Cooking often requires skill and adaptation. In this kitchen, a woman with low vision removes a dish hot from the oven of an upright cooker. Dressed in a pinafore and oven gloves, she carefully maneouvres the dish outwards. Above her, a tea kettle sits on the hob, next to the sink. In the background, spice jars are lined up on the bench, each with a large written label on them. Woman is not named, but possibly Joy Kerr, who gave talks and wrote a book on cookery for people who are blind or vision impaired.royal blind society of nsw, education

This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan

Distributed to nurses who took part in campaigning for improved wages and working conditions in the 1980s, particularly those involved in the historic 1986 Victorian 50-day nurses strike. In October 1986, Victorian nurses began their longest strike after the failure of repeated talks with the health minister David White who was committed to reducing the classification and pay of almost half of Victoria’s nurses. Skeleton staff were left in the wards while picket lines, tents and caravans were set up outside hospitals in both metropolitan and regional Victoria. After 50 days of industrial action, Victorian nurses voted to return to work on 20 December 1986. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, and the strike concluded in December 1986, suggesting this badge was produced sometime between 1987 and 1989.Circular red and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I FOUGHT NURSES STRIKE 1986' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. In October 1986, Victorian nurses began their longest strike after the failure of repeated talks with the health minister David White who was committed to reducing the classification and pay of almost half of Victoria’s nurses. Skeleton staff were left in the wards while picket lines, tents and caravans were set up outside hospitals in both metropolitan and regional Victoria. After 50 days of industrial action, Victorian nurses voted to return to work on 20 December 1986. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).This badge is of historic significance as it represents nurses' struggle for industrial and professional status. This struggle was made particularly visible through the 1986 Victorian nurses' strike, which had great impact on the way Australian society viewed nurses and working women (Bessant, 1992).Circular white and red plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Nurses DO dare to Struggle' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, trade unions, badges, buttons, pins, campaigning, 1986 victorian nurses strike, labour history, royal australian nursing federation, victoria, australia

A fundraising letter sent by Melbourne Legacy in 1991 to promote Badge Week sales to existing donors. The letter talks of the dream of a group of men to provide moral comfort to the widows and dependents of their fallen comrades. The legacy concept that grew from that dream became Melbourne Legacy. The spirit that bound the ANZACS in war was to bind them in peace. The picture on the letterhead shows a widow and two children with the Legacy Torch emblem and the words: "Legacy cares for Australia's biggest family, Lest you forget". The brochure showing the badges includes denominations from $10 to $5,000A record of direct marketing material from 1991.White A4 paper with black type x 2 pages is a marketing letter in 1991 and a small colour badge brochure x 4 pages showing badges for sale.badge week, fundraising

Ill, bib, ports, p.107.non-fictionGaeilge Ghriandóite: A go Z a hAon/ Sunburnt Gaelic from A to Z, Edition One, records selected findings of four Australians about the neglected history of the Irish language and Gaelic culture in this country. Gaeilge Ghriandóite/ Sunburnt Gaelic means the Irish language as it is spoken and written in Australia, as it comes to grips with a new environment. It is written throughout in Irish and is the first, and only, such book about the topic. Readers will find that over the past two centuries there have been dramatic breaks in continuity but also common threads. Triggered by positive responses from both experts and general readers alike to talks and papers all four had given on the topic, at a meeting in August 2019 the authors decided that the time was ripe to present to the public some fruits of their collaboration. The book's 108 pages present historical and contemporary facts about Irish-language culture in Australia in short entries, arranged in alphabetical order, with over 60 illustrations. This format makes it easy to find information and suits the present stage of research and publication on the topic. Also the alphabetical listing provides a flexible format for future editions. The book includes two short overview pieces and the first detailed bibliography on the topic.australia - irish language, australia - irish culture

Transcription of the speeches given at a dinner at the Oakleigh Waverley Branch to honour Legatee Frank Doolan, who was a close friend of Stan Savige and a founding member of Melbourne Legacy. It was Doolan who suggested in 1925 that the object of Legacy be changed from the original intention to find work for returned servicemen to looking after the widows and children of those who had died. Although he refused nominations to be President throughout the ensuing years, he served on many committees, working tirelessly in the background. He was also a part of the campaign to build the Melbourne Shrine of Remembrance. He recounts the confrontation between Legatee Kemsley and Allan Spowers, the Editor of the Argus. His address at the dinner was self deprecating in tone and contained many interesting anecdotes about famous people he had worked with, including Stan Savige. He tells the story of how the Savige Toby Jug (00198) was created by Herb Greenway for an event to welcome Savige back from WW2, and how as a member of the Anzac Observance Committee he helped to distribute a couple of hundred Lone Pine seedlings around Australia. He also recounts the pride he felt in being asked to plant the Olive Tree of Peace at the Shrine of Remembrance in 1973 as part of the Legacy 50th anniversary celebrations. The olive tree was moved in 2002 into the new courtyard. He talks about being asked to propose the toast of Legacy at the 1965 Perth Conference and recounted part of what he said. He used the analogy of the cause of Legacy being like a cloak with threads of gold and silver, interwoven with the efforts of Legatees. The personal anecdotes reveal the human side of Legacy history, and attest to the social customs of the day.White foolscap paper x 13 pages with black type of a report on a dinner at Legacy House for L/ Doolan.Title page: 'Archive copy' handwritten in blue biro. Some pencilled annotations throughout.legatee event, tree planting, speech, frank doolan

A photo from The Age on 31 August 1960 shows that Sir Macfarlane Burnet, director of the Walter and Eliza Hall Institute was invited to speak at a Legacy club function. He won a Nobel Prize in 1960 for predicting acquired immune tolerance and was best known for developing the theory of clonal selection. For many years there was a Legacy meeting every Tuesday with a guest speaker every week. The article was cut from the newspaper and pasted into a scrap book of press clippings. For many years Legacy kept scrap books of press clippings that related to their work and publicity.A record that prominent Australians were invited to speak at Legacy functions. Guest speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied.Newspaper article with a photo of Sir Macfarlane Burnet pasted to brown page of a scrap book .legacy week, speakers, legatee event

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Denis Gibbons, the UPI War Correspondent at 1 Australian Task Force Base, Nui Dat, Phuoc Tuy Province. Here he talks with a digger from 7 RAR as they wait for the assault helicopter to arrive to commence 'Operation Finschhafen' 12/03/1970.photograph, operation finschafen, 7rar, 1st atf base, nui dat, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war, digger, united press international, war correspondents - australia

The 18 letters are from Arthur Edmund TRANTER V50166 & VX52843 POW. they are to his wife Pat and Daughter Brenda from Darley Camp Australia, at Sea then in Malaya prior to becoming a POW. The exercise book was written by "Tranter" to his daughter Brenda while a POW in "Gloegoer Camp" near "Medan" in Northern Sumatra. It was dedicated to his daughter. He managed to keep this hidden throughout captivity in pristine condition. Throughout the book there are subheadings, Sumatra, Singapore, Rubber, Soedaa, Siboertoet, Malacca, The story of the Cocos Islands, the Celebes, Dutch Borneo. They are the stories of these places. Some are from talks given by Officers to the men. There are two more Archival folders, Cat No's 7956.2 & 7958.2. Refer Cat No 7944 for E.A. Tranters service history..1) Black Archival folder box. .2) Black Archival folder 3 ring Binder with plastic inserts containing the following: 1. Eighteen letters hand written in B & W/Blue pen dated from 9.9.1941 - 4.4.1942. 2. Exercise book with ruled lines, hand written in blue pen 84 pages. The cover is brown with a red centre and black text with 7 black stars. 3. Original colour cartoon one page comic strip with 8 drawings of the "Medan Melbourne Frog Cup 1942"letters, archival, folder, tranter, pow

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the Commanding Officer Lt Col Ray Hurley standing by as the leader of the Labour Opposition in the Australian Parliament, Mr Gough Whitlam, talks with a patient at the 1st Australian Field Hospital, Vung Tau, South Vietnam.photograph, 1st australian field hospital, vung tau, lt col ray hurley, gough whitlam, gibbons collection catalogue, denis gibbons, photographer, vietnam war, labour opposition australian government, wounded serviceman