Showing 1618 items
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Monbulk RSL Sub Branch
Book, Quest Books, War and the soul: Healing our nation's veterans from post-traumatic stress disorder, 2005
Post-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help themIndex, bibliography, notes, p.329.non-fictionPost-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help thempost traumatic stress disorder - treatment, veterans - mental health - united states -
Monbulk RSL Sub Branch
Book, Andre Deutsch, Great military blunders, 2012
... art and science - History Military history From ancient times ...From ancient times to the Bay of Pigs and the Falklands War, military history has been marked as much by misjudgements and incompetence as by gallantry and glory. Such blunders have sometimes ended in tragedy, sometimes in farce - such as the English troops, supposedly marching on Cadiz in 1625, who instead got drunk in a salt marsh. And sometimes they have ended in triumph, despite all the odds. In this fascinating and entertaining collection, author Geoffrey Regan not only recounts some of the staggering stories, but also highlights the kinds of difficulties that can lead to military disaster. His anecdotes encompass every aspect of warfare from the insanity of commanders to the provision of inadequate supplies. This entertaining and instructive book will appeal to the military buff and general reader alike.Ill, p.272.non-fictionFrom ancient times to the Bay of Pigs and the Falklands War, military history has been marked as much by misjudgements and incompetence as by gallantry and glory. Such blunders have sometimes ended in tragedy, sometimes in farce - such as the English troops, supposedly marching on Cadiz in 1625, who instead got drunk in a salt marsh. And sometimes they have ended in triumph, despite all the odds. In this fascinating and entertaining collection, author Geoffrey Regan not only recounts some of the staggering stories, but also highlights the kinds of difficulties that can lead to military disaster. His anecdotes encompass every aspect of warfare from the insanity of commanders to the provision of inadequate supplies. This entertaining and instructive book will appeal to the military buff and general reader alike. military art and science - history, military history -
Ararat Gallery TAMA
Functional object, Omizu - tori Gyoho Miso, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This box of cryptomeria bark contains miso produced at the Todai-ji, the ancient and celebrated temple at Nara, for one of its annual festivals. Simply made and labelled, it somehow suggests that it has a long history behind it. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Geoffrey Kaye Museum of Anaesthetic History
Instrument - Scarificator
Scarifiers were traditionally used for blood letting, and in folk medicine for the practice of cupping. Spring loaded knives cut the skin, then a warmed metal or glass cup is placed over the cuts. As the air inside the cup cools, it creates a vacuum drawing out the "bad" blood. The process is also related to the ancient medical theory of "humors". This theory dates back to the Hippocratic tradition and persisted through to the mid-19th Century. According to this theory, the body had four "humors", "airs" or "elements" which neeed to be kept in balance. Any imbalance could cause illness and this was often explained in terms of excess fluids. One prescribed treatment was to remove the excess blood which would restore the balance.Square, solid brass object with lever to release blades underneath.Etched on side: Mundy / Londonmetal, blades, bloodletting -
Melbourne Legacy
Programme - Document, programme, The Shrine Forecourt. Dedication by Her Majesty Queen Elizabeth the Second, 1954
The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. It was the official commemorative document of the occasion. The Queen lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)Booklet x 12 pages with sepia photos and brown text in a cream card cover for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
Melbourne Legacy
Document, Dedication of the Forecourt to the Shrine of Remembrance by Her Majesty Queen Elizabeth the Second, 1954
Ticket and notice about the Dedication of the Forecourt by The Queen, possibly kept as souvenirs by a Legatee. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as the symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Ticket for admission and notice about Etiquette for the Dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
Melbourne Legacy
Programme - Document, programme, Dedication of the 1939-1945 War Memorial by Her Most Gracious Majesty Queen Elizabeth the Second, 1954
The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. The Queen laid a wreath and lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Cream paper program with blue print, single page folded in half, order of service for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
The Mrs Aeneas Gunn Memorial Library
Book, Francis Marion Crawford, Ave Roma immortalis : studies from the chronicles of Rome, 1902
... , ill, p.613. Rome - Description Rome - History Study ...Study of the ancient city of RomeIndex, ill, p.613.non-fictionStudy of the ancient city of Romerome - description, rome - history -
The Mrs Aeneas Gunn Memorial Library
Book, J. Murray, A smaller history of Rome from the earliest times to the establishment of the empire, 1897
... - Empire A history of ancient Rome J. Murray Sir William Smith ...A history of ancient RomeIndex, ill, maps, p.296.non-fictionA history of ancient Romerome - history, rome - empire -
The Mrs Aeneas Gunn Memorial Library
Book, G.A. Harrap, Myths & legends of ancient Egypt, 1915
A history of the myths and legends of ancient EgyptIndex, bib, ill, p.369.non-fictionA history of the myths and legends of ancient Egyptegypt - religion, egypt - antiquities -
Ballarat Heritage Services
Photograph - Image, Shrine of Remembrance, Melbourne, c1934, 1934
The design for the Shrine of Remembrance was selected by competition among Australian artists and architects. Eighty-three designs were submitted and the winning design was by two Melbourne returned-soldier architects, Philip Hudson and James Wardrop. The inspiration for the external outline came from one of the seven wonders of the ancient world—the mausoleum at Halicarnassus to Mausolus, King of Caria in South West Asia Minor. Although the country was faced with frightful unemployment and financial difficulty in the late 1920s and the 1930s, so great was the gratitude of the people that the huge amount required to build the Shrine was raised or promised within six months from the opening of the appeal in 1928. (https://www.shrine.org.au/About-Us/History) Lodge Bros were commissioned to build the Shrine of Remembrance in St Kilda Rd in the late 1920s. In 1947, Lodge Bros were manufacturing a further stage at the Shrine of Rememberance, that being the carving and fixing of the bluestone servicemen on the top of the 1939-1945 War Memorial at the Eternal Flame. When funding became available for the new undercroft development at the front of the Shrine in 2001, the Shrine Trustees were eager to explore the possibility of the original stonemasons who built the Shrine, to complete the new development. This came to fruition in 2002-2003 when Lodge Bros constructed all the exterior walls of the undercroft development. Phil Luchetta (Managing Director) was able to source and secure the use of the same granite from Tynong Victoria that was used in the original works of the 1930s.Photograpic image of Melbourne's Shrine of Remembrance.shrine of remembrance, melbourne, war memorial, lodge brothers, world war one, remembrance -
Wodonga & District Historical Society Inc
Geological specimen - Murray River Red Gum Geological Specimen c. 6000 BP
This wood was cut from a 6000 year old Murray River red gum retrieved from the Wodonga gravel pits on the flood plain. The Museum of Victoria displayed this wood in the base on which Phar Lap stands. It was made by Kevin Barton of the Kiewa Valley to the order of Dr. James Bowler, the geologist who dated the ancient gravel pit red gums. This specimen is historically significant and unique in local, national, and international context. It is unique, of scientific and research value, and exceptionally rare due to its age. 6000 year old wood from a Murray River red gum. geology, geological, murray river, red gym, murray river red gum, kiewa, wodonga, history -
Mont De Lancey
Booklet, The History of Castle Cornet Guernsey, 1974
Belonged to Les Gaudion/White cover booklet by the Late B.H. St.J. O'Neil. 11th Edition.Published by The States Ancient Monuments Committee Guernsey. booklets -
Unions Ballarat
A short history of India and Pakistan from ancient times to the present [ abridged edition of India in the New Era] (Don Woodward Collection), Wallbank, T. Walter, 1958
An abridged version of India in the new era (1958). Story of past and present culture, leadership, religion and governance. Includes international relations context.World politics. Politics and culture - Pakistan and India. Religion.Book; 320 pages. Cover: white background; picture of pink statue; picture of a blue building; black lettering; author's name and title. Abridged copy.Preston East Technical School Library stamp. School and school number stamp. 954WAL call number in biro.btlc, ballarat trades hall, ballarat regional trades and labour council, india, pakistan, international relations, politics and government, national culture - india and pakistan, religion, ghandi, mahatma -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bread Board
In the high tech, fast paced society that we live in, it’s easy to take some things for granted. Case in point: the wood cutting board on which you’ll probably be preparing the evening’s dinner. Have you ever taken the time to think about the history of the cutting board? Where did it come from, and what did ancient civilizations use to cut their meats, fruits and vegetables? Wood throughout the ages Since the dawn of time, wood has been one of the most available materials used by mankind to build tools and lodgings, so it’s not really surprising to know that wood has been used in the preparation of food since the prehistoric ages. Of course, back then, cavemen probably used an unpolished slab of tree trunk to cut the kill of the day on and they probably didn’t think twice about saving it once the meal was over. Chances are they probably threw it in the fire with the rest of the wood needed to kindle it. Advances in technology Throughout the centuries, mankind evolved and started creating machines from steam, electricity and metal. When the circular saw was invented, nicer, cleaner slabs of wood were cut and used as cutting boards. Since soft wood was the most available type of wood at the time, it was the material of choice for to be used for cutting boards. Boards were made smaller since the slab of wood could now be cut to any desired size. Since they were made smaller, they were also used to eat off of and some people referred to them as trenchers. Trenchers were originally pieces of stale hard bread that were used as substitute plates. Wood trenchers quickly became the replacements of the eatable dinnerware. The butcher block: the cutting board’s larger cousin In the industrial ages, many industries rapidly developed, and the butchery industry followed this trend as well. Before the invention of the cutting board, butchers used tree rounds to carve their meat on. The rounds were often too soft and they rapidly became unsanitary. Hard maple wood butcher blocks were the preferred choice of the industry. They were made to be extremely thick and durable, so durable in fact, that a butcher could use the same block for almost his entire career. Cutting boards around the world As cutting boards began to be more and more used in kitchens around North America, the rest of the world crafted such boards from different materials. The East used thick bamboo as their material of choice. Despite its frail appearance, bamboo is quite strong and made durable cutting boards and butcher blocks. Europe used maple in the crafting of their cutting boards while Persia used flat pieces of polished wood in their kitchens. The world then saw cutting boards that were being made from other materials like plastic and they came in all shapes and sizes, but they always served the same purpose, to provide a household with a safe, clean surface on which to prepare meals for their friends and family members. https://www.woodcuttingboards.com/news/quick-history-of-the-cutting-board-47.aspxThe bread board is an example of kitchen equipment used during Victorian times and similar to those used today.Bread board wooden round with carved inner circle and carving an outer rim in old English lettering "Bread"None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chopping board, cooking, kitchen equipment -
Clunes Museum
Certificate
ISSUED BY THE UNITED LODGE OF ANCIENT, FREE AND ACCEPTED MASONS OF VICTORIA, AUSTRALIAFRAMED CERTIFICATE PRESENTED TO JAMES HARRY LUCAS WHO WAS ADMITTED TO ALL NATIONS LODGE NO. 28 CLUNES ON THE 21ST DECEMBER 1909.local history, documents, certificate, spark family -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bread Board
In the high tech, fast paced society that we live in, it’s easy to take some things for granted. Case in point: the wood cutting board on which you’ll probably be preparing the evening’s dinner. Have you ever taken the time to think about the history of the cutting board? Where did it come from, and what did ancient civilizations use to cut their meats, fruits and vegetables? Wood throughout the ages Since the dawn of time, wood has been one of the most available materials used by mankind to build tools and lodgings, so it’s not really surprising to know that wood has been used in the preparation of food since the prehistoric ages. Of course, back then, cavemen probably used an unpolished slab of tree trunk to cut the kill of the day on and they probably didn’t think twice about saving it once the meal was over. Chances are they probably threw it in the fire with the rest of the wood needed to kindle it. Advances in technology Throughout the centuries, mankind evolved and started creating machines from steam, electricity and metal. When the circular saw was invented, nicer, cleaner slabs of wood were cut and used as cutting boards. Since soft wood was the most available type of wood at the time, it was the material of choice for to be used for cutting boards. Boards were made smaller since the slab of wood could now be cut to any desired size. Since they were made smaller, they were also used to eat off of and some people referred to them as trenchers. Trenchers were originally pieces of stale hard bread that were used as substitute plates. Wood trenchers quickly became the replacements of the eatable dinnerware. The butcher block: the cutting board’s larger cousin In the industrial ages, many industries rapidly developed, and the butchery industry followed this trend as well. Before the invention of the cutting board, butchers used tree rounds to carve their meat on. The rounds were often too soft and they rapidly became unsanitary. Hard maple wood butcher blocks were the preferred choice of the industry. They were made to be extremely thick and durable, so durable in fact, that a butcher could use the same block for almost his entire career. Cutting boards around the world As cutting boards began to be more and more used in kitchens around North America, the rest of the world crafted such boards from different materials. The East used thick bamboo as their material of choice. Despite its frail appearance, bamboo is quite strong and made durable cutting boards and butcher blocks. Europe used maple in the crafting of their cutting boards while Persia used flat pieces of polished wood in their kitchens. The world then saw cutting boards that were being made from other materials like plastic and they came in all shapes and sizes, but they always served the same purpose, to provide a household with a safe, clean surface on which to prepare meals for their friends and family members. https://www.woodcuttingboards.com/news/quick-history-of-the-cutting-board-47.aspxThe bread board is an example of kitchen equipment used during Victorian times and similar to those used today.Bread board. Wooden, octagonal, plain sanded light wood. Has decoration around edge and indented circular line to delineate round cutting board section.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bread board, cutting board, pastry board, kitchen utensil, kitchen equipment, baking equipment, food preparation -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Clothing of Statues in BBG, Greek and Roman Clothing
The Stoddart and Thomson statues in the BBG appear to be dressed in ancient Greek dress and to have Roman names.Adds to the history and appreciation of the statues.3/4 of an A4 sheet, printed in black with names of clothes in red.Comment initialed J.G. 4/13white A4.details of ancient roman and greek clothing and origin of statues' names., john garner collection, garner, dr, statues, clothing, roman, greek, ballarat, gardens, ballarat botanical gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - "Hello Wolly". The Wollemi Pine, Brisbane Botanics, Ancient Plants Edition, December, 2006, December 2006
There is a Wollemi Pine in the Ballarat Botanical Gardens.The Wollemi Pine is a survivor from dinosaur times and is much prized today. It was discovered in 1994 by David Noble in the Blue Mountains.Page 1 of Brisbane Botanics periodical, black print on white paper.None.john garner, doctor, doctor john garner, ballarat botanical gardens, brisbane city botanical gardens, brisbane botanics, wollemi pine, wollemia nobilis, dick date., john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Druids Oak 1870, A Poem - Mary Melcherts, Unknown
There are two Druids Oaks in the Ballarat Botanical Gardens, planted in 1870 with the founding of two local Druid Lodges in Ballarat.The Druids Oaks have a most interesting history in terms of these trees' association with the Ancient Order of Druids and Freemasonry. One photocopied sheet, printed in black.p.13, righthand corner.john garner, john garner collection, doctor, ballarat botanical gardens, friends of ballarat botanical gardens, druids oak, freemasonry, the ancient order of druids, quercus robur, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Our Two Druid Oaks: Ballarat Botanical Gardens, A Thumbnail Sketch, [c 2009]
The two Druid Oaks in the Ballarat Botanical Gardens are an important part of Ballarat's history.The two Druid oaks planted in the Gardens relate to the Ancient Order of Druids and the lodges established in Ballarat in 1870. Three sheets of paper, printing in black with key words in red in large print.1. is circled in black biro, top righthand corner.john garner, doctor, john garner collection, ballarat botanical gardens, druid oak, the ancient order of druids, quercus robur, friends of ballarat botanical gardens, druid lodges., druid friendly society, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Ballarat Druids, and Two Oak Trees in the Ballarat Botanical Gardens, 7/2009, 22/1/2010
The relevance of the oak trees is related to the ancient traditions of the Druids and the Druids Friendly Society in Ballarat.There were two active Lodges in Ballarat until the late 1980's involved in good works and community health.2 pages, 1and1/4 pages of print in note form.Nonejohn garner, doctor, ballarat botanical gardens, friends of ballarat botanical gardens, druid oaks, the ballarat druids, quercus robur, druid friendly society, gardens, ballarat, john garner collection -
The Celtic Club
Book, Carmel McCaffrey, In Search of Ancient Ireland, 2002
This book traces the history, archaeology and legends of Ireland from 9000 B.C.Index, bib, ill, p.286.non-fictionThis book traces the history, archaeology and legends of Ireland from 9000 B.C. ireland-history, ireland-civilization. -
Warrnambool and District Historical Society Inc.
Booklet, John McInnes, Port Fairy, The Mahogany Ship, 1969
Information on the Mahogany ShipThis is a book of 16 pages. The cover is green and has black printing and an image of ship on the front cover. The back cover has some pencilled scribble. The pages contain printed text.non-fictionInformation on the Mahogany Shipmahogany ship, warrnambool maritime history, warrnambool mahogany ship -
Mont De Lancey
Book, Whitcombe & Tombs Limited, Whitcombe's Vivid History Reader Grade V - The British People in the Making, 1944
A Vivid History Reader for Grade V - The British People in the Making, was specially written to meet the requirements of the Social Studies (History) Course in Victorian Elementary Schools. It is a series of vivid and realistic history readers attractively produced and illustrated for the enjoyment of girls and boys in their approach to history of their own land and of the wonderful countries overseas.A cream paperback reader or textbook with black and red lettering on the front cover at the top for the title, Whitcombe's Vivid History Reader Grade V. A red, black and white illustration in a square, shows a soldier from ancient times peering through bushes at enemy soldiers around a campfire. Throughout are black and white maps, diagrams, photographs and illustrations. Inside the front and back covers are further Whitcombe and Tombs titles as well as on the outside of the back cover. Pp. 208.non-fictionA Vivid History Reader for Grade V - The British People in the Making, was specially written to meet the requirements of the Social Studies (History) Course in Victorian Elementary Schools. It is a series of vivid and realistic history readers attractively produced and illustrated for the enjoyment of girls and boys in their approach to history of their own land and of the wonderful countries overseas. children's books, handbooks, textbooks, history books -
National Wool Museum
Clothing - 35 Life, Canwen Zhao, 2022
Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
Plain green sash, red fringe either end. *S, and crossed quill pens, gold and black, printed. Remains of faded red ribbon, 2 pieces, each about 1/4 of the way from each end, same side. Ancient Order of the Forestersancient order of foresters, accessory, costume, textiles, embroidery -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
C..R. Chief Ranger - Preside over the Court and endeavours to preserve proper decorum, promote due attention to business and administer justice without partiality. The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small purple sash, green stripe down both sides * SCR (Chief Ranger), coat of arms, AOF (Ancient Order of Foresters) printed / embroidered in green and goldancient order of foresters, sash, society -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
Plain green sash, red fringe either end, small red ribbon attached to one side, about 1/4 of the way alont. *SW embroidered in yellowsash, accessories, accessory, ancient order of foresters -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Plain gold sash, silk, 6 cm red fringe on each short end. 2 remains of red ribbon attached to one long side, each piece a similar distance from endsancient order of foresters, friendly society, societies