The green holder for the weights was hand made by cutting recesses out of a single piece of wood. The wood was painted green. Between 1960 and 1988 Australia gradually adopted the SI units (Standard International) or metric units. In 1970 the Australian parliament passed the metric conversion act, and the Australian building trades made it the standard in 1974. This information helps to date the set of weights to C. 1970s.These weights have local and social significance to indicate the weights used in many homes or small businesses in the 1970s.Set of 5 small metric weights in wooden holder. Measurements are difficult to decipher but "Gram" can be identified around the edge of some weights. Holder has been created by cutting round recesses into a block of wood.metric system, weights and measures australia

This trophy was donated by Mrs Lil Wood in 1991 to recognise the winners of the Junior members of the G.A.C.C.The junior development of the cycling club is important to the club and this trophy serves to recognise endeavours in this field.This trophy is in the shape of a wooden column set on two small wooden bases. The second wooden base has a plaque attached to it with the name of the donor and the title of the trophy. The column of the trophy has small rectangular plaques with the name of each winner inscribed on them dated from 1991-1999. At the top of the trophy an image of a cyclist cyclist is in place."G.A.C.C./MRS LIL WOOD/JUVENILE/MEMORIAL PERPETUUAL TROPHY/1991 CHRIS STONEHOUSE/1992 A CAMERON/1993 D WILSON/1994 C ANDERSON/1995 L GODFREY/1996 C FRY/1997 R MOODY/1998 N LITTLE/1999 L HOWARD"g.a.c.c; mrs lil wood; juvenile memorial perpetual trophy; chris stonehouse; a cameron; d wilson; c anderson; l godfrey; c fry; r moody; n little; l howard;

The two-section corner cabinet is in a Victorian style, made of burr walnut. There is a cornice above two astral glazes glass middle-opening upper doors with a wood-panelled bottom cabinet and moulded plinth base. The cabinet has brass hinging and locks.furniture, cabinet, walnut, wood, victorian-style, victorian-era

This shipwreck artefact is a section of wood from the vessel “Success, a former immigrant ship, and later a convict hulk at Melbourne. The sailing ship “Success” was a teakwood vessel built in Natmoo (Natmaw), Tenasserim, Burma (now Myanmar) in 1840 for Cockerell & Co., Calcutta. Over its lifetime of 106 years, it was used to trade in the Indian subcontinent, to transport free emigrants to Australia, as a prison hulk in the Port of Melbourne for both hardened criminals, and later for women and boys, as a storage vessel for ammunition, a reformatory, and as a floating museum sent around the world to tell the tale of the convict era. During the time “Success” was used as a museum, pamphlets were distributed to paying customers advertising erroneously, that the “Success” was the oldest ship in the world. The “Success” sank and was re-floated twice: the first in Sydney in 1885, the second in the USA in 1918, before it was finally burned and sank July 4, 1946 in Lake Erie, near Sandusky, Ohio in 1946. Although the “Success” was home to prisoners while berthed in the Port of Melbourne, it was not used as convict transport. There has been speculation that Ned Kelly’s infamous armour was displayed on the “Success”, but this cannot be verified. Another link to Ned Kelly is Henry Johnson, an Irish prisoner on the Success, who was implicated in the murder of the ship’s warder, and later Johnson was supposedly a bushranger with Ned Kelly. It is also rumoured that Ned Kelly’s father John was a passenger on the Success, but this is also unverified. There are over 16 other ships named “Success”, although one in particular causes some confusion when researching “Success” in Australia. This other ship – the “HMS Success” was a 28 gun frigate built in1823, which was broken up in 1849. It also sailed to Australia. Statement of Significance: This piece of wood from the “Success” is connected to the ship Success, built in Burma in 1840. The “Success” is connected to the history of Australia because she was used as a merchant ship to transport immigrants to Australia, as a prison ship in Melbourne, a storage vessel, and as a floating “convict” museum, which travelled the world. Section of wood from ship “Success”. Wood appears to have been partially burnt, saw marks faintly visible on wood, remnant of a label with handwriting in black inklabel marked in script handwriting “Convict ship / “Success””flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sailing vessel success, wood sample of sailing ship success, cockerell & co. calcutta

A toy is an item that is used in play, especially one designed for such use. It is mainly intended for use by children, though may also be marketed to adults under certain circumstances. Playing with toys can be an enjoyable means of training young children for life in society. Different materials like wood, clay, paper, and plastic are used to make toys. Many items are designed to serve as toys, but goods produced for other purposes can also be used. For instance, a small child may fold an ordinary piece of paper into an airplane shape and "fly it". Playing with toys is considered to be important when it comes to growing up and learning about the world around us. Younger children use toys to discover their identity. The subject item is significant as it is an early example or a toy that was designed to fill the need for children to learn cause and effect, explore relationships, and practice skills they will need as adults. Adults also can use toys on occasion to form and strengthen social bonds, teach, help in therapy, and to remember and reinforce lessons from their youth. Wooden box with pieces of wood inside of various sizes believed to be a child's construction toySome pieces have designs

Made by internees at Camp 3, Tatura. Handpainted by Georg Hoffmann at Camp 1Carved wooden sheep sitting on a green painted wood base. Sheep is a creamy-fawn colour. Highlighted with black.sheep, wood, hoffmann g, kazenwadel k, camp 1, camp 3, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general

This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7

303 rifle parts coverWoods Mfg Co Ltd 1943

Black and white round china plate commemorating the discovery of Australia 1770-1970 depicting James Cook, the Endeavour & coats of arms of States on front, on back the history of Capt James Cook and the Endeavour.Wood & Sons Ltd Burslem Englandaustralia, history, captain cook

The two‐door cabinet with a bench top is a simply made nineteenth century utilitarian cupboard. It is similar in style to cupboards that were built into spaces either side of fireplaces in keepers’ quarters. All have two doors simply framed around recessed central panels, which are sometimes bevelled. They are opened with a key, or by a basic knob made of metal or turned wood. Most also are made from a light‐coloured wood, which in this case is possibly Huon pine. Some are painted, others show evidence of paint which has since been removed in an effort to restore the surface, and a few retain their original wood finish. This cabinet, which has plain recessed unbevelled panels, has one internal shelf and stands on the floor without a plinth base. The bench top has basic squared edges, and a low backing with curved ends extends around one side. These features suggest the cabinet was fixed and originally built into a corner. The Cape Nelson CMP identified a similar but slightly different cabinet in one of the assistant keepers’ quarters which is shown with shelves added to the top. Other similar two‐door, benchtop cupboards that were probably built‐in include those at Cape Otway and Cape Schanck , which have since been moved out of the residences. Built‐in cabinets were standard fittings in lightkeeper quarters as illustrated by the Point Hicks Lightstation CMP, which shows a built cupboard beside a fireplace. The Cape Nelson cabinet, an original domestic furnishing provided by the Public Works Department, has first level contributory significance for its historic values and provenance to the lightstation.Two‐door cabinet with a bench top. The doors are simply framed around recessed central panels.Light coloured wood.

A washboard is a tool designed for hand washing clothing. With mechanized cleaning of clothing becoming more common by the end of the 20th century. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood; by the 20th century, ridges of metal were more common. A "fluted" metal washboard was patented in the United States by Stephen Rust in 1833. Zinc washboards were manufactured in the United States from the middle of the 19th century. In the late 20th century and early 21st century, ridges of galvanized steel are most common. Clothes are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife.Washboard wooden rectangular with wood grid and 2 legsNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clothes washing, cleaning, 19th century washing appliances, scrub board, washboard

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Axes and Adze are hand-held tool used for shaping and carving wood. Axes are designed for chopping and cutting, while adzes are designed for smoothing and shaping. Both tools have a similar shape and consist of a head attached to a handle. An adze is an ancient and versatile cutting tool similar to an axe but with the cutting edge perpendicular to the handle rather than parallel.Used by woodworkers in the Kiewa ValleyA cast steel tool similar to an axe, with an arched blade at right angles to the handle, used for cutting or shaping large pieces of wood.adze, hand tool for woodwork, axe

Selley's is an Australian company which produces household 'do it yourself' and cleaning products. Martin Selley, who fled Germany in 1939, prior to the start of WWII, established the Selleys Chemical Company - selling wood putty.Selley's is an Australian company which produces household 'do it yourself' and cleaning products that were used by residents of City of Moorabbin in 20thC3 oz Glass bottle with screw on metal lid, painted blue - with a blue and white labelFRONT: Selley's Waterproof glue - (Clear) Manufactured by Selley's Chemical Manufacturing Co. Pty Ltd - SYDNEY - MELBOURNE 3 ozs. Net. BACK: Instructions for use. Selley's Waterproof Glue is a unique material which can be used for almost any type of joint. When used for wood to wood it gives excellent results, comparing favourably with all other types of wood glues, but in addition has the advantage that it is applied cold, and further, when set, is completely water-proof. It does not require any catalyst or hardening agent to set, but dries by evaporation of the solvent, leaving a tough, hard film. The glue contains thinners. Do not use near a naked flame, but after it has dried it is no more inflammable than dry timber. If glue too stiff, add acetone. glue, selley's, waterproof glue, bottle

Sad irons of the 19th century were so named because of the weight 1.8Kg that was needed to press wrinkled clothes and sheets. They were made of solid metal, including the handle. When the iron was heated, this meant that the handle would also heat up. The user would have to use a thick cloth or a mitt of some sort before they could pick up the iron. Even so, burns and blisters, as well as strained, tired arms, were a normal part of the “ironing day.” Mrs Mary Florence Potts of Ottumwa, Iowa, brought a change to the world of ironing. At the age of 19, in 1870, she invented her first sad iron. It had a hollow metal body that could be filled with a non-conducting material such as plaster of Paris. In 1871, Mary invented the removable wood handle, so that it could be changed from the cool iron to one that was hot and ready to use. A final improvement was the shape: Mary made both ends pointed so its user could iron in either direction. All of these inventions were patented under her name, a rarity for the time. Mary, with the help of her husband, tried unsuccessfully to market her invention on her own. It wasn't until she sold the sales rights to the American Manufacturing Company that sales took off. Advertised as "Mrs Potts' sad iron," it became a sensation. The company manufactured the iron from about 1876 to 1951. Mrs Potts' sad iron became a household word and a standard for future inventors to have to surpass. This didn't happen until 1882 when Henry W. Seely patented the first electric iron. The item is significant not only as a usable domestic tool, but it was, at the time of its creation, a revolutionary labour-saving device. Mrs Potts invention remains associated with a housewife's answer to the domestic drudgery of ironing.Iron,"Mrs Potts" pattern iron. Semi-circular or 'D' shaped wood handle and wood knob.Mrs Pottsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, clothes iron, flat iron, laundry, sad iron, mrs potts

Ken Peeler (at head of horse), Ken's father, Ern Peeler and brother Don Peeler (sitting on load) with dray-load of 'five-foot wood'. Peeler's Road, Barkers Creek. Photographed by Alice 'Girlie' Adams, approx. 1942. Families living at Barkers Creek and Woodbrook obtained contracts to supply 'five foot wood' to Thompson's Foundry and Castlemaine Woollen Co. Rows of wood, neatly stacked, 10’ high X 5’ wide covered many acres at each factory, ready for use in firing the boilers. Much bushland was thus cleared for orchard or pasture. The horse depicted is fully harnessed with bridle, eye-winkers and reins, dray collar, hames, shaft saddle with girth & pole straps and breeching straps. Neatly stowed under the dray shafts can be seen the props, used to keep the dray horizontal when the horse was to be taken out of the shafts. The dray was almost entirely constructed of wood, with steel tyres on the wheelsA reminder of the significance of local sources of fuel to some of Victoria’s biggest manufacturing concerns as well as depicting a major source of employment involving minimal capital. A B&W photograph depicting 2 men and a boy with a horse-drawn dray filled with wood. Photograph taken by Alice 'Girlie' Adams in 1942. Ken Peeler, Ern Peeler and Don Peeler appear in the picture along with a horse with no known name.

Some very early tables were made and used by the Ancient Egyptians around 2500 BC, using wood and alabaster. They were often little more than stone platforms used to keep objects off the floor, though a few examples of wooden tables have been found in tombs. Food and drinks were usually put on large plates deposed on a pedestal for eating. The Egyptians made use of various small tables and elevated playing boards. The Chinese also created very early tables in order to pursue the arts of writing and painting, as did people in Mesopotamia, where various metals were used. The Greeks and Romans made more frequent use of tables, notably for eating, although Greek tables were pushed under a bed after use. The Greeks invented a piece of furniture very similar to the guéridon. Tables were made of marble or wood and metal (typically bronze or silver alloys), sometimes with richly ornate legs. Later, the larger rectangular tables were made of separate platforms and pillars. The Romans also introduced a large, semicircular table to Italy, the mensa lunata. Plutarch mentions use of "tables" by Persians. Furniture during the Middle Ages is not as well known as that of earlier or later periods, and most sources show the types used by the nobility. In the Eastern Roman Empire, tables were made of metal or wood, usually with four feet and frequently linked by x-shaped stretchers. Tables for eating were large and often round or semicircular. A combination of a small round table and a lectern seemed very popular as a writing table. In western Europe, the invasions and internecine wars caused most of the knowledge inherited from the classical era to be lost. As a result of the necessary movability, most tables were simple trestle tables, although small round tables made from joinery reappeared during the 15th century and onward. In the Gothic era, the chest became widespread and was often used as a table. Refectory tables first appeared at least as early as the 17th century, as an advancement of the trestle table; these tables were typically quite long and wide and capable of supporting a sizeable banquet in the great hall or other reception room of a castle. https://en.wikipedia.org/wiki/Table_(furniture)The table is one of the most important items of furniture used in the home, including the kitchen.Table wooden with 4 wooden turned legs and unvarnished raw wood topNone flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, table, kitchen furniture

This wood traveling trunk was used by the LePage family when emigrating from Guernsey , Channel Isles, to Melbourne on SS Caliope 1852. Nicholas LePage , a tailor, and wife Elizabeth arrived in Melbourne in 1852 with their son Frank Thomas and daughter Elizabeth. Joshua Holloway released land in his 'Two Acre Village' in Cheltenham 1851. Nicholas bought a LOT for 10pounds and began a market garden that was managed by successive generations. The LePage family became involved with the Methodist Church , local friendly societies, sporting clubs and civic councils that endured. 'The LePages became one of the best known Moorabbin market gardening families, with a tradition of service to communal and civic affairs that is unmatched' John Cribbin, ' Moorabbin ,Pictorial History 1862-1994.' (City of Kingston)A handmade wood trunk with brass lock and hinges and Guernsey ( Channel Isles) Newspaper lining 1851Top of lid; White Stencil BETSEY LEPAGE / PASSENGER TO MELBOURNE Lining of box; Guernsey Newspaper 1851 henry dendy's special survey 1842, moorabbin shire, moorabbin roads board, dendy henry, were jb, holloway josiah, brighton, bentleigh, cheltenham, pioneers, market gardeners, early settlers, methodist church, two acre village cheltenham, charman stephen, bent thomas, daphne cottage, sons of temperance friendly society, mayors moorabbin council, lepage nicholas, lepage frank thomas, lepage everest, lepage frank wilbur, cheltenham co-operative society, cheltenham cream and butter factory

Christmas 1930; Norman Arthur Woods; G.W.L GibsonPresented to future shire Secretary Norman Arthur Woods at Christmas 1930 by Shire President G.W.L GibsonGreen leatherette loose leaf book with index in boxBack Page: Shire of Broadmeadows/ with compliment of season/ G.W.L Gibson / President / Xmas 1930 Box Lid: Walker's/ Loose Leaf Books End of Lid: Label No: 513/ Walkers/ Green with index/ Loose leaf/ Ruled / Book faint (unreadable) size of leaf 5x3in London Book Cover: Gold embossed N.Wshire of broadmeadows, secretary, notebook, norman arthur woods

Christmas 1930; Norman Arthur Woods; G.W.L GibsonPresented to future shire Secretary Norman Arthur Woods at Christmas 1930 by Shire President C.W.L GibsonGreen leatherette loose leaf book Back Page: Shire of Broadmeadows/ with compliment of season/ G.W.L Gibson / President / Xmas 1930 Book Cover: Gold embossed N.Wshire of broadmeadows, secretary, notebook, norman arthur woods, c.w.l gibson

Made and used by internees at Camp 3Ply wood cut out of dwarf with a white beard, red pointed hat, green jacket, brown trousers, holding a rabbit. Cut out slots into a small flat baseornament, wood, hornung g, frank g, camp 3, tatura, ww2, handcrafts, woodcrafts

Rev. Pat Wood (1910-1993) OBE OAM was a RAFF Chaplain 1942-49 and Moderator General Australian in 1975. Re Rex Collis Mathias (1907-1986) was a peace activist and spoke to the public on the Yarra Bank under the banner of "voice of Methodism". He led the Young People's Department in 1939 and in 1940 was Chaplain of Wesley College. He was Director of General Conference, Department of Christian Education.Gloss, three-quarter image of Rev. Gillam Albert McConnell Wood (Pat) and Rev. Rex Collis Mathias in situ.wood, p., presbyterian, methodist, moderator general, voice of methodism, yarra bank

A spokeshave is a tool used to shape and smooth wooden rods and shafts - often for use as wheel spokes, chair legs . Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. Spokeshaves can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, whilst the body and handles were wood. An early design consisted of a metal blade with a pair of tangs to which the wooden handles were attached. Like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth century metal handles and detachable blades had become the most common. Preston Tools was an English tool making company also known as E.P. Tools and Edward Preston Tools. Edward Preston Sr. (1805-1883) was first listed as a plane maker at 77 Lichfield Street in the 1833 Birmingham Directory but it is believed he may have started business there as early as 1825. Around 1850 his son, Edward Preston Jr. (1835-1908) left school to join his father's business and he later started up his own "wood and brass spirit level manufactory" at 97-1/2 Lichfield Street by 1864. By 1866 Edward Jr. had added planes, routers, joiners, coach, gun, cabinet and carpenters tools to his line, and the following year he moved his shop from his father's address and relocated to 26 Newton Street, before moving again to a much larger premises at 22-24 Whittall Street. This later became the office and factory of Edward Preston and Sons, who were forced to liquidate in 1934, due mainly to the Great Depression and mismanagement of the company. The plane making concern was sold to the Sheffield firm of C. & J. Hampton, who had subsequently merged in 1932 with Record Ridgeway Ltd.An ornate steel spokeshave wood plane with an adjustable screw.PRESTONS PATENTwoodwork, tools, spokeshave, moorabbin, cheltenham, bentleigh, early settlers, pioneers, market gardeners, woodplanes, craftwork, bicycle wheels, furniture, cabinetmaking, cartwheels, wagons, drays, preston edward, preston tools ltd

Early settlers had to clear the land of trees and shrubs to establish and maintain their farms and market gardens. Some settlers worked in the Gippsland region felling timber for transport by bullock wagons to Melbourne. Two-man crosscut saws were primarily important when human power was used. Such a saw would typically be 1 to 4 m (4 to 12 feet) long, and sometimes up to 5 m (16 feet), with a handle at each end. The technique in using a two-man saw involved a sawyer standing at each end and together the sawyers would alternate pulling the saw through the wood. If the kerf -slit- began closing, causing the saw to bind, wedges would be inserted behind the saw blade in order to keep the kerf open.Two-man saws were designed to cut in both directions. Careful tooth design was necessary to clear the sawdust during the cut. This is a typical two-man tree felling saw that was necessary to clear the land when the pioneers were establishing their market gardens and farms in Parish of Moorabbin c1850A long steel blade saw with 2 wood handles c1900tools, saws, axes, early settlers, pioneers, market gardeners, dairy farms, orchards, vineyards, timber mills, bullock wagons, tree felling, timber mills, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis,

There has been a fair amount of confusion about this object as the paperwork states that a 'greenstone' gavel with a maori head carving and plaque mounted on green nephrite stone' was gifted when in fact the gavel is made of wood with a silver plaque. There has been no suggestion made as to what happened to the greenstone gavel. We can assume that it was lost or stolen and replaced with a plain wooden one that we now hold at ANZCA. From the attached plaque the Gavel was gifted to the Faculty of Anaesthetists by the New Zealand Fellows of the Faculty in 1965. Plain highly polished wooden pestle sits on a central walnut block on a flat wooden board, a silver plaque is attached on a piece of nephrite stone to one side of the board.[silver plaque] PRESENTED BY THE / NEW ZEALAND FELLOWS / 1965 [in black ink on back of stand] 1992/9aotearoa, new zealand, wood, nephrite, corporate gift

Knobkerrie are clubs used as weapons mainly in South and East Africa. The club end can be used to throw at an animal or to club an enemy's head in. Usually these would be carved from a protruding tree branch. The name is Afrikaans and comes from 'Knop', meaning knot or ball and 'Kierie', meaning cane.Accessioned into the museum collection in 1913 and donated by a Mrs Newcome, there is not much other information on its provenance. However, the museum collection holds several artefacts from this region of South Africa and much of it was collected during the Boer Wars of 1880-1881 and 1899-1902.A wooden club type object. It has a narrow cylindrical handle with a large wooden sphere at the top. The wood is shiny and smooth with a polished effect. The handle is 31.5cm long with a 2cm diameter and the head or knob has a height of 9.5cm and a circumference of 27cm.This would have been hand carved from a protruding tree branch. Towards the end of the handle is a 13.9cm section of zig-zag patterning. Further down towards the 'knob' there looks to be carved into the wood 'Jud'.knobkerrie, boer war, zulu, south africa, ethnography, weapon

Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie

University of Ballarat (now Federation University) runs an award winning student restaurant called "Prospects". Metal, silver coloured, trophy on a timber base with handles and removable lid. Australian Culinary Federation (A.G.P.C.) Victorian Champions in Food and Beverage Service Junior Waiting Brigade 1999 Brigade Members: Jason Phillips, Rachael Brown, Simon Mulvany and Chantelle Woodphillips, brown, wood, mulvany, australian culinary federation, trophy, jason brown, rachael brown, chantel wood, award, hospitality