Illustration incised onto ceramic panel and set in a wood frame. Image is a montage deption of Portland, Oregon. Caption on image reads 'Portland...City of Roses'. Label caption reads: 'Davis Cup Semi-final 1981...USA vs. Australia'. Label on reverse reads: 'Marsha Gardner Enterprises...Tualatin, Oregon'. Materials: Ceramic, Wood, Velvettennis

Painted by Bianca Biesuz in 1983 The art work features cattle and trees in the foreground and Wilson's Promotory in the distance. Brown wood frame with gold edging.

Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Framed portrait of Walter Tuck. Set in cream vinyl window mount with gold edging and ornate gold painted wood frame.

Landcsape - Australian bush scene. Mounted & framed. Gold painted wood frame featuring textured light brown window mount with white and gold border.

Framed watercolour titled "Late Afternoon" painted by Julie Lundgren Coulter. Features a country scene of trees, low hills, and a waterhole or dam. Painted in colours of browns, creams and yellows. Gold frame with triple cream card mount. On reverse is a name and address label of the artist & the text: "PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK""PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK"

Framed watercolour featuring a landscape painted by Adriene Dietrich. Silver metal frame with white card window mount. Painted predominately in shades of blues, brown and greys.

Ceramic plate painted by Jinshan peasant artists. Featuring a colourful winter scene. Presented to SGSC on visit to China during the 1990s

Chinese watercolour featuring a landscape scene with trees and birds. Features are predominately in black. Fixed to light grey silk fabric fused to cream paper scroll. Chinese symbol stamepd in red lower right corner. Brown hanging cord at top and dark brown laquered pole at bottom edge.

Yields information about the painting of tram 18 and the use of the lamps during the Sebastopol Centenary., Yields information about the painting of tram 18 and the use of the lamps during the Sebastopol Centenary.Memorandum on Electricity Supply Department letterhead, quarto, from the Branch Manager, F K White to the Acting Branch Tramways Superintendent, dated 28/10/1964 with a copy to the Depot Foreman, titled "Tramways - Sebastopol Centenary Tram", about the decoration of tram 18 for the Centenary event. Tram had been given the number "100" temporarily, and about the control of the lighting circuits. Stamped "F. K. White"trams, tramways, sebastopol, centenary, tram numbering, lights, tramcars, drivers

Yields information about the painting of the trams for the blackout era of the Second World War time, and how it was done. Only known photograph of a tram so far in Ballarat at the time of introduction. Shows the blackout headlight mask.Digital image from the Wal Jack Ballarat Album of a photograph of No. 13 climbing the Victoria St Hill en route to Victoria St 26-1-1942. Tram has been fitted with white bumper and white steps and possible other areas as well. Note the blackout shade on the headlights. In the background is the Munster Arms Hotel and a Velvet soap ad. Wal's album notes "No. 13 Victoria St 13-1-42 white bumpers and steps, & blackout shades over head lights (War Time) See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "Ballarat Tramways No. 13 climbing Victoria St hill, Ballarat East Jan 1942 / W. Jack"trams, tramways, victoria st, world war i, blackouts, tram 13

Pall Mall Gazette, 6 April 1866 One day early in December between the hours of 5.44 and 6.15 A.M., four first-class ships, the Roxburgh Castle, the Sarah Grice, the Kosciusko, and the Omar Pasha, laden with wool and gold, left Port Phillip on a race for England. There was heavy betting on the result, the Omar Pasha being favourite. These vessels have now reached their destination, and it is interesting to note the respective length of their passages. The Omar Pasha arrived in the Downs on the 14th of February, seventy-two days; the Kosciusko on the 23rd, eighty-one days; the Roxburgh Castle on the 7th of March, one hundred and eleven days. The first and second vessels are Aberdeen built vessels, and belong to Messrs. George Thompson, junr., and Co.One of several clippers trading from Port PhillipFramed print of Aberdeen Clipper Ship 'Kosciusko', 1,300 tonsAberdeen Clipper Ship 'Kosciusko' 1300 tons, Charles Stuart Commander Messrs. Geo. Thompson, Jun and Co. ownersaberdeen clippers, trade from port phillip

A Spanish ship supposedly buried in sand between Warrnambool and Port Fairy, Victoria, Australia.The Mahogany Ship. J.K. Loney. 2nd ed. Dimboola (Vic); J.K. Loney; 1974. 24 p.; illus, maps. Soft cover. ISBN 0 909244 03 0mahogany ship; shipwrecks; j.k. loney; painting; warrnambool; port fairy; belfast;, mahogany ship; shipwrecks; j.k. loney; painting; warrnambool; port fairy; belfast;