Alex Pittendrigh completed a degree in painting at the Victorian College of the Arts in 1994, was awarded an Australia Council residency at The British School in Rome and was a resident artist at Gertrude Contemporary Art Spaces. In his series of three artworks, 'Worlds through worlds III', 'Worlds through worlds IV' and 'Phenomenon', the scenes appear as if extricated through a kind of portal or void. They are landscapes as imagined or perhaps remembered, ‘pictured’ in the mind’s eye. Seen as an exercise in rococo excess and ornamentation, these artworks suggest a tension between the ornamental and pictorial. The decorative filigree within the painted surface set these scenes further away from the real world. They are ideal, and idealised, places that remain at a distance.In this dark landscape-like image, feather forms in pale greens and yellow float around a shadowy central volcano-like shape. The image is reminiscent of a 18th century textile design. Acrylic and ink on linen.stonnington contemporary art collection, painting, alex pittendrigh, landscape, memory

The Melbourne Historical Bottle Society - Annual display 1974 - non competitive exhibition 23rd/24th February 1974. Proceeds to aid Association of the Blind. Certificate presented to James Lerk (17th and 18th Century Stoneware).event, exhibition, bottle collectors exhibition

Print of 18th century scene in a drawing room with three men sitting; one claps while another plays a guitar. Fourth man is standing with his back to the fireplace and holding paper in his hand, appears to be singing.With best Wishes to you All, From Blanche

303 p. : plain green cover, title and author's name embossed in gold on spine. Original dust jacket removed, a section of it which depicts a woman in 18th century clothing, carrying a sunshade, is pasted to back cover.fictionfiction, harry hervey, romance, exotic fiction

Donated by maker, Miss Nancy Guscott along with several other pieces.Dark fawn linen. Semco transferred design of man and lady in period costumes (18th century) worked heavily in solid stem stitch mainly in dark blue and mauve. Edges of this full length apron are crocheted. Small pocket. Unused.embroidery, aprons, 1920-40, australia, surface stitchery

Foolscap book, pale mottled blue cover, with line illustration of a maypole with people in 18th century costume dancing around it and in foreground a youth playing a flute and girl dancing, all in dark blue ink. Titled "When All the World Was Young", Diller & Quaile

"Favour is deceitful and beauty is vain but the woman that feareth the Lord shall be praised"• Proverbs 31:30. "O all ye nations of the world praise ye the Lord...". Psalm 117:1 "...I say not land but learn makes man complet..." This is a popular historical rhyming maxim or moral verse often titled "Learning" or "On Learning." Due to the phonetic and varied spelling ("complet," "maks," "wirtv" for virtue), it strongly reflects the idiosyncratic, hand-stitched spelling typical of old samplers. • Meaning: The verse emphasizes that true human worth does not come from material or social status, but from inner wisdom and education. • Education over Property: Intellectual and moral growth ("learn") fulfills a person, not owning land. • Wisdom over Wealth: True greatness comes from inner knowledge, not financial riches. • Virtue over Nobility: A person's character and virtue define their standing, not the status of their birth. • Character over Titles: Personal fortune and happiness are built on wisdom, not societal honors or titles.Traditional early 18th century long sampler on ecru linen embroidered with faded blue, green, pink and cream silk threads. Narrow borders, worked in a variety of stitches, separates the alphabet, numbers, verses and the maker's name and date of beginning and finishing her sampler.Two texts: "Remember now thy Creator in the days of thy youth. Fear not and keep H is commandments for this is your duty of man" Elizabeth Pemble the 19th day of September 1713 " Favour is deceitful and beauty is vain but the woman that feareth the Lord shall be praised" "O all ye nations of the world praise ye the Lord I say not land but learn makes man complet (sic) not wealth but wisdom makes him truly great not birth doth his state wirtv (?virtue) not honour maks (sic) him fortunate" Elizabeth Pemble Elizabeth Pemble February the 28th 1714 sampler, england, childs

18th CenturyPlateSigned and dated

Green coloured music book with illustration of 18th century male and female dancing by a fountain, framed by Rococo decoration. Title: "Rendez-vous" (The King's Favorite), Intermezzo - Rococo, Words by Adrian Ross, Music by W. Aletter. Spine of book has been hand-stitched.Olive M. Wallace - Grassmere

Part of the Cooper Collection. See Catalogue No. 9586.2 for details of No 3798359, "Keith Cooper's service".Shield shaped brown coloured wooden plaque with metal shield attached. Metal shield features an 18th Century British soldier in uniform holding a rifle. Background is blue. Gold coloured metal banner at top features 'The Sergeants Mess' in black lettering. Unmarked gold coloured banner at bottom.Marked on top banner 'THE SERGEANTS MESS'.cooper collection, keith cooper, plaque, sergeants mess

As used in the late 18th century by Horse and Buggy driversManufactured by Holden and Frost Ca1900Long narrow leather bound shaft with thatched whip endwhip, buggy

This book comes from the property of Lyndoch near the mouth of the Hopkins River. George Rolfe, a tea merchant from Melbourne, established Lyndoch in 1875 and Miss Florence Lake, daughter of Miss Annie Lake, later Mrs George Rolfe, inherited the property with her sister Annie. In 1920 Florence Lake built a large house called Lyndoch. She had a Rolls Royce car and a chauffeur and was a tireless worker for local charities. Florence Lake died in 1946 and the property became the site of an Aged Care Facility in Warrnambool. Florence Lake’s house now forms part of the hostel section of this facility. This book would have been in the Lyndoch library during Florence Lake’s time there. D K Broster ( Dorothy Kathleen) was a popular writer of historical novels in the early part of the 20th century. The Flight of the heron being her most acclaimed.This book is of interest as it came from the historically-important property and house known as Lyndoch and so it is connected to Miss Florence Lake, a prominent person in Warrnambool in the first half of the 20th century. This is a hard cover book of 439 pages. It has a red cover with black lettering on the front and spine. It also has a dust cover which has a colour image of a man in late 18th century attire and a shield containing a yellow poppy. The dust cover is partly torn away. The book has 46 chapters. The inscription is handwritten in black ink. ‘Lyndoch Xmas 1937’lyndoch, florence lake, history of warrnambool

An 18th-century fichu was a lightweight, typically white triangular or square neckerchief made of muslin, linen, or cotton, worn by women to cover the chest and neck. Popular from the early-to-late 18th century, these versatile garments were often folded, draped, or pinned over low-cut bodices, acting both as a modest covering and a fashionable accessory.  Muslin with embroidered frill - fichu has design of wheat scrolling above the frill and in the corner. Flowers in drawn thread.embroidery, whitework, drawn thread, fischu, early 19th century, france

Mechanical pencils were first used in the 18th century with many designs patented in the 19th and 20th centuries.A metal pencil holder which holds a pencil at one end. It has an adjustable slide. At the top is a small metal loop.pencil writing-implement office-equipment mechanical-pencil

Used in the late 18th or early 19th century.A small steel double curved pointy hooked bag hook with a turned wooden handle on the top. The handle is attached through a hole in the steel and riveted to the the hook. It was used to assist with lifting large bags of wheat, fertiliser and so on in the late 18th or early 19th century. agricultural equipment, farm equipment, bag hooks

Sheffield became famous from 18th century as centre for manufacturing of high quality cutlery including scissors by skilled tradesmenSheffield was the centre of English cutlery making Die-cast plated steel scissors, decorated shanks, thumb and finger holesSheffield, Englandscissors, sheffield

The Roman Baths complex is a site of historical interest in the English city of Bath. The house is a well-preserved Roman site for public bathing. The Roman Baths themselves are below the modern street level. There are four main features: the Sacred Spring, the Roman Temple, the Roman Bath House and the Museum, holding finds from Roman Bath. The buildings above street level date from the 19th century. Three sepia postcards with a photographic impressions of the Roman Baths, Abbey, and Grand Pump Room, Bath. All postcards unwritten..3) Bath. Roman Baths and Abbey. Within the distance of a few yards are the Roman Baths, built about A. D. 55 ; the Abbey, erected in 1499 : the King's Bath of 17th and 18th century construction, and the modern Bathing establishment containing the latest scientific appliances for the administration of the radio-active waters for the cure and relief of many complaints.bath, roman baths, roman, archeaology

John Oman sitting for portrait wearing a suit. He has facual hair common to the era. Circa late 18th century.Typical dress of the period. Common portrait sitting and pose.Rectangular in shape, sepia tones, studio portrait picture.On back in grey pencil, " J T Oman" & $2-. On the front in black ink the words, "Ja's Hooper, West End Portait Parlors 239 Victoria Street W. Melbourne. portrait picture photography j t oman

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

Lace probably made in Burano Italy in the style of 18th century French Alençon needle lace. Fine lace used as costume trimmingNeedle lace edging - sample

Although this piece was probably made between 1870 and 1900 the motif designs are copying 18th Century designs. Would have been used as costume trimming.Bobbin lace motifs with needle made ground and fillings. Edging.

This bodice is stiffened by what is commonly referred to as natural whalebone, but is actually baleen, which was in use from the 18th century through to the Edwardian era. It was hand sewn in Warrnambool in the 1900's.The bodice is significant for demonstrating the use of historical whalebone, or technically baleen, for its stays. This practice was used from the 18th century through to the Edwardian era.The bodice is made of gold cotton over the whalebone stays at the waistline. It is trimmed in brown fabric and has twenty-two buttons down the front from top to bottom. The sleeves are Leg-o'-mutton style. The bodice has pin tucks down the front. It was hand sewn in Warrnambool in 1900's.flagstaff hill, warrnambool, bodice, ladies clothes, whalebone stays, baleen stays, women's clothing, corsetry, corset boning, female adult, hand sewn

The piece belonged to the donor's mother-in-law Constance Simson. A note pinned to the piece says "Bead work over 150 years old. North Ireland. Late 18th century".A piece of canvas work on red canvas - background in dark red cross stitch in wool. A floral design in white beads.embroidery, beading, canvas work, cross sttich

Folding pen knives were used for many small needlework tasks, once used for sharpening nib of quill pen and in 18th century for parfilage (unpicking gold and silver threads) Tool often found in sewing sets, useful for many sewing tasks Folding pen knife with mother of pearl handle mother of pearl

The fruit juice or lemon squeezer is a small kitchen utensil designed to extract juice from lemons or other citrus fruit such as oranges, grapefruit, or lime. It is designed to separate and crush the pulp of the fruit in a way that is easy to operate. Lemon squeezers can be made from any solid, acid-resistant material, such as plastic, glass, metal (usually aluminum) or ceramic. The oldest known lemon squeezers were found in Kütahya, Turkey and date to the first quarter of the 18th century. These ceramic presses are in the traditional style of Turkish pottery of the 18th century and have a superficial resemblance to today's press equipment with cones, though they are designed differently. These examples were individually made, and specially designed for making the then popular citrus drink sorbet. Lemons are not native to northern Turkey, though during the 17th and 18th centuries they were imported in bulk to Constantinople.The fruit juice press is an example of early 20th century kitchen utensils and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made around 1900. This item is currently being used in Flagstaffs Hill village display and regarded as significant as it demonstrates domestic kitchen utensils used around the turn of the 19th century and today is a collectable item. Vintage lemon/citrus fruits squeezer cast iron juicer with two sections hinged together strainer on one section has holes for letting liquid escape.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, food press, food preparation, fruit juice press, kitchen utensil

English 18th/19th CenturyEngravingscene

18th century piece from collection of Lady Amies (b1906-d1982). Likely English. Purchased by Donor at auction of Lady Amies collection. Hair was often used to embroider memorial pieces.Example of Georgian era hair embroideryFramed embroidery of a rural scene with a woman and man fishing in a river. Stitched in silk/hair on silk fabricAuction number 254 on reverse of frameriver, rural, fishing, figures

Campbell Smith had the passion to share his fascination with 18th century applied mechanic and extol the wonders of the industrial revolution. He set up Confectionary Capers in a shed on the highway at Junertoun in 1994.Bendigo Advertiser article entitled 'Capers Conundrum' Front page and inner full-page article with colour photos.bendigo, confectionary capers, tourist attraction, campbell smith

The Vliet is a canal in the western Netherlands, in the province of South Holland. It starts at the Oude Rijn at Leiden and joins the Delfshavense Schie canal at Delft. Places along its banks include Voorschoten, Leidschendam, Voorburg, The Hague and Rijswijk. The canal was dug in 47 AD under command of Roman general Corbulo, who wished to connect the river Rhine, of which the current Oude Rijn stream in Roman times was the main branch, to the Meuse estuary. It is unclear what the canal's trajectory was beyond the current city of Delft; the Delfshavense Schie canal, which connects Delft to the Nieuwe Maas river was not dug until 1389. In the Middle Ages the Vliet was an important trade link that attracted all kinds of trade, as it flowed through the heart of the County of Holland. Windmills have been constructed alongside the Vliet, including the completely renovated mill 'De salamander' in Leidschendam. The Vliet area was particularly attractive among richer families, who built their mansions along its banks.An historic small town scene etched (or possibly printed) on thin metal and subsequently fastened to a plywood backing. The delicately presented scene is said to show the intersection of Old Church Street and the Vliet Canal bridge in Voorburg, as well as a section of wharf. On the canal are one large and two much smaller vessels. A very tall crane-like construction arises from the wharf to the roof of waterside buildings. The people are soberly dressed in possibly 17th or 18th century costumes.On the reverse has been written: "Oude Kerkstraat Brug over de Vliet Voorburg". (Old Church Street; Bridge over the Vliet canal; Voorburg). However, research proves that the church is actually the Old Church in Delft, a short distance further down the Vliet Canal.

Experimentation with electricity for medical purposes has its origins in the late 18th Century. Throughout the 19th Century it became more common, including as a proposed treatment for 'nervous' disorders. This device is a small, portable, 'at-home' device.Device for administering electric stimulation to patients. Consists of a wooden box containing a hand driven generator, with terminals for the attachment of electrodes that may be held by the patient or placed against the patient's skin. The directions for use include information about wetting the sponges and the patient's hands before cranking the machine to produce a small electric shock. electricity, medicine