Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights. an The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. A black vinyl case with a carry handle. It contains documents relating to the Orbost Municipal Band - financial reports in ledgers and exercise books; cheque books and deposit books from the Commonwealth Bank; receipt books; invoices; receipts; submissions; quotes; and five cheque book stubs.labelled Orbost Municipal Bandorbost-municipal-band accounts book-keeping

Ballarat Tram No. 31, freshly painted, waits at Lydiard and Sturt Streets before proceeding to Gardens via Sturt on 31-3-1962. No ads on tram. Old Commonwealth bank and National Mutual Life buildings in background. Garden seats located at the tramway centre in foreground.'SEC Ballarat, No. 31 Sturt St., 31-3-62' in blue inktramways, trams, ballarat, sturt st., lydiard st north, tram 31

Withdrawal slip from State Bank Victoria, pre 1990, following merger with Commonwealth Bank of AustraliaSingle-sided form, printed in red ink on white paperstate savings bank of victoria, commonwealth bank of australia

Pale bluish receipt for gold. Commonwealth Bank of Australia, Bendigo. Bought of Betts & Phy for 13 oz. 3 dwts. 18 grs. @ £4 p oz. £52.15. Oct 31st 1919. Initialled. On the back 'To Company 26-19-3'. To tributors 4{25.15.9 = 6.8.11.document, gold, receipt for gold, document, receipt for gold, commonwealth bank of australia bendigo, betts & phy

Yields information about the City tram stop and the north side of Sturt St at Lydiard St.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 8/3/1960 of: Tram 31 at the intersection of Sturt and Lydiard St. Has a destination of Gardens via Sturt St West which is incorrect. A lady is loading a pram. Has the Commonwealth Bank in the background.Stamped on bottom of slide "8 Mar 60".tramways, trams, sturt st, lydiard st, tram 31

Yields information about the appearance of Sturt St in the mid 1950's and No. 41.Digital image from the Wal Jack Ballarat Album of photographs of No. 41 at the tramway terminus, City, Lydiard St with the tram proceeding to Lydiard St North. Photo dated 1956, by an unknown person. Has the Commonwealth bank building in the background. See image i2 for rear of photograph. on rear in green ink "City Terminus Ballarat"trams, tramways, sturt st, city, tramway centre, tram 41

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Colour photograph, printed on a postcard back format of SEC Ballarat of No. 40 at the city terminus, with the destination of Gardens via Sturt St West. Behind the tram is another bogie tram and a single trucker turning from Lydiard St North into Sturt St. Commonwealth Bank building is in the background.trams, tramways, sturt st, lydiard st, tram 34

The closure of the Commonwealth Bank branch in Watsonia is hurting businesses, with a popular store shutting its doors after 20 years.News article 1 page, black text.commonwealth bank, watsonia traders association, watsonia shopping centre

Photo of Ballarat No. 12 at the intersection of Sturt and Lydiard Sts., 21/3/59. Tram fitted with large reflective triangles and other reflective strips. Has Victoria St. destination. Old Commonwealth Bank building, MLC in background. Tram on opposite of road. Seats for passengers painted various colours'SEC Ballarat No. 12, Sturt St., 21-3-59, W.Jack photo' in blue inktramways, trams, sturt st, lydiard st, tram 12

This building no longer exists. The new building on the site was used as a branch of the Commonwealth Bank for some years, and is now (2019) the Anglican Op-Shop.Black and white photograph of O Gilpin's Storegilpin, stores, shops

Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loop, Yields information about Ballarat's trams in the early 1970's and the Drummond St streetscape near the Mill St loopBlack and white print of Ballarat 33, in turning from Lydiard St Nth into Sturt St, with the Commonwealth Bank and buildings on the south side of Sturt St.. Two copies. Photo by Doug Colquhoun, 15/5/1971. Trams has the destination of Sebastopol and has a "Twin Lakes" sign on the dash panel. In the photograph is signage for Dickins, Neptune, Commonwealth Bank and Patersons. Has two young ladies walking across the street and the ESCo electrical cabinet. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 33 / 15/5/71 4164 / Lydiard St @ Sturt St / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, sturt st, fashions, lydiard st nth, tram 33

Yields information about the use of the appearance of City terminus and vehicles during the late 1950's.Black and white photograph of Ballarat tram 25 at the City terminus, westbound to Gardens via Drummond North with passengers at the tram stop. In the photograph is the tram stop signage, the Commonwealth Bank, Unicorn Hotel and the Ballarat Mechanics Institute. Photo by Charles Craig possibly late 1950's. Two copies held. trams, tramways, sturt st, city, tram 25

Yields information about the Sturt and Lydiard St intersection and tram services.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 21 turning from Sturt St south side into Lydiard St North. Has the Commonwealth Bank building, National Mutual, and Craig's Hotel. The small newsagent kiosk is in the photo. C. Marks Jewellers in the National Mutual building sign. trams, tramways, sturt st, lydiard st north, tram 23

Yields information about the shunting of trams from the south side of Sturt into Lydiard St north - not a usual move.Negative and Digital images of the Wal Jack Ballarat Negative file of a bogie tram (could be 36, 38 or 39) turning from the south side of Sturt St into Lydiard St North. Tram not carrying passengers. Appears to have an inspector watch the rear truck. In the background is the Commonwealth Bank and Craig's Hotel.trams, tramways, sturt st, lydiard st north

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right.

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer

Colour photograph, printed on a postcard back format of Ballarat No. 18, showing "special" and No. 21 turning from Sturt St into Lydiard St. Nth. Has Post Office, Commonwealth bank in the background. No. 21 has an auxiliary board advertising a Fete - see also Reg. Item 2020 and 3192 for 18 with the same sign.On the rear in pencil "Ball 18 & 21 / Ron Scholten Collection for BTM archives".trams, tramways, post office, sturt st, lydiard st nth, tram 671

Yields information about tram services and the street scene during the early 1960's outside the Town Hall.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 35 west bound in Sturt St crossing Armstrong St with another tram in the view behind. Tram running "Special" and has a Electric cooking roof advert. In the background is the Town Hall, the National Mutual Building and the Commonwealth Bank. Alongside is a Holden Ute. trams, tramways, sturt st, armstrong st, town hall, tram 35

Kalparrin Early Childhood Intervention Program received $10,000 from the Commonwealth Bank Community Grants Program to develop a program for children at risk of developing behaviour problems.News clipping, black text.kalparrin

The 10/- banknote was first issued on 1 May 1913 as a blue banknote payable in gold. It was equal to a half sovereign gold coin. This is an example of Australian pre-decimal currency.A brown rectangular paper Australian ten shilling note. On the obverse side is Matthew Flinders and on the reverseis Parliament House. The signatories are : H. C. Coombs, Governor, Commonwealth Bank of Australia and Roland Wilson, Secretary to the Treasury. The watermark is Captain Cook in left oval and ’HALF’ behind each signature. The serial number is AE 617665 72currency australian-ten-shilling-note

Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 36 at the city terminus, Sturt and Lydiard streets, south side. The tram has the destination of Sebastopol. In the background is the Commonwealth Bank. Passengers are waiting on the seats in the median strip with some boarding the tram. Tram stop pole with stop sign and end of section sign. Photographer unknown - see history of object.In the rear in pencil - "Ballarat"trams, tramways, sturt st, lydiard st, city, tram 36

Advertisement: Diamond Valley Leader, 9 November 2005, Ida Jane day and after 5 wear. Business card: Alice Ramsay, Personal Lender Manager, Commonwealth Bank.main road, eltham, shops, businesses, ida jane dress shop, alice ramsay, commonwealth bank

Building formerly State Savings Bank office 1960c, became the Commonwealth Bank until moved to new building in Lakes Plaza November 1994. Office of Warren, Graham and Murphy 1995c.Black and white photograph of a brick office building at 383 Esplanade. Floor to ceiling windows across front, steps leading to door. Auction sign at window with Sold across it. Lakes Entrance Victoriabuildings, community services

The photograph shows SEC Ballarat tram No. 38 at the corner of Sturt and Lydiard St with several lady passengers on board. The date and Photographer are unknown - c1970 given the new Commonwealth Bank building.Yields information about tram 38 at the corner of Sturt and Lydiard Sts.Black and White print on plain paper.tramcars, sturt st, tram 38