Jane Fitzgibbon, Proprietress. Cobb & Co. Booking Office. Plate 321 Chuck Photo Series.provincial hotel, jane fitzgibbon, lydiard street north, building, hotel, public, irwin's provincial hotel

Black and white image, copy : Image shows three storey stone building on corner of Williamson street and High Street. Name on lower storey 'Theatre Royal' on top ' Cobb & Co., Booking Office' on LH side of Theatre ' J. Kronheimer & Co, tobacconists' Road is dirt. Two horse and carriages on LH side on road.Batchelderplace, bendigo, theatre royal, kronheimer's, sandhurst, bendigo, theatre royal, cobb & co, kronheimer & co.

wner could not obtain the necessary licence and it became a coaching House for Cobb & Co. The building was demolished in 1971.John C. Paul, Prince Albert Hotel c.1851 1973, watercolour, 28 x 40.9 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, prince albert hotel, historic building, john c paul, cobb & co.

black and white copy mounted on board. Image shows a 'Jack' type coach, built in the USA for Cobb & Co., Australia's runs. Boy in rear seat up top, children in driver's seat. Written on bottom 'A 'Jack' coach built in the USA.business, transport, cobb & co., cobb & co., jack coach, transport

SWAN HILL PIONEER SETTLEMENT VICTORIA Paddle Steamer GEM SWAN HILL PIONEER SETTLEMENT VICTORIA COBB & CO COACH D688 LOCOMOTIVEswan hill pioneer settlement, victoria

Yields information about Ballarat 's No. 23 returning to the depot after running a special tram to meet the Cobb and Co coach in Victoria St in August 1951.Digital image from the Wal Jack Ballarat Album of No. 23 on its final run back to the depot following the Victoria St and Cobb and Co event on 20-8-1951, at Ascot St. Tram showing special. See image i2 for rear of photograph.Written on rear in ink "SEC Ballarat, No.23 on its final run to depot via Ripon St (4pm) 20-8-51 Stopped at Sturt and Ascot Sts" and the Wal Jack stamp in the top right hand corner, with "T725" written in.trams, tramways, gold tram, ripon st, sturt st, tram 23

Two copies of Beige card advertising the Bendigo Municipal Centenary 1871 - 1971 Celebration Ball held on the 23rd July, 1971. A photo of Pall Mall in 1857 is on the card. Two businesses are ? Van Damme, Tobacconist and Morey & Snow, a Cobb & Co Booking Agent.entertainment, dance, ball, peter ellis collection, bendigo municipal centenary 1871 - 1971 celebration ball, pall mall, van damme, morey & snow, cobb & co

Diggers & Mining. The Chinese on the Gold Fields. Slide: Shows stage coach overloaded with people and their belongings. Wording: This photograph shows a diggings party on a Cobb & Co. coach near Newstead c. 1870. Note European dress. Markings: 14. Used as a teaching aid.hanimounteducation, tertiary, goldfields

copy of black and white image: image shows Mr. Bannerman's transport to Huntly from Bendigo. A body of a Cobb & Co., coach is mounted on a Model T. Ford chassis. On bottom : ' Bendigo's Cobb' coach of the 1920's. Mr. Bannerman of Huntly mounted a Cobb body on a Model T. Ford chassis - to provide the first motor transport between Huntly and Bendigo' Image used for display.///mounted black and white Photo of converted Model T ford -two men are sitting on the roof , two men in the front there is a carriage at the back showing three men inside with one man standing outside at the back -a sign at the side shows -Huntly .business, transport, cobb & co., bannerman, huntly, cobb & co., transport

Photocopy of part of City of Ballaarat's Mayor's Report for 1950 - 1951. Originals held in the Ballarat Library. Three pages covering trams, railways, centenary of discovery of gold and photo of Cobb & Co. coach arriving Ballarat with trams in background. Image added 18-12-2016trams, tramways, city of ballaarat, trams, railways, civic history

Photograph of Pall Mall in 1857, on the right of the photo can be seen K. Van Damme, Tobacconist and next door to that is the Cobb & Co. booking office. This photo is mounted on card, and the words ' Pall Mall Continued ' are written along the bottom. Also included are three separate copies of this photo.Alexander Foxplace, bendigo, pall mall, pall mall, sandhurst, k. van damme, cobb and co. early bendigo

A fascimile (printed in black ink on white paper) of an original Cobb & Co. coach ticket. Ticket number is 11804. No detailsof passenger, journey or date have been filled in. Includes an envelope pre-printed from Cashier, Telecom Australia GPO Box 9901 Melbourne Vic 3001.COBB & COMPANY LIMITED / Telegraph Line of (picture of coach and 2 horses) Royal Mail Coaches. Mr..................................... From.................................. to.................................................................... Time................................... Date...................................... 19.................. .£................. ...........................................................Agentcoach ticket, cobb & co., royal mail coaches

A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.F. Geoffrey Cobb Series No. 2 POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, postcard, souvenir, rose stereograph company, f geoffrey cobb, f geoffrey cobb series no. 2

Sepia coloured soft card cover with drawing of an inn with people and coach outside. Drawing is identified as the Halfway House Tyrendarra from a photo courtesy of Miss J Brownlaw with artist Pam Sillard. Title in brown text. Author’s name in brown text at bottom of front cover. 112 pages with 22 chapters and index at the back.non-fictionA study of hotels, inns and breweries in the city of Portland and the former shire of Heywood, Victoria. watering holes, portland, shire of heywood, pubs, hotels, inns, breweries

Yields information about interior of Ballarat tram No. 23 in the 1950's.Digital image from the Wal Jack Ballarat Album of the interior of No. 23 at the depot on day before its run Victoria St to meet the Cobb and Co coach (See Reg Item 5321 and 22.) Taken by Wal Jack 19-8-1951. See image i2 for rear of photograph.Written on rear in ink "SEC Ballarat, Interior of No.23 at depot 19-8-51" and the Wal Jack stamp in the top right hand corner with the number "T20/PC" written in.trams, tramways, gold tram, depot, interiors, tram 23

Yields information about Ballarat 's No. 23 running a special tram to meet the Cobb and Co coach in Victoria St in August 1951.Digital image from the Wal Jack Ballarat Album of No. 23 leaving Sturt and Lydiard Streets, on the run to Victoria St to meet the Cobb and Co coach (See Reg Item 5321 and 5323 also.) Taken by Wal Jack 20-8-1951. See image i2 for rear of photograph.Written on rear in ink "SEC Ballarat, No.23 Gold Tram Sturt St Ballarat 20-8-51 2.30pm" and the Wal Jack stamp in the top right hand corner, with initials "LW" written in.trams, tramways, gold tram, sturt st, special trams, tram 23

Axedale is a town in Victoria, Australia. It is located on the McIvor Highway, in the City of Greater Bendigo, east of Bendigo. It was surveyed and proclaimed in 1861. At the 2021 census, Axedale had a population of 984. The town is nestled alongside the Campaspe River which feeds out of Lake Eppalock. It has a golf course, tennis courts, a school, a pub and a convenience store/petrol station. It lies between Heathcote and Bendigo.Forty Photos taken on the walking tour of Axedale by the Bendigo Historical society. Places visited included the Protestant and Catholic Cemeteries, the "Blue Stone House", the 150-year-old bridge over the Axe Creek on the Sugerloaf Road, the old Cobb and Co Stables, St Andrews Church and the Campaspe River Bridge.axedale, bendigo historical society walking tour, st andrews church axedale, axedale cemetery, axe creek bridge, campaspe, cobb and co stables axedale, blue stone house axedale

Cobb & Co coach preparing for Ballarat Centenary parade photographed in Armstrong Street Ballarat near Market St with the market and sales yards behind. Part of the Franklin/Martin collection donated in 2012.Small black and white photograph poorly focussed on page of photo album with several similar from the Ballarat Centennial celebrations of 1938.

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. c1971. (Pam Payne)

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. 1971. (Pam Payne)

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. 1971. (Pam Payne)

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. 1971. (Pam Payne)

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. 1971. (Pam Payne)

First Ringwood Spring Fair (did they ever hold another?) at various locations. In Notlen St the band included Gendarme the famous Victoria Police horse, and the Cobb and Co coach. The balance of the Spring Pair photos were taken in the park/ gardens opposite the old Ringwood Market site. 1971. (Pam Payne)

black and white photo mounted on board. Image shows Cobb and Co. coach, heavily laden, with boy standing on side step. Man at front beside eight horses ? Team .A man is sitting holding the reins .A dog is standing under the rear Axle Written on bottom ' a heavy load' - used for display purposes.business, transport, cobb & co., cobb and co., transport

Yields information about Ballarat 's No. 23 illuminated in the depot.Digital image from the Wal Jack Ballarat Album of No. 23, as the Gold tram lit up inside the depot, prior to use on Victoria St to meet the Cobb and Co coach (See Reg Item 5321 and 22.) Taken by Wal Jack 19-8-1951. See image i2 for rear of photograph.Written on rear in ink "SEC Ballarat, No.23 inside depot 19-8-51" and the Wal Jack stamp in the top right hand corner with the number "T21/PC" written in.trams, tramways, gold tram, depot, tram 23

The garage was located in Bath Lane and was once the Cobb & Co. Letting Stables. Adam Lindsay Gordon lived in a cottage behind the stables. The Town Hall Hotel can be seen in the background. This was in the Ballarat Homecoming publication.j.mcdonald, motor garage, bath lane, cobb & co, adam lindsay gordon, town hall hotel, building, vehicle, commercial, ballarat, ballarat homecoming

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program