Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

From the collection of Bette JonesHardangar worked in 1970's colours of two shades of mustard and two shades of brown on beige cloth. Possibly cushion front, central cross within a diamond shape within a square.manchester, furnishings, handcrafts, needlework

Large rectangular linen tray cloth. Drawn thread work and hem stitching. Drawn thread in two patterns, both with woven patterns at each corner. All needlework hand done.manchester, table linen

Photocopies of Hume Weir photographs 1928-29One of two black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a dam, showing lower part of dam wall, and featuring one of the valves.Written on paper next to photo: "Needle valve Hume Weir Albury Oct '29"hume weir, construction, dam construction

Diggers & Mining. The gold licence. The Government Camp. Life And Work At The Diggings, Section 3, The Gold Licence . . . The Government Camp Markings:1 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and poured into moulds usually med from sand. The alloys needed a minimum of 2% carbon.Black and White photo by A Doney of sandblasting iron lace work on unknown property in Bendigo. Two internal photos of door and arch ways. Larger photo of balustrade with verandah pillars in backgroundA Doney Bendigoalan doney, bendigo, wrought iron

Embroidered white cotton tray cloth. Rectangular floral design reminiscent of black work filled in with red, blue and yellow flowers and green leaves. Crotched lace through punctured holes. tray cloths, household textiles

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the view from the first floor verandah of Studley House in Nolan Avenue, Kew. The photo shows the detail of the cast iron lace work used on this section of the verandah.Annotation verso: "Lovely lacework of the balcony Studley House"dorothy rogers, studley house -- nolan avenue (kew)

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph of Maurice Utrillo's 1932 work 'Eglise Saint Pierre de Montmartre et le Sacre Coeur'. In comparison to the original the grey sky in the print was originally blue in the painting. art, artwork, printmaking, available, maurice utrillo, sacre coeur, saint pierre de montmartre, printmaking, lithograph

Made in the early 20th centuryAn iron handmade woodworking tool used to shave wood or metal tools and instruments to size and is used for detailed work. It has a concave blade and two handles. 'RH' is stamped on the right handle. 'RH' stamped on the right handle.tools, woodworking tools, woodcarving tools, handtools, iron

Hard cover with Jacket, HMAS Mk11. Has 200 pages with colour drawings of vessels and other Navy equipment/personnel. Book was published to present the work in WW2 of the ships and men of the RAN.

Red Cross Workers in Bentleigh are preparing stretchers and other convalescent aids for fighting men overseas. In the background wooden crutches are leaning against the shed wall and beach chairs are being repurposed in the front of the image.Black and white image of a group of eight men standing in front of a shed with several of the men wearing work aprons suggesting manual labour with crutches leaning against the shed and beach chairsHand written in red ink enclosed in a circle: A18 / 70%community, world war i, first world war, wwi, manual labour, repurposing, red cross, crutches, bentleigh

Part of the collection of "William Anthony Theodore DSM", PM 2981. Refer Cat No. 7926P for service details. Heavy metal name plaque identifying location of the office. Front painted red and location name part of metal work in raised letters. A small hole at each end to nail into wallInscribed "Naval Store Office."tobruk, sign, souvenir, naval office, william anthony theodore dsm

One other copyBlack and white photograph of the first section of the footbridge being constructed across the Cunninghame Arm, it shows work underway. Pile driver at end of partly constructed bridge. Lakes Entrance Victoriabridges, waterways

Bob Hymans Collection Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This letter is significant because it documents the Bob Hymans' proposal to extend his Chairlift and the Committee's response.A letter acknowledging Bob Hymans' proposal to extend his chairlift. It clearly outlines documents which must be provided and the directive that no work shall be commenced before final approval is provided in writing.falls creek administration, licensee representatives

Dick Ellis became EG Shire Councillor November 2008Black and white photograph of Dick Ellis Orchadist of Lakes Entrance when he received a citation for former work with Victoria Police Major Incident and Planning Unit Lakes Entrance Victoriabusinesses, commerce, police

Brochure to accompany the Soroptimist Quilt Project 2000. The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt has been displayed in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objects of Soroptimism.A3 sized folded brochure printed in blue and white depicting images and text relating to squares of the Soroptimist Project Quilt 2000.front: [printed] SOROPTIMIST / INTERNATIONAL / Soroptimist International / SOROPTIMIST / PROJECT QUILT - 2000 / To celebrate the Year 2000, members of the / seventeen Victorian Soroptimist Clubs have / worked together to produce this quilt. The / quilt squares illustrate some of the projects / which have been initiated, funded and / supported by Victorian Soroptimist / members as well as illustrations of our / broader affiliations and responsibilities.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations

The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection

Two Buff card covered receipt book containing perforated pages with handwritten names and addresses of students and the course certificate they have received. Stub on left hand side attached still for schools records, right hand side is to prove student received certificate. 00323.1 begins 28/05/1914 ends March 7,1924. 00323.2 begins 7/3/1924 ends 25th February 1929Front Cover of 00323.1 - (handwritten) 'Certificates Delivered etc note: Gum ea receipt in Book when returned.' Front and Back Cover of 00323.2 - missing Printed on each receipt page 'The Registrar, School of Mines, Ballarat. Dear Sir, I have this day received the undermentioned Certificate from the Ballarat School of Mines. Yours truly,'ballarat school of mines, certificates, diplomas, students names and addresses, louis h vernon, mary b. brown, carl schache, marcus stone, linda moncrieff, peter chatham, lena lancaster, guido brelaz, alex kum yuen, cecily levien, j. p. elsworth, loyal finch, john dulfer, george baragwanath, j.c. o'loughlin

Weeroona College Bendigo. Search for the Truth. 2003 Annual Awards Presentation. BHS present an award to a student who has contributred to and excelled in the studyof history in Year 10 at the College. This award was initiated by member Fred Smith, who spent many hours talking to and assisting students at the college and from this year, during which Fred Smith died, is now awarded as the Fred Smith Memorial History Prize.bendigo, education, weeroona college

Photograph made by A.P. Winzenried for, "Green Grows Our Gardern," p73Colour photograph. Copy of newspaper article, made by A.P. Winzenried. Caption reads, "The harvest of oats is finished at the Burnley School of Horticulture and Agriculture, but these cheery girl harvesters will not be able to stack the crop until the weather improves. There are about 20 girl students at Burnley this year learning chiefly horticulture, but they are taught to grow and reap crops for fodder as well." 9 female students standing in a line holding forks in a paddock.Handwritten underneath, "Barbara Betty Herald Dec 1st/45."a.p. winzenried, green grows our garden, harvest, oats, burnley school of horticulture and agriculture, female students at burnley, barbara betty, students working outside, forks

A4 sized coloured card covered book published by Williamstown High School commemorating the 2008 Year 12 cohort. 126 pages the book contains a summary of the Year 12 school year: camps of the last 6 years; debating, sport report, art and theatre, world challenge; student profiles and photographs of most students and teachers. Also in DVD format. (2 DVDs in our collectionwilliamstown high school, 2008, school yearbook, year 12 2008

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. The first intake of student for The Graduate Diploma in Occupational Hazard Management was in 1979. The letters are from students wishing to attend. All letters were replied to and a detailed information pack was forwarded to those who were accepted. This pack is shown in Media or can also be seen at Item 26575 on Victorian Collections. The applications come from both male and female students for all over Australia and from many different occupations, workplaces and businesses - private and public. Letters are either typed or handwritten. Some are on letterheads related to the applicants workplace. Majority addressed to Derek Viner.Signatures of Derek Viner and applicantsviosh, victorian institute of occupational safety and health, graduate diploma in occupational hazard management, application letters, derek viner, information pack