In 1904, at the initiative of Premier Thomas Bent, Victorian Railways was authorised to build an electric street railway from St Kilda to Brighton. The line opened in early 1906 and was one of Melbourne's first electric tram services. On Saturday 5 May, 1906, Premier Thomas Bent performed the opening ceremony of the St Kilda to Brighton electric tramway at the Brighton Terminus, presided over by Cr. Thomas Wilson, Mayor of Brighton, with refreshments following at the Brighton Yacht Club. About 60 representatives were in attendance including the Railway Commissioners and the mayor and councillors of St Kilda, Brighton and Caulfield. The newspapers of the day commented that the cars were the best yet seen in Australia, possessing a great advantage over the Sydney trams, in that they are easily entered, and the glass windbreak was another improvement in design. The tramway from St Kilda to Brighton terminus took 18 minutes, including stops. thomas bent, premier, cr. thomas wilson, mayor, electric railway, electric tram, st kilda, brighton, official opening, public transport

electric street railway, public transport, st kilda, brighton, mayor, councillors, thomas bent, premier, opening, celebration, cr. t. wilson, cr. h.b. gibbs, hon. d.e. mcbryde, mr goddard, mr j.n. browne, town clerk, mr bradford, electrical engineer, mr tait, railways commissioner, hon. j.c. campbell, mr rees, mr r.g. mccutcheon, sepia, photograph, tram

Recovered by the donor, with approval of the Depot Foreman, from the wreckage in the SEC Ballarat yard from the demolished Tram No. 20 that was involved in a collision on 16/9/1970. One of the support members, near the bell striker has been broken through and the area where it was secured to the roof of the tram at the same end has been bent. This may be the result of the accident. JS - John Stephenson of New York?Demonstrates a conductors communication bell made by or for use on Melbourne tramcars. A reminder of SEC Tram No. 20 which was involved in a major accident in Victoria St on 16/9/1970Brass Conductor Signal or Communication Bell, consisting of cast frame, bell, striker, bell pull part, one nut to secure the bell to the frame and a screwed bolt for the bell pull part. Has a section of leather bell cord and a leather bell cord hanging piece. Has the initials "JS" cast in both ends that were used to secure the bell to the roof. Has two metal clips used to secure the leather bell cord into position.conductor, bell, trams, ballarat, tram 20, accidents, tramways

The Deaf Mutes' Bazaar and Village Fair was held in the Town Hall, Melbourne with sixteen suburbs represented by stalls. The aim in holding the Bazaar and Fair was to raise funds in aid of the proposed farm and home for aged, infirm and feeble-minded deaf mutes in Blackburn.This booklet is significant as a souvenir of the Deaf Mutes Bazaar and Village Fair, the major fundraising event for the proposed farm and home for Deaf adults at Blackburn.Size 14cmHx22cmW; 32 pagesdeaf mutes bazaar and village fair, thomas bent, ernest j. d. abraham, m. l. miller, d. s. abraham, h. sumner martin, councillor weedon, blackburn, melbourne town hall, toorak, camberwell, port melbourne, essendon. hawthorn, footscray, collingwood, malvern, richmond, elsternwick, st. kilda, brunswick, fitzroy,

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

Possibly used to melt substance over the stove in the assay room. Forged iron oval bowl shaped pot with long hollow cylindrical handles on either side (threaded on one end) and slightly bent.

The photo shows trams 40 & 17 passing on the loop in Pakington St at Clarence Sts in West Geelong. Has a "Fishorium" (fish shop), A E Bent Radio, a Grocery shop, Commercial bank, a butcher, and the State Savings Bank of Vic in the photo. Photo undated, Keith Kings late 1955 or early 1956, photo number Q(R)(8)Yields information about the West Geelong shoping centre and tramway operations.Black and white photograph with notes on rear.See rear image and context.trams, tramways, pakington st, geelong, west geelong, tram 40, tram 17

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

Group of five photographs mounted on card: (a) Exhibit at Melbourne exhibition, probably 1888, for James Taylor Monumental Works; photo by 'Bent' Pall Mall Sandhurst. (b) Family group( two adults, Four children) in front of a Victorian home, the home has a bay window and ornate stonework. (c) Workers posed in front of an unnamed Brewery, High St. Golden Square. This photo is by R. Dermer Smith, Bull St. Sandhurst. (d) Royal Hustlers Mine (1150), Barnard St. Bendigo, adjoining the old upper reserve dam (now the Olympic pool). Photo taken in the early 1870's looking north. (e) In the garden of Fortuna, with George Lansell? In the foregroundR. Dermer Smith, Bentphotograph, bendigo area, george lansell, fortuna, royal hustlers mine, brewery golden square, james taylor monumental works, r. dermer smith. bent sandhurst

Eight 'Cartes de Viste' produced by Bendigo photographers. All subjects are unnamed. Black and white photographs, three of which have been colour tinted.3 by Chevalier Pall Mall 3 by N White Mitchell St Sandhurst one by J W Burrows Pall Mall Sandhurst one by M Bent Centre of Pall Mallphotograph, portrait

This booklet from 1879 was given to the Moorabbin Historical Society when the Robert Keys Leader Cup Trophy, 1882-1883 was re-discovered at 'Box Cottage' Museum in 2009. The Leader Cup Trophy, MAV 00001, is also itemised in this booklet (p9) The Leader Newspaper offered the 'Silver Cup, value Five Guineas for the best fruit garden in the Brighton District. The Proprietors of the English, Scottish and Australian Chartered Bank offered an second prize of three Guineas Commencing in 1856, the Brighton Horticultural Society only disbanded in 2009, and most of their archival holdings were given to the Brighton Historical Society. This booklet gives a good idea of the large varieties of plants, poultry and the skills of the pioneer settlers of the Brighton District.This Booklet describes the Schedule of Prizes for the 1879 Grand Annual Exhibition of the Brighton Horticultural Society in Brighton Victoria. The Booklet was donated to the Moorabbin Historical Society in 2009 upon the disbanding of the Brighton Horticultural Society..at that time. The Moorabbin Historical Society possesses the 1882 'Leader Cup Trophy' (cat 00001) presented to Robert Keys for the best Fruit Garden. This booklet is kept in the same cabinet as the Robert Key's Silver Trophy. After Henry Dendy's Special Survey in 1841 allotments of land were sold or rented to pioneer settlers who developed market gardens , fruit gardens and poultry farms in the Brighton area. Their produce was sold at the St Kilda and Melbourne Markets for the growing population of MelbourneBooklet with mauve paper cover and 16 pages listing the Schedule of prizes for the 1879 annual exhibition of the Brighton Horticultural Society to be held in Brighton, Victoria."1879/ SCHEDULE OF PRIZES/OFFERED FOR COMPETITION BY THE/ BRIGHTON HORTICULTURAL SOCIETY,/ AT THEIR/ GRAND ANNUAL EXHIBITION/ OF / ROSES,/ CUT FLOWERS, POT PLANTS,/ FRUITS, VEGETABLES,/ POULTRY, PRODUCE, &c.,/TO BE HELD IN THE/ ARTILLERY PARADE GROUND, CRESCENT, / BRIGHTON,/ Near the North Brighton Railway Station, / ON / SATURDAY, 8th NOVEMBER, 1879./ ADMISSION 1s. / Doors open at 2 o'clock. / Brighton: / G. H. ORFORD, MACHINE PRINTER, NEXT NORTH BRIGHTON STATION. / 1879 ;melbourne, keys robert, trophy, leader newspaper, leader cup, brighton, silver, moorabbin, bentleigh, markets, dendy henry, st kilda, bent thomas, market gardens, brighton horticultural society, fruit gardens, banks chartered

Black and White photograph of SW6 923 towing a Z class truck into Miller St tracks alongside Preston Depot - c1975. The truck has a cover over it and has been fitted with two red flags, one of which is bent. The tow bar itself also has a severe bend in it. The tram has adverts for Gauloises cigarettes and T& G Life insurance.trams, tramways, preston workshops, sw6 class, z class, testing, tram 923

Double sided A4 sheet, on plain paper, printed in colour, titled "A Century of electric trams - A Melbourne celebration" looking at the celebration by Yarra Trams of the century of electric trams in Melbourne - particularly the St Kilda Brighton VR line, Sir Thomas Bent, and its closure in 1959. Seven copies held. Has the RSL, Shine of Remembrance, 100 years of trams and Yarra Trams logos.trams, tramways, vr, st kilda brighton, opening, tramcars, centenary, 100 years of electric trams

Double sided A4 sheet, on plain paper, printed in colour, titled "Essendon Depot centenary - A Melbourne celebration", looking at the history of Essendon depot, its opening in 2006, staffing, routes, Puckle St and the depot in 1006. NMETL. Seven copies held. Has the Yarra Trams logo.trams, tramways, essendon, nmetl, puckle st, opening, tramcars