On the front of the dust cover is an illustration of an old man sitting on a bench outside an aviary smoking a pipe and there is a bird sitting on his shoulder. He is talking to two children. On the back of the dust cover is the blurbs of two other novels written by C. K. Thompson.fictionA book that is part of a series of Australian Nature Stories by C.K. Thompson.australia, nature, birds, c.k. thompson, fiction, old bob

The cover is red. It appears that the book's dust cover has been removed and the picture from the front cover had been adhered to the front cover. That has been partly removed leaving behind residue. The title of the book and the author's name are in black on the front cover.fictionThis book is number 2 in the Just William series of thirty-nine books written by English author Richmal Crompton. The books chronicle the adventures of the unruly schoolboy William Brown.william brown, richmal crompton, fiction

Insignia on dark green background with light green edging. AATTV Perservere embroidered in red on yellow background. Olive bar with black outline with brown string. 55th Anniversary National Reunion Gold Coast, Qld 28th-29th July, 2017AATTV perservereaattv, insignia, australian army training team vietnam (aattv)

The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.'Juliet' style stiffened headpiece and hatpin. Hair piece is covered in same material as used in the bridal gown. Hat pin has top covered in the same material.Lille Couturier Block Court 288 Collins Street, Melbourne.

Inscribed in black ink on reverse: 'Back - L-R Geoff Moir, Julian Gardner, John Fenton, Bert Middleton. Front L-R Randall Bell, John McLaren, Ian Spottiswood.'

Ill, p.427.fictionRobbery Under Arms was acclaimed as an Australian classic almost immediately after it appeared in book form in the late 1880s. It was praised for its excitement, romance and authentic picture of 1850s colonial life. As the first writer to attempt a long narrative in the voice of an uneducated Australian bushman, Rolf Boldrewood had created a story with enduring cultural resonance. Its continuing appeal and popularity have seen the tale frequently adapted for stage, radio, film and television. australia - fiction, australia - bushrangers - history

Ill, p.526.fictionMarian and her sister Laura live a quiet life under their uncle's guardianship until Laura's marriage to Sir Percival Glyde. Sir Percival is a man of many secrets. Hence, Marian and the girls' drawing master, Walter, have to turn detective in order to work out what is going on, and to protect Laura from a fatal plotengland - fiction, detective fiction

Ill, p.444.fictionA terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor 7F 13 these form a series of events that change the orphaned Pip's life forever, and he eagerly abandons his humble origins to begin a new life as a gentleman. Dickens's haunting late novel depicts Pip's education and development through adversity as he discovers the true nature of his 'great expectationsengland - fiction, charles dickens 1812-1870

Document, A Merry Christmas and a Happy New Year, 1927-1928, A poem of three verses, Hoping you will not forget the Sanitary Man. F. H. Sparkman, printer, Arcade and Charing Cross.F.H.Sparkman, Printer, Arcade and Charing Cross.document, memo, the sanitary man

The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags

black and white photo ( copy from newspaper ? ) Commercial arcade ( Bennett's, ) 2 adult women at right, adult male and female approaching centre front, male at left. Children's toys/bikes in forefront arranged outside shop fronts. On back of photo : Bendigo Arcade/A. Doney/55? Front on border UI593-2A. Doneyplace, arcade, bendigo

black and white photograph, Bennett's Arcade, south end, assorted articles of hardware, 4 adult females facing away. 1 adult male in jacket and dark trousers, shirt and tie. 3 children on right, two girls in coatrs, one with suitcase, small boy in jumper and shorts. Some figures obscured. on back Bendigo Arcade A DoneyA. Doneyplace, arcade, bendigo

Document, Program,Young Mens Christian Association of Bendigo ''Sixth Orchestral Concert'',(Frank Grose,Conductor),Town Hall,Bendigo,Wednesday Evening,May 7,1924.Assisted by Olive Kilfeder,Soprano.Will Sampson, Baritone. Mabel McGauchie,Pianist. F.H.Sparkman Printer,Arcade,Bendigo.F.H.Sparkman Printer, Arcade, Bendigo.program, theatre, music, sixth orchestral concert

Bendigo Arcade Auction Rooms Invoice : Invoice is blue in colour printed in black with 'Hargreaves Street, Bendigo 28/01/1897. Sold for Mr Waldock. By G.H. Hobson & Co., Produce and General Salesmen. Sales of Farm, Furniture and General Goods. Box 625T.J. Symes, Printer, Bendigo Arcade.business, retail, auction rooms, bendigo arcade auction rooms. g>h>hobson & co

Black & White 16.5 cmx10.5cm photograph. Young woman head & neck, Bardwells Studio Royal Arcade Melbourne printed on front. Embroidered dress top with close fitting neck collar. Two brooches at neck. Vertical row of small buttons fastening dress top.Bardwells Studio, Royal Arcade Melbournephotograph, person, female

The clock was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. Thomas Gaunt History: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade, Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. Post Office and Clock History: Warrnambool’s Post Office has been in existence since 1857, when it was originally situated on the corner of Timor and Gilles Street. In March 1864 the Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25, “to be put up in front of the Post Office”. Henry Walsh Jnr was the eldest son of Melbourne’s Henry Walsh, maker and retailer of clocks, watches, thermometers and jewellery. In 1854 Henry Walsh Jnr. began business in Warrnambool as a watchmaker and jeweller later becoming a Councillor with now a local street named after him. The Post Office was extensively remodelled in 1875-76. Early photographs of this building show that the clock was installed on the northern outside wall, Timor Street, under the arches and between the 2 centre windows, where it could be seen by passers-by. Although spring loaded clocks date back to the 15th century, and fob and pocket watches evolving from these date to the 17th century, personal pocket watches were only affordable to the very fortunate. Public clocks such as this Post Office clock provided opportunity for all to know the time, and for those in possession of a personal watch to check and set their own timepieces to the correct time. During post office reservations during the 1970s the clock was removed and was eventually donated to the Flagstaff Collection. The Clock’s maker Thomas Gaunt, is historically significant and was an established and well renowned scientific instrument and clock maker in Melbourne during the 1860s. He was at that time the only watchmaker in the Australian colonies. In the 1870’s and 1880’s he won many awards for his clocks and was responsible for sending time signals to other clocks in the city and rural areas, enabling many businesses and organisations to accurate set their clocks each day. Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25 and the clock used to stand in front of the Warrnambool post office to allow ordinary citizens to set their time pieces as they walked by. The item is not only important because it was made by a significant early colonial clock maker and retailed by a locally known clock maker and jeweler but also that it was installed in the Warrnambool Post Office a significantly historical building in it's own right. Built in 1857 and regarded as one of the oldest postal facilities in Australia, with a listing on the National Heritage Database, (ID 15656). This 1864 hall clock originates from the Warrnambool Post Office. The clock glass is hinged to the top of the clock face and has a catch at the bottom. The metal rim of the glass is painted black. The clock face is metal, painted white, with black Roman numerals and markings for minutes and five minutes. The tip of the small hour hand is shaped like a leaf. "T. GAUNT / MELBOURNE" is printed in black on the clock face. The winding key hole is just below the centre of the clock face. The key winds a fusee chain mechanism, attached to the brass mainspring barrel that powers the pendulum with an 8-day movement. The speed of the clock can be adjusted by changing the position of the weight on the pendulum, lengthening or shortening the swing; raising the pendulum shortens its swing and speeds up the clock. The metal fusee mechanism has an inscription on it. The rectangular wooden casing is with a convex curve at the bottom that has a hinged door with a swivel latch. The original stained surface has been painted over with a matte black. There are two other doors that also allow access to the clock’s workings. The case fits over the pendulum and workings at the rear and attaches to the clock by inserting four wooden pegs into holes in the sides of the case then into the back of the clock. A flat metal plate has been secured by five screws onto the top of the case and a hole has been cut into it for the purpose of hanging up the clock. There is a nail inside the case, possibly used for a place to the key."T. GAUNT MELBOURNE" is printed on the clock face. “6 1 3” embossed on the back of the fusee mechanism behind the clock. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, clock, warrnambool post office, fusee, henry walsh jnr, thomas gaunt, t gaunt & co, post office clock

Stick mercury barometer, named after Admiral Robert Fitzroy of the Royal Navy (1805 - 1865) for his detailed instructions on interpreting the weather that are included with the instrument. Fitzroy was the captain of the Beagle, a weather forecaster to Charles Darwin and the second Governor of New Zealand. He developed many different types of barometers and was the first person to introduce the science of weather forecasting to the British Isles. A local manufacturer of scientific instruments, Thomas Gaunt, produced the barometer and it was adapted for the southern hemisphere by Robert Ellery, the State Astronomer based at the Melbourne Observatory. Described as "Gaunt's Fitzroy Barometers" in the original sale catalogue, it was priced from 25/- to ₤9.9s. [See Miller, M., Gaunt’s Time, 2014]. Thomas Gaunt's business was originally located at 14 Bourke Street East from 1858. In 1869-1870 he moved to new premises in the Royal Arcade, Collins Street. Gaunt's business became an institution in Victorian Melbourne and Gaunt its leading clock maker. PROVENANCE According to official minutes the barometer was purchased by the Melbourne Athenaeum in 1874. In particular, at the March meeting of the General Committee the House Subcommittee was instructed to "obtain a Fitzroy or other reliable barometer" to be "fixed in the Reading Room". The 1874 Annual Report records the purchase at ₤3.10.0. The barometer is historically significant as an example of the work of Melbourne’s leading scientific instrument maker, Thomas Gaunt. The barometer has social significance as an example of the type of accoutrements provided by the committee of the Melbourne Athenaeum for the comfort of its members. Further social significance lies in the fact that Robert Ellery, the Government Astronomer, who designed the local version of the barometer, has a direct connection with the Athenaeum being a subscription member and committee member of the Athenaeum during the 1870s. There are also records of a T Gaunt as a subscription member of the Athenaeum during the 1870s and 1880s which may be Thomas Gaunt, however, this is yet to be verified. Stick mercury barometer known as the Admiral Fitzroy Barometer. It comprises an oblong wooden case with glass front panel, ornate pediment, barometer with bulb cistern (empty of fluid),printed instructions for interpreting information given by the gauge affixed to left and right face of instrument. Includes a thermometer. The barometer appears to be intact except for the turning knobs which are missing and the mercury in the tube which is not present. Whether the instrument could be restored to working order is unknown. Front right panel, metal plaque: "Thos Gaunt, Barometer Maker, Royal Arcade, Melbourne"melbourne athenaeum, barometer, thermometer, admiral fitzroy, thomas gaunt of melbourne, robert ellery

Black and white photograph of Bennett's Arcade. Clock face up high at rear with policeman's face on dial., Taubmans paint sign under. Baskets, garbage bins, lawn mowers, enammelled cast iron pots. Various other hardware. Adult male in sports coats, jumper, shirt and tie holding hand of small girl in dark coat with beret, lace up shoes. Female in background with hat, overcoat. Female figure in foreground dressed in long coat with flower on collar, scarf, hat. Small boy in double breasted coat, cap and lace-up shoes. Patterned, tiled floor. C. Bennetts Arcade in ink on rear of photo.A. Doneyplace, arcade, bendigo

black and white photograph. Bennett's Arcade, south end looking nth. Boy with pushbike, back of male figure, elder lady with shopping bag, dressed in hat, jacket with flower. Male and female both wearing hats and jackets. Various items of hardware, baskets, suitcases, etc. Tiled floor. Bottom R H S U1 593-10 on back A DONEYA. Doneyplace, arcade, bendigo

Herbert John Rumsey (1866-1956) started a nursery and seed business at Barbers Creek (Tallong) near Marulan in 1895. In 1901 he moved his operations to Dundas. From 1896 he regularly published seed catalogues. Some time before 1929 he set up a company, Herbert J. Rumsey & Sons Ltd, which later on (before 1937) changed its name to Rumsey Seeds Pty. Ltd.A small book with a cream cover which has colourful drawings of vegetables. The print is green and red. The book is titled "RUMSEY'S SEED CATALOGUE BEST SEEDS THAT GROW". It has 50 pp.agriculture horticulture catalogue seeds rumsey

A navy blue hardcover novel, The Old Helmet by Elizabeth Wetherell. The gold title is printed in a recessed rectangle on the front cover with Cole's Favourite Library embossed at the bottom. The title and publisher are in gold on the spine.fictionA story of Eleanor a lost soul seeking her creator. She finds love and her faith.fiction, books, religious stories

A small faded green hardback novel, The Sketches of Boz by Charles Dickens. The front cover has no title but the spine has faded gold lettering of the title, author and publisher as well as decorative symbol. 558p.At the front is a page with an inscription in black ink handwriting and a date.fiction Charles Dickens' first published book, Sketches by Boz is a funny and touching observation, fancy and fiction showing the London he knew in all its complexity - its streets, theatres, inns, pawnshops law courts, prisons and of course the river Thames.books, fiction books, historical fiction

A damaged small brown cardboard Saw Millers' Complete Log and Timber Ready Reckoner book. It has a Preface, Tables No. 1, 2 and 3. which give full details of round timber, circumference of logs, contents of timber in general building sizes and full details of circumference of circles and more. There are handwritten notes inside the back cover. Opposite the title page is an advertisement for high grade circular saws and knives. Pp.120non-fictionLog Books and Ready Reckoners were used and still are these days to record information for many different work needs. This small one would have been very practical for ease of use kept on-hand in a pocket. It was invaluable to carriers and all persons engaged in the timber trade.books, documents, notebooks, log books, ready reckoners

Paving completed November 1993. Centrepoint Arcade commenced 1985-86.Colour photo taken from the forecourt of the Post Office jetty, showing the paved area surrounding palm trees, bicentennial clock tower. Pizza shop and Centrepoint Arcade in background across the highway. Lakes Entrance Victoriaretail trade, township, waterfront

Black and white photograph. Demolition site, taken from Old Bennett's Arcade. Brick walls each side, wheelbarrows and machinery on site. Opposite 2 & 3 storey buildings with shops and offices. In image F & E Stillwell, Furniture Warehouse. On windows 'Pitson Bros', GH? Pitson, GJ? Pitson, Public Accountants, Estate Agents, Travel Agents, Sister McKenzie, Chiropodist. Identified by James Lerk as a Alan Doney photo.Alan Doney Photoplace, arcade, bendigo arcade

Raheen is a 120 year old Victorian house owned by Richard and Jeanne Pratt. Mrs Jeanne Pratt commissioned the book and this copy was presented to Sue Barnett on a visit by members of the Boroondara Historical Societies. The visit was organised by local member Mr Josh Frydenburg. 92p. ill. bibliog., Raheen was a grand two-storey red brick house in the Italianate Style, with a prominent tower and an arcaded loggia on two levels. This book explores its history, restoration and further development over many years. 92p. ill. bibliog., Raheen was a grand two-storey red brick house in the Italianate Style, with a prominent tower and an arcaded loggia on two levels. This book explores its history, restoration and further development over many years.Endpaper: Surrey Hills Historical Society / Jeanne Pratt / 27/7/2013(mr) ian allen oam, (mr) william lawrence bailieu, ehud barak, (dr) james broadbent, (mr) robert bruce, (mr) george h w bush, (mrs) barbara pierce bush, (mr) arthur calwell, (ms) jane dennithorne, (mr) eamon de valera, (sir) james augustine gobbo, (mr) lloyd hill, (mr) william morris hughes, (lord) (mr) immanuel jakobovits, (mr) philip johnson, (cardinal) (mr) walter kaspar, moshe katsav, (mr) james robert knox, (mr) terence lane, (mr) edward latham, (mr) michael lehany, (dr) (mr) miles lewis, (mr) sam lipski am, (sir) (mr) thomas francis little, (mr) peter lovell, (mr) egidio lunardon, (mr) (cardinal) jean-marie lustiger, (mr) daniel patrick mannix, (sir) (mr) robert gordon menzies, (mr) henry miller, (mr) glen murcutt ao, (mr) benjamin netanyahu, (mr) ngo dinh diem, (mr) phillip nikolitsis, i (eoh) m(eng) pei, (mr) shimon peres, (mr) joseph reed, (mr) yves st laurent, (mr) william salway, (mr) james henry scullin, jessie serle, (mr) justin david simonds, (mrs) heliose waislitz, (miss) heliose pratt, (mr) john wren, (sir) (mr) henry john wrixon, (mr) richard pratt, (mrs) jeanne pratt, raheen, historical buildings, kew, victoria, italianate style, house names

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Piccadilly Arcade, London, EnglandMade in Australia / 1 / AUG 64Mlondon, robin boyd, slide