Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu

James Leslie Provan graduated 1923, Principal 1942-1946. Collection of 67 photographs. Negatives with B09.0001.T939. These photographs are identical with many of those of B09.0001 but larger, some of which are labelled. The numbering system also relates to that of B10.0030 for Series 1, 2. 4. 6 and 76. E.M. Gibson may have picked out the ones she wanted. Also box of 84 b/w slides that have been made of these photographs.The J. L. Proven and Emily Gibson Collections have been combined back to their original arrangement in 2 albums.Handwritten note attached, "Burnley Photos (1942-43 35 mm. (JLP). 1. Mar-Apr 1942 Excellent set of photos. 2. Sept 1942 Good photos. 3. Good photos - no negatives. 4. Useful photo - negative damaged beyond recovery."james leslie provan, students, principals, j.l. provan

Three share certificates, a, b, c, in the name of James Stewart, dated 23 October 1897 and two dated 12 February 1898. Certificates are for 100 shares, Certificate No 1024, numbered 4301 to 4400, Certificate No 1059, 23935 to 24034 and Certificate No 1064, 18868 to 18967. Certificates are signed by J H Craig, Manager and? Kirfold and Gibson, Directors. 'Calls Paid' is stamped on the back.share certificate, golden pyke quartz mining company no liability, share certificates, james stewart, kirfold, gibson, j h craig, ernest yeo, vic stewart, v slevanson, j b young