to a gold miner named William. They lived at Laura Villa, Smeaton. Their family won many singing and instrumental awards. Frank Wright their son was born and attended Smeaton State School and was a renown resident of Smeaton. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a woman in a hat and fur coat, standing next to a park bench. A palm tree is behind her and in the background can be seen town buildings. The woman is Sarah Wright.sarah wright, frank wright, cornet, laura villa, smeaton -
Tatura Irrigation & Wartime Camps Museum
Photograph, Wilhelm Kuebler and family
Photograph of Wilhelm Kuebler and his second family. Wilhelm as an internee in Camp 3 at Rushworth during WW2.Black and white photograph of a man, woman and children posing in front of a backdrop shrubs. Man and woman and two children sitting, two boys and girl standing. Photograph has been laminated.Wilhelm Kuebler the artist, with his second family, children of both marriages, in Waldheim, Palestine. Computer image created by Horst Blaich, Bayswater 3153. Tel.: (03) 9720 2658 October 2001 round emblem underneath with side on head. Around the edge: Albert Blaich Family Archive 1970-2000wilhelm kuebler, camp 3 rushworth -
Stawell Historical Society Inc
Postcard - Group Photograph, Relaxing Outside
Huttley - Martin FamilyB/W: 2 Men. 5 Woman, 1 dog. outside on blanket. 1 woman in chair, man behine wering waistcoat, man sitting with suspenders, net to Madge Huttley.Madge Huttley (Bottom right)huttley, martin -
Bendigo Historical Society Inc.
Ephemera - LYDIA CHANCELLOR COLLECTION; DOGS
A tin with a picture of two dogs on the lid. It contains cuttings relating to dogs from various sources including 'The Sun,' 'Australasian Post,' 'The Australian Woman's Mirror' and 'Woman's Day.' 1938- 1961.dogs, lydia chancellor, collection, animals, dogs, tin, pets, ephemera -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Grimstead, Hettie, Strangers may kiss, 1952
224 p.: brown cover, section of original dust jacket pasted to front, with image of a woman in evening wear in foreground, a man sitting just behind her, and another woman in the background.fictionhetti grimstead, fiction, romance -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Ramsay, Fay, For love of Deborah, 1956
"Deborah's beauty is a mask which hides a most unlovely nature".190 p. : section of original dust jacket, with image of a man and woman embracing, while another woman looks on, pasted to front cover. Title and author's name hand printed on spine.fiction"Deborah's beauty is a mask which hides a most unlovely nature".fay ramsay, fiction, romance -
Federation University Historical Collection
Photograph - Black and White, Frank and Sarah Wright, Late 1920's
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man and a woman seated on a wicker couch on the verandah of a brick house. The man wearing a suit, has his arm around the woman who is dressed in a wrap around garment. The man is Frank Wright and the woman is his mother, Sarah Wright. The place is 214 Armstrong Street North in Ballarat.frank wright, sarah wright, ballarat, cornet, wicker couch, frank wright, sarah wright, ballarat, cornet, wicker couch -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo, Norah Douglas
Black and White photograph of Mrs Norah Douglas (1864-1957) and an unidentified woman seated on a trap on a road winding between hills. Forest and paddocks are visible. Both women are wearing winter coats and hats with brims. One woman is facing away from the camera. The other woman is facing the camera and is smiling either at the photographer or her companion. The second woman has a heavy scarf or shawl around her neck. See VSSH0046 for further information on the family.