Coloured slide transparency. Image is of a male seated at a bench wearing a white lab coat. He is holding a white cup over a Bunsen burner. There are many glass jars, beakers and test tubes on the bench.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Framed Copy of Apprenticeship Indenture Certificate for Jonathon Murray 1829, under glass in thin wooden frame with brown mount, Jonathon Murray's history is on the back, Donated by Mr Atkinson related to Mary Reibyperson, individual, employee, jonathon murray

The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.23 15 x 10 cms photos of shetches of life as a "Dunera" internee at Hay and Tatura in silver glass fronted frame. Colour sketches of prisoners, their quarters, barracks, suggested coat of arms and banknotes.dunera, hay internment camp, camp 2 internment camp, tatura, internment camp money, internee coat of arms, internment camps, world war ii

William Bernard JONES (Bernie) was a volunteer guard at one of the camps and was given this tray by an Italian POW. It is not known which camp or who the POW was.8 sided wooden tray. Picture created by match sticks and wooden inlay design. Features Donald Duck and Mickey Mouse. Front covered by glass held onto the tray by 8 sections of wood.w. b. jones, volunteer guard tatura camps, camp woodwork, mickey mouse, donald duck, wooden tray

This replica ship was modelled to exact scale by Denis Paraskevatos with the original basic kit enhanced by a large number of brass and mahogany wooden parts used and showing on two labels positioned at the base of the model. These replica parts were specifically designed and constructed by D. Paraskevatos with the help of his family. This model along a large number of others have been displayed at the Victorian Parliament for ten days from the 18th March 2002 (Queens Hall) to the 28th March 2002, and the Melbourne Town Hall from 19th to 27th August 2004. The history of the 65 meter British vessel named Cutty Sark is as follows: THE CUTTY SARK (history) The “Cutty Sark” was a British clipper ship, aptly named of course as a [clipper for its speed ], which was built in 1869 on the [river Clyde in Scotland ] by the Jock Willis Shipping Corporation. It was primarily used to transport tea from China to Great Britain, as well to a lesser extent later in its life, wool from Australia; however, with the advent of the steam engines and the creation also of the Suez Canal in 1869, its days of operation as a sailing vessel were numbered, as the steam ships were now prevailing as technologically advanced cargo carriers through the shorter route by the Suez Canal to China. In fact, within a few years of its operation, as its delegation in the tea industry was declining, it was assigned primarily the duty of transporting wool from Australia to England, but this activity was thwarted again by the steam ships, as they were enabled by their technologies to travel faster to Australia. Eventually, the “Cutty Sark” in 1895 was sold to a Portuguese company called “Ferreira and Co.”, where it continued to operate as a cargo ship until 1922, when it was purchased on that year by the retired sea captain Wilfred Dowman, who used it as a training ship in the town of Falmouth in Cornwall. After his death, the ship was conferred as a gesture of good will to the “Thames Nautical Training College” in Greenhithe in 1938, where it became an auxiliary cadet training ship, outliving its usefulness as a training vessel by 1954, and permanently [being dry docked in Greenwich, London, ] for public viewing. Of course, the “Cutty Sark” was not the only tea clipper constructed and owned by the Jock Willis Corporation, as there were others who were also used for the transportation of tea from China to Great Britain. Noteworthy additionally in its impressive resume is the fact that, the “Cutty Sark” was not only valued and admired for its speed, but also for its prestige that it afforded to its owners, [as media coverage was insatiable during a tea race that was regarded a national sporting event, with fiscal bets being placed on a predicted winning ship ]. Disappointingly, even though the English tea clippers were the best in the world at the time in terms of marine design, they had never won a tea race, and Jock Willis was certainly determined to achieve this goal, as the American clippers were considered the fastest in the tea trade. Nonetheless, the British clippers were proven to be formidable opponents to their American counterparts in the tea trade, when in 1868 a British tea clipper called [“Thermopylae”, managed to travel from the port of London to Melbourne, in only sixty one (61) days, which Jock Willis was hoping to improve on such a feat with the “Cutty Sark” ] . Remarkably, the maximum speed that the “Cutty Sark” could achieve was 17.5 knots in spite of the challenges of the unpredictable winds, if any at times, and the high seas or ferocious storms. Interestingly, [the “Cutty Sark’s” greatest recorded achievement in distance in twenty four (24) hours was three hundred and sixty three (363) nautical miles ], which meant that it was averaging approximately fifteen (15) knots; much faster obviously than the recorded twenty four (24) hour distance of the “Thermopylae” which had accomplished three hundred and fifty (358) nautical miles. .... ______________ -*- Please read the complete history of the Cutty Sark vessel by Maria Paraskevatos in one of the attachments provided with this exhibit. This model along with a large number of others was constructed by the Master craftsman Denis Paraskevatos, in Melbourne and has a historic, artistic significance because of the time and artist efforts in construction.The English Cutty Sark replica model is a wooden replica scaled at 1:25. The wood is mahogany and it is normally displayed in a glass covered enclosure. It has three masts and it is the largest vessel of Denis Paraskevatos collectionCUTTY SARK LONDONreplica, ship, art, model, cutty, sark, greek, artist, paraskevatos, παρασκευάτος, πανομοιότυπο

It is representative of souvenir ware produced for mass consumption at a time of community celebration - the 1888 Centenary of British Settlement in Australia. The use of the Coat of Arms with a kangaroo and emu shows that this form of the crest we know today was used for many years before Australia became a FederationGlass plate which reads 'Australia's Centenary' around the lip, with 1788 and 1888 within shields on either side. Coat of Arms flanked by an emu and kangaroo and further decoration in centre with the motto 'Advance Australia'civic mementoes, souvenirs, glass technology, glassware

Black leather-look covered box, with broken handle on the top with view finder, winder and viewfinder on the left-hand side,, Art-deco design on front with lens and two smaller glass lens 620Brownie

Framed photograph of tennis match. Caption reads 'Davis Cup in Western Australia...Royal Kings park, Perth...Australia v. Fance...February 1990'. Materials: Paper, Glass, Metal, Photographic emulsiontennis

Poster with colour photograph of Melbourne and lower section of text. Reads 'Melbourne the Sporting Capital' and then give information about City of Melbourne 1998 Sporting Policy. No glass in frame. Materials: Wood, Paper, Inktennis

Photographs of the house and land at 12c Black Hill Rd, Menzies Creek, taken by Chris Girvan in 2011. Features the run-down, abandoned interior and exterior of the house (missing glass pane windows), and shed.

Black leather body with silver metal trim. Plastic extending section with flat closing section with silver hinges and glass lenses. Extending handle on right side and black metal flash mount on the topkodak

Ivorex wall plaque titled Sam Weller's Valentine, showing relief figures of man with pipe, man seated at table writing, cat and woman with glass of wine in doorway, tones of brown, black & cream.Ivorex Osborne copyright made in Englandornaments, ceramic, wall plaque, k172

Framed double page from September 17, 1887 issue of Harper's Weekly; featuring colour lithograph 'An Afternoon Bout at Tennis' by E.A. Abbey. Materials: Ink, Paper, Metal, Wood, Glass, Cardboardtennis

Page from magazine being advertisement for Lotto brand shoes, featuring John Newcombe. Signed by Newcombe: 'TO PARAMOUNT SPORTS/GOOD LUCK/JOHN NEWCOMBE'. Materials: Paper, Ink, Metal, Wood, Glasstennis

A an advertisement on paper for 'MONTSERRAT' lime fruit juice featuring a colour lithograph of couple resting beside a tennis court and a man playing tennis behind them. Materials: Paper, Ink, Cardboard, Glass, Woodtennis

A mounted and framed watercolour painting of a young lady, holding a tennis racquet, entering via an open window. Artists signature at the lower right. Materials: Paper, Paint, Cardboard, Metal, Paint, Wood, Glasstennis

Limited edition (53/150) print of pastel work by Luis Morris of Tim Henman in various poses. Signed by artist in lower left corner. Materials: Ink, Wood, Paper, Glass, Metal, Graphitetennis

Page from Harper's Weekly with reproduction of colour lithograph entitled 'LAWN TENNIS IN PROSPECT PARK'. Page 445 of periodical, dated July 11, 1885. Materials: Ink, Paper, Metal, Wood, Glasstennis

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.Ceiling fixture, chain, metal cap and large white glass shade from the former Kew Police Station, removed during renovations in 2007-11, and presented to the Kew Historical Society by the City of Boroondaralight fittings, kew police station

Casine dressing table set, cream-coloured. Including clock, two photo frames with glass fronts, container with lid, cosmetics stand with 2 small removable makeup containers, both with fitted lids.On clock face: eagle with spread wings on circle with letters F, M, Scostume accessories, female, casine, clock, dressing table, frame, cosmetics, container, accessories

Print of four tennis players talking under a tree. Text underneath image is a narrative relating to the image, but is only partially readable. Dated Aug. 21 1886 Materials: Glass, Wood, Ink, Papertennis

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate shows a hand holding a magnifying glass which magnifies a John Gartner book plate. An open book with the words Zelna John on the two pages is shown in the bottom left hand corner.Nil keith wingrove memorial trust, australian bookplate design awards, bookplate, print making

Made for the St Helens School No 714 Centenary 1876 - 1976Commemorative drinking glass, clear with gold rim celebrating the centenary of the St Helens School, 1876 - 1976. The back has a sketch of the school in gold. No 174. The front a school bell with stand and inscription in goldSt Helens School Centenary 1876 1976souvenir, st helens school, centenary

Photograph taken for Lakes 150 year display (not used)Colour photograph of the small stage built into the chancel of St Nicholas Church, after church was moved and used as church hall in 1960. Arched window replace by plain rectangular glass. Lakes Entrance Victoriareligion, buildings

Orange foreground, grey/blue background with ink prisms. Mounted in an aluminium frame behind glass. If you can assist with information on this artist or artwork, please leave information via the email link below. Signed lower right side. A.R. Hall?], 1983. artwork, artist, drawing, churchill, gippsland campus

National Standard Race (abbreviated NASTAR) is the world's largest recreational ski and snowboard race program which was founded in 1968 by SKI magazine. It uses a handicap system which allow skiers and boarders of all abilities to have a go at racing and compare their times to the best racers in the world. NASTAR courses are simple, open-gated slalom courses on mostly intermediate terrain, allowing skiers of all abilities and ages to experience racing. The NASTAR race course at Falls Creek is still the home of the Rossignol Children's Cup and the Cranky Charlie Cup each year, conditions permitting.This item is significant because it is linked to the NASTAR events held at Falls Creek throughout the 1980s.A paper number bib used by a participant in the NASTAR ski event at Falls Creek. It is primarily black and white, with the number and Falls Creek printed in red. It is in a frame under glass. It bears the names of major sponsors.ANDRONICUS COFFEE NASTAR 7 FALLS CREEK Steins World Ski Tours Continental Airlines Challenge Series DYNASTARnastar racing, falls creek race club

Agfa colour slide, white blue plastic mount. Photograph by David Verrier. Two photos of cable tram set No. 1 in the glass case by Melbourne Museum, Russell St Photos taken 28.4.1976In ink: "Wed 28/4/76 Cable car & trailers 1 behind Museum Melbourne"trams, tramways, cable trams, melbourne museum, tram 1

These silver spectacles are of a design widely used through the early to mid-19th century. They may have been used by several generations after the original owner. They are part of a major donation to the Kett collection by Mrs Wantrup, widow of optometrist Charles Wantrup.These silver spectacles have significance to the collection as part of a major donation to the Kett collection by Mrs Wantrup, widow of optometrist Cyril Wantrup.Silver oval eye Georgian spectacles with saddle bridge and glass lenses. Sliding sides with small loops at ends for a riband. Partial hallmarks: lion passant and IP (maker's mark)on front and each side.Stamped with lion passant and maker's mark 'IP'.silver, spectacles, glasses, georgian spectacles

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by Henry and Martha Sebire at Mont De Lancey. It was part of the original furnishings of the dining room. Marie Colling (Sebire) is the great granddaughter of Henry and Martha Sebire.A dark brown wooden carved cased pendulum mantel clock with a highly decorated floral and column transfer design on the hinged glass front and black roman numerals and hands on the white face. It chimes on the hour.Marked inside "Ansonia Clock Co"clocks, mantel clocks, shelf clocks